The student-run website for the PhD program in Art History at the Graduate Center, CUNY

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In 2019, the department EC compiled the following guidelines to assist students as they write their dissertation proposals.  A PDF version of these guidelines is available for download here .

Subject and Rationale: This section should be 1-2 pages in length, and offer the background necessary for understanding your dissertation. It should present the subject—what is the dissertation about?—and a rationale: why this group of artists, between these dates, in this geographical region? If you have new or specialized terminology, this is the place to define terms. By the end of this section, the reader should also have encountered a thesis statement, indicating the overall position that your research will take. You don’t need to get into detailed arguments here – that is for the chapter summaries.

Literature: This section should be 1-2 pages in length and indicate significant prior research on the subject (books, dissertations, articles, conferences, exhibitions). You do not need to recap the arguments in these books. Instead, you are showing the reader that you understand what already exists out there, and that your approach will not be repeating this. If your research is interdisciplinary (most dissertations are), you will probably need a paragraph on the different bodies of literature you will be drawing on. This is also the place to indicate any methodological orientation relevant to the dissertation (e.g. postcolonial theory, feminism, political theory).

Proposed Contributions: This section need only be 1-2 paragraphs. It is not a restatement of the argument, but concerns the consequences of your argument. How will your dissertation shift the field of art history to which your research pertains? In other words, what does your argument do to our understanding of your field (be this Italian art in the 60s, collage, Orientalism, Mexican architecture…)? It is insufficient to say that a subject has not been investigated before, or that there is no scholarship in English.

Outline of Dissertation: Along with the Proposed Contribution, this is the hardest section to write. It is usually around 2 pages in length. You need to offer a paragraph summary of each chapter of the dissertation, plus the introduction and conclusion. In each chapter summary, it is important to state the argument, and the EC looks for concrete verbs like argue, demonstrate, and contend – rather than the giveaway vagueness of explore, address, and assess. Remember that an argument is something you can contest; it’s not a point that most people agree upon. We know that this is a big ask, and that you have not yet visited the archives and done the reading. What we are looking for is a convincing work of fiction. Can you hypothesize a persuasive set of arguments? A line or two about the conclusion, while difficult to write, can indicate the arc of the dissertation as a whole and underscore the Proposed Contribution.

Plan of Research: This need only be one paragraph, and it’s basically about feasibility and time planning. Which libraries, archives, and collections do you need to visit, and where are they? Do you need to do interviews? You don’t need to tell us what you have already done; the EC is interested in what lies ahead. Specify a timetable for research and writing, and a tentative completion date.

phd proposal art history

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Department of History of Art

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PhD in History of Art

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About the phd programme.

The PhD requires a dissertation of not more than 90,000 words, to be submitted by full-time students after a period of three years' study, by part-time students after six years of study.

PhD by Distance Learning

As with our York-based PhD programme, our Distance Learning PhD requires a dissertation of not more than 90,000 words, to be submitted by full-time students after a period of three years' study, by part-time students after six years of study.

This programme is ideal for students with commitments which prevent them from being resident within reasonable travelling distance of York. While a minimum of two weeks of attendance per academic year is required (for registration, training, meetings with the thesis advisory panel and the annual PhD conference), this programme allows students to research overseas while still receiving support and training online and by video-conferencing.  Access to an internet connection and relevant library and/or archives is essential for this programme.

Current research students We have more than 70 research students in the Department of History of Art studying a wide variety of topics: Research students

We welcome students from all backgrounds, with a great range of intellectual interests: students who seek an academic career, and those who require a further professional qualification; applicants who wish to extend their art-historical interests while pursuing other kinds of employment; and those who are seeking to develop an academic interest in their retirement.

Qualifications

Applicants should have a good 2.1 or 1st-class undergraduate degree, or equivalent; applicants for the PhD should also have or be currently completing an MA degree, and we normally require an MA dissertation mark, where one is awarded, of at least 65 or equivalent (where 50 is a bare pass and 70 or above is a distinction).

Exceptions can be made for applicants with an unusual career profile, but who have substantial related experience.

English Language requirements

If your first language is not English you will need to show evidence that you meet our English Language requirements. Read the University's full listings of accepted tests and scores.

Registration

Research students may register full-time (three years) or part-time (six years).

