creative writing description eyes

How to Describe Eyes in Writing (21 Best Tips + Examples)

Eyes are often hailed as the “windows to the soul,” capable of conveying complex emotions without uttering a single word.

As writers, mastering the art of describing eyes can elevate your storytelling.

Here is how to describe eyes in writing:

Describe eyes in writing by focusing on color, shape, and emotional depth. Use descriptive words like “captivating” or “luminous.” Phrases like “windows to the soul” add layers. Consider eyelids, lashes, and blinking for subtle emotional cues.

In this guide, you’ll learn everything you need to know about how to describe eyes in writing.

1. The Color Palette: More Than Just Blue and Brown

Table of Contents

Color is usually the first attribute that comes to mind when describing eyes.

Going beyond the cliché blue and brown can bring your characters to life in vivid detail.

Try unconventional colors and make comparisons to set a mood.

For example, instead of saying, “She had green eyes,” you might say, “Her eyes were the color of freshly mown grass, evoking an undeniable feeling of rebirth.”

Different colors can invoke various emotions or suggest specific character traits.

“Eyes as gray as a stormy sea” could symbolize a tumultuous spirit or an adventurous soul.

Therefore, use colors not just as factual descriptions but as emotional or character-driven statements.

You can even mix colors for added depth, “His eyes were a mix of gold and brown, like a forest floor dappled in autumn sunlight.”

2. The Light Dance: Luminosity Unveiled

The way eyes catch light can describe more than just the setting sun or dim room.

It can tell your reader about the emotional landscape of your characters.

For example, eyes that “gleam like polished stones catching the midday sun” could portray a character in a state of clarity or revelation.

The luminosity of the eyes can also serve as a narrative device, enhancing the emotional undercurrents of a scene.

“Her eyes dimmed, mirroring the dwindling campfire, as she heard the sad tale” can infuse additional layers of emotion into the situation.

This can help the reader feel the gravity of the story along with the character.

3. Shape-Shifting: The Geometry of Gaze

The shape of a character’s eyes can be a playground for creativity.

From almond-shaped to round, the geometry of eyes can offer readers clues about a character’s disposition.

For instance, “Her oval eyes always had a dreamy look, as if she were perpetually lost in thought” can say a lot about the character’s daydreaming nature or thoughtful demeanor.

Don’t forget that eye shape can be dynamic, changing with emotional states or circumstances.

You might describe a normally cheerful character as having “eyes that narrowed into cold slivers when he heard the disparaging comment.”

This not only gives your characters depth but also builds a stronger emotional connection with the reader.

4. Blink Back the Emotions

Never underestimate the power of a blink in conveying emotional subtlety.

A quick blink can express surprise.

While slow, measured blinks could imply a character is deeply contemplating a decision.

For example, “She blinked rapidly, as if trying to ward off the tears that threatened to spill,” succinctly captures a moment of emotional vulnerability.

A single blink can also serve as a pivotal moment in the story.

“He blinked once, slowly, as if imprinting the scene onto his soul” not only adds emotional weight but also signals a significant moment.

5. Mirrors and Windows: Emotional Portals

Eyes can act as mirrors reflecting internal emotions or windows offering a glimpse into the soul.

A character’s gaze can speak volumes, revealing underlying feelings or thoughts.

“His eyes were impenetrable mirrors, reflecting nothing but deflecting everything,” suggests a stoic or guarded individual.

In contrast, eyes can serve as open windows, giving readers insight into a character’s emotional state.

“Her eyes were open windows to her joy, sparkling like stars on a clear night,” indirectly reveals the depth of her happiness.

Using this technique can convey complex emotions in a show-don’t-tell fashion.

6. Crinkles and Lines: The Etchings of Experience

The skin surrounding the eyes can be a treasure trove of storytelling.

Whether it’s laugh lines or weary creases, these “etchings” can reveal a character’s history or emotional state.

For example, “Her eyes were framed by lines that spoke of decades filled with laughter and resilience” provides a wealth of information about a character’s life experiences.

On the flip side, you can use the absence of these lines to highlight a different set of experiences or qualities.

“His eyes were alarmingly smooth, devoid of the wrinkles that often accompany age, as if time itself hesitated to mark him.”

This could signify a range of possibilities—from a sheltered life to a mysterious, age-defying character.

7. The Focus Factor: Where the Gaze Lands

Where a character focuses their eyes can indicate interest, discomfort, or even deceit.

“She couldn’t maintain eye contact and her gaze kept drifting to the floor,” could suggest a lack of confidence or that she’s hiding something.

Here’s another example: “His eyes locked onto the painting, absorbing every brushstroke as if trying to capture its essence.”

The focus of the gaze is telling of the character’s artistic interest.

Or perhaps a deeper emotional connection to the artwork.

Employ focus intentionally to add another layer of complexity to your characters.

8. The Invisible Force: Magnetic Attraction or Repulsion

Sometimes eyes don’t just look; they draw in or push away.

Describing this invisible force can add an ethereal quality to your characters.

“Her eyes seemed to pull him in, a gravitational force he couldn’t resist,” not only describes attraction but also gives it a nearly magical, irresistible quality.

Alternatively, eyes can repel, emitting an almost palpable energy that keeps people at bay.

“People avoided looking into his eyes, as if a simple glance could cast a dark shadow over their day.”

This can set the mood quickly and establish a character as menacing or tragically solitary.

9. Eye-talk: Silent Conversations

Eyes can often communicate messages that words fail to capture.

Describing these “silent conversations” can create emotionally charged scenes between characters.

For instance, “Their eyes met, and in that brief moment, a flurry of unspoken apologies and forgiveness exchanged.”

In a more humorous scenario, you might write, “A roll of her eyes spoke louder than words, a whole paragraph on why the joke was painfully unfunny.”

Use eye-talk to demonstrate the depth of understanding or the lack thereof between characters.

By doing so, you enrichen the personal dynamics in your story.

10. Motion and Emotion: The Kinetics of Eye Movement

The movement of eyes—darting, sweeping, flicking—can indicate a variety of emotions or thoughts.

“Her eyes darted around the room, like a hummingbird seeking nectar, but finding none,” could indicate anxiety or a feeling trapped.

Movement can also be slow and calculated: “His eyes slowly scanned the crowd until they landed on her. It was as though he had found what he was unconsciously searching for all evening.”

Here, the eyes act almost like a compass, guided by emotion or instinct to find a person in a crowd.

11. Veils and Shields: The Role of Eyelids and Lashes

Eyelids and eyelashes do more than just frame the eyes.

They act as veils or shields, expressing vulnerability or defense.

For example, “Her eyelashes were a curtain that she dropped quickly, hiding the turmoil that had briefly flickered in her eyes,” could indicate a momentary lapse in an otherwise strong facade.

On the other hand, “His eyelids lifted slowly, as if reluctantly allowing access to the secrets hidden in his gaze,” paints a vivid image of a guarded individual.

With eyelids acting as gatekeepers and eyelashes as intricate curtains, your description gains a theatrical quality.

12. Icy Stares and Fiery Glances: Temperature Imagery

Using temperature as imagery can add another layer of emotional context.

“Her gaze was icy, freezing everyone it touched, making even a crowded room feel lonely,” effectively conveys detachment and emotional coldness.

Alternatively, “His eyes burned with a fire that could ignite even the most dampened spirits,” suggests passion.

By assigning a “temperature” to your characters’ eyes, you’re doing more than describing.

You’re setting the emotional climate of your story.

13. Twin Moons: Symmetry and Asymmetry

Our eyes are often assumed to be symmetrical.

But describing a character with slightly asymmetrical eyes can add an interesting twist.

“Her right eye was noticeably larger than her left, as if it had seen more of the world and expanded with wisdom,” can introduce an element of uniqueness and intrigue.

Conversely, perfect symmetry can be used to highlight otherworldly beauty or artificiality.

“His eyes were symmetrically perfect, each a mirror image of the other, making him appear almost too flawless, like a sculpture.”

14. Distance and Depth: Proximity of Emotional Connection

The physical space between eyes can symbolize emotional distance or closeness.

“Her closely set eyes, like parallel lines that never meet, made it hard to decipher her emotions,” suggests a character who might be emotionally inaccessible.

On the flip side, consider: “His wide-set eyes seemed to embrace the world, absorbing its myriad colors and nuances.”

This description could indicate a more open, emotionally available individual.

The space between eyes can become a metaphorical playground for writers.

15. Transient Hues: Changing Colors

Some eyes change colors depending on the lighting or the character’s mood.

Describing this can add a mystical or unpredictable quality.

“Her eyes shifted from a deep blue to an oceanic green when she was lost in thought,” opens up a realm of questions and adds an element of unpredictability to the character.

Or you might write, “As he grew angrier, the brown of his eyes seemed to darken, like clouds gathering before a storm.”

Changing colors can make your character seem complex and intriguing, demanding the reader’s attention.

16. Windows or Walls: Transparency and Opacity

The eyes can be either transparent windows to the soul or impenetrable walls.

For example, “Looking into her eyes was like staring into a clear pond, where even the smallest pebble on the bottom was visible,” indicates transparency and vulnerability.

Contrastingly, “His eyes were like tinted windows—no matter how hard you looked, you couldn’t see inside.”

The latter communicates a sense of emotional fortification.

Transparency and opacity serve as tools to indicate how approachable or aloof a character is as a person.

17. Spotlighting: Single Eye Focus

Most descriptions involve both eyes, but focusing on just one can create an arresting image.

“Her left eye seemed to flicker with an inner light, commanding attention and distracting from her otherwise placid face,” can indicate a multifaceted character with hidden depths or asymmetrical qualities.

Or perhaps, “His right eye twitched involuntarily, belying the calm he otherwise projected.”

A focus on a single eye can serve to amplify emotion, make a character more memorable, or highlight an incongruity in their personality.

18. Eye Accessories: Glasses and Contacts

Glasses or contact lenses can be more than just functional.

They can offer insights into a character.

“Her thick glasses magnified her eyes to an impossible size, giving her an air of constant astonishment,” shows how glasses can be used to amplify a character trait.

Accessories become an extension of the character, revealing their choices, desires, or insecurities.

19. A Picture Is Worth a Thousand Words: Artistic Imagery

Sometimes, describing eyes as artworks can be exceptionally evocative.

“Her eyes were like a Jackson Pollock painting, a chaotic blend of colors that somehow made sense,” can indicate a complex and unpredictable character.

Or perhaps, “His eyes resembled a Van Gogh sky, swirling with depth and endless hues of blue and yellow.”

Artistic comparisons not only make the description more vivid.

But can also provide an intellectual backdrop to your character’s emotional landscape.

20. The Art of Avoidance: When Eyes Are Hidden

There can be significant impact in moments where a character’s eyes are hidden—by hair, a hat, or even their own hand.

“His eyes were obscured by a mess of unruly hair, as if he was deliberately hiding from the world,” can suggest a character who is emotionally unavailable or in a state of internal chaos.

Conversely, “She covered her eyes with a hand, as if blocking out the reality before her,” could indicate denial.

Or, perhaps, a reluctance to face the truth.

The absence or obstruction of eyes can speak volumes, adding a layer of complexity to the narrative.

21. The Blink Code: The Tempo of Eye Movement

The rhythm and tempo of blinking can subtly express a character’s emotional state or intentions.

Rapid blinking might reveal nervousness, excitement, or distress.

Slow, deliberate blinks could convey thoughtfulness or calm.

The blink can be as revealing as any other aspect of eye description, acting as a silent Morse code that conveys underlying emotional states.

For example, “Her eyelids shut tightly and reopened slowly, as though she was steeling herself for what was to come. Each blink seemed to be a word in a private language of courage.”

Here is a good video about how to describe eyes in writing:

10 Elements of Eyes to Describe in Writing

To summarize, here are 10 elements (or traits) of eyes that you can describe:

• Color : The most obvious characteristic, but it can say a lot about a character. Blues, browns, greens, and grays each have their own set of associated traits and emotions.
• Shape : The shape of the eyes can lend personality cues. Almond-shaped, round, or narrow eyes can make a character seem mysterious, innocent, or intense.
• Size : Describing the size of the eyes can also give hints about a character’s personality. Large eyes might convey innocence or openness, while small eyes could suggest cunning or secrecy.
• Luminosity/Brightness : How bright or dull the eyes appear can reflect the character’s emotional state or overall personality. Luminous eyes might signify vitality or a strong spirit.
• Transparency : This refers to how “readable” the eyes are. Are they the proverbial “window to the soul,” or are they more like impenetrable walls?
• Intensity : The power of a gaze can say a lot. An intense stare may show determination, while a lack of intensity could signal disinterest or fatigue.
• Texture : While not immediately visible from a distance, up close the eyes may have specks, flecks, or distinct patterns that could add uniqueness to a character.
• Direction : Where a character is looking—averting their gaze, staring straight ahead, or looking down—can show their emotional state and add context to dialogue and actions.
• Movement : This includes blinking, winking, or any other eye movements. Rapid blinking might indicate stress, while slow blinking could indicate thoughtfulness or calm.
• Surrounding Features : Eyebrows, eyelashes, and even the skin around the eyes can contribute to the overall impression. Bushy eyebrows, long lashes, or dark circles can add depth to your description.

30 Best Words to Describe Eyes in Writing

Here is a list of words to help you describe eyes in your stories:

• Melancholic
• Almond-shaped
• Calculating

30 Best Phrases to Describe Eyes in Writing

When a single word won’t do, you’ll need phrases for describing eyes.

Check out this curated list of phrases for how to describe eyes in writing:

• Eyes like saucers
• Windows to the soul
• A storm brewing in his eyes
• Eyes bright with unshed tears
• A twinkle in her eye
• Eyes darker than midnight
• Eyes that held galaxies
• Deep pools of emotion
• Eyes like open books
• Eyes narrowed in suspicion
• Eyes as cold as ice
• An unreadable gaze
• Pools of molten gold
• A piercing gaze
• Eyes dancing with mischief
• Eyes filled with wonder
• A guarded look
• Eyes aflame with passion
• A faraway look
• An inviting gaze
• Eyes shimmering like the ocean
• A gaze that could cut glass
• Eyes soft with compassion
• A lingering look
• A flirtatious glance
• Eyes clouded with doubt
• Eyes gleaming with intelligence
• An intense stare
• Eyes that defy description
• Eyes closed in contemplation

3 Full Examples of Describing Eyes in Different Genres

Let’s learn how to describe eyes in writing by looking at full examples in various fiction genres.

In the dimly lit room, his eyes caught hers, and it felt as though time stood still.

They were deep pools of chocolate, rich and warm, promising sweet secrets and hidden depths. A soft light seemed to emanate from them, casting a gentle glow that could melt the iciest of hearts. It was as though his soul was laid bare, and she felt herself drawn into his gaze, an irresistible force pulling her closer to the love she’d been seeking all her life.

As she walked through the enchanted forest, her eyes changed to mirror her surroundings.

Normally a plain brown, they turned into a swirling mix of emerald and gold, as if her irises were tiny galaxies with stars twinkling within. The transformation was spellbinding, making her appear not just of this realm, but a creature of otherworldly beauty.

Those eyes held power—power to unlock realms and unleash spells, a mysterious allure that could not be ignored.

His eyes were like shards of ice, a piercing blue that seemed to cut through the dim light of the interrogation room.

Each glance was calculated, devoid of emotion, revealing nothing yet seeing everything. It was a look that had unnerved many—a gaze that had stared down threats and seen horrors that would break most men.

His eyes were the epitome of a human lie detector, missing nothing, ever vigilant, and deeply unsettling.

Final Thoughts: How To Describe Eyes in Writing

The best way to describe eyes is blending the tips, words, and phrases.

Also, connect the bigger plot and theme to your eye descriptions.

Of course, there is much more than eyes to describe in your story. Read the other guides on our site to learn how to describe, people, places, and scenes in your story.

