Gotham Writers Workshop

Gotham Writers Workshop is a creative home where writers develop their craft and come together in the spirit of discovery and fellowship. We’ve been teaching creative writing and business writing since 1993.

Gotham is now offering Online and Zoom (videoconference) classes.

Join us for a free Open House via Zoom videoconference on April 1 and 2.

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The Art of Craft

We teach the craft of writing in a way that’s clear, practical, and inspiring. Explore our wide variety of courses for adults and teens, as well as our One-on-One options. New classes are starting all the time, in NYC, on Zoom, and asynchronously Online.

The Gotham Writers Conference

The Gotham Writers Children’s Lit Conference Sep 28-29

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Two sharp stories each month—fiction and nonfiction. Presented with text, audio, and original art.

Enter the experience.

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Scholarships for Writers of Color

Scholarships for Writers of Color are available to all people of color who aspire to improve their writing skills, either in the fields of creative writing or elsewhere.

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Postcards from Summer Camp Contest

Summer camp is a setting that evokes heightened emotion. With that in mind, we invite you to submit a story about summer camp—with a twist.

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How to Get Published

Here you will learn how to navigate the ins-and-outs of the publishing business and you’ll write (and refine) the most important selling tool for your book—the query letter. All under the guidance of an established literary agent.

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Summer Classes

Summer classes are now available for enrollment , on Zoom, Online, and in NYC!

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Student Success

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Expert Teachers, Working Writers

A skilled teacher is the key to an exceptional class. Our teachers have been in the trenches, working daily at the craft of writing. They know the lay of the land. And they are equally adept at the fine art of teaching.

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A Wealth of Resources

The tools needed to write are quite simple—pen and paper, or electronic device. But it’s useful to have advice and information within easy reach. We’ve put together all kinds of resources to guide your journey as a writer, including Gotham books.

The Gotham Experience

We believe everyone has a story to tell. And we like to help people tell their stories better. We’ve been practicing this philosophy for more than three decades, and it’s made us the leading private writing school in the world.

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23 Best Creative Writing Classes in New York

Showing 23 courses that match your search.

Over-50 Memoir Workshop (McElwain)

The Writers Studio

This six-week online workshop is open to all writers over the age of 50 who are interested in writing their memoir. Each week we’ll do close readings of memoirs written by writers over 50, spanning a wide range of narrators and narrative approaches.

Website: https://courses.writerstudio.com/courses/online-over-50-m...

Categories: Fiction and Poetry

Start date:

Prerequisites: No prerequisites

Advanced Business Writing

Career Centers

This course teaches how to craft complex business documents, focusing on outlining, formatting, and using informative and persuasive techniques. It covers everything from determining the document's purpose and audience to planning and execution. Prior business writing proficiency is required, and the course is beneficial for those looking to enhance their professional writing skills​​​​​​.

Website: https://training-nyc.com/courses/advanced-business-writin...

Categories: Business

Open all year round

Prerequisites: Business writing proficiency equivalent to our Effective Business Writing course is required.

Playwriting Workshop Class

The Acting Studio

This class is an exploration of playwriting and its basic fundamentals. Our work is read aloud as a group, followed by discussion, and inspiring new writing of each other. The core focus of the class is on developing your voice as a writer.

Website: https://www.actingstudio.com/acting-classes/playwrights/b...

Categories: Playwriting

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Your story matters. Unlock your potential with daily video lessons from bestselling ghostwriter Tom Bromley, and finish your first draft in just 3 months. Learn more →

Explode, Careen, Compress: Approaching the Poetic Line

Brooklyn Poets

For five weeks, we'll discuss the ways in which poets use the line to different effect. We'll read (and write) poems that deal in compression, poems that suspend time and air, poems that seem to careen off the page, and poems that defy all the poetic "rules" of the line.

Website: https://brooklynpoets.org/workshops/all/writing-desire/

Categories: Poetry

April, 2024

Prerequisites: A writing sample of 5 pages of poems is required.

Sports Storytelling

The School of The New York Times

This course delves into journalistic techniques to tell compelling sports stories. It includes writing exercises, class discussions, guest speakers, site visits, and attending sporting events. Students learn basic reporting and storytelling skills, focusing on news judgment, researching, and writing articles. The course also features visits to iconic sports locations in New York and lectures from renowned sports journalists​​​​​​.

Website: https://nytedu.com/courses/pre-college/sports-storytelling/

Categories: Sports

Prerequisites: Open to rising 10-12 students.

15-Week Screenwriting Workshop

New York Film Academy

NYFA’s Screenwriting School provides a range of programs for aspiring screenwriters, including degree programs (AFA, BFA, MFA) and workshops. Courses cover various media, like TV, web series, films, comic books, and playwriting. Students gain practical skills and develop a portfolio, with options for both in-person and online learning. Short-term workshops focus on specific skills like comedy writing, TV writing, and feature screenwriting​​​​​​​​​​​​​​​​​​​​​​​​​​​​​​.

Website: https://www.nyfa.edu/screenwriting-school/

Categories: Screenplay

Technical Writing Course

Learning Tree International

This course is tailored for individuals seeking to improve their technical writing skills, particularly in technical communication. It covers techniques for planning, writing, and editing technical documents, focusing on audience assessment, document format selection, and effective use of visuals and graphics. The course aims to equip participants with the ability to convey complex subject matter clearly and create informative content for their readers.

Website: https://www.learningtree.com/courses/technical-writing-co...

Categories: Technical

Upright Citizens Brigade

UCB's Improv 101 course offers an introduction to the fundamentals of improv and comedy. It's ideal for those seeking to enhance their performance skills, public speaking, or just have fun. The course includes eight 3-hour sessions, a class show, and free access to UCB shows​​​​​​​​​​.

Website: https://ucbcomedy.com/courses/?eventtemplate=42-improv-10...

Categories: Comedy

Travel Writing

Gotham Writers

Ideal for beginners, this 10-week workshop delves into travel writing. Participants will engage in lectures, exercises, and student project critiques, gaining a solid foundation in the essential skills and techniques for effective travel writing.

Website: https://wp.writingclasses.com/courses/travel-writing/

Categories: Travel

Science Fiction & Fantasy Writing I

Tailored for aspiring writers of science fiction and fantasy, this 10-week workshop covers the basics of the genre. It includes lectures, exercises, and critiques, making it a great starting point for beginners or a refresher for those already familiar with the basics.

Website: https://wp.writingclasses.com/courses/science-fiction-fan...

Categories: Science Fiction and Fantasy

Playwriting I

A 10-week introductory course in playwriting, suitable for beginners. The workshop includes a series of lectures, practical writing exercises, and critiques of student projects, focusing on the fundamental techniques of playwriting.

Website: https://wp.writingclasses.com/courses/playwriting-i/

Memoir Writing I

This 10-week workshop is designed for beginners or those seeking to revisit the basics of memoir writing. It offers a blend of lectures, exercises, and student project critiques, providing a comprehensive introduction to memoir writing.

Website: https://wp.writingclasses.com/courses/memoir-writing-i/

Categories: Memoir and Nonfiction

So you’re looking for creative writing classes in New York

New York is a literary town. From the lauded Nobel Prize winners to the titanic authors that have emerged from New York City, there’s no denying its storied (pun intended) literary history, or the towering role that this city that never sleeps has played in shaping the landscape of our imagination. So there may be no better way to learn the craft of writing than by taking a creative writing class in New York.

This directory of the best writing courses in New York is meant to help you locate the right one for yourself.  We’ve included filters for price and genre so that you can quickly sort through the writing classes. And before you commit to any one writing class, consider the following questions:

  • Who is the instructor?
  • What is the price of the writing course?
  • How far away is the writing course in New York? Is there a remote alternative?
  • How long could the course last?

Got any questions about finding the right writing class in New York for you? Feel free to reach out to us at [email protected] . Good luck!

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creative writing class york

The 17 best writing classes in NYC

Harness your inner Zadie Smith at these stellar writing workshops for every type of writer on every type of budget

Photograph: Shutterstock

Alex Floyd-Douglass

Whether you want to write the next murder mystery and hope it gets picked up by Hollywood directors, or  you want to ensure that your work emails and reports are concise, grammatically correct and rhetorically sound , these writing classes in NYC will help you put those ideas onto paper. And hopefully into some of the best independent bookstores and NYC libraries (fingers crossed!). The remarkable literary institutions employ authors-cum-teachers to teach courses in everything from personal essays to poetry, so you’re sure to find a discipline that suits you. And if you need inspiration, re-reading the best books about New York should do the trick. Enjoy.

RECOMMENDED: Full guide to classes in NYC RECOMMENDED: The best BYOB painting classes in NYC

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Been there, done that? Think again, my friend.

NYC writing classes

1.  advanced business writing.

Advanced Business Writing

Once you have your grasp on the essentials of grammar and writing (like knowing what a semicolon actually does), you’ll want to enroll in a more advanced course to ensure every word you write is chosen with precision. In this course, you’ll learn how to analyze your audience, shape your tone and message for persuasion, education or communication and you’ll work on various strategies for planning your writing and ensuring that you are utilizing rhetorical tools and informative structures properly. At the end of the course, you’ll have sample writing projects that you can add to your job portfolio and you will be ready to use your writing as a tool to further your career.

2.  Effective Business Writing

Effective Business Writing

While creatives may want to learn how to write the next great American novel, there are a lot of professional reasons that one might want to improve their writing skills. Virtually every job will require some form of communication between individuals and departments and the ability to write coherent emails, proposals, memos or updates is an important skill if you want to survive in an office environment. Learning the fine art of grammar and the practical skills needed to communicate cleanly will pay dividends in the long-term.