Ordinarily, research students should live within reasonable travelling distance of their designated place of instruction, i.e. the university. However, when undertaking extensive fieldwork, the fieldwork location may be regarded as the designated place of instruction.

PhD applicants who wish to conduct the majority of their research overseas should apply to join our Distance Learning PhD programme.

All research students are encouraged to participate in the wide range of research activities the department offers. These include research seminars, conferences, activities organized by our departmental research schools , study days and reading groups.

Students in York also take full advantage of resources such as the Raymond Burton Humanities Research Library and Borthwick Institute for Archives.

  • Read more about resources available to students
Funding A wide range of funding opportunities includes AHRC-funded studentships, departmental studentships, overseas scholarships, travel fellowships, and funding for students with specific research interests. Read more about available funding

Before applying

To start the application process please consult our staff webpages and contact a potential supervisor for your research. Preliminary enquiries are welcomed and should be made as early as possible. However, a scattershot approach - emailing all staff members regardless of the relationship between their research interests and yours - is unlikely to produce positive results. Candidates are advised to make their research proposals as specific and clear as possible.

If you need guidance please email [email protected] .

How to apply

You can apply for this course using our online application system. If you've not already done so, please read the application guidance first so that you understand the various steps in the application process.

phd proposal art history

Ph.D. Program

The Ph.D. program in art history and archaeology allows students to delve into advanced research in the discipline, develop expertise in undergraduate teaching and build connections with a broad range of professionals in the field.

Related Links

  • M.A. Program
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Graduate Placement

  • Graduate Application

Students should consult the department's Ph.D. requirements, stipulated here, together with those of the Graduate School , outlined in the Graduate Handbook . For further information, contact D ana Persaud .

Program Requirements and Policies

Program requirements.

Requirements for the PhD degree include a minimum of 30 credit hours beyond the MA, divided between 18 hours of course work (6 courses, five of which are art history seminars; for students entering straight to the PhD program, one of these courses will be Methods) and 12 credit hours of dissertation research. Candidates form a committee, take a doctoral examination, draw up a project proposal, defend it, and produce a dissertation, which is defended in an oral examination.

Ph.D. Course Requirements

For students holding an M.A. degree (from the University of Maryland or elsewhere), the Ph.D. requires the successful completion of an additional 30 credit hours. This includes:

  • ARTH692: “Methods of Art History” (3 credits)
  • Five 600- and 700-level ARTH courses (15 credits)  
  • ARTH899: “Dissertation Research” (12 credits)

Students that enter the graduate program without an M.A. will complete the requirements for that degree before advancing to the doctoral level. They will be required to successfully complete a total of 51 credit hours. This includes:

  • Fourteen 600- and 700-level ARTH courses (36 credits) * 

For one of these courses at the PhD level (and one at the MA level, if applicable) students may substitute a class outside the department, an independent study (possibly done as an enhanced undergraduate course), an internship course, or a class at member institutions of the Consortium of Universities of the Washington Metropolitan Area . (A similar arrangement may again be possible at Johns Hopkins University in the future.) Students meet with their advisors every semester to determine course selection.

ARTH696 may be taken for credit but cannot be counted as one of the required seminars at the PhD level.

*Art history is a global and transhistorical field, and graduate education at the University of Maryland is fittingly diverse. All students therefore must fulfill distribution requirements. If a student enters the Ph.D. program after earning an M.A. from another institution and has not already completed coursework reflective of these distributional requirements, he or she must satisfy these requirements at the Ph.D. level.

Effective spring 2024, students may receive course credit for professional paid or unpaid internships related to their degree, at the rate of one credit for each 45 hours worked during the semester (to a maximum of 3 credits). The internship course must be taken simultaneously with the internship, not before or after (no summer internships can be worked for credit). Credits are granted through ARHU786 or a similar ARTH course. Note that no credit will be given for internships worked at the University of Maryland, College Park or for the University of Maryland Museum Fellowship. Such courses are subject to approval by the student’s advisor and the Director of Graduate Studies. Note that any such internship course will count as the one non-standard course allowed for each graduate degree.

A minimum grade of "B-" is required for all courses approved for graduate credit. Two grades below "B-" result in dismissal from the program.