Read This Next:

• How to Describe a Greedy Person in Writing (21 Best Tips)
• How to Describe Nervousness in Writing (23 Tips + Examples)
• How to Describe a Hug in Writing (21 Best Tips + Examples)
• How to Describe a Smile in Writing (700 Ways & Examples)

65 Ways to Describe Sight and Eyes in Your Writing

Ever since William Shakespeare said:

“The Eyes are the window to your soul”

… people have been trying to decode ever glitter, wrinkle, squint, and gaze that passes from those orbs. When I read a description that catches my attention, I copy it down, using it later to remind me there’s more to a character’s eyes than ‘she looked’ or ‘his blue eyes’.

Here’s my list of 65 (and growing):

A note: These are for inspiration only . They can’t be copied because they’ve been pulled directly from an author’s copyrighted manuscript (intellectual property is immediately copyrighted when published).

• Eyed me as though his bullshit meter was ticking in the red zone.
• He blinked as his eyes adjusted.
• an alertness in the eyes, behind the glasses that sat crookedly on the nose
• Cold gaze fixed on the anxious young man
• Cast a skeptical eye
• Sure, we know that, said Herrera, taking off his glasses to inspect the lenses.
• Gaffan saw Marley’s eyes open wide in surprise and recognition.
• Eyes bleary from surveillance and the two-hour drive
• Vision narrowed to a pinprick
• Eyes clouded
• eyes locked on like magnets
• four pairs of eyes blinked in unison
• studied her with a predator’s unwavering attention
• blinked a couple of times

• eyes narrowed to slits
• Narrowed his eyes
• eyes locked in a shared understanding
• yellow rimmed eyes narrowing
• peer sightlessly at a wall
• eyes turned inward
• shook her head and stared at the pool
• Staring sightlessly into the darkness
• Stared off into the crowd but didn’t seem to see anything
• Stared into the distance
• Fixed expression
• Looked at a place somewhere over his shoulder
• focused on an empty space in the air between them
• eyes narrowed, she got a vertical wrinkle between her eyebrows. Her lips pursed slightly.
• Their eyes met, but he broke it off
• meaningful eye contact
• studied Hood with her level gaze
• risked a peek
• she screwed her eyes shut
• stared brazenly into her eyes
• opened her eyes wide
• dark eyes radiated a fierce, uncompromising intelligence
• rubbed raw eyes
• eyes felt scratchy and I was jittery with coffee and raw from sleeplessness.
• His eyes flickered past me.
• His eyes were never still and he never looked at me except in passing
• Caught her peeking at Hawk sideways out of a narrow corner of her right eye.
• Watching the bystanders from the edge of his vision
• Looked him over with the respect men who have not served give those who have

• Ferret-like eyes
• Dark eyes smoldering
• Lined from squinting into too many suns
• Eyes were dark pools of fear
• looked like hell—purple bags under her eyes,
• eyes carried a mixture of shock and barely contained anger
• bright eyes of an optimist
• one eye clouded with a cataract
• wounded eyes
• his body felt heavy
• eyes were dark, cupped by fleshy pouches
• wire-rimmed glasses
• Slate-blue eyes
• Dark solemn eyes
• Spark in his grey eyes
• Steely-eyed
• Huge blue eyes that gave her a startled look
• black circles beneath her eyes had become bruises
• Wide-spread aquamarine eyes
• brown eyes wearing reading glasses
• Piercing stare
• Close set black eyes
• Watery blue eyes
• Memorable only for his bleak eyes
• Nets of wrinkles at the corners of her eyes
• Eyes flat as little pebbles
• Steely eyed
• long eyelashes
• laughing eyes
• predatory eyes
• Eyes were red-rimmed from allergies
• Under heavy lids; heavy-lidded
• Sensitive brown eyes
• Eyes sunk into his sockets
• Competitive, fixed, dead-eyed, and querulous stare of people who weren’t getting far enough fast enough
• I’ve-seen-it-all eyes
• bedroom eyes, dark hair falling into them
• Crows feet radiated from corners of eyes
• the light fades from his eyes until they are dark and empty
• eyes were brown in the middle and bloodshot everywhere else
• stared through him
• Looked left and right before starting
• Pingponging his gaze between A and B
• His glance, as conspiratorial as a wink
•  eyes watched her the way a tiger watched a bunny
• Shadow passed over his eyes
• Flicker in his eyes
• Said without looking at him
• looked for a common theme, a thread of some sort
• She frowned–couldn’t recall the incident
• Heard little and cared less
• Hovering over her shoulder
• His eyes flattened
• His face hardened in concentration
• Thinking about my conversation with the old detective
• shot a look over the top of his glasses
• Squinted at the sun
• Arched an eye brow
• Looked at me with a strangled expression
• Bushy eyebrows
• eyebrows of white steel wool
• a single bushy bar above the eyes

More descriptors for writing:

Lots of them

48 Collections to Infuse Your Writing

What is a ‘Hacker’

Copyright ©2022 worddreams.wordpress.com – All rights reserved.

Jacqui Murray  is the author of the popular prehistoric fiction saga,  Man vs. Nature  which explores seminal events in man’s evolution one trilogy at a time. She is also the author of the  Rowe-Delamagente thrillers  and  Building a Midshipman , the story of her daughter’s journey from high school to United States Naval Academy .  Her non-fiction includes over a hundred books on integrating tech into education, reviews as an  Amazon Vine Voice ,  a columnist for  NEA Today , and a freelance journalist on tech ed topics. Look for her next prehistoric fiction,  Savage Land,  Winter 2024 .

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152 thoughts on “ 65 Ways to Describe Sight and Eyes in Your Writing ”

These tips would also help in writing better essays. Thankyou for sharing

Like Liked by 1 person

They would. Great suggestion.

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Pingback: 65 Ways to Describe Sight and Eyes in Your Writing – Nicole_6

So interesting!

Thank you! It’s easy to fall into the traditional color/size/that sort, but there is so much more to eyes than that. Which–of course–you understand, with your interest in music.

Thank you again for this wonderful reply 💝

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There is no copyright on most if not all of these. You may have copied them from a particular manuscript but the phrases themselves have been used thousands of times…”arched an eyebrow” , “Cast a skeptical eye” – c’mon…look at these phrases…they are all quite generic.

You are right–just an abundance of caution. Thanks, Vicki.

I think they’re pretty neat, Jacqui.

I absolutely love this list. Thank you so much. I’m always searching for lists. One of my favorite lists is finding words to use instead of said.

Glad you found it helpful!

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Jacqui, Can’t comment on just one post — I find something helpful in your posts on matter the subject. For now, the “eyes” have it. Thanks, also on commenting on my posts and for your regular blurbs. Mask up and enjoy the holidays.

I have quite a collection of masks these days! Thanks for the greetings, Nancy!

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Thanks for visiting.

Hi Jacqui, I just got your last book from Amazon and I started to read it. When the Thames is finished I will write about it, as promised. Joanna

Thank you, Joanna! I’d love that. But don’t rush. Your series on rivers is fascinating.

Very useful to many budding writers. Thank you, Jacqui, for your comments about the posts on my blog naturetails.blog I am back home from the hospital but still not very well. Nothing serious. Joanna

I’m so sorry to hear that, Gaby. It’s awful to be sick, especially now.

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Love this! Very helpful.

Thanks! Glad this was helpful.

Wow thanks!! These are worth remembering – or at least remembering where they are.

Pretty amazing how many ways there are to discuss ‘see’!

Reblogged this on Home – SFH and commented: This is such a good list for anyone need good sight words!

Thanks for sharing!

wow amazing list , Thank you for compiling it very useful to me !

I am so amazed by the creativity of writers. These really caught my attention.

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I will look at this list when I’m writing 🤔 my eyes would read. She looked through her red itchy eyes and decided he was a hunk. But what could she do about it at 61 and wrinkled skin. Go to Walmart for Gold Bond!

Like Liked by 2 people

Hehee. You and me both!

I think you are amazing with the wealth of words you provide.

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Just found this – these are great! My eyes are wide with admiration….

I see what you did there!

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Hi Jacqui, Thank you for liking my poem, I love writing poetry…and playing around with words::my passion! Add people and I’m made up! I enjoyed your lists and ideas; thank you.. To think there are only 26 letters in the English language. Isn’t it amazing what us writers do with them. Magic! Best wishes. xx

Well, Nature has us beat. Only 4 bases for DNA and look at all the variation. Yikes!

Thanks goes to you for promoting my work as a powerful Psychic spiritual healer in usa and for liking my blogs, let me live my number here +27634299958 whatsapp. THANKS

Like Liked by 3 people

Thanks for visiting me, too!

Love this! Thanks for taking time away from your writing to visit my blog!

Fun visit, Lily. I’m new to #authorstoolboxbloghop and am enjoying all the new writers I’m meeting!

I’m looking for some advice. I want to describe the look someone gives another person when the former is deliberately feigning interest in a way meant to convey mockery and contempt. I’ll try to give a brief example.

Person A says something person B finds ridiculous or uninteresting.

Person B, being a jerk, makes a sarcastic remark to the effect of “wow, how fascinating!” while giving person A a look that matches her attitude.

It’s all about body language…and the fact that it’s nearly 6 am and I am struggling to be descriptive! Thanks for your help.

Snide? Or dismissive? Or like you just stepped in a cow turd?

Hmm… Let’s see what anyone else has to offer!

some great ideas in this list Jacqui to stimulate the imagination. also, a good reminder about copyright 🙂

I’m pretty paranoid about copyrights. I’m perfectly happy paying for images rather than worrying they’re in the public domain.

exactly. i bought 5 images recently from shuttlestock. not very expensive.

Also technically you can’t copywriter a phrase you didn’t make up. “Narrowed his eyes” is on this list and I’m sure that’s been used thousands of times in manuscripts for many, many years. Copying a whole paragraph that a phrase is imbedded in is wrong, but using common phrases in your writing but putting it in your own context is not violating a copyright.

You’re absolutely right. Good to point this out!

“Eyed me as though his bullshit meter was ticking in the red zone.”. Awesome.

I’ve felt that way myself at times!

Seriously, this is a great list!

Great examples. You had me at the first one.

Yeah, I like that one too. It evokes some good mental images.

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This is excellent! Thanks.

Thanks! They are all quite authentic.

Thank you Jacqui! it was helpful..

I love hearing that, Vijaya.

This is a thorough and useful list, Jacqui. Thank you. 🙂 — Suzanne

I get a lot of inspiration from this one. Thanks, Patricia.

I love posts like this, Jacqui. They make me reach beyond the self-imposed limits of my little grey cells 🙂

Every time I prepare to write “he squinted” or “his ferret eyes”, I check this list. I can do so much more with eyes!

I’ve bookmarked it and will be using in the future 🙂

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Brilliant Jacqui thank you. The eyes are such a crucial element in connection with someone. Eyes meeting across a crowded room has been the start of many a wonderful romance…..

Thanks so much for sharing this post on your blog, Sally. It’s been fun hearing the feedback.

Pleasure Jacqui. x

Reblogged this on Viv Drewa – The Owl Lady .

Thanks for the reblog!

Reblogged this on Chris The Story Reading Ape's Blog .

Thanks for the reblog, Chris!

Welcome, Jacqui – great info 😃

It’s in august company on your blog.

THANK YOU, Jacqui ❤️

Reblogged this on Plaisted Publishing House and commented: Awesome writing tips for Sight and Eyes 🙂

Fantastic list, thank you!

My pleasure.

Excellent, Jacqui. Thanks for sharing.

These definitely inspire me when I get stuck. Thanks for visiting.

Haha! Love the 1st one, I have to use that on my hubby. LOLz

Oh yeah. I use it a lot on mine!

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Awesome write-up. I wonder if a person used some of these phrases in their own book or novel would it be considered plagiarism? I posted earlier but I wrote the wrong address.

It could be–and some of them are so outstanding, genre readers would recognize them for where they came from. Not worth the risk!

thanks for your response. But I think it depends. As I look over some of the words in sight, I already have them in my book and chances are some of the phrases are in other books. Phrases like “Eyes turned inwards”, “Looked him over”, “Blinks several times”, “Squinted into the crowd.” In my novel I used, “His eyes darted back and forth.” coming to find out that the phrase is used in over 15 other novels that I found and I am sure there are more. I’m sure there are probably other phrases that I use in some of these books as well. Can I call it plagiarism if I see phrases I used in my book?

I guess it depends on the complexity of the sentence.

You are right–those types of general phrasing is pretty much public domain. Good to point that out!

Thank you! This is perfect for when I’m sitting there thinking, ‘how should I say?’ which causes me to stop and think too long and uh-oh I wind up in the writer’s block zone!

Thanks exactly what it does for me, too. Inspiration.

Well, isn’t that thorough. i love the first one about the bullshit meter.

We’re so far beyond ‘beady eyes’ aren’t we?

This is so much help. Thank you.

My pleasure!

Wow, so many ways to describe and possibly we still have even more things the eyes express. Magical are the eyes, small organs with great power. Thanks miriam

That is true. I think that veil with just the eyes showing is a perfect example.

Reblogged this on lampmagician .

Thank you so much for sharing. Sometimes my thoughts gets stuck and I need something to give it a kick start. 🙂

That is exactly what these lists are for. Sometimes, I just read the dictionary, find great words that evoke an image that leads to a plot point. I love writing.

If only I had a photographic memory … as long as I didn’t have to sacrifice my busy, sometimes all over the place, creative mind. 😳

This was such a help. Thanks for sharing!

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Thank you so much! These will definitely help me in my writing!

Great writer tips. Thanks for your recent visit to my blog.

These are fun, aren’t they?

This has helped me so much! I always get stuck describing how characters ‘look’ at certain things. Thank you!

It’s amazing how many ways you can say the same thing. Glad you like these.

it was of great help for me.. beautifully expressed…

Thanks! And, I’m sure the cute dog doesn’t hurt it’s read-me value.

no it didn’t… rather its my favorite breed so its just an add on cuteness & more expressive 🙂

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Awesome list!! Thanks for sharing 😀

and a free cute dog picture–what could be better!

Excellent… Being language my second language you have no idea how this post helps me, dear Jacqui… Best wishes! Aquileana ⭐

I bet many of them seem quite odd to you. I’m highly impressed with your writing skills.

Exactly!… But I am learning with your post!… Oh and thank you, Jacqui!… I’d humbly say that I feel I have made considerable improvements! … Best wishes! Aquileana 😀

Reblogged this on quirkywritingcorner and commented: Can someone explain the copywrite law when it comes to using common phrases? I’ve used quite a few of these in my writing and even my nurse’s notes. I did not think using a common phrase would be considered infringement.

My old eyes can’t ‘see’ as much as your young ones and writing brain can Jacqui. You’ve given me so much great tips over the last couple of years, I wish I knew long time ago. These are the ones came at a critical juncture of my [nonsensical?] book. Thanks for your help Jaqui. Arun from over the pond.

I see your eyes laughing! Ah, you are the master of subtle humor, Arun.

You know, I’m always scratching my head and pulling at my hair trying to think of others ways to say “looked”. These will help. Thanks.

And ‘saw’. These aren’t like changing the tag, ‘he said’. They aren’t supposed to be invisible. Gee, it gets hard sometimes.

These are great. Eyes are so expressive and are a must to mention when writing.

They are. Shoulders, feet–they can be ignored, but not what’s communicated with eyes.

With this post Jacqui “The ayes have it”! You are such a great resource, thank you.

Fabulous as always, Jacqui. Thanks so much. Something to chew on. ❤

Chomp chomp!

Great post. I was reminded tonight how important expressive eyes are while watching the Voice.

Since so much of communication is the body, it makes sense we should be aware of what’s being said.

Thanks, Jacqui. This should prove very helpful.

So much more expressive, aren’t they?

Great tips! Thank you so much for sharing! Have a lovely week 🙂

Lots of ways to say, ‘he saw’, aren’t there?