3.  Creative Writing 101: 6 Weeks

One of the most inviting aspects of creative writing is how diverse of a field it is once you scratch the surface. Whether you are interested in writing poetry, short-fiction, long-form prose or even creative non-fiction or memoirs, you won’t need to look hard to find a vibrant community of fellow writers. In this introductory creative writing course, you can learn fundamental skills that can be applied to almost any genre of writing and you can get hands-on experience working in fictional and non-fictional styles to acclimate yourself to the variety of different styles of writing that you can learn and practice.

4.  Fiction Writing Level 1: 10 Week Workshop

If you are interested in flexing your creative muscles, you can enroll in an introductory fiction and poetry workshop to start looking for your own personal muse. In this course, students will all about the process of writing fiction and poetry. No one writes a world-changing poem on their first go and this class is about learning the art of revising, editing and expanding on your work in order to take the germ of an idea and turn it into a completed piece that expresses your own creative desires. Whether you are looking to write short form poetry or you want to write a 13-book series in your favorite brand of genre fiction, learning these basic techniques will be a vital boon to your work.

5.  Grammar Essentials

Grammar Essentials

English grammar is incredibly (and often needlessly complicated). Did you know that the reason you aren’t supposed to split infinitives is because someone in the 19th century wanted English to sound more like Latin? Well, if the basics of grammar continue to give you problems, you should consider enrolling in a course like this one. Here, you’ll get practical lessons in the art of writing clean sentences that clearly communicate your intended message and ensure that your writing isn’t giving readers the wrong impressions.

6.  Just Write

One of the biggest stumbling blocks that new writers face is that they overthink the preparation work and skimp on the writing work. Like any skill, you learn to write by practicing and the best way to do that is to write. In this regularly-held three-hour seminar, writers are encouraged to do just that: sit around a table and bang out some words while enduring the silent judgment of their peers (who are also using this as a time they are forced to write). While there is time for discussion, critique (and socializing), the outline of this program is simple: Just write.

7.  Business Writing Bootcamp

Business Writing Bootcamp

If you want a complete business writing education, consider enrolling in a business writing bootcamp. This course pairs the grammar lessons and technical writing skills of an introductory course with the rhetorical and persuasive writing training of an advanced writing course. This makes it a one-stop experience for students with minimal writing experience to start to master the important aspects of business writing. Improve your career opportunities and help improve the quality of your persuasive and informative projects with one of these immersive bootcamps.

8.  Personal Essay Writing Intensive

Personal Essay Writing Intensive

The personal essay has become a rather popular form of writing for mass consumption in recent years, particularly as the barriers to publishing short form content have been lowered (were one truly inclined, social media platforms make it almost effortless). In this class, you’ll learn how to brainstorm ideas and plan out the structure of the personal essay and how to build both pathos and ethos in your experiences and arguments. Similar to memoir writing, personal essay writing is about leveraging your own personal experience as a rhetorical tool and it is practical whether you are trying to persuade an audience, sell yourself to a company or institution or make a profession out of Op-Ed writing.

9.  Stand-up Comedy One Day Intensive

Stand-up Comedy One Day Intensive

Do you want to perform? Want to make people laugh? Want to tour the country? Well, consider learning stand-up comedy. While professional stand-up comedians make it look off-the-cuff, the process of writing a good stand-up routine involves a lot of fine-tuning and revision, particularly as you workshop jokes and tighten the set. In this intensive course, you’ll get a chance to try out some new material, get feedback and start the process of refining your jokes in front of professional comedy writers. Whether you are hoping to punch up a bit or start your first routine, this intrusive course will help you start refining your comedic voice.

10.  The Editor’s Eye Intensive

The Editor’s Eye Intensive

Not all aspects of writing are about being creative. Making sure that your work is properly edited, free of errors and written as tightly as you would prefer is an essential step to getting your work published. This course will help students learn the basics of editing so that they can identify things like improper grammar, incorrect word usage, clunky and awkwards sentences and overly verbose writing. This program also aims to help students develop the professional skills needed to work as an editor (since companies hire professional editors and freelance writers who don’t like editing will pay a pretty penny to have someone else handle it).

11.  Screenwriting I: 10-Week Workshop

Screenwriting I: 10-Week Workshop

If you have an idea that you think would be perfect for the big screen, you should consider enrolling in this immersive screenwriting workshop. Writing a screenplay isn’t like writing other forms of long-form fiction, so you’ll want to get focused training on how to write scripts that are cinematic, compelling and, most importantly, marketable. You’ll learn the art of writing dialogue, stage directions and providing actors and directors with the information they need to bring your vision to life. Whether you are interested in arthouse cinema or want to pen the next famous blockbuster, you’ll benefit from taking this course.

12.  Memoir Writing Intensive

Memoir Writing Intensive

If the personal essay aims to make an argument, then the memoir aims to tell a story. In this course, you’ll learn the art of transforming your personal experience into a compelling narrative that entices readers and helps make a broader point about how your experiences tell us something about the world. Slightly distinct from creative non-fiction, memoir writing is possibly the most personal style of writing that you can engage in. While memoirs have traditionally been associated with powerful heads of state and significant thinkers, the genre has become more welcoming to the perspective of the everyday, and in  this course, you’ll learn how your own lived experiences can become the thing of memoir greatness.

13.  Songwriting Intensive

Songwriting Intensive

Acclaimed songwriter Taylor Swift was recently named Time Magazine ’s Person of the Year, suggesting that writing music can have globe altering implications. If you want to learn the basics of professional songwriting and emulate your favorite music icon, consider enrolling in this songwriting course. This course will teach students how to write popular music, how to craft a perfect tune to go along with the lyrics and how to market the music to studios, producers and labels. This course covers a range of different genres, so whether you want to write R&B, pop, rockabilly, hip-hop or smooth jazz, this course will help you develop your skills and start writing the next great earworm.

14.  Playwriting Intensive

Playwriting Intensive

Live theater is one of the oldest forms of creative writing, dating back, at least to the early Grecians (and likely existed in some form even before the development of systematized writing). If you want to flex your inner Shakespeare, Beckett or Tennesse Williams, consider enrolling in this intensive playwriting course. You’ll learn how to transform the empty stage into a real world and you’ll learn how to write your plays to give the actors the tools they need to deliver the best performances possible. Writing for the stage is its own unique challenge and this course will give you the experience you need to start staging your own masterwork. Plus, for any aspiring Hammersteins, the course can also help you begin to write musicals.

15.  Plot 1: Mechanics 3-week Intensive

Plot 1: Mechanics 3-week Intensive

Hollywood screenplays, like all narrative, rely on structure to scaffold the story and build audience investment. Whether you are working with the traditional three-act structure most common to feature films, the five-act structures of classic stage plays or the one or two act structures common to modernist works, you’ll want to understand why narratives are structured in certain ways and how to use these structures to your advantage when writing a screenplay. This course will teach students the math that goes into writing a structured screenplay and give them hands-on practice scaffolding their story beats.

16.  Social Media Content Marketing: Blogs & Twitter at Noble Desktop

A lot of professional writing for mass audiences is now done online, with blogs and Twitter being important places to communicate and persuade your audience (like this article is doing now and in this class you’ll learn whether or not meta commentary like this helps your content marketing). In this class, you’ll get hands-on experience working with professional content writers to help you set goals, build marketing strategies and create a voice for your company or organization. You will also learn how to create a coherent brand identity for your online content and how to use platforms like Twitter to expand your reach, build a customer base and keep that base engaged with your content.

17.  Character Creation

Characters can really make or break a story. This Character creation class is a compact workshop for character creating and development, to help give you the skills to make your story work. The workshop will focus on areas like principles of characterization, consistency and effects of dialogue, plus more to help with your character-building and storytelling. It's a two-hour session with a teacher, working anywhere that suits you both and 1-2-1 to ensure you have thorough guidance and help. 

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Course Offerings

Creative writing (2022 - 2024).

In addition to the on-campus creative writing courses offered throughout the year, special January term and summer programs offer students a chance to study intensively and generate new writing in Florence, New York, and Paris.

Creative Writing: Introduction to Prose and Poetry CRWRI-UA 815  Formerly Creative Writing: Introduction to Fiction and Poetry. Identical to CRWRI-UA 9815. Not repeatable for credit. Workshop. Offered in fall, winter, spring, and summer. 4 points. An exciting introduction to the basic elements of poetry and prose, with in-class writing, take-home reading and writing assignments, and substantive discussions of craft. Structured as a workshop: students receive feedback from their instructor and their fellow writers in a roundtable setting and should be prepared to offer their classmates responses to their work.

