how to write a conclusion for hl essay

Higher Level Essay

Whether you are an HL Literature student or HL Lang/Lit student, the HLE requires some special attention. The good thing about this assessment is that it’s a processed – rather than on-demand – piece of writing. This means you can take your time, put in the work, and produce something that you love and makes you proud. Our students crush this assessment! Use the same resources they do and enjoy your success.

HLE Writing Guide

Writing this assessment doesn’t have to be challenging. In fact, we think it can be fun and rewarding! Let us guide you through the entire writing process, from line of inquiry to the last word of your conclusion. Our students do well on this assessment, and so can you.

Part of our IBDP English A Student Toolkit , this resource includes:

100-page course book with guidance on films, photos, cartoons, and many other non-literary BOWs
5 sample papers across genres
Examiner scores and comments
Line of Inquiry guidance
Step-by-step approach to building the HLE in small and manageable chunks
Complete set of graphic organizers to guide students from start to finish

Developing a Line of Inquiry and Thesis

The Line of Inquiry (LOI) and thesis are the cornerstone of the assessment, so don’t proceed until these are under control. Sadly, many students get off to a poor start with this step, and this means they end up writing either a shallow essay or one that doesn’t really satisfy the requirements of the task. These videos should help you unlock the task.

Start with a text you love and work toward developing a literary or linguistic perspective. Watch this video and start your pathway to success.

How To Write the Line of Inquiry

If the first method didn't work for you, please try another approach.

How to Write the Line of Inquiry (part 2)

Turn that LoI into a clear, precise, and insightful thesis statement that will drive the essay.

HLE Sample Thesis Statements and Writing

The HLE Complete Course from Start to Finish

We feel this is some of our best work. Teachers and students around the world have commented that this HLE series gets the job done and results in some powerful writing that makes students proud. Please take the time and work through the videos sequentially. Work along side with us. Let us guide you to HLE success!

Choose your text and write the LOI.

Student planning doc

Model Student planning doc

Time for brainstorming and outlining.

Student Organizer

Completed Sample Organizer

Master the intro and conclusion.

Sample Intro and Conclusion

Learn how to write strong HLE body paragraphs.

Sample Body Paragraphs

Learn to revise, edit, and polish the final product.

Final instructions before submission

Dave’s complete sample HLE

Some Sample Papers

Sometimes it’s easier to just look at a final product, break it down, and see how other students have approached the HLE. That’s why Dave and Andrew selected some strong papers, highlighted them, and discussed their strengths and weaknesses. We’ve examined tons of these things, so listen carefully. Lots of tips and tricks in these videos to help you pick up some extra points and crack into that mark band you want and deserve. Understand the task. Work hard. Defeat the HLE and allow yourself to beam with pride. Go ahead, you’ve earned it.

You’ve probably noticed that Andrew and Dave love drama. Dialogue, stage directions, props…they’re amazing! Watch our student crush this HLE on Death and the Maiden by Dorfman. What can you steal from this essay in terms of ideas, organization, and overall approach? Document: HLE Student Sample – Drama

Poetry anyone? Andrew and Dave love poetry for the HLE. They are complete “mini works” with a clear beginning, middle, and end. They are rich in techniques. They are complex and have deep meaning. In short, they rock. Just remember that for the HLE, “short texts need friends.” Document: HLE Student Sample – Poetry

Looking For More Support?

Hey, nobody said this thing would be easy. No worries. We’ve got you covered. Perhaps you want to see some more student writing? Check. We’ve got that. Perhaps you want to know some key points to include? Check. We got that too. You’re almost there! Finish these last two videos, add some finishing touches to your work, and submit that baby in with pride and confidence.

So you watched the videos above but are still concerned about “showing deep thinking” on the HLE? It’s ok – we know this is tough. Check out this video to see several samples of how to build big thinking into your writing. Document: Showing Deep Thinking in the HLE

We know, we know. The content is overwhelming and it’s just too much at times. You just want the top ten tips for success? Fine. Here you go. But don’t forget to go back and watch the rest of these videos when you’re feeling more energy. They’re a set. Watch them all and ace the HLE.

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September 26, 2021

IB English, the HL Essay: All You Need to Know

Written By Our IB++Tutor Birgitte J.

What You Need to Know

The HL Essay is a 1200-1500 word formal essay and it is based on a literary work studied as part of the course. You cannot use the same work for the IO or the Paper 2 [1] for this essay.
In the IB Language and Literature course [2] , the essay can also be based on a non-literary or collection of non literary text(s).
You develop a line of inquiry , a question that lends itself to an argument focused on how a theme or message is conveyed through literary features.
The essay is completed in your own time and you should get some feedback from your teacher during the development of the essay.
You do not have to incorporate secondary sources beyond the text you are working with.

The paper is externally assessed, meaning the final grade given is from the IB Examiner, not from your teacher. However, your teacher will give a predicted grade that is sent to the IB [3] .

How to Approach the Essay

The essay requires you to construct a focused, analytical argument, examining the work from a broad literary or linguistic perspective. It also requires you to adhere to the formal framework of an academic essay, using citations and references.

Connection to the Learner Portfolio

The HL essay is based on the exploration you have engaged with in the Learner Portfolio [4] . In the lead-up to the drafting of the essay, you must decide which text to focus on for further investigation, and which topic to write about. In choosing the topic, you can consult the course’s seven central concepts. You can choose any text with the exception of the texts used for the Internal Assessment (the IO) or the Paper 2.

How to choose a text

Don’t wait until the last minute and talk with your teacher about the text you want to use and the focus you are considering. Write your ideas out to make sure your line of inquiry is focused and appropriate for an analytical argument of a paper of this length.

In the case of a collection of short stories, poems, song lyrics or any short literary text, you may choose to use just one literary text from the work. However, It may be necessary to use more than one literary text from the work chosen.