Yes, quite! Thank you. Very useful tips 🙂

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How to describe eyes in a story: 7 simple tips

Learning how to describe eyes in a story without resorting to cliché helps set your writing apart from amateurish fiction. Many beginning authors over-rely on eye descriptions and eye color to create an impression of their characters. Here are 7 tips for talking about your characters’ eyes creatively:

• Post author By Bridget McNulty
• 16 Comments on How to describe eyes in a story: 7 simple tips

Learning how to describe eyes in a story without resorting to cliché helps set your writing apart from amateurish fiction. Describing eyes is a handy literary tool to show your character’s complex emotions. Many beginning authors over-rely on eye descriptions and eye color to create an impression of their characters. Here are 7 tips for to describe eyes in writing

How to write better eye descriptions:

• Avoid fixating on eye color.
• Make characters’ eyes contrasting or incongruous
• Use eye appearance or description, eg eye shape, to support story development
• Describe the eye area rather than just eye color
• Use eyes to communicate psychology
• Read examples of great eye descriptions from books
• Move beyond describing eyes in your story

Let’s unpack these ideas a little:

1. Avoid fixating on eye color

The color of a person’s eyes doesn’t tell us whether they are kind or cruel, an optimist or a pessimist. Often aspiring authors focus on the eyes more than anything else when describing characters. While this is a feature we notice (especially if a person has unusual, striking eyes), there are many other interesting facial features.

As an exercise, practice describing a character’s face . Describe their mouth, nose, brow, chin and ears. Find a simile or metaphor for each (e.g. ‘His mouth was a tight red knot.’)

One way to make eye description more interesting is to make characters’ eyes stand out in relation to character traits or other features:

2. Make characters’ eyes contrasting or incongruous

People’s appearances are often full of strange juxtapositions and contrasts. The man with the big, ruddy face might have small, delicate hands. One way to describe characters’ eyes effectively is to use them to create contrast. For example, a character who has a nervous temperament could have an intense, penetrating stare that one wouldn’t expect, given their nervous or avoidant behaviour. Or they might avoid eye contact altogether which can also be incongruous.

3. Use eye description to support story development

One reason descriptions of novel characters’ eyes sometimes reads as cliché is because authors describe eyes apropos of nothing. ‘She smiled and looked across at him with her emerald green eyes’ reads a little awkwardly because the character’s eye color is not particularly relevant. Drawing attention to it almost detracts from the key action here – the momentary connection between two characters.

However, you can use eye description effectively at key points of character development . For example, if a character witnesses a horrific scene, their eyes might seem vacant or otherwise haunted to passersby. In Dostoevsky’s Crime and Punishment , when the protagonist Raskolnikov comes to see an elderly pawnbroker at an unusual time, unarranged, Dostoevksy describes the pawnbroker’s eyes to reflect the changed conditions of their interaction and the woman’s awareness of this:

‘The door was as before opened a tiny crack, and again two sharp and suspicious eyes stared at him out of the darkness.’ ( Crime and Punishment , Chapter 7)

You could also use a character’s poor vision or a visual impairment as a plot point: perhaps because your character, the witness, has poor vision, it’s not clear if they were able to see the murderer properly. 

Use adjectives that describe how a character’s eyes look to support the tone and mood of a scene, drawing attention to story developments, as Dostoevsky does. Yet don’t over-rely on adjectives to create character impressions . Let actions and words speak too.

Master Character Description

Write better character description with the help of practical exercises and videos.

4. Describe the eye area rather than just eye color

To avoid clichéd eye descriptions, instead of describing color describe the eye area. For example, if there are bags or dark circles underneath a character’s eyes this conveys tiredness and/or anxiety. Eyes that are swollen, puffy or ringed with red indicate recent emotional distress. Narrowed eyes indicate hostility or suspicion. Half-closed eyes indicate drowsiness. Mischievous eyes can indicate a fun-loving person.

Describe the shape of the eye too: you could describe your character as having almond-shaped eyes, or hooded, or having a monolid (eyes that don’t have a crease), wrinkled, makeup smudged creating a panda-like effect. Eyes wide open could indicate innocence or naivety. Eyes aflame with passion conveys an entirely different range of emotions or state of being too. Take note of how eyes change in dim light, with the pupil growing big. You could just simply use a medical condition to describe eyes for example ptosis, which is an excessively droopy eyelid. 

When you get down to it, there are countless ways to describe eyes that show emotion and psychological state in addition to appearance. Make your eye descriptions do more work for your story.

5. Use eyes to communicate psychology

To follow on from the above point, think about how your eye descriptions create impressions about your characters’ temperaments and psychologies. For example, a character who blinks often might be a little nervous. On the other hand, a character who rolls her eyes often could be the cynical, ‘so over it right now’ teen. You could describe a compassionate person, let’s say a psychologist, as having warm brown eyes, for instance that look at other characters with interest and care. 

The important thing is not to overdo eye descriptions. If a character performs an eye movement such as rolling her eyes a few times it conveys her sarcastic nature. Yet if she does this every page, it can stale quickly. Use your discretion.

6. Read examples of great eye descriptions from books

It’s useful to keep a separate journal for character descriptions you love. That way, whenever you are trying to describe a character , you can page through effective descriptions and remind yourself what works.

Famous books are peppered with great eye descriptions. For example, in Crime and Punishment , Dostoevsky creates a suitably suspenseful and creepy tone when Raskolnikov’s family come to visit him at his lodgings and are watched suspiciously by the landlady as they enter:

‘[W]hen they reached the landlady’s door on the fourth storey, they noticed that her door was a tiny crack open and that two keen black eyes were watching them from the darkness within.’

The description is simple yet effective. The adjective ‘keen’ comes before the color ‘black’, as it should, being the more descriptive and informative of the two.

Although it’s not effective to simply describe eye color alone, many successful authors do describe eye color – even improbable colors as J.K. Rowling does when she describes the villain of Harry Potter , Lord Voldemort:

‘[His face was] whiter than a skull, with wide, livid scarlet eyes and a nose that was as flat as a snake’s with slits for nostrils’.

Rowling, like Dostoevsky, places the most important, emotion-conveying descriptor first. Even though Voldemort’s eyes are ‘scarlet’, a non-standard eye color, they are first described as ‘livid’, conveying immense anger appropriate to a villain.

7. Move beyond describing eyes in your story

To truly describe characters brilliantly, describe aspects of your character that are most relevant to a given scene. For example, if a character is fleeing the scene of a crime, their eye color is scarcely relevant here. But describing their body language (as they attempt to slip past passersby unnoticed) or breathing can heighten tension.

As important as it is to know how to describe eyes in a story without using cliché, it’s even more important to have rounded character description skills.

Join Now Novel to create detailed character sketches using our guided prompts. Get helpful feedback on your character descriptions from your online writing community.

Related Posts:

• How to describe clothing in a story (with examples)
• How do you describe a place? 6 setting tips
• How to create tension in a story: 8 simple steps
• Tags characterisation , describing characters , writing characters , writing tips

By Bridget McNulty

Bridget McNulty is a published author, content strategist, writer, editor and speaker. She is the co-founder of two non-profits: Sweet Life Diabetes Community, South Africa's largest online diabetes community, and the Diabetes Alliance, a coalition of all the organisations working in diabetes in South Africa. She is also the co-founder of Now Novel: an online novel-writing course where she coaches aspiring writers to start - and finish! - their novels. Bridget believes in the power of storytelling to create meaningful change.

16 replies on “How to describe eyes in a story: 7 simple tips”

Good advice on what it is the character is looking at. I have told my listeners to do something similar in the past. Always describe what it is that the character’s five senses are telling them. You don’t have to use all of them and the sense of sight is a powerful one.

Rick Dean/Poor Richard’s Bloganac

I agree. I think the idea of watching your metaphors is also a powerful one.

This is really nice!

Thanks James!

I also have a tip. I noticed that a lot of people overuse the color of peoples eyes. They talk about how ‘ocean blue they are’ and always somehow worm the color of there ‘dazzling eyes’ into the chapter, which can be annoying, and feel a little unrealistic. It’s okay for the character to recognize how strange or beautiful another character’s eyes are, but not if it is all the time. It gets old and makes the story a little boring when all you know about the other character is the color of there eyes.

Completely agree with this, Katherine. Many writers use this in the attempt to create a sense of intimacy but it can be very cliched.

This is, hands down, the best information I’ve found on this subject! Re-Blogging on http:www.rijanks.wordpress.com

Hi Jan – thank you so much, that’s very kind. Will share your re-blog.

I like the ideas in this blog post. They’re great.

Thanks, Linda! Thank you for reading.

I want to describe a person, that can manipulate water or bend it. ( in other words, I want to describe a person with water powers.) But I don’t know how to do it professionally and smoothly, since I am not aiming to write a little fairytale about a girl with magical powers, I am trying to make it descriptive and appropriately written out, which I am very much struggling to do. I am hoping you could help me out and give me suggestion, since your advice on how to describe this subject in writing really helped me, if any viewers can give me suggestion i would very, very much appreciate it to.

Hi Prasha, Happy New Year! Thank you for your question, it sounds an interesting character power. I would say try to focus on the exact, precise detail. For example, the visual qualities of the water (the droplets, the motion, the way it reflects the light), the way your character concentrates to manipulate it (or any specific words they say that are part of executing their power over water).

Precise and specific details that describe the exact phenomena taking place will help to put your reader in the scene – movement, colour, sound. This is more impactful than, for example, if you were to just write ‘She used her powers to summon water’ as this relies more on broad, abstract ideas.

Literally never in all my years of trying to write have I seen something that is not only so in-depth as far as THE HOW of describing character features, but also expressed in a way that is completely tangible and digestible. This is essentially THE post I’ve been looking for. Outstanding. Thank you so much. -Billy

Hi Billy, thank you! I’m glad you’re finding our articles helpful and that this answered what you were looking for. Thanks for reading our blog and taking time to leave feedback.

I have a character in a book I am writing and I want to know if this is ok. “She looked over At Annika with deep blue eyes that reflected power and magic. Some people even say she was almost killed for that when she was born” (magic is outlawed)

Hi Madelyn, thank you for sharing your extract from work in progress. There are good elements here. I would suggest finding phrases that tell (for example, ‘…that reflected power and magic…’) and replacing them with words that show more (what is it about her eyes specifically that ‘reflects power and magic’? Is it something eerie or unnatural/supernatural about their colour/shape/intensity/her stare?

Keep going and good luck!

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Writing Nestling

How To Describe Eyes In Writing (13 Steps You Need To Know)

In the realm of storytelling, the eyes are not just windows to the soul; they are portals to a character’s deepest emotions, hidden secrets, and unique essence.

Mastering the art of describing eyes in writing is akin to wielding a magic wand, allowing writers to paint vivid and evocative portraits that resonate with readers on a profound level.

From the sparkle of excitement to the shadow of sorrow, from the intensity of desire to the weight of wisdom, the eyes are a canvas upon which emotions and character intricacies are vividly rendered.

In this exploration of “How To Describe Eyes In Writing,” we embark on a journey to unlock the secrets of crafting eye descriptions that not only engage the senses but also breathe life into characters and narratives.

Join us as we delve into the nuances of eye descriptions, from anatomy and symbolism to techniques and ethical considerations, to enhance your storytelling prowess and captivate the hearts and minds of your readers.

Table of Contents

How To Describe Eyes In Writing

Describing eyes in writing can be a creative and detailed process. Here’s a step-by-step guide on how to do it:

Observe the Eyes

Take a moment to closely observe the eyes you want to describe. Pay attention to their color, shape, and any distinctive features such as freckles, scars, or unusual patterns.

Consider the Setting

Think about the context in which you are describing the eyes. Is it a romantic scene, a suspenseful moment, or a casual observation? The setting can influence the tone and depth of your description.

Start with Color

Begin your description by mentioning the color of the eyes. Use vivid and descriptive words to convey the shade. For example, “Her eyes were a deep, emerald green.”

Shape and Size

Describe the shape and size of the eyes. Are they round, almond-shaped, or something else? Mention if they are large, small, or average in size.

Expressions and Emotions

Consider the emotions or expressions conveyed by the eyes. Are they sparkling with joy, filled with tears, or clouded with sadness? Describe how the eyes reflect the character’s feelings.

Pupils and Iris

Mention the size of the pupils and the details of the iris. You can describe the pupils as dilated with desire or constricted in bright light. Highlight any unique features of the iris, such as flecks or a ring of a different color.

Eyebrows and Eyelashes

Don’t forget to mention the eyebrows and eyelashes. Are the eyelashes long and dark, framing the eyes beautifully? Are the eyebrows well-groomed or wild and expressive?

Eye Movements

Describe any eye movements that add depth to the character’s emotions. Mention if they blink rapidly, gaze intensely, or dart nervously around.

Comparisons and Metaphors

Use similes and metaphors to create vivid imagery. Compare the eyes to elements in nature or objects that convey a particular feeling. For example, “His eyes were as deep and mysterious as the night sky.”

Light and Shadows

Consider how lighting affects the appearance of the eyes. Describe how they catch the light, shimmer, or cast shadows. Lighting can enhance the atmosphere of your description.

History or Backstory

If relevant, provide some backstory or history related to the eyes. Have they seen hardship, witnessed important events, or undergone a transformation?

Overall Impression

Sum up your description with an overall impression. How do these eyes make the observer feel? What impact do they have on the character’s appearance and personality?

Editing and Polishing

Review your description for clarity and coherence. Make sure your choice of words enhances the reader’s visualization of the eyes and aligns with the tone of your story.

Remember that the goal is to engage the reader’s imagination and create a vivid mental image. Tailor your description to the character and the narrative to make the eyes an integral part of your storytelling.

Understanding the Basics

Understanding the Basics of describing eyes in writing is like peering through the keyhole into the soul of your characters. Just as the eye is the window to the soul, mastering the art of depicting this intricate organ opens a portal to the very essence of your storytelling.

Delve into the fascinating anatomy of the human eye, where the iris dances with secrets, the pupil reveals the depth of emotion, and the cornea reflects the world in a thousand shimmering facets.

Learn the genetic alchemy that weaves the tapestry of eye colors, each hue an enigma waiting to be unraveled.

With these fundamentals at your fingertips, you’ll transform mundane descriptions into vivid canvases that breathe life into your characters and invite readers to journey deep into the heart of your narrative.

The anatomy of the human eye

The anatomy of the human eye is a marvel of nature’s precision and complexity. At its core, the eye is a biological masterpiece, comprised of several intricate components working in seamless harmony.

The iris, like a curtain, regulates the amount of light that enters, its unique pigmentation bestowing individuality upon each gaze.

The pupil, a minuscule portal, dilates and contracts in response to varying light conditions, mirroring the ebb and flow of emotions.

The cornea, a crystal-clear dome, refracts light, allowing the world to be painted upon the canvas of the retina.

Meanwhile, the lens flexes and focuses like a camera, ensuring that images are sharp and clear. These elements, along with many others, combine to create the breathtaking phenomenon of vision, reminding us that the human eye is not just an organ; it’s a gateway to perceiving the beauty and wonder of the world.

The science of eye colors

The science of eye colors is a captivating journey into the genetic tapestry that defines our visual uniqueness. Eye color, the result of intricate genetic interactions, is a testament to the fascinating complexities of human inheritance.

While blue, brown, green, and hazel are among the most common eye colors, the possibilities are nearly endless, with variations and shades that make each individual’s eyes as distinctive as their fingerprints.

This intricate dance of genetics involves multiple genes, such as OCA2 and HERC2, which determine the type and amount of pigments in the iris. Environmental factors can also influence the final hue.

The science of eye colors not only unveils the mystery behind our gaze but also highlights the intricate symphony of our DNA, reminding us that even in the realm of genetics, diversity reigns supreme.

The Power of Vivid Imagery

The Power of Vivid Imagery in writing is the literary equivalent of a painter’s brushstroke on the canvas of the reader’s mind.

It’s the sorcerer’s incantation that summons the story to life, transforming mundane words into an exhilarating sensory experience.

With the deft strokes of metaphor and the careful selection of adjectives, writers have the power to transport readers into the heart of their narrative.

It’s a symphony of the senses where readers can not only see the world but taste its colors, smell its emotions, and touch the intangible.

Vivid imagery is the key that unlocks the door to a realm where words cease to be mere symbols; they become a portal to a universe where imagination reigns supreme, and stories take on a life of their own.

The role of sensory language in eye descriptions

The role of sensory language in eye descriptions is akin to weaving a tapestry of perception that envelops the reader in a multisensory experience.

It’s the subtle art of not just telling the reader about the eyes but allowing them to feel the world through them.