Intermediate Workshops in Fiction, Poetry, and Creative Nonfiction CRWRI-UA 816   (Intermediate Fiction Workshop), CRWRI-UA 817 (Intermediate Poetry Workshop), CRWRI-UA 825 (Intermediate Creative Nonfiction Workshop) Prerequisite for Fiction : Creative Writing: Introduction to Prose and Poetry (CRWRI-UA 815), or Creative Writing (CRWRI-UA 9815), or Writers in New York: Fiction (CRWRI-UA 818), or Writers in New York: Poetry (CRWRI-UA 819), or Writers in New York: Creative Nonfiction (CRWRI-UA 835), or Writers in Paris: Fiction (CRWRI-UA 9818), or Writers in Paris: Poetry (CRWRI-UA 9819), or Writers in Florence: Fiction (CRWRI-UA 9828), or Writers in Florence: Poetry (CRWRI-UA 9829), or Intensive Seminar in Fiction (CRWRI-UA 861; formerly Master Class in Fiction, CRWRI-UA 860), or equivalent. Workshop. Offered in fall, winter, spring, and summer. 4 points. Prerequisite for Poetry : Creative Writing: Introduction to Prose and Poetry (CRWRI-UA 815), or Creative Writing (CRWRI-UA 9815), or Writers in New York: Fiction (CRWRI-UA 818), or Writers in New York: Poetry (CRWRI-UA 819), or Writers in New York: Creative Nonfiction (CRWRI-UA 835), or Writers in Paris: Fiction (CRWRI-UA 9818), or Writers in Paris: Poetry (CRWRI-UA 9819), or Writers in Florence: Fiction (CRWRI-UA 9828), or Writers in Florence: Poetry (CRWRI-UA 9829), or Intensive Seminar in Poetry (CRWRI-UA 862; formerly Master Class in Poetry, CRWRI-UA 870), or equivalent. Workshop. Offered in fall, spring, and summer. 4 points. Prerequisite for Creative Nonfiction : Creative Writing: Introduction to Prose and Poetry (CRWRI-UA 815), or Creative Writing (CRWRI-UA 9815), or Writers in New York: Fiction (CRWRI-UA 818), or Writers in New York: Poetry (CRWRI-UA 819), or Writers in New York: Creative Nonfiction (CRWRI-UA 835), or Writers in Paris: Fiction (CRWRI-UA 9818), or Writers in Paris: Poetry (CRWRI-UA 9819), or Writers in Florence: Fiction (CRWRI-UA 9828), or Writers in Florence: Poetry (CRWRI-UA 9829), or Intensive Seminar in Creative Nonfiction (CRWRI-UA 863; formerly Master Class in Creative Nonfiction, CRWRI-UA 880), or equivalent. Workshop. Offered in fall and spring. 4 points. Offer an opportunity to continue the pursuit of writing at the intermediate level. Integrate in-depth craft discussions and extensive outside reading to deepen students' understanding of their chosen genre and broaden their knowledge of the evolution of literary forms and techniques. Each may be repeated three times for credit.

Writers in New York: Fiction, Poetry, or Creative Nonfiction CRWRI-UA 818   (Writers in New York: Fiction), CRWRI-UA 819 (Writers in New York: Poetry), CRWRI-UA 835 (Writers in New York: Creative Nonfiction) Application required. Workshop. Offered in the summer. 8 points per course. Offer poets and fiction writers an opportunity to develop their craft while living the writer's life in Greenwich Village. Students participate in daily workshops and craft classes, are mentored by accomplished professional writers, and attend readings, lectures, panel discussions, and seminars led by New York-based writers and editors. Assignments encourage immersion in the city. Students work intensively to generate new writing and also attend a lively series of readings, lectures, literary walking tours, and special events. May be repeated once for credit.

Advanced Workshops in Fiction, Poetry, and Creative Nonfiction CRWRI-UA 820 (Advanced Fiction Workshop), CRWRI-UA 830 (Advanced Poetry Workshop), CRWRI-UA 850 (Advanced Creative Nonfiction Workshop) Prerequisite for Fiction : Intermediate Fiction Workshop (CRWRI-UA 816), or Writers in New York: Fiction (CRWRI-UA 818), or Writers in Paris: Fiction (CRWRI-UA 9818), or Writers in Florence: Fiction (CRWRI-UA 9828), or Intensive Seminar in Fiction (CRWRI-UA 861; formerly Master Class in Fiction, CRWRI-UA 860), or equivalent. Workshop. Offered in fall and spring. 4 points. Prerequisite for Poetry : Intermediate Poetry Workshop (CRWRI-UA 817), or Writers in New York: Poetry (CRWRI-UA 819), or Writers in Paris: Poetry (CRWRI-UA 9819), or Writers in Florence: Poetry (CRWRI-UA 9829), or Intensive Seminar in Poetry (CRWRI-UA 862; formerly Master Class in Poetry, CRWRI-UA 870), or equivalent. Workshop. Offered in fall and spring. 4 points. Prerequisite for Creative Nonfiction : Intermediate Creative Nonfiction Workshop (CRWRI-UA 825), or Writers in New York: Creative Nonfiction (CRWRI-UA 835), or Intensive Seminar in Creative Nonfiction (CRWRI-UA 863; formerly Master Class in Creative Nonfiction, CRWRI-UA 880), or equivalent. Workshop. Offered in fall and spring. 4 points. Provide students with the opportunity to hone their individual voices and experiment with different aesthetic strategies in genre-specific workshops taught by eminent writers in the field. Focus on revision techniques, the development of sustainable writing processes, and the broadening of students' knowledge of classical and contemporary masters. Each workshop has a distinct emphasis and area of exploration; course descriptions are available online prior to registration. Each may be repeated three times for credit.

Intensive Seminars in Fiction, Poetry, and Creative Nonfiction CRWRI-UA 861 Intensive Seminar in Fiction, CRWRI-UA 862 Intensive Seminar in Poetry, CRWRI-UA 863 Intensive Seminar in Creative Nonfiction Prerequisite for Fiction : Creative Writing: Introduction to Prose and Poetry (CRWRI-UA 815), or Creative Writing (CRWRI-UA 9815), or Intermediate Fiction Workshop (CRWRI-UA 816), or Writers in New York: Fiction (CRWRI-UA 818), or Writers in New York: Poetry (CRWRI-UA 819), or Writers in New York: Creative Nonfiction (CRWRI-UA 835) or Writers in Paris: Fiction (CRWRI-UA 9818), or Writers in Paris: Poetry (CRWRI-UA 9819), or Writers in Florence: Fiction (CRWRI-UA 9828), or Writers in Florence: Poetry (CRWRI-UA 9829), or Advanced Fiction Workshop (CRWRI-UA 820), or equivalent. Recommended prerequisite: Advanced Fiction (CRWRI-UA 820). Application required. Workshop. Offered in fall and spring. 4 points. Prerequisite for Poetry : Creative Writing: Introduction to Prose and Poetry (CRWRI-UA 815), or Creative Writing (CRWRI-UA 9815), or Intermediate Poetry Workshop (CRWRI-UA 817), or Writers in New York: Fiction (CRWRI-UA 818), or Writers in New York: Poetry (CRWRI-UA 819), or Writers in New York: Creative Nonfiction (CRWRI-UA 835), or Writers in Paris: Fiction (CRWRI-UA 9818), or Writers in Paris: Poetry (CRWRI-UA 9819), or Writers in Florence: Fiction (CRWRI-UA 9828), or Writers in Florence: Poetry (CRWRI-UA 9829), or Advanced Poetry Workshop (CRWRI-UA 830), or equivalent. Recommended prerequisite: Advanced Poetry (CRWRI-UA 830). Application required. Workshop. Offered in fall and spring. 4 points. Prerequisite for Creative Nonfiction : Creative Writing: Introduction to Prose and Poetry (CRWRI-UA 815), or Creative Writing (CRWRI-UA 9815), or Writers in New York: Fiction (CRWRI-UA 818), or Writers in New York: Poetry (CRWRI-UA 819), or Writers in New York: Creative Nonfiction (CRWRI-UA 835), or Writers in Paris: Fiction (CRWRI-UA 9818), or Writers in Paris: Poetry (CRWRI-UA 9819), or Writers in Florence: Fiction (CRWRI-UA 9828), or Writers in Florence: Poetry (CRWRI-UA 9829), or Intermediate Creative Nonfiction Workshop (CRWRI-UA 825), or Advanced Creative Nonfiction Workshop (CRWRI-UA 850), or equivalent. Recommended prerequisite: Advanced Creative Nonfiction (CRWRI-UA 850). Application required. Workshop. Offered in fall and spring. 4 points. Taught by acclaimed poets and prose writers to select NYU undergraduates. Application is required for admission. Each is limited to 12 students and provides intensive mentoring and guidance for serious and talented undergraduate writers. Full details of these courses and their applications are shared on the program’s undergraduate listserv; students are added to the listserv when they enroll in Creative Writing: Introduction to Prose and Poetry (CRWRI-UA 815). They may also contact [email protected] for information.

Creative Writing Internship CRWRI-UA 980 Prerequisites: a declared minor in creative writing, two CRWRI-UA courses or the equivalent, and approval of the program. An internship may not be used to fulfill the minimum requirements of the minor. For full policies, registration procedures, and the application form, please visit the program's website. Offered in fall, spring, and summer. 2 points. Requires 8 to 12 hours of work per week. Must be with an external (non-NYU) organization related to creative writing (e.g., a literary agency, magazine, publisher, or outreach program) and should involve some substantive aspect of writerly work. Requires a final five- to seven-page report, and an evaluation is solicited from the intern's supervisor. Grading is pass/fail. Students are responsible for finding the internship and receiving program approval before the end of the Albert add/drop period each term.

Writers in Paris: Fiction or Poetry CRWRI-UA 9818   (Writers in Paris: Fiction), CRWRI-UA 9819 (Writers in Paris: Poetry) Application required. Workshop. Offered in the summer. 8 points per course. Offer poets and fiction writers an opportunity to experience the writer's life in Paris. Students participate in daily workshops and craft classes, are mentored by accomplished professional writers, and attend readings and special seminars led by Paris-based writers and editors. Assignments encourage immersion in the city. Students work intensively to generate new writing and also attend a lively series of readings, lectures, literary walking tours, and special events. May be repeated once for credit.