Foreign Language Requirements

All doctoral students are required to take examinations in two languages other than English necessary for research in their art-historical field. The student’s languages should be chosen in consultation with their advisor. New students should enter the program with an appropriate level of preparation. Those with native fluency in the necessary languages may petition to waive the exam using this form .

Entering students must take their first foreign language examination in the first semester, customarily scheduled by the department for the second or third week of September. If a student fails the examination, another opportunity to take it will be given toward the end of the second semester, and, if necessary, again in future semesters.

PhD students must take an exam in their second language by the end of the third year in the program (MA/PhD students) or by the end of the second year (PhD-only students). If a student fails the examination, another opportunity to take it will be given in the following semester, and, if necessary, again in future semesters. Students cannot advance to candidacy until the language requirement is fulfilled.

The language exam will consist of a passage of approximately 500 words which the student must translate into good English. The exam period is two hours; the student may use a published translation dictionary but no online resources. The passage will typically come from an exhibition catalogue entry, and the translation will be graded pass/fail for its ability to convey the meanings of the passage in good, fluid English that reflects a good understanding, free of major errors or significant omissions. Students preparing may ask the Coordinator of Graduate Studies for an example of a past exam. In the case of an unsuccessful attempt, the student will receive a brief written rationale for the result and advice for future study and exam attempts.

In languages for which the department cannot offer an exam, or for students who entered the program when coursework was permitted in lieu of the exam (prior to 2024), two years of college-level study or a one-semester translation course (completed with a passing grade) will be accepted in lieu of an exam.

The Graduate Examination Committee

The Examination Committee will comprise three members of the Graduate Faculty, including the student's advisor, who will serve as chair. Generally the examiners will be drawn from Department of Art History and Archaeology, but, if appropriate, one member of the committee may be drawn from another UMD department or from another institution. Composition of the committee will be determined by the advisor and the student and approved by the Director of Graduate Studies.

Students will be examined on a general field plus one or two sub-fields or minors (these may be specialized topics within the major or other topics outside it). The definition and scope of these fields will be determined by the student in consultation with their advisor. In order to promote cohesion in the PhD program, students must submit, no later than three months before the scheduled exam, a one-page rationale explaining the choice of topics to the Coordinator of Graduate Studies, for approval by the Curriculum Committee. (The committee must reply to the petition within two weeks of submission.) The advisor will lead the process of setting a reading list for the major field; generally the other members of the Examination Committee will work with the student to produce further reading lists. Topics will likely include key controversies, major monuments, historiography, primary sources, etc. All committee members must see and approve one another’s topics and lists.

The Doctoral Examination

The Ph.D. examination includes two parts: the written examination, set by the whole committee, and the oral examination. Both parts of the exam are graded  pass/fail. The examination may be taken only during the fall or spring academic terms. Through spring 2024, students may consult their notes and books while answering the question (written exam only). Effective fall 2024, students are not permitted to consult any notes, books, or digital sources during either part of the exam. Students proceed to the oral exam only after passing the written portion. If either part of the examination is failed, the student may attempt it once more; a second failure of that part will require the student to withdraw from the Ph.D. program.

The written examination will consist of a four-hour time period in which the student responds to one or more questions agreed upon by the members of the committee. Committees may also decide to offer the student a choice of several questions. The responses will be sent to all members of the committee for their evaluation.

Upon successful completion of the written examination, the Examination Committee will administer a two-hour oral examination. Each member of the committee will be expected to ask questions for half an hour, followed by general discussion. The student can choose the order in which the examiners ask their questions. Each  examiner will concentrate on the reading list they worked on with the student, although examiners in the sub-fields can always refer to the general list. Questions may be broad or quite specific to particular works of art.

Advancement to Candidacy

Once a student passes the qualifying exams, they may submit the Application for Advancement to Candidacy Form to the Graduate Office. Teaching assistants receive a step promotion and a small raise in stipend once they have advanced to candidacy. Upon advancing to candidacy, the student has four years to complete the dissertation; the Graduate School grants extensions only in extreme circumstances.

The Dissertation Proposal Defense

Within six months of successfully completing doctoral exams, the student will meet with their Dissertation Committee to review and discuss the dissertation proposal, its scope and significance. The membership of this committee may be composed of the same members as the Examination Committee or the membership may be adjusted before this meeting. Nevertheless, the Dissertation Committee at this stage should comprise at least three members, two of whom must be full-time permanent departmental faculty.