With the right choice of words, a writer can make eyes shimmer like polished emeralds, glint with the warmth of a summer sunset, or smolder like the depths of a midnight abyss.

Sensory language invites readers to not only visualize but also feel the texture of an iris, hear the whispers hidden in a gaze, and even taste the emotions concealed behind a blink.

It’s a literary alchemy that elevates eye descriptions from mere visuals to a symphony of sensations, fostering a profound connection between the reader and the characters they encounter on the page.

Painting a picture with words: similes and metaphors

Painting a picture with words through similes and metaphors is akin to wielding a magic brush that transforms the ordinary into the extraordinary in the realm of literature.

Similes are the luminescent stars that twinkle in the night sky of prose, likening one element to another, allowing readers to see, feel, and understand the subject in a whole new light.

Metaphors, on the other hand, are the bold strokes of genius that bridge the gap between two seemingly unrelated entities, creating a fusion of ideas that dances on the canvas of the imagination.

Together, these literary devices breathe life into the written word, turning mundane descriptions into vibrant, living portraits.

They are the language of the poet, the voice of the storyteller, and the enchantment that beckons readers to immerse themselves in the vivid landscapes of the writer’s creation, where words transcend their literal meanings and become a tapestry of wonder.

Selecting the right adjectives to enhance visual impact

Selecting the right adjectives to enhance visual impact in writing is akin to choosing the perfect brush strokes for a masterpiece.

It’s about meticulously curating a palette of words that will color the reader’s imagination with vivid and evocative images.

The selection of adjectives is more than just embellishment; it’s the essence of storytelling. A well-chosen adjective can transform a simple “blue eye” into a “deep sapphire gaze,” instantly conjuring a more vivid and nuanced picture.

The art lies not only in choosing descriptive words but in understanding their power to evoke emotions and resonate with the reader’s senses.

When wielded adeptly, adjectives breathe life into characters, landscapes, and scenes, allowing readers to not only see but also experience the narrative in all its rich and immersive detail.

Beyond Physical Appearance

Beyond physical appearance lies the enigmatic realm of character depth and storytelling magic. In the world of writing, eyes are not just windows to the soul; they are mirrors reflecting the intricate layers of a character’s psyche.

They bear witness to inner storms and quiet victories, revealing secrets that words alone cannot express. Beyond the hue and shape, eyes carry the weight of history, the scars of experience, and the dreams of the future.

They are the silent narrators of a character’s journey, conveying courage, vulnerability, love, and longing with the subtlest of glances.

When a writer delves beyond physical appearance and explores the profound narrative potential within a character’s eyes, storytelling transcends the superficial, inviting readers on an emotional odyssey that lingers long after the final page is turned.

Reflecting emotions and personality through the eyes

Reflecting emotions and personality through the eyes is a poetic dance of revelation in storytelling.

The eyes are the windows through which the heart and soul’s myriad hues spill forth. In their depths, we find the silent poetry of love, the tempestuous storms of anger, the shimmering oceans of sadness, and the radiant sunrises of joy.

They can be smoldering with mystery, sparkling with mischief, or harboring the wisdom of ages. A character’s eyes not only mirror their emotions but also serve as portals to their inner world, offering readers an intimate glimpse into their fears, desires, and aspirations.

The flicker of a gaze, the quiver of a lid, or the steadiness of a stare can reveal more about a character’s personality than pages of exposition ever could.

When words alone fall short, it is in the eyes that the true essence of a character is unveiled, creating an indelible connection between the reader and the narrative.

Symbolism and cultural nuances associated with eyes

Symbolism and cultural nuances associated with eyes form a rich tapestry of meaning that transcends linguistic and geographical boundaries.

Across cultures, eyes have been endowed with profound symbolism, serving as metaphors for enlightenment, knowledge, and perception. In the East, the “third eye” is a symbol of spiritual insight and higher consciousness, often depicted as an inner eye that sees beyond the physical realm.

Conversely, in Western literature and art, the “evil eye” represents malevolent intent and the power to curse. In Native American cultures, the concept of the “eye of the heart” is revered as a source of intuition and emotional understanding.

Eyes are also deeply intertwined with cultural expressions of beauty and aesthetics, influencing practices such as makeup, adornment, and body language.

Understanding the symbolic weight and cultural nuances associated with eyes is essential for writers, as it adds depth and authenticity to character development, and offers readers a gateway into the rich tapestry of human beliefs and traditions.

Creating depth through character development

Creating depth through character development is the alchemy that transforms ink and paper into living, breathing individuals within the world of a story.

It’s the process of infusing characters with the complexities of real human beings: their hopes, fears, contradictions, and aspirations. Just as in life, a character’s journey is not solely defined by their actions but by their inner struggles, moral dilemmas, and personal growth.

It’s about crafting characters who evolve, learn, and change, driven by desires and haunted by flaws. Readers are drawn into a story not just by its plot but by the emotional resonance of its characters.

In their depth, we find empathy, connection, and a mirror reflecting our own humanity. Writers who master the art of character development breathe life into their stories , inviting readers to embark on an intimate and unforgettable voyage through the hearts and minds of their literary creations.

Examples from famous literature

Examples from famous literature illuminate the enduring power of vivid eye descriptions. In F. Scott Fitzgerald’s “The Great Gatsby,” the enigmatic eyes of Dr. T.J. Eckleburg, looming over the Valley of Ashes, become a haunting symbol of moral decay and the watchful gaze of a judgmental society.

J.K. Rowling masterfully employs eye descriptions in the “Harry Potter” series, with Voldemort’s crimson, snake-like eyes serving as a chilling emblem of his malevolence. In “To Kill a Mockingbird” by Harper Lee, the haunting description of Boo Radley’s reclusive eyes through the eyes of Scout and Jem encapsulates the novel’s themes of innocence, prejudice, and compassion.

These literary examples showcase how authors harness the evocative potential of eye descriptions to enrich their narratives and create lasting impressions in the minds of readers, demonstrating that the eyes are not just organs but windows to the soul of a story.

Techniques for Effective Eye Descriptions

Techniques for effective eye descriptions are the secret incantations of the literary sorcerer, unlocking the deepest emotions and hidden depths of characters.

They’re the whispers that beckon readers into the intimate recesses of a character’s soul. From the choice of perspective, whether first-person intimacy or third-person observance, to the art of gradual revelation, where each detail is a breadcrumb leading to greater understanding, these techniques are the keys to creating memorable eye descriptions.

They allow writers to unveil secrets, convey emotions, and even advance the plot, all through the silent language of the eyes.

In the hands of a skilled wordsmith, these techniques transcend mere physical descriptions, forging a profound connection between the reader and the characters, leaving an indelible mark on the narrative and a lasting impression on the reader’s heart.

First-person vs. third-person perspectives

The choice between first-person and third-person perspectives in writing is akin to selecting the lens through which the reader experiences a story .

First-person perspective immerses readers deep within the psyche of a singular character, providing an intimate and immediate connection with their thoughts, emotions, and perceptions.

It’s a direct line to the character’s inner world, offering authenticity and empathy. In contrast, third-person perspective provides a panoramic view, offering insights into multiple characters’ thoughts and actions while maintaining a degree of narrative distance.

It grants writers the ability to build a complex, multifaceted world, weaving together the stories of various characters.

The choice between these perspectives is a strategic decision, each offering unique advantages and challenges, but both capable of crafting rich and compelling narratives that resonate with readers on different levels.

Incorporating eye descriptions into action scenes

Incorporating eye descriptions into action scenes is like adding a layer of visceral intensity to the narrative canvas.

When characters are caught in the throes of high-stakes moments, their eyes become windows into their determination, fear, or resolve.

Whether it’s the glint of a hero’s unwavering resolve or the widening of a villain’s malevolent gaze, eye descriptions can amplify the tension and emotion of the scene.

Readers, in these moments, are not just spectators but active participants, experiencing the adrenaline rush and emotional turmoil alongside the characters.

The subtle details of clenched lids, darting glances, or pupils dilated in shock can serve as powerful markers of a character’s internal state, allowing writers to convey depth and nuance even in the most action-packed sequences.

In the whirlwind of chaos, the eyes offer readers a grounding point, a profound insight into the characters’ humanity amidst the chaos.

Crafting Memorable Characters

Crafting memorable characters is akin to sculpting timeless works of art from the clay of imagination. It’s a delicate dance of inspiration and intention, where writers breathe life into their literary creations.

These characters are not merely ink and paper; they are the embodiment of dreams, fears, and aspirations. They carry the weight of their past and the promise of their future, and through their struggles, triumphs, and vulnerabilities, they beckon readers to walk beside them on the intricate journey of the narrative.

Like chameleons, they adapt and evolve, revealing facets of their personalities with every turn of the page, forging connections that endure long after the story ends.

In the alchemy of character crafting, writers wield the power to change lives, challenge perspectives, and ignite imaginations, leaving an indelible mark on the literary landscape and the hearts of readers.

Developing a character’s backstory through their eyes

Developing a character’s backstory through their eyes is a subtle art of storytelling, akin to tracing the lines of history etched into a person’s gaze.

Eyes, like ancient manuscripts, hold secrets and chapters of the past that can be unveiled to enrich a character’s narrative.

The subtle flicker of sorrow in their gaze might hint at a childhood loss, while the spark of determination may reveal a lifetime of challenges overcome.

The eyes can be a portal to the character’s memories, showcasing scars, joys, and sorrows that have shaped them into who they are today.

In this intricate dance of character development, writers weave the threads of past experiences into the tapestry of the present, creating a character with depth, resonance, and a compelling backstory that resonates with readers on a profound level.

Conveying inner turmoil, secrets, and hidden agendas

Conveying inner turmoil, secrets, and hidden agendas through a character’s eyes is a mesmerizing act of literary intrigue.

The eyes become a canvas of emotions and unspoken truths, reflecting the turbulence within. A character’s gaze may betray the weight of unshared burdens, the flicker of a concealed motive, or the torment of a carefully guarded secret.

In their depths, we witness the swirling storms of inner conflict, the silent battles of conscience, and the enigmatic web of desires left unspoken.

The eyes are the storyteller’s most potent instrument, revealing the complex layers of human nature that lie beneath the surface.

As writers master the art of portraying these inner landscapes through the eyes, they invite readers to become detectives, deciphering the mysteries and unraveling the hidden depths of their characters, forging an unbreakable bond between reader and narrative.

Evoking empathy and reader connection

Evoking empathy and reader connection through a character’s eyes is akin to forging an unspoken pact between writer and reader, where the boundaries of the page dissolve, and hearts converge in understanding.

The eyes, often described as the windows to the soul, become the bridge between worlds. When a character’s eyes reflect their vulnerabilities, hopes, and fears, readers can’t help but see a reflection of themselves.

It’s in those moments of shared humanity, when readers recognize their own struggles, joys, and imperfections mirrored in the characters’ gaze, that a deep and enduring connection is formed.

Through the artful depiction of eyes, writers invite readers not just to witness a story but to experience it intimately, forging bonds that transcend fiction and make the characters’ journey their own.

Case Studies

Case studies are like literary treasure maps, guiding us through the intricate labyrinth of storytelling with the wisdom gleaned from the literary masters who’ve walked the path before us.

They are the vibrant tapestries woven from the threads of imagination and inspiration, showcasing the brilliance of writers who’ve dared to push the boundaries of the written word.

These captivating narratives dissect the anatomy of storytelling, revealing the nuances of character development, plot twists , and thematic resonance with the precision of a surgeon’s scalpel.

Through case studies, we delve into the hearts and minds of unforgettable characters, witnessing their trials, tribulations, and triumphs.

These explorations of literary excellence are not just academic exercises; they are invitations to embark on intellectual adventures, fueling our own creative fires and inspiring us to craft our own masterpieces.

Analyzing notable examples from literature

Analyzing notable examples from literature is akin to entering a hallowed hall of mirrors, where each reflection reveals a different facet of the storytelling gem.

It’s a journey of literary excavation, where we unearth the treasures hidden within the words of the great authors who have shaped the canon of literature.

Through the careful dissection of these masterpieces, we uncover the secrets of character development, narrative structure, and thematic depth.

These notable examples are not just stories; they are living classrooms, offering profound insights into the human condition, cultural nuances, and the enduring power of the written word.

As we analyze these literary gems, we become not only readers but also scholars, peering behind the curtain of the author’s intentions and craftsmanship, and in doing so, we enrich our own understanding of the art of storytelling.

Deconstructing successful eye descriptions

Deconstructing successful eye descriptions is like unraveling a finely woven tapestry, revealing the intricate threads that make them shine.

It’s a detective’s quest, a literary adventure into the art of crafting evocative imagery. By dissecting these descriptions, we uncover the secrets of metaphor, simile, and the precise selection of adjectives that breathe life into the eyes on the page.

We observe how authors employ sensory language to create an immersive experience and build emotional connections between the characters and readers.

Successful eye descriptions aren’t just words on paper; they are living expressions of the characters’ inner worlds, windows into their emotions, and vehicles for conveying themes and subtext.

Deconstruction unveils the alchemy of storytelling, inviting us to peer beyond the surface and learn from the masters who’ve mastered the craft of describing eyes with brilliance and resonance.

Discussing the impact of eye descriptions on plot and character development

Discussing the impact of eye descriptions on plot and character development reveals the profound influence that seemingly subtle details can have on the entire narrative landscape.

Eyes, as conduits of emotion and intention, hold the power to shape the trajectory of a story. The way characters perceive the world, the motives they hide or reveal through their gazes, and the evolving dynamics between them, all pivot around the descriptions of their eyes.

These visual cues become signposts in the reader’s journey, foreshadowing plot twists, revealing hidden agendas, and enriching the tapestry of interpersonal relationships.

By delving into the impact of eye descriptions, we uncover how the nuances of a character’s gaze can be pivotal turning points or subtle undercurrents that drive the narrative forward, creating a symbiotic relationship between the characters’ eyes and the unfolding story.

Ethical Considerations

Ethical considerations in writing are the compass that guides us through the labyrinth of creativity , ensuring that our words bear the weight of responsibility and respect for diverse voices and perspectives.

It’s the moral anchor that reminds us that storytelling is not just an act of creation but also a reflection of our values and beliefs.

With every word we craft, we have the power to influence, inspire, or perpetuate harmful stereotypes. Ethical considerations challenge us to be conscious of cultural sensitivities, to embrace diversity, and to question our biases.

They prompt us to portray characters authentically, to avoid reducing them to caricatures, and to acknowledge the lived experiences of others.

In the realm of storytelling, ethics are not constraints but catalysts for thoughtfulness and empathy, reminding us that our words have the potential to shape minds, hearts, and even societies.

Avoiding stereotypes and clichés in eye descriptions

Avoiding stereotypes and clichés in eye descriptions is the hallmark of a discerning writer who refuses to settle for the ordinary.

Stereotypes, like overused tropes, can flatten characters into one-dimensional caricatures, robbing them of their authenticity and depth. In the world of eye descriptions, this means shunning tired clichés like “eyes as deep as the ocean” or “eyes that sparkle like stars,” and instead, embracing the unique nuances of each character’s gaze.

It’s about understanding that every pair of eyes tells a distinctive story, and it’s our duty as writers to do justice to that complexity.

By avoiding stereotypes and clichés, we honor the diversity of human experiences, allowing our characters to emerge as multifaceted beings with eyes that reflect the intricacies of their personalities, histories, and emotions.

The Revision Process

The revision process is the writer’s metamorphosis, where the raw ore of first drafts undergoes a refining fire to emerge as polished gems of storytelling.

It’s an act of alchemy, where words are transmuted into art. Like a sculptor chiseling away at a block of marble, the writer sculpts and reshapes sentences and paragraphs until they gleam with clarity and purpose.

It’s a dance of introspection and innovation, where each word is scrutinized, each scene dissected, and every character’s gaze scrutinized.

Through this meticulous process, the narrative deepens, characters grow more nuanced, and themes resonate more profoundly.

The revision process is where the magic happens, where a story is transformed from a rough sketch into a masterpiece, and where the writer’s dedication to craft shines brightest.