Writers in Florence: Fiction or Poetry CRWRI-UA 9828   (Writers in Florence: Fiction), CRWRI-UA 9829 (Writers in Florence: Poetry) Application required. Workshop. Offered in the summer. 8 points per course. A literary retreat in Florence for poets and fiction writers. Students participate in daily workshops and craft classes, are mentored by acclaimed writers, and attend readings and special seminars on all aspects of the writer's life. Assignments are designed to encourage serious literary study, as well as immersion in the local landscape, and students are expected to work intensively to generate new writing. May be repeated once for credit.

Creative Writing

Hone writing skills and explore contemporary creative works as readers and writers, using New York and its rich, cultural universe as a habitat.

Developing their critical reading and thinking skills, students will survey a wide body of work to understand the past, present and potential futures of creative writing. Students will discuss and analyze these works as readers while simultaneously learning to read like writers, honing their skills at understanding the underlying architecture of notable work.

The course will also function as a writers’ salon, an informal, free-flowing conversation designed to help generate and foster ideas as a group, increasing the depth in our work both individually and collectively. The salon environment challenges students to discuss complex themes such as identity and social change maturely and dive deeply into text.

Over the course of the term, students’ interests will develop into the high-quality proposals and pitches that are necessary to pursue commissioned work. Thus, the course is customizable with each student given individual attention to pursue personal literary goals.

Site Visits Visits will vary based on the instructors and terms. Students have previously visited:

  • Center for Fiction
  • New York City museums
  • The Strand Bookstore

Speakers and Lecturers Speakers and lecturers will vary with the instructors and terms. Previous speakers include:

  • Authors, Teachers and Writers
  • Hasanthika Sirisena, author, Juniper Prize for fiction winner
  • Hannah Giorgis, Culture Writer, The Atlantic
  • Darin Strauss, Novelist, National Book Award winner
  • Hillary Zaid, author, Independent Publishers’ Book Awards in LGBT+ Fiction winner
  • Abe Streep, journalist and contributing editor, Outside, The New York Times Magazine Please note: All information is subject to change at the discretion of The School of The New York Times.
  • Price Residential Program $6,845 Day Program $5,560 *Additional fees apply. Tuition, Fees & Aid
  • Date View Terms
  • Division Pre-College
  • Program Summer Academy
  • Location New York City

Contact Admissions [email protected] 646-438-7269

Course Highlights

Summer Academy enables students to dive deep into a course of study, sharpening skills for their academic and professional futures. Each course is carefully designed to suit student interests and encourage intellectual curiosity.

Be immersed in genres of the sprawling creative writing market and learn how to read, analyze, discuss and critique notable work.  

Investigate the most recent literary trends and learn about industry developments that have shaped the contemporary literary scene, hearing directly from industry practitioners.  

Expand your capacity to consider complex ideas with increased clarity and sophistication in reading, writing and editing; interact professionally and intellectually with peers and gain skills and fluency for college-level seminar discussions.

Term dates and course availability depend heavily on instructors’ schedules.

June 9 - 21

Rising 11-12, Graduating Seniors

June 23 - July 5

Rising 10-12, Graduating Seniors

July 7 - July 19

July 21 - Aug 2

Rising 10-12

We foster a culture of diversity, equity and inclusiveness. Our goal is to provide affordable educational opportunities to as many qualified applicants as possible. Explore financial aid and scholarships.

“This course exposed me to all forms of writing and expression — from classic literature to opinion pieces, from Broadway to The Moth. ” Daniella , Ontario, Canada

Live & Learn in NYC

You have the option of living on campus in a university dormitory or commuting to class from your local residence.

Join A Diverse Community

We are committed to fostering a culture of diversity, equity and inclusiveness. Our goal is to provide affordable educational opportunities to as many qualified applicants as possible.

Be Inspired

Times journalists and industry experts guide you through every step of your journey of exploration and discovery.

Hear From Alumni

Read first-person accounts from Summer Academy alumni about their experiences in and outside of the classroom.

Related Courses

Writing for film.

Study and master the fundamentals of writing for the big screen as you take an original short film idea from concept to polished screenplay.

Writing About Youth Culture: Race, Identity & Social Behavior

Develop your unique voice by using your perspective to explore and write about youth culture and the coming-of-age experience.

DIY Filmmaking

Learn the fundamentals of filmmaking through workshops and hands-on moviemaking exercises with everyday equipment, working to bring an idea to production.

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Learn to Write from the World’s Best Storytellers

Sign up for writing tips and class discounts, new writing classes are filling up fast.

Sign up here:

  • The Art of Storytelling

What our students are saying

“ One of the top three creative writing classes I have ever taken—and the other two were full semesters’ worth. I’d definitely take any creative writing class or workshop by Jay. His class could easily turn into a TED Talk. He’s a great teacher because his delivery is flawless. He engages the entire class and remembers everyone’s name… devil is in the details. Rob Luciano
“ This class was a revelation. Jay led us through the intricacies and nuances of good storytelling and gave us concrete, actionable ways to work on our own writing. A well-structured curriculum and excellent leadership. Eric Pan
“ Jay was extremely well-versed and presented the class in a fun way. He definitely met my expectations about what I wanted to get out of the course, which was how to write a good story and find a way to engage readers. Jay was very encouraging and understanding of the goals of everyone involved and made it an inclusive atmosphere. Matthew Marin
“ Jay was very personable, curious, and engaged with all the members. He asked great questions, was funny and inspiring at the same time. I highly recommend the class. Patricia Hunter
“ Great use of visuals, audio, and questions to help folks learn about what makes a good story. Engaging with folks in the crowd to help make the lessons more tangible. He has a done a great job distilling what makes good storytelling. Hiren Patel
“ This class was very well-prepared, the presentation delivered with humor and insight. I enjoyed thinking about story (across genres) in a new way, and walked away with several revelations which apply to my writing life, as well as to life in general. Loved the conversational style. I highly recommend Jay's workshop! Jeanine Nicole
“ This workshop was absolutely fantastic. Jay was extremely knowledgable of the components of good storytelling, and along with great media usage he helped connect his students to what truly pulls a reader into a story. Highly recommended! Daniel Ali
“ Jay's class is the perfect place to workshop an essay, short story, screenplay, or anything in between. You can't leave this class without learning at least one new thing about writing, regardless of your writing background or how long you've been pushing the pen. Jay pulls in lessons from movies, novels, and poems. I came out of Jay's class with a creative energy that is rare in my day-to-day. I highly recommend Jay's class for aspiring storytellers of all types! Erica Swallow

Learn How To:

  • Find your voice.
  • Tell the stories of your life.
  • Make your characters relatable.
  • Express yourself authentically.
  • Get inspired and get started writing.

“A revelation.”

Are you ready to meet your audience, we’ll teach you:.

  • how to tap into your truth, find your voice, and tell your story
  • the importance of giving your characters desire —even if the character is you and you’re just writing your bio or giving a presentation
  • how to create drama, tension, and conflict
  • how to build a plot using the principles of story structure
  • how to use suspense, surprise, and humor  to hook your readers or audience
  • how to express yourself and your personality in an honest, authentic way that will connect with your audience

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The New York Writers’ Intensive is proud to donate a portion of all proceeds to our two favorite literary nonprofits, The Moth and The New York Public Library.

Sign up for our writing classes and start writing today.

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creative writing class york

Creativity Starts Here

For over 30 years, Creative York, an arts organization located in downtown York, Pennsylvania, has ensured every interaction with our students, artists, donors, and community members is focused on providing the confidence to discover and express unlimited imagination and innate creativity. Start exploring all we have to offer today!

creative writing class york

Calls For Art

Check out our upcoming calls for art!

creative writing class york

Spend The Summer With Creative York!

Get ready for Summer 2024 by registering for our Arts Discovery Summer Camps! Starting June 17, 2024. 

creative writing class york

Join Us For Live Art Palooza

Live Art Palooza will be held on June 23 from 1:00-3:30pm at the Out Door Country Club! New this year, we will have an art bazaar with participating artist’s works for sale!

Inspiring Creativity

“I was so impressed by the gallery and teaching spaces. It is so much more than a gallery! You feature artist’s work while nurturing the artistic spirit of the next generation.” -Angie Kot

A Message from Our Friends

“We love Creative York! With art camps and classes for all ages, gallery exhibits and installations, team building activities, community outreach for young and old, and so much more led by a talented and innovative staff, Creative York inspires and challenges EVERYONE to be more creative. No matter who you are, you can find your joy here. It is a pleasure to be involved with this wonderful organization.” -Bob and Ellen Ehlenbeck

creative writing class yorkToday
@ 3 PM
67th Street Library, Computer ClassroomTeens/Young Adults (13-18 years)Today
@ 6 PM
Online registration is now closedJefferson Market LibraryAdultsToday
@ 6 PM
Registration required: PC LabAdultsThu, June 27
@ 10 AM
Registration required: Kingsbridge Library
OnlineAdultsThu, June 27
@ 12 PM
First come, first servedChatham Square Library, Community RoomAdultsThu, June 27
@ 4 PM Wakefield LibraryTeens/Young Adults (13-18 years),

Young Adults/Pre GED (16-24 years)Mon, July 1
@ 4 PM Mosholu LibraryAdults,

50+Mon, July 1
@ 4:30 PM First come, first servedYorkville Library, Meeting RoomAdultsTue, July 2
@ 1 PM City Island Library, Community Meeting RoomAdults,

50+,

College & Graduate StudentsTue, July 2
@ 4 PM Soundview LibraryAdultsTue, July 2
@ 4 PM Registration required: Hudson Park LibraryAdults,

College & Graduate StudentsTue, July 2
@ 5 PM Community RoomAdultsWed, July 3
@ 11 AM Bronx Library Center, Children's RoomChildren,