The Language and Literature course only *

In the case of short non-literary texts, it may be necessary to use more than one from the same text type by the same author, for example the same creative advertising agency, cartoonist, photographer or social media user. At least one of these texts must have been studied in class. (If using a text in translation it must be a professional and published translation).

Determining the Topic and the 7 Course Concepts

It’s helpful but not mandatory to start with the seven central concepts of the course in generating or determining a topic for the essay. The questions below are meant as starting points for the focus of the essay, not as complete lines of inquiry which should be more specific to the chosen text (see examples of lines of inquiry below).

Questions may include; How is identity represented in the text? How are the characters in the text representative of a group? How does the text reflect the identity of the writer?

Questions may include; How is an aspect of the text representative of a culture or a particular place? How is a group of people or an institution conveyed? How is the text representative of a cultural perspective?

3-Creativity

Questions may include; How is the text representative of an individual or collective creativity, or lack of creativity? How is the text a reflection of the creativity of the writer?

4-Communication

How is communication or lack of communication conveyed in the text? How does the text itself communicate with the reader? How are aspects of communication illustrated through literary features?

5-Transformation

How is change or development illustrated in the text? How are characters transformed through action, communication or events in the text? What is the relationship between transformation and the goals, values and beliefs conveyed in the text?

6-Perspective

How is a perspective or different perspectives represented in the text? How is a shift in perspective portrayed? How is the writer’s perspective revealed through the text?

7-Representation

How does the text represent a particular theme or message? How are attitudes conveyed? In what way is reality or the world within the text represented?

IB English Language and Literature Guide examples of lines of inquiry

Identity —how does Ralph Ellison, in his novel Invisible Man, succeed in making his narrator a convincing spokesperson for the concerns of African-Americans in the 20th century?
Culture —how does Robert Capa represent post-Second World War France to qualify/exemplify the brutalities of the French population on former Nazi collaborators in La Femme Tondue? (Language A: language and literature only)
Creativity —how do Mario Testino’s portraits manage to convey the personalities of those portrayed in original ways? (Language A: language and literature only)
Communication– which view of love does Matt Groening convey in Love is Hell? (Language A: language and literature only)
Transformation– in what ways does The Alan Parsons Project’s Tales of Mystery and Imagination offer a transformative re-reading of Edgar Allan Poe’s tales?
Perspective– how does Mary Shelley’s protagonist in Frankenstein use the motif of dangerous knowledge to show the perspective of fear and anxiety of excesses in scientific enterprise in early 19th century Europe?
Representation– through what means does Juan Rulfo successfully convey the representation of realistic and non-realistic characters and situations in Pedro Páramo?

A Final Note on the Learner Portfolio and the HL Essay

The Learner Portfolio is not assessed but schools are required to keep it on file. It is intended to be a platform for reflecting on the texts studied, facilitating development of independent thinking. The reflections may include responses to cultural perspectives and values, inter-relationships and identities as it relates to topics and themes in the texts studied. The reflections may serve as a springboard for the line of inquiry in the HL essay. For example, you may keep a record of themes present, reflections on how particular passages within the texts reflect those themes, or how themes and passages convey one of the 7 central concepts.

[1] Paper 2 is cancelled for the 2022 cohort. No announcement has been made for the 2023 at the time this article was written.

[2] There are 3 IB English courses. The two most common are IB English A: Literature SL/HL, a course focused on literature (Poetry, drama, short stories and novels) and the IB English Language and Literature SL/HL course, focused on literature AND a variety of non-literary (non-fiction) text types.

[3] The examiner’s grade is independent from your teacher’s predicted grade.

[4] An individual collection of student work compiled during the course in which you explore and reflect on the texts throughout the course.

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HL Essay Home Free Access Weekend! P1 - Examination Questions P2 - Examination Questions Start Here Paper 1 Paper 2 Individual Oral The Learner Portfolio Extended Essay Essential Knowledge Resources

HL Essay - The Basics
HL Essay - Choosing a Topic
HL Essay - Great Examples (Literature)
HL Sample: Non-literary Body of Work - George Monbiot's Essays
HL Essay - Gaining Level 7
HL Essay - Student Samples

Here you will find examples of real student HL Essays. Take a read and, using the marking criteria, grade them. You can compare your marks with those of the examiner.

Student Samples

The Characterization of Luis Alberto Molina through the use of Films, Dialogue and Stream of Consciousness in Manuel Puig’s Kiss of the Spider Woman

Luis Alberto Molina, commonly referred to as Molina, is arguably the most fascinating and captivating character in the prose novel Kiss of the Spider Woman, written by the Argentine author Manuel Puig. The novel, first published in its original Spanish in 1976, revolves primarily around the relationship between two convicts in a Buenos Aires prison, presumably during the military dictatorship of the late 1970s: Molina, a homosexual cross-dresser imprisoned for sexual perversion, and Valentin, imprisoned and tortured for being a member of a Marxist resistance group. Puig employs several narrative techniques to reveal the intrinsic nature of Molina’s character while confined in a cell with an initially hostile companion. Firstly, Molina frequently submerges the reader into the realm of film, as he narrates several romantic films throughout the novel, the most significant being the 1942 film Cat People and one described as Nazi Propaganda. The films express Molina’s longing for escapism and his mannerism. Secondly, the author’s use of unmarked, outer dialogue establishes Molina’s self-identity. Furthermore, the dialogue portrays Molina in relation to Valentin, as the two develop a strong bond throughout the novel, to the point where they share complete intimacy and engage in sexual activities. Lastly, Puig’s use of stream of consciousness writing provides vital insight into Molina’s internal conflicts and reveals his true identity as a spy.