The importance of revising eye descriptions

The importance of revising eye descriptions in writing cannot be overstated. Just as a painter perfects each brushstroke to capture the essence of their subject, writers must refine and fine-tune their eye descriptions to encapsulate the true spirit of their characters. Revisions allow us to peel away layers of superficiality, to dive deeper into a character’s soul, and to ensure that each adjective, metaphor, and simile resonates with precision and impact.

Eye descriptions, being windows to a character’s emotions and personality, are powerful tools for reader engagement.

Through revision, we can evoke greater empathy, reveal hidden layers of complexity, and convey subtle shifts in mood or motive.

Ultimately, the well-revised eye description has the potential to transform a character from a mere figure on the page into a living, breathing entity that lingers in the reader’s mind long after the story has ended.

Fine-tuning eye descriptions for maximum effect

Fine-tuning eye descriptions for maximum effect is the writer’s quest for poetic precision and emotional resonance. It’s about sharpening the focus, like a photographer adjusting the lens for the perfect shot, until every detail is vivid and every emotion palpable.

Each word, each phrase, becomes a brushstroke on the canvas of the reader’s mind, painting a portrait that lingers in memory. It’s in the subtle nuances, the delicate balance of adjectives, and the cadence of the prose that we achieve the greatest impact.

Fine-tuning isn’t just about aesthetics; it’s about conveying the character’s essence, their struggles and dreams, their history and destiny, all through the silent language of their eyes.

It’s in the meticulous revision of eye descriptions that we elevate them from mere words on a page to powerful conduits of connection, drawing readers into the heart of the narrative with every gaze, every flicker, and every unspoken emotion.

Frequently Asked Questions (FAQ) about How To Describe Eyes In Writing

How can i make my eye descriptions more captivating and unique.

To make your eye descriptions stand out, try to use unconventional comparisons and metaphors. Think beyond the typical “deep as the ocean” and experiment with unexpected analogies that suit your character or setting.

Should I focus on physical details or emotions when describing eyes?

Both physical details and emotions are important. Combining them can create a well-rounded description. Describe the physical characteristics first, and then delve into how those eyes reflect the character’s emotions or inner world.

Can you provide examples of how to describe unusual eye colors?

Certainly! For instance, describe violet eyes as “a shade between twilight and a pansy,” or golden eyes as “gleaming like molten honey under the sun.”

How can I describe eyes in a way that reveals a character’s backstory?

You can reveal a character’s backstory through their eyes by mentioning scars, wrinkles, or a haunted look that hints at past experiences. For example, “Her eyes held the weight of years gone by, etched with lines of wisdom and sorrow.”

What’s the best way to describe eyes in a suspenseful or mysterious scene?

In suspenseful scenes, focus on the intensity and movement of the eyes. Mention how they dart around, widen in fear, or narrow in suspicion. Describe them as “searching for answers in the shadows” or “hiding secrets behind a veil of uncertainty.”

Can I use the eyes to foreshadow events in my story?

Yes, eyes can be a subtle tool for foreshadowing. Describe them in a way that hints at what’s to come. For instance, you can mention “a glint of mischief” if a character is planning something mischievous.

How can I describe eyes in a romantic context without being cliché?

To describe eyes in a romantic context without clichés, focus on the unique qualities of the eyes and how they captivate the other person. Mention details like “their eyes met like two stars colliding in the night sky,” instead of using overused comparisons like “lost in their gaze.”

Is it essential to describe every detail of a character’s eyes?

No, it’s not necessary to describe every detail. Select the most significant and relevant details that contribute to the character’s depth or the story’s atmosphere. Less can often be more effective.

How can I convey a character’s change in emotions through their eyes during a dialogue scene?

Use eye descriptions in conjunction with dialogue tags and actions to convey emotions. For example, “Her eyes brightened with excitement as she exclaimed…” or “His eyes hardened with resolve as he responded…”

Can I use eyes to symbolize themes in my story?

Absolutely. Eyes can symbolize themes such as insight, deception, or connection. Describe them in a way that aligns with your story’s themes to add depth and symbolism.

Remember, the key to effective eye descriptions is to tailor them to your characters, plot, and the emotions you want to convey, and to keep your writing fresh and engaging.

In the art of storytelling, the eyes have proven time and again to be powerful conduits of emotion, character depth, and narrative resonance.

As we conclude our exploration of “How To Describe Eyes In Writing,” we find ourselves equipped with the tools and insights to transform mere descriptions into vivid canvases that captivate and engage readers.

We’ve navigated the intricate terrain of sensory language, metaphors, and character development, and delved into the realm of symbolism and cultural nuances.

We’ve also pondered the ethical dimensions of our craft, striving to represent diverse perspectives with sensitivity and respect.

Whether crafting eyes that shimmer with mystery, smolder with intensity, or glisten with vulnerability, the art of describing eyes allows us to leave an indelible mark on the tapestry of storytelling.

As we continue our literary journeys, may our newfound understanding of this subtle yet profound aspect of character portrayal enhance our storytelling prowess, leaving readers both enthralled and moved by the vivid worlds we create through the gaze of our characters.

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400+ Ways to Describe Eyes: A Word List for Writers - Because there are many beautiful kinds of green other than emerald

20 of the Best Words to Describe Eyes, Windows to the Soul

By: Author Hiuyan Lam

Posted on Last updated: October 20, 2023

Categories Vocabulary Boosters

When writing or talking about eyes, you’re going to have to describe them because it is inevitable. Most people will stick to describing eyes by color, but that is positively boring and too common.

There are better words to describe eyes that you can use, and they are not too difficult to put into your writing. For your next writing assignment, you can use some of the following words to describe eyes below.

Words to describe eyes: for blue eyes

For green eyes

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  It doesn’t seem difficult at all to describe any color of eyes, and it shouldn’t be.   Whether you have a limited scope of English or a wide one, there are some simple words to describe eyes that you can use for a more detailed description of someone. You can use any of these examples above for inspiration.  

24 Writing Prompts To Describe Eyes

Hey there, writers!

We’ve all been there.

You’ve crafted the perfect character , their wit sharp, their backstory tragic, but then you hit a wall.

Those soulful portals that can convey a universe of emotions with a single blink. But how do you put that into words?

With the help of these prompts.

Let’s check them out.

Writing Prompts To Describe Eyes

• The Mirror of Souls : In a mystical land, there’s a belief that a person’s eyes are windows to their past lives. Your character has the rare ability to see these past lives reflected in the eyes of others, revealing secrets , ancient mysteries , and forgotten truths. The story unfolds as they meet someone whose eyes show a past life intertwined with theirs, hinting at a shared destiny. Write a story where your character navigates this revelation and the ensuing journey of discovery.
• Eyes of the Storm : Your protagonist lives in a world where eye color changes with emotions. These color changes are not just cosmetic; they bestow certain powers or weaknesses depending on the emotion felt. Your character discovers they possess a unique eye color that appears only during the rarest and most intense emotions, granting them extraordinary abilities. Craft a narrative exploring how this discovery affects their life and the challenges they face.
• The Gaze of Eternity : In a futuristic society, technology has advanced to the point where people can have their eyes replaced with cybernetic implants that grant various abilities, like seeing different spectrums, zooming in on distant objects, or even recording memories. Your main character, however, chooses to keep their natural eyes for personal reasons. Delve into a story that explores the implications of this choice in a tech-dominated world.
• Eyes That Remember : Your character has the unique ability to remember everything they see in perfect detail. This photographic memory is both a blessing and a curse, as they struggle to cope with the onslaught of visual information and the secrets they inadvertently uncover. Write about how they navigate a world where they cannot forget a single sight.
• The Color Thief : In a fantasy realm, there exists a creature that steals the colors from people’s eyes, rendering them colorblind. Your protagonist is afflicted by this curse and embarks on a quest to restore their sight. Along the way, they discover the deeper significance of the colors in their eyes, which are tied to their identity and power . Explore their journey to reclaim what they’ve lost and the lessons learned along the way.
• Windows to Another World : Your protagonist has a peculiar condition: whenever they lock eyes with someone, they momentarily see through that person’s eyes, experiencing their thoughts and feelings. This ability brings both empathy and turmoil, as they are often overwhelmed by the emotions and secrets of others. Craft a tale about how they cope with this overwhelming gift and the connections they forge.
• The Blind Seer : In a world where everyone relies heavily on visual cues, your main character is born blind. However, they possess an extraordinary gift of foresight, seeing future events in vivid detail. This paradoxical situation of a blind seer puts them in a unique position in their society. Write about the challenges and triumphs they experience as they navigate a world that underestimates their abilities.
• Eclipsed Eyes : During a rare celestial event, your character gains the ability to see hidden truths and lies , but only when the event is occurring. As the next event approaches, they prepare to uncover a truth that has been haunting them for years, related to a personal mystery or a larger conspiracy. Delve into their preparation and the revelations that unfold under the celestial phenomenon.
• The Lighthouse Eyes : In a coastal village shrouded in fog, there’s a legend of a person born every generation with lighthouse eyes. These eyes, glowing and guiding like beacons, can see through the thickest fog and darkness, leading lost souls to safety. Your character, born with this gift, faces the challenge of balancing a normal life with the duty of guiding ships and people through life’s metaphorical and literal fogs. Write a story exploring the burdens and joys of this unique responsibility .
• Eyes of the Zodiac : In a world where eye color determines one ’s alignment with a Zodiac sign, your character is born under a rare planetary alignment, giving them a unique eye color linked to all Zodiac signs. This grants them the ability to harness different powers and traits from each sign, but also brings uncertainty about their true identity. Delve into their journey of self-discovery and the challenges they face in a society governed by astrological norms.
• The Unseen Spectrum : Imagine a character who can see colors beyond the normal spectrum, perceiving hues that no one else can. This ability allows them to uncover hidden messages and patterns in the world around them, leading to discoveries both wonderful and dangerous. Craft a narrative about how this extraordinary vision impacts their perception of the world and their place in it.
• The Weaver of Visions : In a mystical land, your character has the rare ability to weave illusions and visions through their gaze. However, the more they use this power, the more their own vision fades, presenting a risk of eventual blindness. Write about the moral and emotional dilemmas they face as they choose when and how to use this gift.
• The Shattered Sight : After a mysterious event, your character’s vision fractures, allowing them to see multiple timelines simultaneously. This fragmented sight reveals potential futures and pasts, but deciphering the truth among these possibilities is a daunting task. Explore their struggle to find reality in a sea of what could have been and what might be.
• The Guardian’s Gaze : In a realm guarded by celestial beings, your character is chosen as a Guardian, bestowed with eyes that can detect any form of evil or corruption. This sacred duty requires them to be ever-vigilant, but the constant exposure to darkness takes a toll on their psyche. Write about their journey of upholding their duty while maintaining their own sanity and morality.
• Echoes in the Iris : Your protagonist has a unique condition where their eyes change patterns based on the sounds they hear. These visual echoes create a beautiful , ever-changing tapestry in their eyes but also make them sensitive to the cacophony of the world. Delve into a story where they learn to navigate a world overwhelming both in sight and sound.
• The Frost Gaze : In a world where winter reigns supreme, your character possesses eyes that can freeze anything they gaze upon. Initially seen as a curse, they learn to harness this power to protect their community from external threats. However, they must also confront the internal struggle of isolation due to their fearsome ability. Explore their journey towards finding a balance between fear and acceptance, both within themselves and from those around them.
• The Ember Eyes : In a land ravaged by perpetual conflict , your character is born with ember eyes, which ignite into flames when witnessing injustice or falsehood. This gift compels them to seek and confront societal ills, but also makes them a target for those who wish to maintain the status quo. Write a story about their crusade for truth and the challenges they face in a world rife with deception.
• Eyes of the Deep : Your protagonist is a deep-sea diver who discovers they can see in the darkest depths of the ocean without any artificial light. This ability unveils a hidden underwater world, filled with ancient secrets and unknown dangers. Craft a narrative exploring their underwater adventures and the mysteries they uncover in the abyss.
• The Starlit Sight : In a realm where people’s eyes reflect the night sky they were born under, your character’s eyes are a tapestry of constellations, holding the power to navigate by the stars and predict celestial events. This unique connection to the cosmos brings both reverence and fear from others. Delve into their journey as they grapple with their connection to the universe and their place on Earth .
• The Whispering Glance : Your character possesses eyes that can hear whispers, catching fragments of thoughts and secrets just by looking at someone. This ability opens doors to unsought truths and hidden desires, but also exposes them to unwanted knowledge and ethical dilemmas. Write about their struggle with the power of knowing too much and the choices they make with this information.
• The Clockwork Eyes : Set in a steampunk world, your character has mechanical eyes, intricately designed with gears and cogs. These eyes grant enhanced vision, allowing them to see minute details and distant objects with clarity. However, they also require regular maintenance and are susceptible to malfunction. Explore the challenges and adventures they face in a world of machinery and innovation.
• The Healing Gaze : In a world plagued by illness and injury , your character has the rare ability to heal with their sight. Their gaze can mend wounds and cure ailments, but each use drains their own vitality. Craft a tale about the moral implications of their gift and the decisions they face in choosing whom to heal.
• The Doppelgänger Vision : Your protagonist can see people’s doppelgängers – spectral images of their alternate selves from different choices and paths. This ability unveils the complexities of destiny and free will, as they witness the multitude of lives one could lead. Write a story exploring the impact of this insight on their understanding of people and their own life decisions.
• The Canvas Eyes : Your character’s eyes are like ever-changing canvases, reflecting their innermost thoughts and dreams in vivid, moving images. This rare condition makes them an object of fascination and fear, as their eyes reveal more than they intend. Delve into their journey of self-discovery and the challenges of living with such a transparent window into their soul.

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Eyes Tell Us Everything. Write Them with Flair

• Describe It: Appearance , Describe It: Face
• big ass post , colours , Describe It: Face , emoting , eye conditions , eyebrows , vision
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Eyes are one facial feature that gets its own D-Script. A person can often identify another person based solely off their eyes, or sometimes can’t identify another person without seeing the eyes. What we do with our eyes communicates not only emotion and mental state but can also tell us a lot about health and even if a person is lying!

When writing, you’ll likely refer to eyes a lot (though be careful with mixing up how you do that so it’s not repetitive), so let’s jump right in with how to describe eyes during writing. Don’t forget to talk about more than just the eye itself but the eyebrows and characteristics around the eye, like wrinkles, and don’t focus too much on the colour thereof. A few scattered colour descriptions are all you need.

If you’re looking for ways to replace the work “look”, head to This Word Kind of Sucks: Look

Get Around This D-Script

Structure of the eye.

• Eye Colours How Common are Eye Colours
• Describe It: Words to Help Describe Eye Colours
• Describe It: Descriptive Phrases for Eye Colours

Eye Shapes, Tilts, and Positioning

Describe it: all the things eyes tell us, conditions that affect the appearance of the eye, vision abnormalities.

• Don’t Forget Eyebrows

Iris The coloured part of the eye Limbal Ring A dark ring around the iris. Not everyone has one. This typically fades with age and is perceived as a sign of health. Studies show the presence of one increases a person’s general attractiveness. Pupil The dark centre of the eye that enlarges in dim light and gets smaller in bright light. Sclera The ‘whites of the eye’. Can change colour due to health, damage, tiredness, or stress.

Eye Colours

We all pretty much know what natural colours eyes come in. Below are generalizations of the colours as there are an array of variations. There are a few misconceptions around eye colours though, such as yellow eyes (amber), red eyes, and purple eyes. We get into that below. And as for eyes that are black, true black eyes technically don’t exist. People with a lot of melanin in their eyes can appear to have black eyes but, in truth, they are a very dark brown.

* Hazel eyes can vary between greenish, blueish, greyish, amberish ** Heterochromatic eyes (heterochromia) can be present in one eye as above, although the differences in colour can portray in any number of patterns (central heterochromia), or both eyes can be different colours (complete heterochromia ) *** Red/violet eyes don’t exist in humans. What you’re seeing is an eye lacking pigment (thus appearing blue) overlaid by red (the exposed blood vessels). This can give the eye a red or violet sheen in some lighting. This is typically the result of ocular albinism .

How Common Are Eye Colours?