School Age (5-12 years),

English Language Learners,

Families,

ImmigrantsWed, July 3
@ 4 PM Bronx Library Center, Teen CenterTeens/Young Adults (13-18 years)Wed, July 3
@ 5 PM Yorkville Library, Meeting RoomChildren,

School Age (5-12 years)Fri, July 5
@ 12 PM Jerome Park LibraryChildren,

School Age (5-12 years)Mon, July 8
@ 4 PM Mosholu LibraryAdults,

50+Mon, July 8
@ 4:30 PM First come, first servedYorkville Library, Meeting RoomAdultsMon, July 8
@ 5:30 PM Registration required: Mulberry Street Library
Community Room, LL2AdultsMon, July 8
@ 6 PM Registration required: Seward Park Library
Online OnlyAdultsTue, July 9
@ 1 PM City Island Library, Community Meeting RoomAdults,

50+,

College & Graduate StudentsTue, July 9
@ 4 PM Soundview LibraryAdultsTue, July 9
@ 4 PM First come, first servedBronx Library CenterAdultsTue, July 9
@ 5 PM Community RoomAdultsWed, July 10
@ 11 AM Registration required: Online
Registration opens: Jul 3 @ 12:00 AM
Chatham Square Library
OnlineAdultsWed, July 10
@ 1:30 PM Registration required: Stavros Niarchos Foundation Library (SNFL)
Room 304AdultsWed, July 10
@ 5 PM Yorkville Library, Meeting RoomChildren,

School Age (5-12 years)Wed, July 10
@ 5:30 PM Registration required: Mulberry Street Library
Community RoomAdultsThu, July 11
@ 11 AM St. Agnes LibraryAdultsThu, July 11
@ 3 PM Belmont Library and Enrico Fermi Cultural Center, Children's RoomChildren,

School Age (5-12 years)Thu, July 11
@ 4 PM Wakefield LibraryTeens/Young Adults (13-18 years),

Young Adults/Pre GED (16-24 years)Thu, July 11
@ 6 PM Online registration is now closedStavros Niarchos Foundation Library (SNFL)
2nd Floor, Room 205AdultsFri, July 12
@ 12 PM Jerome Park LibraryChildren,

School Age (5-12 years)Fri, July 12
@ 12 PM Registration required: Richmondtown Library
Online OnlyAdultsFri, July 12
@ 12:30 PM Registration required: Room C33Adults,

50+,

Businesspeople,

College & Graduate Students,

English Language Learners,

Immigrants,

Job Seekers,

Persons with DisabilitiesFri, July 12
@ 5:30 PM Online registration is now closedStavros Niarchos Foundation Library (SNFL)
3rd Floor, Room 303AdultsSat, July 13
@ 1 PM 53rd Street LibraryTeens/Young Adults (13-18 years)Sat, July 13
@ 1:30 PM Registration required: Morningside Heights Library, Community RoomAdultsSat, July 13
@ 2 PM Baychester Library, Community Meeting RoomChildren,

School Age (5-12 years)Mon, July 15
@ 9 AM Stephen A. Schwarzman Building, Dorothy and Lewis B. Cullman Center for Scholars & WritersAdults

creative writing class york

Creative Writing

The writers voice of central new york.

The YMCA's Writer's Voice, including the Downtown Writers Center and Writers Voice Online, is the CNY region's only community center for the literary arts. It hosts a wide variety of programs and events for wordsmiths and bookworms, creative writing workshops, readings by established and emerging poets and writers, and much more.

Learn more about DWC Membership

Get in touch with us!

340 Montgomery Street Syracuse, NY 13202

For Workshops:

Tim Carter Arts Branch Program Director (315) 474.6851, ext. 380

For Young Authors Academy & Numberless Dreams:

Georgia Popoff Workshops Coordinator (315) 474.6851, ext. 380

For other Writers Voice and DWC programs and activities:

Phil Memmer  District Executive Director (315) 474.6851, ext.328

Creative Writing Workshops

creative writing class york

Visiting Author Readings

creative writing class york

Young Authors Academy

creative writing class york

Stone Canoe

creative writing class york

YMCA CNY Book Awards

creative writing class york

Programs of the YMCA's Writers Voice and Downtown Writers Center  are made possible by the New York State Council on the Arts with  the support of the Office of the Governor and the New York State Legislature.  

This project was made possible with funds from the  County of Onondaga through the Marketing for Economic  Development Program administered by CNY Arts.

This program is made possible by American Rescue Plan Act (ARPA)  funding from the City of Syracuse Arts & Culture Recovery Fund Program,  a regrant program of the City of Syracuse administered by CNY Arts.

A professor speaks to a group of students sitting in the film viewing room with black and white film on the screen over his shoulder.

Creative Writing

There is no shortage of writing opportunities at York College, a place where you’ll find creativity and inspiration in abundance. Our award-winning literary magazine, Story , and the student-run literary and arts magazine, The York Review , give you immediate hands-on experience at your fingertips. You can soak in the wisdom and creativity of visiting writers, or submit to our Bob Hoffman writing competition.

And our creative writing workshops put you in control of your education and creative development. As urban studies theorist Richard Florida said, “Wherever creativity goes — and, by extension, wherever talent goes — innovation and economic growth are sure to follow.” Creative writing is available as a minor; professional writing majors can choose creative writing in fiction or poetry as a writing track.

Dillon Samuelson York Review art submission in 2014, part of the creative writing program

Insightful writing. Hands-on production. Incredible opportunities. Creative Writing publications and media

creative writing class york

The York Review  is the department's student-run literary journal. Published usually in the spring, the magazine is a juried collection of student writing. Students can submit works for publication and can apply to serve on the editorial board. You can see the most recent edition below or on Issuu .

Story magazine, winner of the CLMP Firecracker Award for Best Debut Magazine , is a "double-sided print annual devoted to the complex and diverse world of narrative" that takes submissions from a diverse collection of contributors ( Submissions are accepted during a set period each year). Faculty produce the magazine with the assistance of students.  Volume 3 of the literary magazine is available for purchase. 

creative writing class york

The Rough Draft is an hour long podcast dedicated to exploring the creative minds of the literary and artistic community at York College of Pennsylvania and beyond it, providing you with interviews with published authors, brilliant student work, and discussions surrounding anything creative or writerly. You can find the podcast on the  York Review website.

Subscribe:  iTunes  |  Android

Program Requirements

2024-2025 undergraduate catalog.

Related Programs

York University

NOW OPEN: Creative Writing Program - FW24 Application for Admission • The above deadline only applies to students who have completed AP/CWR 2600 in FW23 and prior. • Students currently enrolled in SU24 AP/CWR 2600 will apply in August 2024.

Creative Writing is a delayed-entry Honours BA program and may be pursued as a single major, double major or minor.

Students who wish to apply for admission to the program are strongly advised to take one of the following courses among their first 30 University credits:

AP/EN 1001 3.0 - An Introduction to Literary Study AP/EN 1002 3.0 - Intertextualities AP/EN 1006 3.0 - Writer's Introduction to Literary Forms AP/CLRT 1953 6.0 - Canadian Writers in Person AP/EN 1700 9.0 - Writing: Process and Practice

Students may enrol in the Faculty of Liberal Arts & Professional Studies in Honours or in the Fine Arts Studies Program.

Students who are in the Faculty of Fine Arts should plan a course of studies with the approval of both the Creative Writing and Fine Arts program. If you are registered in the Faculty of Fine Arts you will be expected to meet the requirements of the Fine Arts Studies Program.

Students who wish to pursue a major or minor degree in Creative Writing are required to complete AP/CWR 2600 6.00: Introduction to Creative Writing . After successfully completing AP/CWR 2600 6.00, they must submit a 15-20 page portfolio of poetry and prose fiction as well as the Application form (please see below).

Alternatively, students may apply for full admission after completing their first 48 credits but before completion of their first 78 credits, by presenting a portfolio containing work in both poetry and prose fiction as evidence of writing experience equivalent to that provided by AP/CWR 2600 6.00 Introduction to Creative Writing. This portfolio will be evaluated by the Creative Writing Coordinator and admissions decisions will be made at the Coordinator’s sole discretion.

For admission to CWR 2600, please know that seats become available first to English majors entering their second year of study. After several days, the seats will be opened to all interested students entering their second or higher year. If you've been unable to enrol, please try again (but don't wait too long. The course typically fills and students have to be turned away).

Majors and minors in the program must review their degree checklists with the program secretary between mid-March and early April each year. Students must submit their completed checklists before their appointment.

Third- and fourth-year core courses in Creative Writing are open only to majors/minors in the Creative Writing Program. Occasionally students other than majors/minors in Creative Writing may enrol in the program's core courses. Students who are not majors/minors wishing to enrol in Creative Writing courses should submit a transcript, application form (below), and 15-20 page portfolio to the Coordinator for permission.

Application for Upper-Level Workshop Courses as a Non-Major/Minor

Quick Links

Connect with LA&PS

Creative Writing MA

Postgraduate Course

Unleash your creative potential and pursue your passion for writing.

Overhead view of a student writing work at a desk.

Taught by award-winning authors with specialisms in fiction, poetry, non-fiction and scriptwriting, this course is a fantastic opportunity for you to learn the craft of creative writing and explore the theory behind it.

Course location York campus

Minimum entry requirements

2:2 honours degree in a related subject

Sample of creative writing

Tuition fees

UK 2024-25 £8,000 full time --> full time

International 2024-25 £11,300 full time --> full time

Discover Creative Writing

Abi Curtis, Professor of Creative Writing, introduces us to Creative Writing at York St John University.

Course overview

Join our thriving literary community and grow your creative potential. You will develop your skills as a writer and explore the theory and practice of writing in the contemporary world through taught modules, independent study, writing and research.