Students should be aware that the decision to supervise a dissertation rests with the individual faculty member, and that it is necessary to secure this consent before work on the dissertation proceeds. The proposal will usually be 15-25 pages of text followed by illustrations and should include, at minimum, the following:

  • A statement of the problem that will be investigated or the hypothesis that will be argued; an explanation of the value the dissertation would have for the field of art history.
  • A chapter-by-chapter breakdown of how the dissertation will be arranged, and what materials and issues will be covered in each chapter.
  • A statement of existing scholarship related to the thesis.
  • The primary and secondary sources  to be consulted, as well as their location and availability.
  • A work plan (an outline of the projected research, including travel) and the methodology to be used.

Before the defense is scheduled, the student’s advisor must read and formally agree to support the proposal as provisionally presented. The defense will consist of constructive criticism of the proposal’s goals and arguments, and advice on how research can best be undertaken.

Satisfactory Progress

A student must make satisfactory progress in meeting program requirements, demonstrate the ability to succeed in his or her course of studies or research and attain performance minima specified by the graduate program in all or in particular courses, otherwise his or her enrollment will be terminated. All graduate students are required to submit an annual report on their progress to degree to the director of graduate studies.

The Doctoral Dissertation

A successful defense of a dissertation is the final requirement for the doctoral degree. The dissertation is prepared under the direction of the student’s advisor, but it is expected that the student will meet at least annually with each member of the Dissertation Committee. Students are also strongly encouraged to ask the Committee to meet with them at least once for a mid-dissertation consultation, after the first chapter or two have met the advisor’s provisional approval.

Dissertation Committee

The Dissertation Committee consists of four faculty members who advise the student on the writing of their dissertation. The membership of this committee may be composed of the same members as the Examination Committee or the membership may be adjusted before the final defense. 

The Ph.D. student should consult with the director of graduate studies and their advising team concerning the selection of the final Dissertation Committee, which must  be approved by the dean of the Graduate School. The advisor must submit to the director of graduate studies a list of all committee members at least four weeks before the final copy of the dissertation is distributed. Should a student wish to include a special member (a scholar with no official affiliation with the university) on the Dissertation Committee, the student must request a nomination from the director of graduate studies no later than four months before the proposed oral defense date.

Dissertation Defense 

When the dissertation is nearing completion and the major advisor has approved moving on to this penultimate step, the Ph.D. candidate 1) submits to the Graduate School, at least six weeks before the defense date, a nomination of Thesis or Dissertation Committee form and 2) schedules the dissertation defense. Consisting of a minimum of five faculty members, this committee normally includes four faculty members in the department as well as a member of the university’s graduate faculty from outside the department who serves as the graduate dean's representative. All members of the Defense Committee appointed by the Graduate School must attend the defense. Should a student wish to include a special member (a scholar with no official affiliation with the university) on the Dissertation Committee, the student must request a nomination from the director of graduate studies no later than four months before the proposed oral defense date.

Students must submit the final draft of their dissertation to their committee at least four weeks before the defense date. 

Students should discuss with their directors the format of the defense. Typically, the defense is a two-hour discussion of the dissertation. The defense usually begins with a statement from the student on the experience of writing the dissertation (key discoveries, important changes in critical perspectives, main contributions, etc.). Four of the five members of the Dissertation Defense Committee must approve the dissertation in order for the student to pass. Students are frequently asked to make revisions to the dissertation before submitting it to the Graduate School. Upon satisfactory completion of the oral defense and the electronic submission of the dissertation to, and its approval by, the Graduate School, the candidate is awarded the Ph.D.

Submission of the dissertation

The approved dissertation must be submitted electronically to the Graduate School by the deadlines posted in order for a student to graduate in a given semester.  Information about all aspects of electronic submission of the dissertation is available on the Graduate School's Information for Current Students under Thesis and Dissertation Resources . 

Completing the Ph.D. involves careful attention to deadlines imposed and paperwork required by the Graduate School . 