The author employs films narrated by Molina as a medium through which his character is introduced to the reader and developed throughout the novel. In order to combat boredom and help pass the time, Molina vividly narrates the plots of several movies, often embellished with romance. As the films are presented through Molina’s eyes, they give vital insight into his perception of the world around him. The novel begins with Molina describing the appearance of the main protagonist of the film Cat People: Irena, a Romanian immigrant who fears she will turn into a panther if a man kisses her. In the film, she falls in love with a charming architect, who takes on a protective role and attempts to take away her fears. Molina goes into great detail, stating that “[her] face, [is] more oval than roundish, […]” (1) and that her hair is “ […] cut in bangs […], and is down to the shoulders, […], with little curls at the end too, almost like a permanent wave.”(1). This vivid description portrays Molina as a man who admires feminine features. Throughout the narration, Molina pays special attention to fashion, decorations in homes, and romance, highlighting his obsession with escaping into fantasy worlds. This message is further reiterated when Valentin “break[s] the illusion” by criticizing Molina’s narration, to which he responds that he would rather have “the panther woman’s boyfriend to keep [him] company instead of [Valentin].” (17). Additionally, the film is riddled with symbols of femininity and masculinity, which Molina sympathizes with. When asked by Valentin who he relates to in the film, he reveals that he identifies with Irena, as “[…] She’s the heroine,[…] Always with the heroine.” (25). This shows Molina’s desire to be the hero of his own life story. This foreshadows the ending of the novel, where Molina dies in an attempt to deliver information to Valentin’s resistance movement. Furthermore, Molina strongly connects with the pipe-smoking architect, due to him being “ […] the gentle type, and understanding.” (17). This subtly hints towards Molina’s submissiveness, as he desires a partner that protects him like the architect protects Irene. The second film follows the story of a French woman who falls in love with a Nazi officer and is forced to spy on him for the French resistance. While Valentin is quick to point out that the film is portraying the nazis as the saviors of Europe and calls it “Nazi junk”, Molina decides to ignore him, stating that “The film [is] divine, and for me, that’s all that’s what counts.” (78). Molinas unwillingness to see past the superficial glamour of the film and recognize that it intends to vilify the french resistance furthers the notion of Molina’s disconnect from a hostile society and his need to escape into fictional, romantic scenarios. Additionally, the themes of espionage and betrayal in the second film foreshadow the revelation that Molina is a spy for the prison warden, and has been promised early release if he extracts information on Valentin’s resistance movement. Consequently, the films are key to decipher Molina’s personality as they display a disconnect from reality and give insight into his feminine nature.

Traditionally, novels are told by a narrator who exists either inside (internal) or outside (external) the story’s universe. What sets the novel apart from others is the fact that the author omits an external narrator entirely, using outer dialogue between the two characters to reveal Molina’s character. This narrative device effectively places the reader into the head of Molina and provides information about his self-identity. Furthermore, the change in dialogue from one character to another is indicated solely by a dash, forcing the reader to, at times, deduce who is speaking solely by their diction. When Valentin brings up Molina’s tendency of escapism and mocks his femininity, Molina retaliates, exclaiming that “You’re all alike, always coming to me with the same business.” (19), expressing his anger towards the society that rejects him. Molina continues by saying that “If a woman’s the best there is, […] I want to be one.” (19). This powerful phrase is the first glimpse the reader gets of Molina’s identity, as it becomes clear he doesn’t consider himself a stereotypical, masculine man. Once Valentin opens up to Molina about his relationship with his girlfriend, Molina reciprocates, revealing he is in love with a heterosexual waiter named Gabriel. Molina perceives Gabriel as a “real man” due to him being “elegant, […] soft and masculine.” (61). When asked about his definition of masculinity, he responds by stating “[…] it’s knowing what you want, where you’re going.” (61). The reader automatically recognizes that Molina doesn’t fit his own definition of masculinity, as he pursues the impossible goal of living with Gabriel, despite him being married. Furthermore, when talking about himself in the third person, Molina calls himself a “woman”, stating that “[…] when it comes to him, I can’t talk about myself like a man, because I don’t feel like one.” (60). This reveals Molina’s self-identity as a stereotypical female and accordingly, his attraction to a “real man”.Therefore, the author’s choice to employ outer dialogue between the prisoners is effective in refining Molina’s character as the device forces the reader to see things from his perspective, simultaneously allowing for a great deal of personal interpretation due to the first-hand narration.

A third narrative technique that Puig employs to great effect is stream of consciousness writing. The device, meant to give the reader an insight into Molina’s disturbed state of mind, is used extensively throughout chapter 5 (96-112), where Molina privately pictures the plot of a third movie while Valentin studies politics. In the stream of consciousness writing, several of Molina’s thoughts help the reader understand his internal conflicts. Firstly, Molina’s resentment towards the society that loathes him is once again shown when he thinks: “[…] it feels so bad when someone gives you a black look, […] or when they refuse to look at you all together.” (105). This is strongly contrasted by feelings of guilt, which is expressed when he thinks of his sickly mother, whom he fears will die of a broken heart due to having a son “steeped in vice” (105). In the next few sentences, the reader gets a glimpse into an emotion once thought impossible by the sensitive, gentle character: rage. When Molina reflects on the judge that was determined to bring on him “[…] the full weight of what the law permitted […]” (106) and his mother’s horrified reaction, he becomes furious:“[…] if he dared to say one stupid word about her, I would kill the son of a bitch […]” (106). Towards the end of the passage, Molina thinks about the promise the warden gave him of a reduced sentence, giving the reader the first clue that he is a spy. The stream of consciousness section is therefore vital in the portrayal of Molina’s character as the reader interprets his potential for violence as the ultimate expression of affection towards his mother, as well as emotions such as resentment, rage and guilt.