Through this course you will develop transferable skills, work on a publication and complete your own final project. You will work on a longer portfolio in depth, supervised by a dedicated member of staff.

You may write in any form on any given module. You will be encouraged to be open minded and flexible in choosing different styles of writing. There are also modules designed to enhance your employability. These are ideal if you have an interest in either running groups for writers or learning about how to operate in the publishing industry.

The portfolio project is an opportunity for independent and in-depth development of a writing project, supervised by a writer on the team, and supported by 3 workshops, spread throughout the year.

Your experience on the course will be enhanced by further opportunities including:

You will be able to take part in one-to-one sessions with your tutors throughout each semester. The final assignment is independently led and is a chance to invest in a project of your choice.

Course structure

How you will study.

You can study this postgraduate course full time or part time. This allows you to fit your studies around other commitments.

If you choose to study full time the course will take 1 year to complete. You will study:

If you choose to study part time the course will take 2 years to complete. The modules will be split over both of those years.

You can find out which modules are available in each term in the Course Specifications .

Credits: 30

Compulsory module

On this module, you will gain an understanding and examine the key concepts of creative writing in an academic environment. You can explore your writing practice and engage with ideas of creativity and authorship. You will develop drafting, group work-shopping and editing skills and discover how to reflect on your work and write critical commentaries.

Here you will engage with the written voice in your work and the work of others. You will deconstruct the idea of the writer’s voice and consider practical issues relating to the expression of voice on the page. In addition, you can study creative language in a cultural context, the use of speech and the voice, while examining the importance of speech-like forms in published work and your own writing.

You will critically analyse examples of voice across fiction and non-fiction genres, including poetry, prose and scripts, and consider, through these, the performative nature of language.

Optional module

On this module, you will consider wider contexts for your writing, such as working with vulnerable groups, schools and hospitals. You will explore how to get published across different mediums, working with other practitioners and writing in various contexts. You will have the opportunity to meet industry professionals, from agents and publishers to facilitators and collaborators. This is an opportunity for you to explore possible routes for employability.

Optional module

On this module, you will analyse environmental concerns across multiple fiction an non-fiction genres. You will produce your original work in response to a variety of environments, thinking in both critical and creative terms. Areas for study include:

You will will build upon the skills developed on Critical Approaches to Creative Writing, whilst developing your verbal presentation skills.

On this module you will explore a range of texts which might be thought of as 'speculative', texts which ask 'what if?' and explore possible worlds. Such texts might include science fiction, fantasy, climate change fictions, and political dystopias. Through this you will discover the power of writing to imagine the world differently.

Since Freud's 1919 essay exploring why some texts and experiences give us a weird, unfamiliar yet familiar feeling, writers and artists have been fascinated with the concept of the uncanny. In this module you will explore the origins of the term and delve into contemporary texts that unsettle us, while also writing your own uncanny pieces of writing. Genres which may be explored include folk horror, ghost stories and contemporary spooky tales.

Credits: 60

Compulsory module

This is your opportunity to develop a professional portfolio of creative writing, while conducting research to support your work. The portfolio may consist a collection of works, be a continuous work or an extract from a larger piece. Through 1 to 1 supervisions, you will develop, discuss and perfect your portfolio. Your supervisor will support you in your project research.

Teaching and assessment

Teaching and learning.

The year is organised across 3 terms: autumn, spring and summer, with the MA starting in the final week of September. There will be 1 module per term for part time and 2 modules per term for full time students. Sessions are typically taught from 6.00pm to 8.00pm on Tuesday or Wednesday evenings.

Sessions are taught in small groups run by an expert member of the writing team. In these groups, you will share your work, whilst taking part in writing exercised that have been designed to inspire your creativity. You will also learn how to edit and perfect your work and prepare for submission or dissemination.

Our teaching draws on both our research and professional experience. This means your learning is informed by the most current thinking in the subject area. You can find out more about our research and backgrounds by visiting our staff pages .

You will be assessed on portfolios of original creative writing. The creative text will be in response to the concepts, ideas and themes explored in the module. Your portfolio will also contain a reflective document, in which you discuss your creative process and inspirations.

In each case, you will be supported with formative activities helping you to develop these skills, and your writing practice, in order to produce your best work in terms of both creative output and reflective discourse. From semester 2, modules have an oral presentation component. Here you will pitch your written creative work and develop your verbal presentation skills.

Throughout the course, you will have multiple opportunities for one to one formative feedback sessions with your academic tutor.

Entry requirements

Qualifications.

2:2 honours degree in a related subject See full entry requirements including GCSEs

If your degree is in an unrelated subject, but you can provide evidence of relevant professional experience, your application may still be considered.

International students

If you are an international student you will need to show that your qualifications match our entry requirements.

Information about international qualifications and entry requirements can be found on our International pages.

If English is not your first language you will need to show that you have English Language competence at IELTS level 6.0 (with no skill below 5.5) or equivalent.

International entry requirements

Additional requirements

For entry onto this course, you will also need:

Accreditation of Prior Experiential Learning (APEL)

If you do not have traditional qualifications, you might be able to provide evidence of professional experience in the subject as an alternative way to meet the entry requirements. This is called Accreditation of Prior Experiential Learning (APEL). Appropriate references and records of employment would need to be presented to support your case for admission.

Terms and conditions

Our terms and conditions, policies and procedures contain important information about studying at York St John University. You can read them on our Admissions page . 

Fees and funding

Uk 2024 - 2025 entry.

The tuition fee for 2024 entry to this postgraduate course is:

These costs apply to all UK, Jersey, Guernsey and Isle of Man students.

Postgraduate loans are available to help you pay for your master’s course. Find out more about funding your postgraduate studies.

Funding opportunities

International 2024 - 2025 entry

These costs apply to all students living outside the UK.

Due to immigration laws, if you are an international student on a student visa, you must study full time. For more information about visa requirements and short-term study visas, please visit the International Visa and Immigration pages.

Find out more about funding your postgraduate studies.

International Fees and Funding

UK 2024-25 £8,000 full time --> full time

Alumni Scholarships

If you are alumni of York St John University we have scholarships available to help you continue your studies.

Scholarships for alumni

Additional costs and financial support

Course-related costs.

While studying for your degree, there may be additional costs related to your course. This may include purchasing personal equipment and stationery, books and optional field trips.

Accommodation and living costs

View our accommodation pages for detailed information on accommodation and living costs.

Career outcomes

Where could creative writing take you.

By developing your writing and creative process, you will be well positions to enter into a various careers. Your skills in critical analysis, working to deadlines and both independent and collaborative work will can be applied in industries such as:

There is also the option of continuing with your academic studies and heading down the route towards a PhD in a specific area of creative writing research.

Stand out from the crowd with postgraduate study.

Far fewer people have postgraduate degrees than undergraduate qualifications. This gives you something extra to set yourself apart in a competitive graduate job market. Those with a postgraduate qualification will earn an average of £6,500 a year more than those with only an undergraduate degree. (Department For Education Graduate Labour Market Report 2022).

Our careers service, LaunchPad, provides career support tailored to your ambitions. Through this service you can access:

This support does not end when you graduate. You can access our expert career advice for the rest of your life. We will help you gain the experience and confidence you need to succeed.

Apply for this course

For postgraduate degrees you must apply directly to York St John University using the links below. This will take you to the application form you need to fill out for this specific course. 

To complete the online application form you will need to create login details. 

Please contact 2 referees before submitting your application. An automated request for a reference will be emailed to them as soon as you submit. Your application will not be reviewed until both references are in place.

Fees and key information

Course highlights

Read our blog

Read Beyond the Walls – our creative writing blog, and check out the York Centre for Writing for information and opportunities related to the course.

Creative Writing blog York Centre for Writing

Person writing in a notebook

Visiting authors

Your course will be enhanced by regular visits from contemporary writers. Visiting writers have included award-winning novelist Kate Atkinson, poet and broadcaster Ian McMillan and many more.

Close-up of antique books.

Join the literary community

York St John University maintains links with the regional literary community through events such as York Literature Festival.

York Literature Festival

A speaker talks about her subject at an event.

Learn from professionals

In addition to regular supervisions, you can meet one to one with an industry professional, such as an agent or editor.

Shelves full of books in a library.

Award winning alumni

Our alumni from this course include many success stories and award winners.

Student success stories

Amy Creative Writing

--> The generous support from my tutors really helped me to make the leap when it came to submitting my stories, something I had no idea how to do before. I had little confidence in my writing before my MA and found showing my work to anyone else absolutely terrifying. The tutors gave me a huge boost in self-belief, and encouraged to take my writing seriously. I really feel like my writing transformed during the MA thanks to this nurturing and guidance.

More to explore

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Discover postgraduate study

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Open Evenings

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Why choose York St John?

Get in touch, discover more courses.

View all of our Creative Writing courses Arrow icon

Our wider work

Connect with us

York St John University

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[email protected]

01904 624 624

York St John London Campus

6th Floor Export Building

1 Clove Crescent

[email protected]

01904 876 944

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More From Forbes

A writing room: the new marketplace of writer classes, retreats, and collectives.

A Writing Room is one of the fast-growing writer collectives. The four co-founders (left to right): ... [+] Reese Zecchin, Director of Production; Jacob Nordby, Director of Writer Development; A. Ashe, Creative Director; Claire Giovino, Community Director.

The past decade has brought an explosion in the number of books published each year in the United States (an estimated three to four million annually). In turn, this explosion is bringing a growing and evolving marketplace of writer classes, retreats and collectives. It is a marketplace creating new jobs and entrepreneurship opportunities—both for mainstream tech, marketing and managerial workers, as well as for writer/artist denizens of America’s bohemia.