It’s easy to fall into using blue eyes or green eyes or grey eyes when writing. It makes the character stand apart, right? Well, make sure you don’t do too much of that unless there is a reason for it. Here is the worldwide breakdown of how common eye colours are:

Amber Eyes 5%

Blue Eyes 8-10%

Brown Eyes 70-79%

Green Eyes 2%

Grey Eyes 3%

Hazel Eyes 5%

Heterochromatic Eyes Less Than 1%

Red/Violet Eyes Less Than 1%

DESCRIBE IT!: Words to Help Describe Eye Colours

Another section of this website is dedicated to describing colours – Describe It! Colours . As such we won’t get too directly into colour descriptions here.

NATURAL COLOURS – Simple

NATURAL COLOURS – Complex

Amber Eyes For amber eyes, you can use yellowish shades of brown or dark, brownish shades of yellow . They can even be seen as being orange .

See the listings above and below for help with this.

Hazel Eyes As hazel is a fairly vague description without further identifiers, try using earthy (greenish) shades of brown , brown with amber or blue hues, or grey with brown undertones, or green mixed with brown.

Heterochromatic Eyes As these are two different eye colours, use the descriptions for whichever colours your character has.

Red/Violet Eyes For realistic expression, use pale blue colours and overlay with a semi-opaque red or violet (in bright light only)

FANTASY COLOURS

Describe It: Descriptive Phrases for Eye Colour

As important as eyes are, you do not need to get into extreme detail when talking about their colour…unless there is something particularly different or plot related about them. Even then, be careful. Generally, mentioning any defining characteristics about eye colour can be done once, then generalized back to just ‘blue’, ‘brown’, etc. with perhaps a modifier to spice it up occasionally, something like ‘faceted green eyes’, ‘soft brown eyes’. Do not overdo this, it can become repetitive and will bog your work down. But, still, have fun once in a while with the description!

As mentioned in the opening of this entry, don’t forget eyebrows exist. They relay a lot of information and using them can help you get across what you want without directly referring to the eye itself.

Take Inspiration from Nature

When getting into the colour of eyes, you can get really creative! Take colour inspiration from nature that will help give extra description. A good example is Leigh Bardugo ‘s description of the Darkling’s eye in ‘ Shadow and Bone ‘. She equates his eyes to smoky quartz. This can give a good impression of the colour of the eye, but also that his eyes are shiny. You could also take this further and say it gives the impression of hardness to his eyes. In short, what you use to help describe the colour will give the reader other context cues.

Examples for Describing Eyes

Amber As he moved out from the shadows, sunlight caught his dark eyes and set them ablaze. She thought they had been brown, but they now gleamed with rich honey tones. Blue Her eyes were a wintry blue, with a hint of pale umber around the pupils to give them warmth. Brown Their eyes were a rich, velvety brown that were easy to sink into the depths of. Green The green of his eyes was pale and faceted with a tawny flare in the centre. Grey He couldn’t look away from her striking grey eyes, so clear they seemed to be made of interchanging layers of light and dark striations. Hazel It was as though an entire forest had become caught in his eyes, the green of sun-drenched leaves, the rich earthy brown of the soil and, on the outer ring, hints of a twilight sky. Heterochromatic They had one earthy brown eye where the other shimmered with blue. He was captivated by her eyes, two silvery orbs that exploded with amber in the centre. Red/Violet His eyes were a cold, steely blue overlaid by an unexpected red glint that turned them violet in the sun.

Eyes encompass a combination of the below descriptors. For example, image 1 are almond eyes that are hooded; image 4 are downturned and close set; image 8 are round, protruding eyes; and image 10 are wide set, downturned, round eyes.

Almond Shaped Eyes Almond shaped, with slightly upturned, pointed outside corners

Close Set Eyes Typically, the space between each eye is the length of another eye. Close set eyes have less than this space

Deep Set Eyes Typically, larger eyes set deeper into the face, the opposite of protruding eyes

Downturned Eyes The outside corner of the eye turns down or ‘droops’

Hooded Eyes When open, a hooded eye will generally not show much of an eyelid as it retracts into the crease

Monolid Eyes / Epicanthic Fold Open, a monolid eye fold will show even less of an eyelid than a hooded eye, as the lid retracts into the crease entirely or almost entirely. See also “ Epicanthic fold “.

Protruding Eyes Protruding eyes stand out a little more, seeming to have a slight bulge to them.

Round Eyes The eye looks more open than others and more of the iris is visible.

Upturned Eyes A more pronounced lift to the outer corner of the eye than seen with almond shaped eyes.

Wide Set Eyes Typically, the space between each eye is the length of another eye. Wide set eyes have more than this space.

If you are searching for advice on how to replace the word “look” in your manuscript, there is a whole D-Script for that here: This Word Kind of Sucks: Look .

There are a million words that can be added to describe the eyes and emotions or movements they make, so we’re going to tackle this as an exercise. Here is a HUGE list of words we’ve pulled together and the eye related description we created for them. This list has a hundred tiny stories in it, all written in one afternoon, so excuse the errors we might not have caught! Here are some direct links to pages discussing various emotions with additional descriptions: This may not be all of them. Check out the Describe It: Emotions page to see all available D-Scripts

Descriptions to Help Inspire You

If you’re looking for ways to replace the work “look”, head to This Word Kind Of Sucks: Look for more inspiration

Anisocoria Where the pupils are different sizes. Can be caused by a number of conditions. Can be chronic or temporary. Symptoms include blurred or double vision, loss of vision, headache, or nausea.

Cat Eye Syndrome (Coloboma) A rare chromosomal disorder. Appears as a cleft or gap in the iris with an elongated pupil. Can be corrected surgically but often comes with other bodily disorders and, as such, correction can be complicated.

Cataract A cloudy area in the lens of the eye. Can be repaired through surgery. Can reduce vision (think of looking through frosted glass) and decrease colour. Affects one or both eyes.

Crossed Eyes (Strabismus) Where the eyes do not look at the same place. There are four types: Inward turning (estropia), outward turning (exotropia), upward turning (hypertropia), or downward turning (hypotropia). Can be one or the other eye. Can happen all the time or with tiredness, eye strain, or illness. Untreated this can turn into Lazy Eye (amblyopia).

Lazy Eye (Amblyopia) Reduced vision in one eye, often accompanied by an eye that wanders inward or outward. Generally develops in childhood. Can be corrected by early intervention with glasses, contact lenses or patching therapy. Can cause a person to have poor depth perception, to squint or shut an eye, or tilt their head.

Ocular Albinism A genetic condition that reduces the pigmentation in the iris. Symptoms include reduced clarity and depth perception. Can come with nystagmus (rapid involuntary eye movements), light sensitivity, and eyes that do not face the same direction. Eyes are typically pale blue (from lack of pigment) but, in some lights, can have a red haze that can make them appear more red or violet.

Polycoria The appearance of more than one pupil. True polycoria are where each pupil has its own muscles that contract them (sphincters). It is extremely rare. Psuedopolycoria is where they do not have separate muscles. True polycoria can cause blurred vision, double vision, poor vision, and issues with glare.

Vision abnormalities are not exactly uncommon. Just look around to see how many people wear glasses or how many friends you have who use contacts. Pretty much every condition listed above comes with some sort of vision impairment as well. Don’t be afraid to utilize them or the abnormalities here to create more dynamic characters and a more realistic world.

Blindness/Low Vision

There are all sorts of levels and causes of blindness. Complete blindness is uncommon, and total blindness is rare in people who were sighted but lost their vision.

Let’s get into the different types:

Total Blindness from Birth

One of the best comparisons I’ve heard of for people who have never had sight is not that they see blackness, it’s that they see nothing. The example went on to encourage you to close your left eye, then asked “what does your left eye see?”. Nothing. It’s a hard concept to wrap your head around for someone who has always been privileged with sight!

Total Blindness After Birth

People who completely lost their vision due to damage, disease, or age, see blackness. Total blindness after birth is rare. Most people who are blind have some light perception. Some people who experience significant (if not total) vision loss will experience visual hallucinations which could be simple hallucinations (patterns, lines, sparks of light) or complex hallucinations (people, landscapes, buildings). This is called Charles Bonnet Syndrome and is not a mental health issue. It is more common in older adults. Most people who are totally blind can still perceive light (see below). Those who can’t have about a 70% chance of having a circadian rhythm disorder. Thus, their sleep patterns are significantly interrupted.

Legal/Functional Blindness

This may have different definitions depending on where you live. However, functional blindness is when someone can only see something at 20 feet that a normally sighted person can see at 200 feet, when looking straight ahead or they have a visual field of less than 20 degrees. This is 20/200 vision. Legally blind people still may be able to see people and objects surrounding them, it’s just blurry. Sometimes, they can clearly see things directly in front of their faces as well. There are varying degrees of legal blindness. People who are legally blind can also experience flashes of coloured light as well.

Able to See Light

These people can see light, however they cannot see colours, shapes, or people. They may see flashes of light. Here is a great article from the BBC written by a person who is blind but has light perception.

Tunnel Vision

People with tunnel vision do not have peripheral vision and can only see within a 10-degree range.

Blindness and Dreaming

If people were born blind, they report being able to dream with their other senses, such as taste, smell, and touch.

As for people who were sighted and no longer are, or people who have other visual impairments, they may dream how they did before impairment or exactly how they see when they’re awake (light flashing included). An interesting note: people with significant vision impairments get 25% more nightmares than sighted people. Yikes!

Colour Blindness

There are three kinds of colour blindness, otherwise known as colour deficiency: red-green colour blindness, blue-yellow colour blindness, and the rare complete colour blindness. These conditions affect 1 in 12 men and 1 in 200 women worldwide, according to colourblindawareness.org . If you want to see what each type looks like, go to their page here where they have examples. Colour blindness, like most things, exists on a scale. People may have poor colour vision or all out colour blindness.

Colour blindness is typically genetic (they are born that way), though certain diseases can trigger it, as can aging, and some medications.

New technologies are allowing some people who are colour blind to see colour! …to varying extents and not everyone benefits yet. Watch this video from CNBC. I’ve personally seen a lot of videos of people seeing colour for the first time who are overwhelmed and have to remove the glasses/contacts and those who break into tears.

Farsightedness

Farsightedness is the ability to see things clearly when they are farther away, however those things closer may appear blurry. This is a very common condition.

The degree of farsightedness matters. The more severe the farsightedness, the further out an object must be before it appears clear.

People with untreated farsightedness may experience squinting to focus, headaches, burning eyes, and eyestrain.

Nearsightedness

Nearsightedness is the ability to see things clearly when they are closer, however those things farther away may appear blurry. This is a very common condition.

The degree of nearsightedness matters. The more severe the nearsightedness, the closer an object must be before it appears clear.

People with untreated nearsightedness may experience squinting to focus, headaches, burning eyes, and eyestrain.

Don’t Forget Eyebrows!

In the list above are several descriptions including eyebrows. Brows can also tell us a lot about a person, whether it be how manicured they are or the positioning of them. A shaggy eyebrow with occasional long hairs, may denote someone of an older age. Someone who has trimmed eyebrows that have been lined with makeup can denote someone who puts a lot of stock in their appearance.

Here are some basic tips on describing eyebrows, rather than relying on the eye itself to do all the work:

Simple Descriptions for Eyebrows

Eyebrow shapes.

Soft angled arch, rounded, straight, hard or steep angled arch, s-shaped, upwardly tilted, rounded arch

The Best Brows Shapes by Face Shape

Oval Faces: soft angles without low arches

Round Faces: high arches

Long Faces: flat (mostly straight across)

Square Faces: thicker, bolder brows with defined arches

Heart-Shaped Faces: If a long face, low arches. If a short face, high arches

Diamond-Shaped Faces: rounder, softer brows

Overall Appearance of the Brow

Here are some words and phrases you can use to help describe the physical state of the eyebrow:

• Grown together in the middle
• Pencil thin
• Overplucked
• Thich with stray long hairs that curled up/down
• Ended at the arch
• Thin with few hairs to define them
• Ended prematurely

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90+ Words to Describe Eyes | A-Z List

The eyes have been referred to as the gateway to the soul because of their ability to quietly convey message.

If you’re trying to describe the appearance or expression in someone’s eyes, one of the following words to describe eyes may be exactly what you’re looking for.

A person’s eyes can convey a wide range of emotions. A significant message can be conveyed with a straightforward glance, a vacant stare, or a tight squint.

Human eyes are a perfect literary tool for personality in fantasy writing because of their expressiveness. ‎

Finding the right words to describe eyes could be the difference between creating a good story and a great one.

There are many ways to characterise eyes, from their physical characteristics to the meaning conveyed or interpreted through expression.

Look no further than this extensive list of words to describe eyes if you’re looking for beautiful terms. ‎

You Might Also Like:

• Words to Describe Love
• Words to Describe Personality
• Adjectives to Describe a Person

Table of Contents

Words to Describe EyesThat Start with A

One of the first features people mention when describing someone’s appearance is their eye colour, along with their hair colour. The following words that start with the letter A can be used to describe eyes. ‎

• All-knowing
• Almond-shaped

Words to Describe Eyes That Start with B

Without a doubt, the most important symbolic sense organ is the eye. They may stand for insight, wisdom, or a doorway to the soul. Here are some words for eyes that start with the letter B.

Words to Describe Eyes That Start with C

You may not realise how much information your eyes convey, but they actually contribute significantly to nonverbal cues. Here are a few words that start with C that describe eyes.

• Compassionate

Words to Describe Eyes That Start with D

Eyes gather information about a character and provide information about their intentions or thoughts toward an issue. When discussing a character’s nonverbal cues, start with the eyes. These words that start with the letter D can be used to describe someone’s eyes . ‎

• Distinctive

Words to Describe Eyes That Start with E

The eyes can convey happiness in a number of different ways. A smile and arched eyebrows indicate that you are happy to see someone. Moms naturally do this with their newborns in many different cultures. Here are some words to describe eyes that start with the letter E. ‎

• Enlightening

Words to Describe Eyes That Start with F

It’s hard to look at someone without first focusing on their eyes. While many distinguishing facial features can be attractive, eyes have a huge impact on a person’s genuine attractiveness. In this section, we’ve listed some words to describe eyes that start with the letter F.

• Flirtatious

Words to Describe Eyes That Start with G

Another way to tell if someone is happy by looking at their eyes is to measure how thick their eyelashes are. Large pupils let others know that you value what they see. Below are a fewwords to describe eyes that start with the letter G.

Words to Describe Eyes That Start with L

Eyes are frequently associated with intelligence, brightness, alertness, moral conscience, and honesty, among other qualities. These words that start with the letter L are used to describe eyes. Try them out!

• Lash-fringed
• Love-struck

Words to Describe Eyes That Start with P

Skepticism is expressed by an arched brow. Over the top of the glasses, eyes cast a doubtful glance. Here are a few words that start with P that describe eyes and talk about different aspects of eyes.

• Penetrating

Words to Describe Eyes That Start with S

It may be difficult to determine exactly what makes eyes attractive. However, you don’t need to worry about it. You might find these words to be helpful when describing eyes that start with the letter S. ‎

• Sympathetic

Words to Describe Eyes That Start with W

Our eyes convey a lot, and by studying others’ eyes, we can possibly grasp their feelings. Although some think that visual processing analysis is unreliable or debatable, it might actually have some validity. Here are a few words for eyes that start with the letter W. ‎

Words to Describe Eyes – Full List (90+ Words)

You shouldn’t worry if you struggle to explain eyes in words. Here is a lengthy list of words to describe eyes that can be used to describe various aspects of a person’s eyes.

• Mesmerizing

Final Thoughts on Words to Describe Eyes

The word “attractive” is not the only one that can be used to describe eyes. Use one of these words to describe eyes to make your description more compelling and realistic.

In order to accurately depict how eyes seem, it is often necessary to describe their physical characteristics. Use these words to describe eyes to help your readers understand what you are trying to say. ‎

A crucial component of adequately describing the appearance of eyes is mentioning colour. So that readers may clearly understand what you’re saying, be as accurate as you can when describing eyes in your writing.