In conclusion, the narrative techniques mentioned above combine synergistically to give Molina his charismatic, romantic, and conflicting character. The films ‘told’ by Molina are central to the construction of his identity as they reveal his disconnect from reality and his feminine personality. The author’s use of outer dialogue adds to Molina’s characterization as his communication with Valentin reveals his self-identity. Finally, Puig’s use of stream of consciousness writing displays conflicting emotions that plague Molina. The construction of Molina’s character is vital as he is central to the plot of the novel and challenges the readers perception on homosexuality, gender expression and identity.

Puig, Manuel, and Thomas Colchie. Kiss of the Spider Woman. Vintage International, 1991.

Bibliography

Cat People. Directed by J. Tourneur, RKO Pictures, 1942.

Examiner's Marks

The motif of death and the interconnection between the Netflix series 13 Reasons Why and the novel Crossing the Mangrove

Word Count: 1500

Bibliography:

How much of HL Essay - Student Samples have you understood?

Which of the following best describes your feedback?

Feb 19, 2023

Creating the English HL Essay: Turning Analysis into a Thesis Masterpiece

Updated: Jul 8, 2023

The English HL essay is undoubtedly the flagship assessment of Higher-Level English. At its core, the HL essay depends on the same analytical skills as any other piece of English assessment. However, the HL essay sets itself apart by requiring a more specific and conceptual line of inquiry, and overall greater depth of analysis. With these requirements, the HL essay is often the single most daunting assessment in the HL English calendar. So, to help you on your HL essay journey, this blog will detail some useful tips and considerations to get you heading on the right track.

1) The Line of Inquiry

The line of inquiry is the central question around which the entire HL essay rests. A good line of inquiry will set you up for a terrific analysis, while a bad line of inquiry will leave your essay stuck and directionless. But what actually makes a good line of inquiry?

The trick is to allow the line of inquiry to focus your analysis. Take this hypothetical line of inquiry: “ How and why does J.R.R. Tolkien use the race of Men as a philosophical discussion of agency and its relationship with mortality in books within the Lord of the Rings? ”.

Starting with the imperatives “how” and “why”, this line of inquiry immediately constrains your analysis to keep you focused on technique (the how) and purpose (the why). This protects you from straying off track; so long as you keep talking about the hows and the whys, you guarantee yourself those marks that are for focus and relevancy.

This line of inquiry further keeps on task by explicitly stating the feature of your text that speaks to some real literary concept. In this case, we can see that the student using this line of inquiry is arguing that the race of Men is a tool that Tolkien has used to talk about agency and morality. Agency and morality are the literary concepts, the race of Men is the feature. By connecting them in the line of inquiry, you make it significantly easier to keep making that connection all the way throughout the entire HL essay. Not only this, but by connecting in-text features with a concept, it becomes significantly easier to produce the kinds of insightful arguments that push you into the top band of Criterion A.

The line of inquiry makes or breaks your HL essay (no pressure). That said, the HL essay is an ongoing journey. It is both common and perfectly okay to change or even completely scrap a line of inquiry partway through the drafting process.

2) The Analysis Itself

The analysis in the HL essay itself takes a very similar shape to analyses elsewhere in English assessments: technique, implications, authorial purpose, text type, audience positioning, evaluation, link to paragraph thesis, and so on. These avenues of analysis are the backbone of English in general and so it should come as no surprise that they are the backbone of the HL essay as well.

Where the HL essay can diverge from the other assessments is the points that you are arguing within the body paragraphs. Body paragraphs in the paper 1, for example, often cover how individual categories (say, visual techniques) contribute to the overall meaning of the text. The HL essay body paragraphs are considerably more related to the concept that you are arguing.

Taking the Lord of the Rings example above, you could have one paragraph about the race of Men and how Tolkien portrays their culture as a means of questioning the futility of having agency in light of definitive mortality. Then, you could have a second paragraph about how the race of Men is made distinct against other races in the Lord of the Rings as a tool of evaluating the role of mortality in driving personal choice, and so on for further paragraphs.

As you can see, rather than targeting specific groups of techniques, the HL essay paragraphs first address the conceptual discussions created within the text, and then the techniques are brought in to explain how these discussions emerge and what commentary the author is trying to make.

3) Structure and Terminology

There is no definitive go-to structure for the HL Essay. So long as there is an introduction and a conclusion framing a series of body paragraphs that each contain a thesis point, analysis, evidence and connections to the line of inquiry, then you are fulfilling the requirements of formal essay structure mandated by Criterion C.

Similarly, there is no required number of body paragraphs. Given the word count, 3-4 paragraphs is a good number to ensure that you are creating detailed points without repeating ideas. But, you are free to add more or less paragraphs and there are sometimes situations or texts where that may be necessary.

Criterion C and D are somewhat more check-boxy than A and B. How you fulfil Criterions A and B can be more variable depending on your text, as individual text types have defining features that lend themselves to potentially different directions of analysis. A short story, for example, would contain dialogue and so an analysis of speech and language takes on a completely different form than it would in a poem. But Criterion C and D are relatively consistent.

As long as you have a cohesive and formal essay structure as said above, combined with clear, analytical, and explicit vocabulary and tone, Criterion C and D are as good as guaranteed to you. Key things to consider when ensuring that these criteria are fulfilled include your tone (academic and unemotive), punctuation, and sentence variety (mixture of simple, compound, and complex sentences).

Closing Remarks

The HL essay is a task aimed to allow students to demonstrate the extent of their literary skills that they have learnt over their time in the diploma program. It can be daunting, and absolutely must be difficult in order to provoke insightful analysis, but it is just as possible to get a 7 on it as on any other assessment in any other subject. My final recommendation? Draft, redraft, redraft, and redraft again. Even if you’re just rewriting the same ideas every time, constant revision and review builds a crucial familiarity with the concepts and theses that you are arguing.

Good luck on your HL essay journey!

HL essay – the process

Check the Subject Guide and with your teacher for official information about the HL essay.