Students are expected to complete their coursework and meet all foreign language requirements by no later than their fifth semester in the program. Please contact D ana Persaud , to schedule your language exam and confirm the acceptability of equivalences if you wish to forego an exam to meet your language requirement. 

Students are expected to advance to candidacy by successfully passing their qualifying examination by their seventh semester in the program. Please contact D ana Persaud , to schedule your qualifying exam. Submit your form for candidacy advancement to the Graduate Office upon successful completion of your qualifying exam. Upon advancing to candidacy, students are expected to file a dissertation progress form  with the Graduate Office each semester.

Students must file an approved dissertation prospectus with the Graduate Office no later than four months following the qualifying examination. 

Specific deadlines for students intending to graduate will be announced on the ARTH graduate-student reflector and are also available from the Graduate School's Deadlines for Graduates. Most of the necessary paperwork for these deadlines can be found on the Graduate School's General Forms for Graduate Students.

Recent alumni are currently employed at both public and private research universities, as well as smaller liberal arts colleges. Students from the graduate program have also gone on to work at museums and galleries.

Dana Persaud

Coordinator, Art History and Archaeology

4219 Parren J. Mitchell Art - Sociology Building College Park MD, 20742

Joshua Shannon

Professor, Contemporary Art History & Theory, and Director of Graduate Studies, Art History and Archaeology

4204 Parren J. Mitchell Art-Sociology Building College Park MD, 20742

School of Art and Art History

Doctor of philosophy in art history.

Art history PhD

Master of Arts (MA) in Art History

Our PhD program provides scholarly challenges, research skills, and mentoring necessary for professional development and successful careers.

PhD students are expected to acquire greater breadth and depth of knowledge in the discipline of art history, to achieve a high level of expertise in a specialized field, and to demonstrate professional speaking and writing skills.

Every successful PhD student must complete a publishable dissertation that makes an original contribution to the art history discipline and demonstrates evidence of the candidate's superior understanding of the critical issues in the chosen field of specialization.

Graduate student resources

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  • Scholarship and fellowship application
  • Studio space agreement
  • Art History Graduate Bulletin

Requirements, admission, and program information

Degree requirements.

The Doctor of Philosophy program in art history requires a minimum of 72 semester hours of graduate credit. PhD students are expected to acquire great breadth and depth of knowledge in the discipline of art history, achieve a high level of expertise in a specialized field, and demonstrate professional speaking and writing skills. The program provides them with scholarly challenges, research skills, and mentoring necessary for professional development and successful careers.

PhD students must maintain a grade-point average (GPA) of at least 3.50. They may count a maximum of 38 semester hours of work completed for the MA toward the PhD. Students are allowed only one semester of academic probation.

To establish academic residency, doctoral students must be enrolled full-time (at least 9 semester hours) at The University of Iowa for two semesters beyond their first 24 semester hours of graduate study; or they must enroll for at least 6 semester hours in each of three semesters during which they hold an assistantship of one-quarter-time or more. Resident tuition is assessed for assistantship semesters and adjacent summer sessions.

PhD students major in one of the following distribution fields: Asian, Ancient Mediterranean, Medieval, Renaissance and Baroque, 18th- and 19th-century European, American, and Modern/Contemporary. In addition, candidates minor in two fields; any of the previous plus African. One minor must be in an art history distribution field that is non-contiguous with the major field. The second minor may be in any art history distribution field, OR it may be in a relevant discipline outside the Division of Art History, subject to approval of the Art History faculty.

PhD students must complete a publishable dissertation that makes an original contribution to the art history discipline and demonstrates evidence of superior understanding of critical issues in the student's chosen specialization field.

For more detailed information, consult the  art history policies and procedures .

Applications to the PhD program in art history, with all supporting materials and requests for financial aid, must be received by Dec. 15 for fall admission in the following year. Please  apply now  for complete application information. Applicants must hold an MA in art history or a related graduate degree and must be able to demonstrate proficiency in French or German. Proficiency in a second non-English language relevant to the student's research area is required by the end of the third semester of PhD work; see "Language requirement" section.

Although exceptions may be made when other components of the application are strong, applicants should have a graduate grade-point average (GPA) of at least 3.50 on a 4.00 scale.