Eyes can convey a secret, a goal, or insight into a character’s emotional state. Inclusion of a detailed description of the characters’ eyes in your writing could add to the reader’s comprehension of the story.

This is why it’s important to choose your words to describe eyes carefully when describing eyes.

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Best Ways To Describe Eye Color In Writing

Eyes are the windows to the soul. A common saying and in day-to-day life, we have learned to not discern a person’s personality or quirks based on their eye color. However, when we are writing, there is a lot more freedom. And eye color is a great way to define your character, give the reader hints about their characteristics or journey within your story.

The selection to choose from is also greater in writing than in eye colors that occur naturally. Purple eyes? Red eyes? No problem!

Let’s have a look at how we can express different eye colors even better than just name-dropping the color.

Best Terms for Black Eyes

Black is an eye color chosen for people that are supposed to seem more secretive and mysterious. A character with black eyes can be very passionate and deep, loyal and intuitive. It’s also often an expression of a very powerful (sometimes hidden) energy.

In a negative context, they can make a character appear non-trustworthy, insect- or reptile-like, and downright evil. Characters with black eyes often have sinister intentions or something to hide.

To vary the description of black eyes you can use the following terms:

• coal (black)
• pitch black
• velvety black

Best Terms for Blue Eyes

Blue eyes are quite common in most newborns, however, it often changes within 2 weeks after birth. This has lead to blue eyes being associated with youth and youthfulness, and innocence. People with blue eyes are usually described as calm and peaceful. They seem to be especially attractive to other characters, too.

In a more negative context, a character with this eye color can literally be blue-eyed, detached from reality, gullible, or even stupid.

Instead of just writing “blue eyes”, try one of these:

• arctic blue
• electric blue

Best Terms for Brown Eyes

Brown is the most common eye color worldwide. Brown-eyed characters are often self-confident and independent, strong and determined. They are seen as trustworthy by other characters, and as exuding an air of warmth and security.

On the other hand, a brown-eyed character can appear brutish or simple, boring, and even dumb.

There are many wonderful tones of brown you can use, such as:

Best Terms for Gray Eyes

Gray eyes are usually reserved for older characters. But they can also express wisdom and gentleness in younger characters. Usually, these characters appear to be sensitive and analytically.

On the less favorable side, gray-eyed characters are seen as bland and boring.

Consider the following descriptions when a character has gray eyes:

• cloudy (gray)

Best Terms for Green Eyes

Usually, green eyes are seen as mysterious and given to characters that are close to nature. They are often described as curious, passionate, and generally positive and happy.

On the darker side, they are linked to jealousy or representing poison.

Different green hues can be used to describe green eyes:

• forest green
• olive (green)

Best Terms for Other Eye Colors

Eyes that show both green and brown color are commonly called hazel eyes. People with hazel eyes are seen as spontaneous, adventurous, and competitive. The two-toned quality can also indicate mood swings, however.

Shows the eye more green color, the character can appear more mischievous. If the color leans more towards the brown side, the character appears more approachable.

Red eyes usually don’t occur naturally in humans, except for in albinism. Thus, it’s more of a fantasy color. In animals, it’s more frequent. Red eyes are often associated with courage, strength, ambition, and power. However, it’s also used to express rage and anger, a lust for revenge, and associated with dark intentions and evil.

Depending on what you want to use it for, the following terms can be used for red eyes:

Violet Eyes

Purple or violet eyes are extremely (!) rare. Thus, they fit more into a fantasy context – or if your character is using contacts. A very sophisticated and spiritual color, characters with violet eyes are often associated with royalty and riches, or divination and clairvoyance. Since it’s a very powerful color, this eye color is often used for leaders, royals, or oracles, and witches.

The following terms can be used for eyes of this color:

• ultramarine

Usually, white eyes are considered blind. A character’s eyes turn white or are white if they are not able to see out of them (or one of them) anymore. The limitation here, however, is only measured by your creativity.

Instead of “white”, you can also use these terms:

Yellow Eyes

In animals, a yellow eye-color is quite common. Consider cats, dogs, predator birds, snakes, and the like. Thus, characters with yellow eyes are often associated or compared to a certain animal, taking over their features or characteristics.

There are a few nice term you can use to describe yellow eyes:

Heterochromia

Of course, you have the option to give your characters two differently colored eyes. While this occurs in the natural world, heterochromia is still rare in humans. It can be used to express a duality in a person’s character. Often, these characters are seen as especially significant, mystical, magical, supernatural, or simply special.

Search for creative inspiration

19,898 quotes, descriptions and writing prompts, 4,964 themes

eyes - quotes and descriptions to inspire creative writing

• light brown eyes
• light green eyes
• look and appearance
• whites of eyes

When the bond of love is made, my eyes give free passage to my soul.

Eyes that love you will catch your soul, even if you weren't aware of its falling.

Eyes will tell the truth whatever society permits.

I listen to eyes because they speak so much truth.

Eyes speak in emotion, the language of the soul.

From those eyes came a sense of home.

In the eyes is the "I' - the inborn soul of the baby heaven-given.

She reached out with her eyes has honestly as a babe reaches with open arms.

Even in the night his eyes lit the way, he was a seer, of that we were sure.

The eyes come as perfect flower buds freshly opened in the dawn.

Eyes that see are the greatest blessing, for they are as orbs that shine lights and make even the realisation of what healing must happen... possible.

In this early dawn your eyes are the dew, scattering the nascent rays, ever illuminating my soul.

They say the eyes are windows, the thing is, my love, I can see through them. I can see your pain and your gentleness just the same. I see how every emotion comes together to form the art of your soul. It forms a picture I see in an instant and comprehend with full depth. So, I see you, I do. When I say that your eyes are beautiful, its the truth, for it's not about colours or shape, it's about the loving sweet essence that is so clearly there.

He had eyes as open and honest as any child, a warmth and safety. In that moment I found my home, my place to find company when the cold winds blew.

He squinted at me through hardened eyes that once had been my salvation, but now they brought only the unfounded accusations of a jealous lover. Their color had only yesterday reminded me of my sea-port home, gazing out to where the blue of the ocean blended into the blue of the sky, now they were simply chilling. Every muscle in his face was tense and without a word he communicated intense mistrust, anger, despising. Now he stood between me and the only exit, glaring, seething, clenching his fists rhythmically...

Her eyes have frozen over like the surface of a winter puddle, robbing them of their usual warmth. She's in there, I know it, but it's like she just took a huge step back from life. I want to reach in and tell her it isn't hopeless, but she won't believe me. I want to rekindle her heat but her insides are too damp with uncried tears. I always knew she had pain inside, but now its visible on her face and I wish it would go away. I know that's a selfish want, people have a right to their pain, they don't ask for it - it just arrives like the gift you never wanted.

She looks at me like the fire in her eyes has been dowsed with ice water, if anything it makes the blue more pale. I'm not used to it, it unnerves me. I want her to give freely like she always does but she won't. It's like she just crawled right back inside some invisible shell and no matter how hard I try she's unreachable. She moves her eyes more slowly, like they're heavy, an effort to move. I want to crack my usual jokes but I know she won't laugh. I'm standing right next to her but she might as well be on the moon.

In her renewed silence, only her eyes glow. They aren't yellow like a comic book cat, but the softest of blue - like they soaked in the spring sky only hours ago and are now letting it radiate out gently into the twilight.

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• How to describe eyes in writing?

How to write eyes in creative writing?

Eyes are an important part of a person’s appearance and can convey a wide range of emotions and expressions. I am sharing with you, some of the ideas and you can use these in describing eyes in creative writing.

• Color of eyes
• Shape of eyes
• Size of eyes
• Feelings while looking at the eyes
• Psychological Mode of eyes like Humble, Loving, Caring, Harmful
• Sparkle with joy
• showing warmth
• showing kindness
• revealing sadness
• revealing pain.
• Crying is full of sorrow etc
• narrowing with suspicion
• Eyes searching for someone loving
• widening in surprise.
• Eyes like a hawk”
• Eyes are full of energy like a moon
• “Eyes that twinkle like stars.”

Examples of describing eyes in writing

• “Robert’s eyes were a warm golden brown color, and there was a hint of mischief in them.
• They had eyes that seemed to be full of humor and good spirits.”
• They were the kind of eyes that seemed to wonder and be interested in the world.”
• They were the kind of eyes that looked out at the world as if they knew what was going on.”
• “Elizabeth’s eyes were as bright as the sun in the morning. They sparkled with intelligence and interest.”
• “Robert’s eyes were intense and piercing. They were a deep blue that seemed to look right through you.
• They had eyes that could see right into your thoughts.”
• “Elizabeth’s eyes were big and innocent, and they were framed by long, dark lashes that looked like a curtain.
• “Elizabeth’s eyes were a beautiful shade of emerald green and were framed by long, thick lashes.”
• “Robert’s eyes were bloodshot and tired because he had worked all night.”
• “Elizabeth’s eyes were like a mirror; they showed how everyone else felt.”
• “Robert’s eyes were as cold and hard as two ice chips.”
• “Elizabeth’s big, round eyes were like two saucers.”
• “Elizabeth’s eyes were a deep, soulful brown with tiny gold flecks that seemed to move when the light hit them.
• They were nice and gentle, and they seemed to understand me perfectly.”
• “Robert’s eyes were a soft, misty grey, like a morning fog.”
• “Elizabeth’s eyes were a deep, rich green with sparkling gold spots.
• “Elizabeth’s eyes were almond-shaped, and her dark eyebrows framed them. This made her look mysterious and foreign.”
• “Robert’s eyes were hazel, and depending on the light, they changed from green to brown.”
• “Elizabeth’s eyes were golden brown and shone like two coins.”
• “Robert’s eyes were deep-set and dark, which made him look serious and moody.”
• “Elizabeth’s eyes were so sharp and clear that it seemed like she could see right through him.”
• “Robert’s eyes were as clear and cool as a mountain lake on a sunny day.”
• “Robert’s eyes were dark and stormy, like the ocean on a rough day.”
• “Elizabeth’s eyes were a dark chocolate brown and were full of kindness and warmth.”
• “Robert’s eyes were so sharp they cut through the air like two lasers.”
• “Robert’s eyes were small and hooded, and he was always looking around him.”
• “Elizabeth’s eyes were electric blue and bright, full of life and energy.”
• “Elizabeth’s eyes were a warm amber color, like a glowing ember in a fireplace.”
• “Robert’s eyes were small and beady, constantly darting around as if searching for something.”

More Examples of Creative Writing

• How to describe a situation in writing
• How to describe crying in writing?
• How to describe fighting in writing?
• How to describe clothing in writing?
• How to describe death in writing?
• How to describe depression in writing?
• How to describe “falling in love” in writing?
• How to describe fear in writing?
• How to describe voice in writing?
• How to Describes Eyes in Writing?

100+ Examples of describing in Creative Writing

Related posts:.

25 Best Words to Describe Blue Eyes

Describing someone’s eye colour is a great way to set up a character in a story or talk about them romantically. This article will explore how to describe blue eyes in creative writing (or in your own words) to show just how much you appreciate someone’s eyes.

“Icy” could also be used negatively to show that someone has an “icy” personality and doesn’t let people get close to them.

2. Electric

3. sparkling.

“Sparkling” is a great adjective to use to compliment someone’s blue eyes. It shows that they seem to “sparkle” like a star or anything else that glows and shines. It’s a really positive way to compliment someone.

4. Ocean-Blue

5. piercing.

“Pale” is a negative adjective showing that someone doesn’t have a lot of emotion or beauty in their eyes. It works best for blue eyes because it relates to them having no powerful colouring in the blue of their eyes, thus having no personality to match.

7. Fascinating

“Fascinating” is a great word to use when you are taken aback by someone’s eyes, especially if they are blue (or green). It shows that you are fascinated by someone’s looks. It’s a great compliment to use when you’re trying to be romantic and forward.

It’s a great adjective to use because it’s going to flatter almost anyone you say it to.

9. Mesmerizing

“Mesmerizing” implies that you can get lost in someone’s blue eyes. It means you might end up in a trance while looking at them because you cannot look away. This is a complimentary way to show someone that you love how their eyes look.

10. Intoxicating

11. alluring.

“Alluring” shows that you can fall in love with someone simply because of the colour of their eyes. Any eye colour can be “alluring” as long as you find the person attractive when looking at their eyes.

12. Dazzling

13. lustrous.

“Lustrous” is a great way to refer to the colour of someone’s eyes. It shows that you are blown away by the colour, depth, or beauty of the blue eyes you can see before you. It’s great to compliment someone, especially in a romantic sense.

14. Brilliant

15. beautiful, 16. blindingly.

“Blindingly” is another great choice that uses alliteration to its advantage. It works well because it shows that you are taken aback by the amazing colour of someone’s eyes.

18. Magnetic

19. sympathetic, 20. telling.

“Telling” is another great way to show that you can read someone’s eyes and figure out their thoughts. It’s great to include when you can see what someone is thinking because of the emotion and beauty in their eyes.

21. Truthful

“Truthful” is a great word to use in this context. It shows you can see the “truth” in someone’s blue eyes. If you can gaze into someone’s eyes and work out what they’re thinking, you can figure out their “truth.”

22. Expressive

24. amazing, 25. perfect.

Martin holds a Master’s degree in Finance and International Business. He has six years of experience in professional communication with clients, executives, and colleagues. Furthermore, he has teaching experience from Aarhus University. Martin has been featured as an expert in communication and teaching on Forbes and Shopify. Read more about Martin here .

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How to describe people from the 'eyes' of a blind person?

I am currently working on a fantasy novel that is set in medieval times. I created my world, started to write, and then bumped into a big problem. My MC is blind (along with others of its race) and I find it really hard to describe the people she meets without using visual clues.

I know it is still possible to write in 3rd person and show how the people look that way, but I think it would be most immersive to describe everything from her point of view.

So my question is, what are tricks I can use to describe people? How can I make them different from each other without just saying things like 'the woman with the high pitched voice'?

The setting is also in a world with magic, and she has some sort of magic that makes her able to 'sense' people, and 'see' stone. Maybe that is of any help?

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5 Answers 5

You have a potentially rich world of non-visual sensations with which to play, and unique situations to explore! I actually envy you the potentially-rich experience of writing this!

You have other senses--- sound or hearing; smell; feel or textural variations (presuming your character[s] can or will touch each other, or those with whom they'll interact); along with those very astute suggestions already provided!

I've an Israeli friend who was blinded in a terrorist bombing in the mid-1970s. He had participated in the martial art called Krav Maga. After becoming able to get about, again, he worked with his instructor and several students to perfect a "Blackout Krav Maga:"

It's amazing how one can zero in on others without needing sight--- people make noise all the time, whether simply the sound of the rush of air as they breathe (stronger if winded or frightened!) plus coughs, wheezes, whistling from breathing through a deviated septum; along with the very common "creaking" of knees and "cracking" of joints not to mention the sounds of footsteps (many people drag their feet; slap down their toes when stepping; "kick" the floor with their heels; plus shoes [even 100% synthetics!] will creak, squeak, crack, pop, "Click" because of hard-plastic or metal heel-pieces, and more)

Actually, some people even carry on a continual whispered monologue! No, they're not barmy; this is their way of "thinking." Only instead of it being a nonverbal process, they'd begun to "articulate their thoughts!" (This is rare, but could be made into a unique character identified as "Whispering Gael" or the like!)

In addition, what people wear as well as carry are also abundant sources of sounds. Cordoroy, silk, and other fabrics make noise when surfaces rub together; leather and webbing accessories will almost always creak as one moves---sword baldrics or equipment belts; burden straps; shoulder-slings, and the like. Also, the impacts of twigs (or, underground, roots) will make metallic noises when striking against helmets, plate-armour, shields, and such-like as the wearer moves along.

Plus, "personal items" can always make noise: Coins jingle in pouch or pocket; things analogous to ID tags can make noise--- necklace medallions, metallic charms, and other devices. Keys are also classic noisemakers--- the Seneshal or Bursar; a head servant like the more-contemporary butler, will carry keys as a "badge of office," and this can be seen by your character(s) as somebody like "'Mister Clink-clank,' the one who can get to the best wine and cheese!" (They may even silently shadow him, hoping to filch bites or sups of cheese or wine from the hoard!)