There are a number of different ways to develop an HL essay. Consider the following outline; it isn’t 100% comprehensive but it covers the key elements.

Preparing for the HL essay

Carefully read through the HL essay requirements and criteria.
Analyze HL essay samples. Make sure you understand how a particular HL essay sample addresses the requirements and criteria.
Work very hard on your schoolwork and school assessments. Although you may not realize it early on, these are designed to build the knowledge and skills necessary to be successful on your HL essay.
You will probably start working on your individual oral before your HL essay. The bodies of work and works you use on your individual oral CANNOT be used on your HL essay.
As you work through bodies of work and works in your class, put a list together of ones you are considering using for your HL essay. Keep adding notes / details about the works and bodies of works on your list as you go through the course.
Consider a few different topics (e.g. one of the course’s concepts) for your HL essay. Keep adding notes / details about the topics on your list as you go through the course.
Once you narrow down your list of possible bodies of work and work for your HL essay, go through them and annotate them specifically for the HL essay. Your HL essay will need evidence to support your arguments – start collecting it early on.

Creating your HL essay

Evaluate your different options, consult with your teacher and then choose a final work OR body of work that will be the focus of your HL essay. Remember that the work or body of work that you choose cannot be used for another IB assessment.
If you are considering using a short literary text (e.g. a short story) for the HL essay check the requirements on page 43 of the Subject Guide.
Evaluate your different options, consult with your teacher and then choose a final topic for your HL essay. The Subject Guide states that the topic you choose, “should enable a broad literary or linguistic focus for the essay. In achieving this, the course’s seven central concepts may be a helpful starting point for students in generating or determining a topic for the essay” (43).
Create an outline of your essay. The basic outline can start with a clear thesis statement and topic sentences.
Early in the development process make sure your ideas / arguments / evidence meet the requirements and criteria for the HL essay.
Periodically re-read review sample HL essays.
As you put together your first draft, make absolutely sure that all of your sources are cited properly. If you wait too long to do this properly you will drastically increase the chances of making a mistake.
You must put together the best possible first draft. Better first draft = better feedback from your teacher.
Your teacher will give you feedback on your first draft but the feedback is somewhat limited. Page 44 of the Subject Guide provides additional information.
As you get closer to finishing the final draft, double check that your HL essay follows all of the IB requirements and addresses the terms in the criteria.
Before submitting your final essay make absolutely sure that all of your sources are cited properly.
Submit your final draft to your teacher / IB according to the instructions you have been given. Each school has a slightly different process.

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The Best IB English Study Guide and Notes for SL/HL

International Baccalaureate (IB)

Are you taking IB English and need some help with your studying? No need to reread all the books and poems you covered in class! This study guide is for IB English A students (students in IB English A: literature SL/HL, IB English A: language and literature SL/HL, or IB English literature and performance SL ) who are looking for additional guidance on writing their commentaries or essays.

I've compiled this IB English study guide using the best free materials available for this class. Use it to supplement your classwork and help you prepare for exams throughout the school year.

What's Tested on the IB English Exams?

The IB English courses are unique from other IB classes in that they don't have a very rigid curriculum with exact topics to cover. Instead, your class (or most likely your teacher) is given the freedom to choose what works (from a list of prescribed authors and a list of prescribed literature in translation from IBO) to teach. The exams reflect that freedom.

On the exam for all English A courses, you're asked to write essays that incorporate examples from novels, poems, plays, and other texts you've read. You're also asked to interpret a text that you've read for the first time the day of the exam.

The exact number of questions you'll have to answer varies by the course , but the types of questions asked on each all fall into the two categories listed above.

What's Offered in This Guide?

In this guide, I have compiled materials to help teach you how to interpret poetry and how to structure your essay/commentary. I've also provided notes on several books typically taught in IB English SL/HL.

This should be most of the material you need to study for your IB exam and to study for your in-class exams.

How to Interpret Poetry Guides

Many people struggle the most with the poetry material, and if you're one of those people, we have some resources specifically for making poetry questions easier.

Here is a full explanation of how to interpret poetry for the IB exam with term definitions, descriptions of types of poems, and examples. We also have tons of poetry resources on our blog that range from explaining specific terms all the way to complete, expert analyses of poems you should know.

Here are some resources to get you started:

Imagery defined
Everything you need to know about Point of View
The 20 poetic devices you should know
Understanding allusion
A crash course on Romantic poetry
Understanding personification
Famous sonnets, explained
An expert guide to understanding rhyme and meter, including iambic pentameter
The eight types of sonnets
Expert analysis of "Do not go gentle into that good night" by Dylan Thomas

This is another great resource with poetry terms defined on "flashcards" , and you can test yourself on the site by clicking "play."

How to Write Your Essay Guide

If you're not sure how to write your essay, here's a guide to what your essay should look like for the IB English SL/HL papers. This guide gives advice on how you should structure your essay and what you should include in it. It also contains a few sample questions so you can get a better idea of the types of prompts you can expect to see.

IB English Book Notes

Based on the list of prescribed authors and literature from IBO, I picked some of the most popular books to teach and provided links to notes on those works. What's important to remember from these books is key moments, themes, motifs, and symbols, so you can discuss them on your in-class tests and the IB papers.

Adventures of Huckleberry Finn
A Farewell to Arms
Animal Farm
All the Pretty Horses
A Streetcar Named Desire
Anna Karenina
As I Lay Dying
Brave New World
Crime and Punishment
Death of a Salesman
A Doll's House
Don Quixote
Dr. Zhivago
Frankenstein
Great Expectations
Heart of Darkness
Lord of the Flies
Love in the Time of Cholera
Love Medicine
One Day in the Life of Ivan Denisovich
Romeo & Juliet
Sense and Sensibility
The Awakening
The Bluest Eye
The Great Gatsby
The Picture of Dorian Gray
The Stranger
The Sun Also Rises
Waiting for Godot

The Best Study Practices for IB English

Hopefully, this guide will be an asset to you throughout the school year for in-class quizzes as well as at the end of the year for the IB exam. Taking practice tests is also important, and you should also look at our other article for access to FREE IB English past papers to help you familiarize yourself with the types of questions asked by the IBO (and I'm sure your teacher will ask similar questions on your quizzes).