Students who completed an MA at the University of Iowa and who wish to apply for entrance into the PhD program must make a formal application to the program. (Please see Graduate Program Coordinator for procedures.) Applications are evaluated in the context of the entire applicant pool.

Required courses

PhD students must satisfactorily complete ARTH:4999 History and Methods, even if they have completed a similar course at another institution (students who have completed the course for a master's degree or other previous work at Iowa are exempt). They must register for an art history seminar in their first three semesters of PhD course work (or in their fifth, sixth, and seventh semesters of graduate study), before the PhD readings course and comprehensive exam. They also must satisfactorily complete ARTH:6020 Art History Colloquium every semester that they are enrolled for 9 semester hours or more or are serving as teaching or research assistants. Students who are not employed as teaching or research assistants or are registered for less than 9 semester hours are strongly encouraged to attend the colloquium.

Up to 6 semester hours of credit for dissertation research may be applied toward the 72 semester hours required for the degree. Courses outside the curriculum of the School of Art & Art History's art history division do not carry art history credit.

Directed Studies

Normally, a maximum of 6 semester hours earned in ARTH:6040 Directed Studies may be applied toward the semester-hour requirement for the PhD, although doctoral students may petition the art history faculty for permission to apply up to 9 semester hours.

Language requirement

PhD students must demonstrate proficiency in French or German for admission to the PhD program in art history. They must demonstrate proficiency in a second non-English language, generally one relevant to the chosen area of research, by the end of the third semester in the PhD program. Students may demonstrate proficiency by a) two years of university-level coursework, b) earning a grade of B or better in a 3000-level advanced language course, c) achieving at least an 80% proficiency score on the level 5 milestone of the relevant Rosetta Stone language program, or d) in exceptional circumstances, making a direct petition to the faculty after receiving the recommendation of their advisor. Language courses do not carry degree credit.

PhD committee

The PhD committee consists of the student's dissertation adviser, who is responsible for the major field, two members responsible for the two minor fields, and at least two additional members. Of these five, four must be tenured or tenure-track faculty members from the art history division. One must be from outside the division and must be a member of the Graduate College faculty. When appropriate, committees may include additional members.

Comprehensive examination

Upon completion of course requirements, the PhD candidate takes three written comprehensive examinations. The major exam consists of six questions and lasts six hours; the two minor exams each consist of three questions and last three hours. The exams normally are taken on any three days within one week (Monday through Friday).

The scope of the comprehensive exams is determined in consultation with the candidate's degree committee supervisor and the committee members responsible for the two minor fields.

Oral comprehensive examination

Within approximately two weeks of completing the three written exams, the candidate meets with their degree committee for the oral comprehensive examination, which concentrates on questions that arise from the written comprehensive exams.

Dissertation proposal

As soon as possible after completing the comprehensive examinations, the candidate submits a dissertation proposal to his or her degree committee supervisor and subsequently to the degree committee. The committee meets as a group with the candidate to discuss the dissertation proposal and to offer comments and suggestions. (The proposal must be submitted to the committee at least two weeks before the approval meeting.) The proposal includes a 1-2 page abstract, a 10-15 page précis (including a review of the state of the field), and a bibliography.

After the proposal has been approved by the committee, the candidate circulates an abstract to the entire art history faculty. The candidate must give a public presentation on the dissertation topic no later than the end of the semester following the degree committee's approval. The presentation is scheduled with the head of art history.

Final examination

Upon completing a dissertation, which constitutes an original scholarly contribution to the field, the candidate meets with the PhD committee for an oral defense of the dissertation. The oral defense constitutes the final examination for the PhD. The successful completion of this examination normally marks the last stage in the candidate's fulfillment of requirements for the degree.

Stanley Museum exterior

Strengths and resources

The following are some highlights of the resources available for different areas of specialization. For all areas, the University Iowa Museum of Art is a valuable resource where students have an opportunity to gain experience and expertise. 

Modern studies

Modern studies constitute a significant strength of the program, with four faculty members offering courses and seminars in 18th-, 19th- and 20th-century American and European art and contemporary art and architecture. Students also have opportunities to participate in a variety of interdisciplinary programs in American and European history, literature, and politics.

18th- and 19th-century French and European art

Study of 18th- and 19th-century French and European art is greatly enriched by the De Caso collection of rare books and archives housed in the Art Library. Rare visual materials that are part of this collection have been digitized by the Office of Visual Materials.