The Drivers of Growth in Book Publishing

The number of book sales in the United States remains healthy, though it has leveled off in the past four years. In 2020, 756.82 million book unit sales were made in the US alone. This number climbed to 837.66 million in 2021, before falling slightly to 787.65 million units in 2022 and 767.36 million units in 2023.

What has changed dramatically has been the number of books published. Steve Piersanti of Berrett-Koehler Publishers estimates that three million books were published in the US, up 10 times from the number only 16 years ago . Other estimates put the number of published books annually at closer to four million .

The main driver of this growth in books published has been self-publishing. According to Bowker , which provides tools for self-publishing, an estimated 2.3 million books were self-published in 2021. Up through the 1990s (now the distant past in publishing), writers of all types of books, fiction and nonfiction, were dependent on convincing publishing houses to publish their work. As the technology for self-publishing and print on demand grew in the early 2000s, writers could publish on their own, and a very large number of Americans began to do so.

Fueling growth also is the level of affluence and discretionary income that an increasing segment of American society is reaching. For centuries, theorists across the political spectrum have envisioned a society, freed from basic economic needs, pursuing creative activities, with writing as a primary activity. In The German Ideology , Karl Marx could write about the economy of abundance in which individuals pursue writing as one of a series of daily activities—hunt in the morning, fish in the afternoon, write criticism in the evening. John Maynard Keynes in a 1930 essay, “ Economic Possibilities for Our Grandchildren” , envisions a time a hundred years forward (2030) in which writing is no longer the province of the upper classes. Contemporary theorists on the future of work, such as John Tamny, similarly see a blooming of creative and artistic activities by the average citizen.

Best High-Yield Savings Accounts Of 2024

Best 5% interest savings accounts of 2024, a writing room, and the emerging marketplace of writer training.

A marketplace of writing coaches, classes and retreats expanded throughout the late twentieth century and first years of the twentieth century. Published authors and even recently-minted graduates of MFA programs hung out shingles for individual coaching and small classes. Colleges expanded their writing programs and certifications, and writer retreats multiplied. Co-working and literary event spaces were established in major cities ( The Writers Room in New York, The Writers Grotto in San Francisco). But the marketplace continued to bump up against geographic and logistical limitations.

Then, along the came the internet, and its evolution.

Today, hundreds of businesses throughout the country offer assistance to aspiring writers. Many continue to offer some in-person assistance through coaching, classes or retreats. But as in other fields, the internet has allowed for a nationwide (worldwide) reach that these businesses are taking advantage of to scale. The major pre-internet writer assistance companies, such as The Writers Studio , added online courses and instruction, and the early internet-based companies from the 1990s, such as Writers.com (a pioneer in the internet field), steadily expanded their offerings. New enterprises are springing up on a regular basis, including the writer collectives.

A Writing Room is one of the fastest growing of the writer collectives, and its suite of services illustrate the how the field is evolving.

A Writing Room has its roots in the writing classes that novelist Anne Lamott had been teaching for some years, and her interest by the early 2020s in creating a larger on-going community of writers. Lamott connected with a team of four entrepreneurs who had experience with previous start-ups and expertise in online tools. In early 2023 they set out to develop A Writing Room.

Novelist Anne Lamott, one of the partners in A Writing Room.

A Writing Room launched in June 2023, and followed a few months later with an inaugural writers retreat in Santa Fe, New Mexico. Though hastily arranged, the retreat attracted more than 400 in person attendees and over 1600 attendees online. In the first half of 2024, the company set up a membership structure of monthly and annual memberships. Within months, over 550 writers had joined.

The products that members can access are aimed in part at teaching the craft of writing. In a recent author discussion (with close to 400 participants joining online) Lamott discussed the craft of writing with novelist Donna Levin . Both started publishing in the 1980s. They noted how much publishing and the role of the writer have changed, but emphasized the fundamentals that have remained over their forty years, related to craft and the responsibility of the writer: the daily commitment, the careful development of plot and characters, the numerous rewrites (as many as you think you need, and one more).

A Writing Room offers a series of on-demand courses, online discussions with authors and publishing professionals, and daily writing prompts, built around writing as craft. It further offers instruction on the paths to and options for publication, building a following of readers.

At its center, A Writing Room is about being part of a community of writers, giving and receiving regular feedback from other members, as well as feedback from writing mentors and coaches. In an interview earlier this year, Lamott explained:

The great myth about writing is that it's an entirely solitary activity. This really isn't true. Every book I've ever written has been with a lot of help from my community. I wouldn't be the writer I am today — and wouldn't even want to write — without people to share the process and finished work. Writing is a process, but it doesn't have to (and really shouldn't be) done in total isolation.
The writing process can feel overwhelming. It often does for me. Believe me, a trusted writing friend is a secret to life.

Other emerging writing collectives also emphasize community and cooperation. Levin underscored this point in the recent online discussion: “Writing can be such an isolated activity, and to some extent needs to be. You want to seek out a community that can give you the support you need and also the honest feedback.”

How the New Marketplace Is Evolving And Jobs Created

The founders of A Writing Room know that the marketplace for writer assistance is fast changing, and they need to be quick to adapt to increased competition. Already, several developments are driving change in the field:

· The entrance of major online education companies (i.e. Masters Class , Coursera, Udemy ).

· Faculty recruitment of writers with built-in audiences of sizable twitter and other social media followings.

· Partnerships with the major publishers and agencies, who hold out the promise of publication to participants of the classes, retreats and collectives.

· Specializations by race and ethnicity, gender, geography and genre.

· Market segmentation, and attention to higher income consumers.

A number of these developments reflect the changes in the broader publishing world and are likely to continue. Overall, the marketplace itself will be expanding, as publishing technology advances, along with discretionary income.

The jobs being generated by this new marketplace are a mix of tech, administrative, and writing coach positions. At A Writing Room, recent hires include a community liaison, video editor, customer support, and a “beta reader” providing feedback to writers on their drafts. The hiring process is sweeping up into jobs not only workers who have been in the regular economy, but also residents of America’s bohemia: writers and artists who previously were outside of (and often scornful of) the market system. What can be better than that.

In his 2023 book, The Novel, Who Needs It , Joseph Epstein, former editor of American Scholar , offers a paean to fiction as above all other intellectual endeavors that seek to understand human behavior. But what he says of fiction is true of other writing (memoir, history, even forms of self-help) that arouses the mind.

Yes, there are way too many books published each year, and yes only a very small percentage of writers will earn any significant income from their writing. But who knows what individual book will succeed commercially or critically, or add to our shared knowledge or wisdom. And really, why not encourage the craft of writing. How much does America benefit from most of the paper-pushing, meetings and e-mails that now pass for work in our economy of affluence.

Michael Bernick

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English Graduate Course Descriptions

Summer 2023, english 792.s01 topics: gothic film, sharon smith.

Horace Walpole’s 1764 novella "The Castle of Otranto " established many of the conventions we associate with Gothic narrative: distressed heroes and heroines pursued by tyrannical villains; gloomy estates with dark corridors, secret passageways, and mysterious chambers; haunting dreams, troubling prophecies, and disturbing premonitions; abduction, imprisonment, and murder; and, of course, a varied assortment of corpses, apparitions, and “monsters.” These conventions infiltrated cinema early in its history, establishing Gothic film as a significant genre that continues to engage audiences in the present day. Like their literary predecessors, these films explore the darker side of family, marriage, gender, and sexuality, often revealing the power dynamics that shape them. As they do so, they demonstrate how the true horrors of human existence often have less to do with inexplicable supernatural phenomena than with the horrific realities of life. Among these realities is our inability to escape a past that relentlessly haunts the present and that must be confronted before it can be left behind. During this five-week online course, we will watch films that engage Gothic conventions and concerns and will read a selection of criticism focusing on the films we watch. Films may include Alfred Hitchcock’s Rebecca , Stanley Kubrick’s "The Shining," Tim Burton’s "Edward Scissorhands," Georgina Lightning’s "Older Than America," Ana Lily Amirpour's "A Girl Walks Home Alone at Night," Jennifer Kent’s "The Babadook," Jordan Peele’s "Get Out," Rian Johnson’s "Knives Out," and Jane Campion’s "The Power of the Dog."

ENGL 592.S01 Professional Editing and Publishing

On Campus: Mondays 3-5:50 p.m.

Katherine Malone

This course focuses on the theory and practice of professional editing in the field of English studies. Our readings will consider questions relating to authorship, textuality, and the role of the editor in journal, book, and web publishing. In addition to exploring contemporary debates in scholarly editing, we will consider how editorial decisions (such as introductory essays, appendices, footnotes, illustrations, and textual sources) shape meaning across various editions of a work. You will learn how to build style sheets, ensure error-free copy, and manage editorial projects while gaining hands-on experience with a top-tier academic journal. Assignments include a course blog, two edited articles, a textual history essay, and a final project for which you will use your research and editing skills to create an anthology of nineteenth-century short stories.

REQUIRED TEXTS

ENGL 592.ST1 Screenwriting

Steven wingate.

Students will learn the fundamentals of screenwriting: good format, believable and imaginative stories, solid characterization, and well-turned narrative arcs. The class will read outstanding screenplays as craft examples, adapt a literary work to learn format, then draft, workshop, revise, and expand original scripts or adaptations. At the end of the course, students should have either a complete and polished first act of a feature script they can complete on their own time, or a fully-realized script for a short film or series episode. While we will not focus on “making it” in Hollywood, we will cover the basics of how the film industry works and what that means for writers who want to see their work onscreen.