Make sure you're reading all of the novels and poetry assigned to you in class, and take detailed notes on them. This will help you remember key themes and plot points so you don't find yourself needing to reread a pile of books right before the exam.

Finally, keep up with the material you learn in class, and don't fall behind. Reading several novels the week before the IB exam won't be much help. You need to have time and let the material sink in over the course of the class, so you're able to remember it easily on the day of the IB exam.

What's Next?

Want some more study materials for IB English? Our guide to IB English past papers has links to every free and official past IB English paper available!

Are you hoping to squeeze in some extra IB classes ? Learn about the IB courses offered online by reading our guide.

Not sure where you want to go to college? Check out our guide to finding your target school. Also, figure out your target SAT score or target ACT score .

Want to improve your SAT score by 160 points or your ACT score by 4 points? We've written a guide for each test about the top 5 strategies you must be using to have a shot at improving your score. Download them for free now:

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How to conclude an essay | Interactive example

How to Conclude an Essay | Interactive Example

Published on January 24, 2019 by Shona McCombes . Revised on July 23, 2023.

The conclusion is the final paragraph of your essay . A strong conclusion aims to:

Tie together the essay’s main points
Show why your argument matters
Leave the reader with a strong impression

Your conclusion should give a sense of closure and completion to your argument, but also show what new questions or possibilities it has opened up.

This conclusion is taken from our annotated essay example , which discusses the history of the Braille system. Hover over each part to see why it’s effective.

Braille paved the way for dramatic cultural changes in the way blind people were treated and the opportunities available to them. Louis Braille’s innovation was to reimagine existing reading systems from a blind perspective, and the success of this invention required sighted teachers to adapt to their students’ reality instead of the other way around. In this sense, Braille helped drive broader social changes in the status of blindness. New accessibility tools provide practical advantages to those who need them, but they can also change the perspectives and attitudes of those who do not.

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Step 1: return to your thesis, step 2: review your main points, step 3: show why it matters, what shouldn’t go in the conclusion, more examples of essay conclusions, other interesting articles, frequently asked questions about writing an essay conclusion.

To begin your conclusion, signal that the essay is coming to an end by returning to your overall argument.

Don’t just repeat your thesis statement —instead, try to rephrase your argument in a way that shows how it has been developed since the introduction.

Prevent plagiarism. Run a free check.

Next, remind the reader of the main points that you used to support your argument.

Avoid simply summarizing each paragraph or repeating each point in order; try to bring your points together in a way that makes the connections between them clear. The conclusion is your final chance to show how all the paragraphs of your essay add up to a coherent whole.

To wrap up your conclusion, zoom out to a broader view of the topic and consider the implications of your argument. For example:

Does it contribute a new understanding of your topic?
Does it raise new questions for future study?
Does it lead to practical suggestions or predictions?
Can it be applied to different contexts?
Can it be connected to a broader debate or theme?

Whatever your essay is about, the conclusion should aim to emphasize the significance of your argument, whether that’s within your academic subject or in the wider world.

Try to end with a strong, decisive sentence, leaving the reader with a lingering sense of interest in your topic.

The easiest way to improve your conclusion is to eliminate these common mistakes.

Don’t include new evidence

Any evidence or analysis that is essential to supporting your thesis statement should appear in the main body of the essay.

The conclusion might include minor pieces of new information—for example, a sentence or two discussing broader implications, or a quotation that nicely summarizes your central point. But it shouldn’t introduce any major new sources or ideas that need further explanation to understand.

Don’t use “concluding phrases”

Avoid using obvious stock phrases to tell the reader what you’re doing:

“In conclusion…”
“To sum up…”

These phrases aren’t forbidden, but they can make your writing sound weak. By returning to your main argument, it will quickly become clear that you are concluding the essay—you shouldn’t have to spell it out.

Don’t undermine your argument

Avoid using apologetic phrases that sound uncertain or confused:

“This is just one approach among many.”
“There are good arguments on both sides of this issue.”
“There is no clear answer to this problem.”

Even if your essay has explored different points of view, your own position should be clear. There may be many possible approaches to the topic, but you want to leave the reader convinced that yours is the best one!

Argumentative
Literary analysis

This conclusion is taken from an argumentative essay about the internet’s impact on education. It acknowledges the opposing arguments while taking a clear, decisive position.

The internet has had a major positive impact on the world of education; occasional pitfalls aside, its value is evident in numerous applications. The future of teaching lies in the possibilities the internet opens up for communication, research, and interactivity. As the popularity of distance learning shows, students value the flexibility and accessibility offered by digital education, and educators should fully embrace these advantages. The internet’s dangers, real and imaginary, have been documented exhaustively by skeptics, but the internet is here to stay; it is time to focus seriously on its potential for good.

This conclusion is taken from a short expository essay that explains the invention of the printing press and its effects on European society. It focuses on giving a clear, concise overview of what was covered in the essay.

The invention of the printing press was important not only in terms of its immediate cultural and economic effects, but also in terms of its major impact on politics and religion across Europe. In the century following the invention of the printing press, the relatively stationary intellectual atmosphere of the Middle Ages gave way to the social upheavals of the Reformation and the Renaissance. A single technological innovation had contributed to the total reshaping of the continent.

This conclusion is taken from a literary analysis essay about Mary Shelley’s Frankenstein . It summarizes what the essay’s analysis achieved and emphasizes its originality.