Then, there are the thousands and thousands of different smells! This is something I've personally noticed: Different ethnic groups prefer to use different spices, and differently prepare often vastly-different types of foods, which in turn almost always makes "native" body-odours very different.

In Victorian times, people simply assumed "different Races smelled differently;" well, people actually did --- but it was NOT because of genetics! It was simply "cultural," in the end.

People who eat large amounts of red meat will have very different "aromas" from fish-eaters, and this differs from those who, by reason of economics or perhaps religious proscription, eat mainly/only vegetables and grains.

Then, consider different occupations: In a "Middle Ages" setting, soldiers would be enveloped in the combined odours of old spilt blood and body-fluids, stale sweat, musty & moldy leather, and the inevitable "rancid old oil smell" from cheap oil used for leather-dressing and weapons-rustproofing.

There are also many other examples: Men who care for horses would smell like strong sweat, and the stables; blacksmiths will have a strong odour of coal- or charcoal-smoke, a strong aroma of sweat; and the "hot metal smell" that's peculiar to smiths. Butchers would wear the aromas of an abattoir or slaughterhouse, being the strong smells of old blood, offal, and incipient decay. Cooks, of course, would be enveloped in food- and spice-smells. Turgeons or doctors (going from historical human prototypes) would stink of old pus and blood, herbal concoctions, smokes of herbs and grasses, [and despair.]

Barkeeps would smell strongly of food, drink, smoke, and sweat. Barmaids (possibly prostitutes too) would smell of many liquors and beers, as well as many men; plus, probably, inexpensive perfume-herbs such as lavender and sweet-grass. Noble folk would be the ones heavily anointed with "expensive" floral scents such as rose-water or orange-blossom-water, as well as extracts of lavender, and other sweet-smelling herbs to cover their smells of sweat. Probably, the "lordly types" would have stronger sweat-smells because of frequent sword-practice, and an undertone of sword-belt and blade-oil aroma. In the Middle Ages, many if not most "Nobs" and knights took part in daily sword-practice.

The nobility may practice the Greco-Roman habit of "oiling" the body with olive-oil, followed by using a bronze or horn "stigil" to scrape off dirt, sweat, and excess oil--- this would put an olive-oil odour on these worthies.

Open your mind to think deeply, and you will realize that every profession or way of life found in the Middle Ages will have almost-unique "professional aromas!"

Combining some of the examples of "non-visual identification" in a sort of third-person narrative (as in WATERSHIP DOWN) allows you to create mental images of characters in the readers' minds every bit as memorable and impressive as any visual description!

• Wow, what an amazing answer! Thank you for putting so much thought in it :) –  Noralie Commented Feb 16, 2016 at 17:50
• I am honoured to help, Noralie! And it was no trouble at all for me to come up with those scenarios. I am pleased to help, where & when possible! –  Fred Kerns Commented Feb 16, 2016 at 20:21
• +1 Add a little bit more and you can publish this as an essay all by itself! –  Joe Commented Feb 16, 2016 at 21:57
• 1 You also gave me the idea to go and sit in a busy place, close my eyes and then try to decribe the people around me by their aounds and smells. I think I'll need some (a lot of) practice but I just want to make it really good now xD –  Noralie Commented Feb 17, 2016 at 0:22

Think about how your character distinguishes between people. Is it by footsteps, smell or knock? You need to work out how someone who is blind tells the difference. You could try asking a blind person.

• Unfortunately I don't really know any blind people. Otherwise I would have asked ^^ –  Noralie Commented Feb 11, 2016 at 18:35
• 1 @Noralie Blind people use computers too. (There are voice inputs, screen readers and braille keyboards.) You just have to find them and take your time figuring out how to ask them what you need to know without offending them. You can search for things like "blind ergonomics computer" or "blind forum computer". There are even sites devoted to computer games for the blind. If your portrayal is good enough, then they may end up as part of your fan base. People want to read about people like themselves, especially in areas which are undoubtedly under represented. –  Joe Commented Feb 16, 2016 at 22:11

How can I make them different from each other without just saying things like 'the woman with the high pitched voice'

Don't just describe a voice as high or low pitched. Your detailed description of a voice - its changes of pitch, rhythm, speed, pattern of breathing, hesitations, precise accent, individual quirks of pronunciation - is your opportunity to let the reader experience the world in the way that creatures of this blind race experience it. (Of course you should do the same for all the senses other than sight.) If you can emphasise the differences between what a blind human would perceive and what a blind non-human of this race with the extra senses you mention would perceive, so much the better.

An example of a book where something similar is done well is Watership Down by Richard Adams. The main characters are rabbits, and spend much of their time underground where they cannot see. Adams describes how the rabbits sense how big an underground space is by the quality of the sound and the currents of air, how they greet each other by touching noses, and so on.

One thing you might try: To give the reader a clue about how the MC distinguishes individuals, have the MC confuse two people.

Think of when you see someone, and for a moment you think they are someone else....what is that?

Some signature movement as they step off a train; maybe a way of holding their body, an item of clothing they might have worn.

So for your MC, maybe it would be a scent of the place where they first met the person, or maybe there is some other sense that humans don't have...what piece of history does this sensation evoke for the MC?

Dogs actually can't see all that well, and they recognize by smell and sound long before they can distinguish a person by sight. Think of the way they freeze into that moment of recognition....it's as if their whole world pauses for a moment; a trigger is tripped, messages flower and howl across their doggy grey matter down their spine to tail.

Maybe you don't describe the characters physically: you describe their personalities based upon their unique energies. The reader will most likely form a mental picture of the character-- whether they've got a permanent pout on their face due to their exceedingly arrogant and condescending nature, or a great smile due to their sunny outlook on life.

• @noralie On a lot of TV shows/movies, I've seen blind people portrayed as touching the face of a person to know what they "look" like. Seeing it on TV is one thing, but reading a really good description of what that really feels like would be fascinating. –  Joe Commented Feb 16, 2016 at 22:26

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heal41hp Active Member

Writing eyes.

Discussion in ' Word Mechanics ' started by heal41hp , May 26, 2013 .

googletag.cmd.push(function() { googletag.display('funpub_9605a4fb5b5ed5c8665608f8eb6f9567'); }); Writing About Eyes So I was doing some research and found this great site. It has an extensive list of eye colors, their descriptions, whether they are cliché (per the author), and whether they are insufficient descriptions (per the author). There are a few photos included for illustration. http://www.obsidianbookshelf.com/html/eyecolorlist.html Another article is linked on that page (up near the top) that provides some quick resources for writing about eyes. It talks about clichés, gives some suggestions for describing eyes (it even has some exercises with photos), some guidelines on describing eye shape, and a list of eye actions and whether they're cliché or not (again, per the author). http://www.obsidianbookshelf.com/html/eyecolorhtdescribe.html I've never found a need to describe eyes in much detail but should it ever surface I think I'm well-armed now. Edit: Well, that's annoying that I can't change the thread title... I guess I shouldn't post when I'm so tired!  

Aprella Member

googletag.cmd.push(function() { googletag.display('funpub_9605a4fb5b5ed5c8665608f8eb6f9567'); }); cool thanks I'm planing to make the eyes of one of my characters important so this might help!  

Alesia Pen names: AJ Connor, Carey Connolly Contributor

googletag.cmd.push(function() { googletag.display('funpub_9605a4fb5b5ed5c8665608f8eb6f9567'); }); This made my heart sink Green – emerald (cliché) . Click to expand...

googletag.cmd.push(function() { googletag.display('funpub_9605a4fb5b5ed5c8665608f8eb6f9567'); }); Well if there is no better description that fits, go for it I'd say. People aren't going to stop reading because there is a cliché in your story... Well I wouldn't! It's very hard not to use any sort of cliché!  

googletag.cmd.push(function() { googletag.display('funpub_9605a4fb5b5ed5c8665608f8eb6f9567'); }); Alesia said: ↑ My MC has these like almost inhumanly bright green eyes and that's the first word that keeps popping to mind. Click to expand...

googletag.cmd.push(function() { googletag.display('funpub_9605a4fb5b5ed5c8665608f8eb6f9567'); }); Unfortunately, emeralds no longer exist in my world  

KaTrian A foolish little beast. Contributor

googletag.cmd.push(function() { googletag.display('funpub_9605a4fb5b5ed5c8665608f8eb6f9567'); }); Cool links, thanks I actually found just the color to describe a character's eyes I always struggled with, and I knew it was important to mention it because her eyes stand out from her face. That sentence sounded less disturbing in my head.  

googletag.cmd.push(function() { googletag.display('funpub_9605a4fb5b5ed5c8665608f8eb6f9567'); }); KaTrian said: ↑ Cool links, thanks I actually found just the color to describe a character's eyes I always struggled with, and I knew it was important to mention it because her eyes stand out from her face. That sentence sounded less disturbing in my head. Click to expand...

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Readers Need Description to Believe a Story

Show, don't tell: a command keeping young writers from doing their best work..

Posted June 19, 2024 | Reviewed by Tyler Woods

• Understanding Attention
• Find a therapist to help with ADHD
• The saying, "Show, don't tell!" misrepresents the process of fiction-writing.
• In art composed of words, showing can't be distinguished from telling.
• Experiments indicate that action words engage people's motor systems, but the effect depends upon context.
• Writing in any field may best engage readers by combining rich descriptions with compelling scenes.

In Honoré de Balzac’s Lost Illusions , Daniel tells the young writer Lucien that Lucien has started his novel all wrong. Instead of opening with pages of dialogue among characters, Lucien should have described the characters first and shown them in action. To make readers care about who’s talking, Lucien should have given readers some passion (Balzac 227-28).

Readers vary as to what engages them. Some are pulled into stories by rich descriptions; others want immediate action. Some like getting to know characters gradually; others want to know up front who they’re dealing with. Thinking about what draws you into a story can offer insights into the way your mind works. Would you rather read a novel that starts with conversations, or one that starts with descriptions and actions?

In creative writing, no saying has been more abused than the formula, “Show, don’t tell!” People repeat it authoritatively even if they’ve never written a story in their lives. I think people cling to this idea because of a longing for certain knowledge. Craft knowledge, the wisdom of observant writers like Daniel, involves knowing how . Like the knowledge of potters and carpenters, craft knowledge entails learning creative solutions to problems by studying good and bad examples. Craft knowledge doesn’t lend itself to axiomatic rules, and it can be hard to convey in words. For people uncomfortable with uncertainty, “Show, don’t tell!” offers a convenient slogan.

In contemporary culture, “showing” suggests the presentation of direct (often visual) evidence, while “telling” implies a subjective, verbal narrative. No such distinction exists in fiction writing, where any image in a reader’s mind is evoked by words. In 2024, however, the fear of telling has become so widespread that creative writing teachers encounter student novels written almost entirely in dialogue. To avoid the dreaded “information dump,” students try to forgo description altogether, compromising their creative work.

Years ago, I was teaching George Eliot’s Middlemarch , a Victorian novel in which a wise narrator weighs the morality of the characters’ actions. Fed up with the narrator, a group of creative writing students started chanting, “Show, don’t tell!” As I stood there demoralized, wondering how to respond, two students came to Eliot’s defense. “Is it showing or telling,” asked one, “if you take a reader into a character’s consciousness?”

In art created with words, showing and telling can’t be distinguished. In a memorable demonstration, literary scholar Wayne C. Booth tried to purge all the telling from some stories by Bocaccio and Flaubert, removing every trace of an authorial voice (Booth 3-20). When Booth finished, there was nothing left. Whether or not a narrator addresses readers, a story composed of carefully chosen words will involve “instructions” to readers and will reflect the writer’s mind (Scarry 244). The question is how to balance descriptions, reflections, confrontations, and dialogue so that many different readers will care about the characters.

For some readers, a story stands or collapses based on its ability to evoke a setting. One respected writer told me and my colleagues that if a story didn’t give her a sense of place in the first five pages, she would stop reading. Admittedly, some readers skip descriptive paragraphs, but others feel that the descriptions are the story.

When I conducted interviews for Rethinking Thought , a study of how thinking varies among individuals, photographer Barbara Zettel told me that curiosity drives her to read. She likes to imagine, with all her senses, living in a place where she’s never been (Otis). Neuroscientist Hugh Wilson told me that bad writing annoys him because the writer’s use of language hinders his ability to visualize (Otis). Readers’ responses depend on the writer’s skill as well as the variations among their minds.

Cognitive literary scholar Anežka Kuzmičová has analyzed techniques writers use to make readers feel “present” in a story. She has noticed that writers often describe a place visually, then show characters interacting with their environment, especially through touch. This sequence seems to pull many readers into stories (Kuzmičová 40).

In studying how words help readers imagine bodily experiences, Kuzmičová draws on the research of cognitive psychologist Rolf A. Zwaan and his colleagues. In behavioral experiments, Zwaan’s group has demonstrated that words, phrases, and brief narratives read by participants activate their motor systems in specific ways (Zwaan & Taylor 1). For example, participants asked to rotate a knob to indicate whether a sentence was plausible or nonsensical performed faster if the sentence described a manual rotation (such as setting a washing machine) in the same direction in which they turned the knob (Zwaan & Taylor 4).

In more recent work, Zwaan has urged psychologists who study how language engages peoples’ motor systems to take context into account (Zwaan 230). One can’t conclude from a neuroimaging study of motor responses to single words that many people’s motor systems will respond to sentences or narratives with the same activation patterns (Zwaan 231). In the context of fiction reading, future studies may yield valuable results by comparing readers’ responses to information about characters “told” in descriptions or “shown” in dialogues.

To keep a broad spectrum of readers engaged, a writer must choose when to describe characters’ responses to their surroundings and when to reveal them through speech and action. In an extended metaphor, fiction writer Hanna Pylväinen has compared pacing in fiction to tempi in music (Pylväinen). At times, a piece needs to move at a walking pace (andante); at others, it can rush along at allegro. Like most musical pieces, a good story will vary its tempi and dynamics to keep from boring its readers.

Although some readers experience exposition as slow, story-time often speeds up in summaries and decelerates in scenes. When planning a story, a writer intuits what to present “in-scene” and what to convey faster, through exposition. In the "show, don't tell" formula, in-scene andante writing would be associated with showing; and expository allegro writing, with telling. Pylväinen has noticed that beginners tend to overuse andante, creating scenes to accomplish what single, well-written paragraphs could do. Deciding which confrontations readers should experience in real time and which should be quickly summarized goes to the heart of the writing process.

The need to balance description with action matters for writing far beyond fiction. Recognizing the interdependence of telling and showing, and offering description while maintaining momentum, are essential to any kind of narrative where persuasion depends on helping readers imagine an unfamiliar viewpoint. Whether the subject is medicine, politics , or marketing , an adept interweaving of evocative description, engaging exposition, and dramatic action stands the best chance to draw attention and win sympathy.

Booth, W. C. (1983). The Rhetoric of Fiction . 2nd ed. Chicago: University of Chicago Press.

de Balzac, H. (1974). Illusions perdues . Paris: Éditions Gallimard.

Kuzmičová, A. (2012). “Presence in the Reading of Literary Narrative: A Case for Motor Enactment.” Semiotica 189, pp. 23-48.

Otis, L. (2015). Rethinking Thought: Inside the Minds of Creative Scientists and Artists. New York: Oxford University Press.

Pylväinen, H. (2017). “Tempo and Time Signature: Playing with Pacing in Fiction.” Lecture. Warren Wilson MFA Program July Residency.

Scarry, E. (1999). Dreaming by the Book . New York: Farrar, Straus, Giroux.

Zwaan, R A. (2014). “Embodiment and Language Comprehension: Reframing the Discussion.” Trends in Cognitive Sciences 18, no. 5, pp. 229-233.

Zwaan, R. A., & Taylor, L. J. (2006). “Seeing, Acting, Understanding: Motor Resonance in Language Comprehension.” Journal of Experimental Psychology 135, no. 1, pp. 1-11.

Laura Otis, Ph.D. , is a professor of English at Emory University, where she teaches interdisciplinary courses on literature, neuroscience, cognitive science, and medicine. She is the author of Rethinking Thought .

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