ENGL 705.S01 Seminar in Teaching Composition

On Campus: Thursdays 1-3:50 p.m.

Nathan Serfling

This course will provide you with a foundation in the pedagogies and theories (and their attendant histories) of writing instruction, a foundation that will prepare you to teach your own writing courses at SDSU and elsewhere. As you will discover through our course, though, writing instruction does not come with any prescribed set of “best” practices. Rather, writing pedagogies stem from and continue to evolve because of various and largely unsettled conversations about what constitutes effective writing and effective writing instruction. Part of becoming a practicing writing instructor, then, is studying these conversations to develop a sense of what “good writing” and “effective writing instruction” might mean for you in our particular program and how you might adapt that understanding to different programs and contexts.

As we read about, discuss, and research writing instruction, we will address a variety of practical and theoretical topics. The practical focus will allow us to attend to topics relevant to your immediate classroom practices: designing a curriculum and various types of assignments, delivering the course content, and assessing student work, among others. Our theoretical topics will begin to reveal the underpinnings of these various practical matters, including their historical, rhetorical, social, and political contexts. In other words, we will investigate the praxis—the dialogic interaction of practice and theory—of writing pedagogy. As a result, this course aims to prepare you not only as a writing teacher but also as a nascent writing studies/writing pedagogy scholar.

At the end of this course, you should be able to engage effectively in the classroom practices described above and participate in academic conversations about writing pedagogy, both orally and in writing. Assessment of these outcomes will be based primarily on the various writing assignments you submit and to a smaller degree on your participation in class discussions and activities.

ENGL 726.S01 Seminar in English Literature since 1660: Living “In the Wake” of Colonization and Slavery

On Campus: Tuesdays 3-5:50 p.m.

This course examines representations of race in literature of the long eighteenth century, considering how these representations were used to both rationalize and critique colonization and transatlantic slavery. Though we’ll consider texts written from the perspective of the colonizing culture, a significant portion of the course will focus on voices from multiple historical, geographical, and generic contexts that push back against and fill gaps within colonial narratives. Engaging a “presentist” approach to the study of eighteenth-century texts, we’ll discuss how twenty-first-century Americans are currently living “in the wake”—to use Christina Sharpe’s phrase—of colonization and slavery, as can be seen in the movements for and reactions against ending systemic racial violence, teaching Black and Indigenous histories, reforming the prison system, and returning stolen Indigenous lands. Literary texts will include Aphra Behn’s "Oroonoko," Daniel Defoe’s "Robinson Crusoe, The Woman of Colour," Olaudah Equiano’s "Interesting Narrative," Mary Prince’s "Autobiography," and a variety of shorter texts that engage with subject matter related to colonization, indigeneity, enslavement, abolition, and rebellion. We will also consider the work of more recent authors and scholars, including Robert Hayden, Toni Morrison, Saidiya Hartman, Christina Sharpe and Layli Long Soldier.

ENGL 792.ST1 Reading Contemporary Poetry and Creative Nonfiction

Amber jensen, m.a., m.f.a..

In this course, we will explore how contemporary poetry and creative nonfiction build upon traditional models but also continue to innovate and blur genre distinctions. We will draw from theoretical texts "How to Read (and Write About) Poetry, Second Edition " by Susan Holbrook and "The Next American Essay (A New History of the Essay) " by John D’Agata and read individual poems and essays, as well as complete collections and memoirs, including (selections subject to change): Kaleb Ray Cadrilli’s "Water I Won’t Touch," Tyree Daye’s Cardinal, Christine Stewart’s "The Poet & The Architect," Joy Harjo’s "Crazy Brave," and Mary Alice Haug’s "Out of Loneliness." Our rhetorical reading of these texts will focus on the relationship between text and context, examining how these works reflect and impact the world they are produced and consumed in, what we bring to our reading of these texts and what these texts offer to us.

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  1. The Writers Studio New York

    Each year we showcase the work of favorite literary journals, new and established published authors, and the work of our own students and teachers. Students invite their families and friends to these events, which helps us introduce The Writers Studio to the larger community. For more information, please call us at (212) 255-7075 or visit us on ...

  2. Creative Writing Classes

    The Gotham WritersChildren's LitConferenceSep 28-29. Each Gotham class puts you in a community of writers, and we also offer ways to join the writing community beyond our classes. Writing is a solo act, but it's helpful, even necessary, to connect with fellow writers.

  3. 23 Writing Classes in New York in 2024

    23 Best Creative Writing Classes in New York Showing 23 courses that match your search. Over-50 Memoir Workshop (McElwain) The Writers Studio Add to shortlist. This six-week online workshop is open to all writers over the age of 50 who are interested in writing their memoir. Each week we'll do close readings of memoirs written by writers over ...

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    Creative Writing Summer Long Courses. Monday 15 April 2024: How to Write a Page-Turner: Finding and Keeping Narrative Tension - with Sue Cooper MA (2-4pm, 3 weeks, £30), Online course.; Summer Saturday Courses. Saturday 22 June 2024: A Beginners Guide to Writing a Novel - with Sue Cooper MA (10am-4.30pm, 1 week, £52), University of York Campus, Classroom-based course.

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    For over three decades The Writers Studio has been helping students become stronger, more resourceful writers — with more craft at their disposal, more knowledge of what makes a piece of creative writing satisfying to a reader, and more access to the full range of their emotions and imagination. We have developed our own teaching method ...

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  8. Course Offerings

    Creative Writing (2022 - 2024) In addition to the on-campus creative writing courses offered throughout the year, special January term and summer programs offer students a chance to study intensively and generate new writing in Florence, New York, and Paris. CRWRI-UA 815 Formerly Creative Writing: Introduction to Fiction and Poetry.

  9. The Writer's Rock

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    Join us at Creative York to try something new, expand your skills and knowledge of writing, as well as make meaningful connections with others! ... voices and published more than 50 books over 5 years and included a mentorship program for young writers and creative writing classes hosted by venues such as DreamWrights, Creative York, and the ...

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    Writing Classes and Workshops. ... Creative writing school for adults at all skill levels across eight genres, founded in the Bay-Area in 1999 and now also online. ... New York, NY Wide range of multi-modal creative writing courses that includes lectures, exercises, and workshopping to help writers learn to tell their stories better. ...

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    Highly recommended!". — Daniel Ali. "Jay's class is the perfect place to workshop an essay, short story, screenplay, or anything in between. You can't leave this class without learning at least one new thing about writing, regardless of your writing background or how long you've been pushing the pen.

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    Creative York is an arts organization that offers arts education, gallery experiences, and outreach programs to Downtown York, PA and surrounding areas. ... "We love Creative York! With art camps and classes for all ages, gallery exhibits and installations, team building activities, community outreach for young and old, and so much more led ...

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    NY Writers Coalition 80 Hanson Place, Suite 604 Brooklyn, NY 11217 Phone:(718) 398-2883 Email:[email protected]

  17. Classes & Workshops

    Adult Writing Workshop Series. Join us for an 8 week writing workshop every Wednesday from 1pm to 3pm beginning May 8th and ending on June 26th with a reading scheduled for July 3rd. Professional writer, Ellen Aug Lytle will teach the free writing method where you will learn how to turn memories, events and ideas into poetry, stories and memoirs.

  18. Creative Writing Bachelor of Arts

    The Creative Writing cohorts at York are always small. This allows for more individualized feedback from professors and peers on your writing, and fosters greater personal growth as a writer. ... something that isn't explored in most English classes where various literary theories and external perspectives are placed on texts. — Ekraz Singh ...

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    Get in touch with us! 340 Montgomery Street. Syracuse, NY 13202. For Workshops: Tim Carter. Arts Branch Program Director. (315) 474.6851, ext. 380. For Young Authors Academy & Numberless Dreams: Georgia Popoff.

  20. Creative Writing Minor

    Creative writing is available as a minor; professional writing majors can choose creative writing in fiction or poetry as a writing track. The York Review's literary and art magazine, including this 2014 piece by York College art alumni Dillon Samuelson, showcases the incredible works of York College's creative community. Insightful writing.

  21. The Creative Writing Program at Columbia University

    To study creative writing at Columbia University's School of the Arts, in New York City, is to join a distinguished group of writers who arrived at a prestigious university in the nation's literary capital to explore the deep artistic power of language. J.D. Salinger enrolled in a short story course here in 1939. Federico Garcia Lorca wrote Poet in New York while he was a student at Columbia.

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    NOW OPEN: Creative Writing Program - FW24 Application for Admission. • The above deadline only applies to students who have completed AP/CWR 2600 in FW23 and prior. • Students currently enrolled in SU24 AP/CWR 2600 will apply in August 2024. Creative Writing is a delayed-entry Honours BA program and may be pursued as a single major, double ...

  23. Creative Writing MA

    Postgraduate events. Taught by award-winning authors with specialisms in fiction, poetry, non-fiction and scriptwriting, this course is a fantastic opportunity for you to learn the craft of creative writing and explore the theory behind it. York campus. Duration - 1 year full time, 2 years part time. Start date - September 2024, September 2025.

  24. Undergraduate Program Intro

    The creative writing seminars are modeled on the courses offered by the graduate Writing Division of The School of the Arts, and provide the intellectual ballast that informs and deepens the work of the creative writing student. Students in the creative writing seminars read a book each week and engage in round-table discussions about the ...

  25. FAQ

    A: You will be eligible for all classes, though preference will sometimes be given to majors. You must submit a writing sample for workshops at the intermediate level or above. Q: Will Barnard Creative Writing courses count toward the new major? A: The Barnard Playwriting workshop may be counted as your out-of-genre workshop. It is best to ...

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