By tracing the depiction of Frankenstein through the novel’s three volumes, I have demonstrated how the narrative structure shifts our perception of the character. While the Frankenstein of the first volume is depicted as having innocent intentions, the second and third volumes—first in the creature’s accusatory voice, and then in his own voice—increasingly undermine him, causing him to appear alternately ridiculous and vindictive. Far from the one-dimensional villain he is often taken to be, the character of Frankenstein is compelling because of the dynamic narrative frame in which he is placed. In this frame, Frankenstein’s narrative self-presentation responds to the images of him we see from others’ perspectives. This conclusion sheds new light on the novel, foregrounding Shelley’s unique layering of narrative perspectives and its importance for the depiction of character.

If you want to know more about AI tools , college essays , or fallacies make sure to check out some of our other articles with explanations and examples or go directly to our tools!

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Your essay’s conclusion should contain:

A rephrased version of your overall thesis
A brief review of the key points you made in the main body
An indication of why your argument matters

The conclusion may also reflect on the broader implications of your argument, showing how your ideas could applied to other contexts or debates.

For a stronger conclusion paragraph, avoid including:

Important evidence or analysis that wasn’t mentioned in the main body
Generic concluding phrases (e.g. “In conclusion…”)
Weak statements that undermine your argument (e.g. “There are good points on both sides of this issue.”)

Your conclusion should leave the reader with a strong, decisive impression of your work.

The conclusion paragraph of an essay is usually shorter than the introduction . As a rule, it shouldn’t take up more than 10–15% of the text.

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McCombes, S. (2023, July 23). How to Conclude an Essay | Interactive Example. Scribbr. Retrieved July 10, 2024, from https://www.scribbr.com/academic-essay/conclusion/

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HL essay tips

I asked my teacher multiple fucking times about things I was stuck on and she either left me on read or told me that it was unfair of me for asking for her time. So any HL Lit students, would you please give me some tips on the general form, structure, content etc... because it’s due in 2 days and I’ve had literally no time to improve it.

IB English Paper 1 Explained

Ace your IB English Paper 1 exam with the #1 IB English Resource for 2022 as Voted by IB Students & Teachers

IB English Paper 1 is one of those nerve-wracking experiences that everyone has to endure. It's especially scary because you have no idea what you'll end up writing for your final exam–and your grades depend on it!

The best preparation you can do is be acutely aware of the exam structure and proven strategies that have worked for past IB7 graduates.

If you want to fully wrap your head around the IB English Paper 1 guided analysis, then this quick guide is for you.

Meet your instructor Jackson Huang, Founder of LitLearn. His mission is to make IB English as pain-free as possible with fun, practical lessons. Jackson scored an IB45 and was accepted to Harvard, Amherst, Williams Colleges, and full scholarships to University of Melbourne & Queensland.

Photo of LitLearn instructor Jackson Huang

What is a Paper 1 exam?

In a Paper 1 exam, you are given two mysterious, unseen texts . Each text is between 1-2 pages in length.

For SL students, you're in luck! Your task is to write a guided analysis on just one of the two texts. Total marks: 20. You have 1 hour and 15 minutes.

For HL students, you're in less luck… Your task is to write two guided analysis essays–one on each of the texts. Total marks: 40. You have 2 hours and 15 minutes.

The mystery text types you'll get for Paper 1 depend on whether you're in IB English Language & Literature or IB English Literature.

For IB English Literature , Paper 1 text types belong to four neat categories (hooray!):

Fictional prose (e.g. short stories, extracts from novels)
Non-fiction prose (e.g. scientific articles, extracts)
Dramatic plays

For IB English Language and Literature , your text types could be… really… anything. Be prepared to be surprised. Typically, at least one of the text types will include some visual element like an image, photo, or cartoon. Here's the (non-exhaustive) list of Lang Lit text types:

Magazines, blogs, articles and editorials
Speeches, interview scripts, radio transcripts
Instruction manuals, brochures
Comic strips, political cartoons
… and the list goes on…

What do I write in a guided analysis?

For each Paper 1 text, the IB English Gods pose a short, open-ended question.

This question is called the guiding question , and your essay must focus on answering this guiding question using analysis (we'll explain “analysis” in a second).

Examples of guiding questions:

How does the writer characterize the protagonist's state of mind?
How and to what effect do textual and visual elements shape meaning?
How is narrative perspective used to create meaning and effect?

Even though you're technically allowed to choose your own focus and ignore the default guiding question, it's highly recommended that you go along with what's given… unless you really don't know how to answer it, or you're super confident in your Paper 1 skills.

Now, what are we supposed to do with the guiding question?

Guiding questions always ask you to explain how and why certain language or visual choices are used to build one or more central ideas .

And so the vague instruction "Answer the guiding question" actually translates to something very specific:

Explain how and why the writer uses specific language to build their central idea(s).

This sentence pretty much sums up not just IB English Paper 1, but the gist of analysis and IB English overall.

Writing Deep, Insightful Analysis

If you want to get a high score on Paper 1 (and every IB English assessment in general), you must know how to write deep, insightful analysis.

After helping numerous IB English students at LitLearn, we've found that weak analysis is the #1 reason students struggle in IB English.

Biggest Mistake

The main mistake you're likely making is that your analysis doesn't dig deep enough .

Students make the mistake of only touching the surface-level meaning of the texts. For example, common mistakes include:

only recounting the plot
mentioning techniques and ideas without digging into the how and why
not identifying the most relevant techniques for analysis.

The diagram below shows the difference between surface-level meaning, deep analysis, and deeper analysis.

Shallow and deep meaning in IB English Paper 1 analysis

If you're unsure about how to write strong analysis for IB English, or you're not confident in what to look for in your texts, then you should watch this free 7-minute video lesson from Learn Analysis: Analysis Foundations.

Learn Analysis

No sign up or credit card required.

Essential Techniques you need to know

So how do we write strong analysis that scores highly on Criterion B?

First things first, we need to know how to analyze the major literary and visual techniques (visual for Lang Lit), so that we can quickly find and analyze them under exam stress.

If you're cramming for Paper 1, here are the 7 most important techniques and concepts that you should know for IB English Paper 1. They apply to all text types in Lang Lit as well as Literature:

Tone, atmosphere and mood
Diction and voice
Metaphor, simile, and personification
The 4 main types of imagery
The 3 types of irony
Juxtaposition and contrast
Grammatical and structural techniques

There's a bunch more, but these 7 categories make a great starting point. The first step is to learn their names and definitions, and flashcards are an excellent way to do this.

Of course, memorizing isn't enough. We also need to know the common effects and purposes behind each of these core techniques, so that we can build a mental library of the most common ways to deeply analyze each technique. If you don't study each technique in detail, it's much harder to invent deep analysis on-the-spot during an exam.

We go deep into each of the techniques in Learn Analysis . Here are just a couple of them to get you started.

Level 1 Techniques

Your One Mission in Paper 1

Let's quickly recap what you need to do in a Paper 1.

You need to discuss the characters, themes and plot of a chosen literary text, OR the visual and stylistic elements (diagrams, headings, titles, images) for a non-literary text.
You then need to explain how and why these aspects were achieved by the writer or artist.

These two points are helpful as a basis for understanding, but they won't help you get concrete words onto the exam page. What we need now is a practical guide to writing an actual essay:

Deciding on a good thesis
Choosing the right points
Choosing the right structure

A Practical Guide to Writing a Paper 1 essay

An IB English Paper 1 essay boils down to 3 separate parts:

An introduction paragraph : contains a thesis and an outline of your points
A body (usually 3 paragraphs) : contains your points
A conclusion : wraps up the essay

Choosing a thesis

The thesis or subject statement is a single sentence in the introduction of the guided analysis that states how the writer achieves their overall purpose.

This is also the main argument that you are trying to prove in your essay, and it's typically related to the guiding question . The examiner can usually judge the strength of your analytical skills JUST from your subject statement alone, so it needs to be well-written!

Choosing the right essay structure for IB English Paper 1

Every text works best with a specific paragraph structure. Finding this match isn't always easy, but it's also one of the most important things to get right in your Paper 1 guided analysis.

You can organise your essay by:

ideas or themes
sections (sequential, e.g. stanza by stanza for poems)
the ‘Big 5'
and probably a whole host of other acronyms that English teachers love to invent.

Criterion C for IB English Paper 1 is Organisation . It's worth a whole 5/20 marks, so it's definitely in your best interest to choose the most appropriate structure for your essay.

Pro Tip: I recommend students to stay away from the Big 5 . Sure, it's useful as a memory device to tell you what elements to look for in a text, but it's not a good essay structure for analysis.

Why? Because analysis is about examining the causal interplay between techniques, stylistic choices, audience, tone, and themes. The Big 5 and SPECSLIMS artificially silo these components in your discussion. Heed my advice or pay the price! (notice that rhyme?)

So in my opinion, there are only two types of structure that are most conducive (yep, another new vocab, omnomnom) to getting a 7. Ideas/themes and Sections . Take this as a hot tip and run with it. If your teacher is forcing you to use other structures, then you'll need to know why this is recommended.

We go into much more depth and explain it all inside Learn Analysis.

Pro members only

Writing body paragraphs: Why and How

Once you've chosen the best structure for your essay and decided on a strong thesis as your central argument, the rest of the essay needs to revolve around proving this argument.

How do you prove this subject statement? You do it by looking at individual points. These smaller points support smaller, more specific aspects of the overall thesis.

The idea is that each body paragraph, or point, aims to prove a separate, smaller aspect of the bigger thesis. It's like a jigsaw puzzle : You must piece together smaller, more manageable pieces to build the bigger argument (i.e. the thesis).

In reality, this translates into writing 2, 3 or 4 points, each of which fits snuggly it its own paragraph or multiple paragraphs (depending on the complexity of the point).

In each point, you must include:

Quotes, references to images, titles, headings, or visual elements. This is the evidence.
Analysis of language and literary techniques. Use specific quotes from the text and explain how and why they are used by the writer to shape his/her message.

Obviously, this is a quick summary of how to write a high-quality body paragraph. We dive deeper into the specific details of how to structure a body paragraph in the guided analysis.

Planning ahead

Ironically, the most important part of IB English Paper 1 is not the analysis itself (well it is, but not really). The part you have to get right the first time is the plan. Most students do not know how to plan effectively, or get flustered in the exam and don't plan, or don't even try to plan because they think they're above it. Big mistake!

Before you even begin writing, you should plan out your essay in sufficient detail. You will lose track of time, thought and sanity if you do not have a clear road map of every part of your essay before you begin writing.

You can learn how to annotate and plan quickly & efficiently using the flowchart method, which we demonstrate inside Learn Analysis and Paper 1 .

In the Pro lesson below, we go into detail on exactly how to plan a Paper 1 essay effectively and efficiently under exam conditions.

How do I practice for Paper 1?

Most students think that doing a lot of practice papers is the best way to improve in Paper 1. However, there's a much more efficient, targeted method to study for Paper 1.

We work our way up from the smallest, most manageable chunks of analysis to the full Paper 1 exam. It's a good idea to reserve real IB English past papers for 2 months before your final exam so that you don't run out of past papers--they are the best preparation for the final exam. Also, if your analysis skills aren't already strong, doing real past papers is a waste of an excellent exam prep resource.

Questionbank

Quote analysis exercises with exemplar IB7 solutions

Short guided analysis exercises with exemplar IB7 solutions

1 hour practice exams with detailed markschemes or video solutions

IB past paper solutions: Exemplar essay plans and full essay responses