20th century art

A major resource for 20th-century art is the International Dada Archive. Founded in 1979, it remains an invaluable resource for students and faculty at the University of Iowa as well as for Dada scholars throughout the world. Moreover, the University of Iowa Special Collections has a number of archives related to twentieth-century artists and artistic movements, from the Fluxus West Collection to the papers of Buster Cleveland. Moreover, the University of Iowa Museum of Art has an extensive collection of art from this period, the centerpiece of which is Jackson Pollock's  Mural . In addition to the permanent collection, the UIMA hosts exciting rotating exhibitions such as "Napoleon and the Art of Propaganda" (2012) and “New Forms: The Avant-Garde Meets the American Scene, 1934-1949” (2013).

African art

Another major strength of the department is African art. The Stanley Collection of African Art at the Stanley Museum of Art is one of the country’s most well-respected collections of African art and provides an invaluable resource for graduate students. The Project for Advanced Study of Art and Life in Africa (PASALA) is among the school's major assets, an interdisciplinary program of fellowships, scholarships, conferences, and publications on the visual arts in Africa. Among other things, it helped support the late Professor Christopher Roy's Art and Life in Africa Project, which is a website designed to provide textual and video resources for people interested in learning about various communities in Africa

Ancient and medieval studies

Ancient and medieval studies is another key strength of the program, with three faculty members offering courses and seminars in Egyptian, Near Eastern, Greek, Roman, and medieval art. Students also have the opportunity to study in a variety of related programs in ancient or medieval history, literature, and religion. They are encouraged to participate in the activities of the local chapter of the Archaeological Institute of America as well as the Medieval Studies Program and Iowa Forum of Graduate Medievalists. The University of Iowa Museum of Art provides a unique opportunity to handle Etruscan and South Italian vases while casts of bronze objects from Pompeii are available for close study on campus, and the nearby Cedar Rapids Museum of Art features a number of ancient portraits, from Alexander the Great to Marcus Aurelius. The University of Iowa Special Collections is home to a number of medieval manuscripts, and classes offered by the world-renowned Center for the Book complement these holdings.

Exterior of Art Building West

Art Building West

The award-winning Art Building West was designed by New York architect Steven Holl. The building opened in 2006 and houses Studio and Art History classrooms, the Art Library, and administrative offices.

Exterior of north side of Visual Arts Building

Visual Arts Building

The Visual Arts Building, also designed by Steven Holl Architects, opened in 2016. Designed to facilitate interdisciplinary collaboration, it is the most up-to-date visual arts facility in the U.S. The site is directly adjacent to Art Building West.

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Need more information?

For more information on the University of Iowa Department of Art and Art History PhD, please contact:

Laura Jorgensen

Laura Jorgensen

Art history faculty.

Björn Anderson

Björn Anderson

headshot image of Rob Bork

Robert Bork

Amy Huang is Assistant Professor and Director of Undergraduate Studies Art History in the School of Art and Art History.

Anna Isbell

Dorothy Johnson is the Roy J. Carver Professor of Art History in the School of Art and Art History.

Dorothy Johnson

Portrait of Joni Kinsey

Joni Kinsey

Portrait of Brenda Longfellow

Brenda Longfellow

Guidelines for Art History Comps Proposals

There are two primary goals for writing a research proposal.

  • To provide the reader with a concrete sense of what you are proposing to investigate, why your topic is relevant or important, and how you propose to follow the project through to completion.
  • To give yourself a good “road map” for your research and writing. No one simply sits down and writes a 30-page research paper. Your proposal, therefore, serves as a useful guide as you work your way through both the research and the writing phases. It can lend a sense of perspective, and reminds you what is most important and why.

Your research proposal should contain the following elements:

  • A working title for your project
  • A detailed description of your topic, in which you pay special attention to its scope and feasibility. Are you considering representations of the biblical figure Judith? That is a good start, but this topic would cover a lot of ground and may be too broad. You might narrow your topic to depictions of Judith beheading Holofernes in Southern Europe in the early modern period. In your description of this topic, you should provide some sense of the richness of the material. You want the reader to wish to learn more about it.
  • A statement detailing your research questions. These are different than your topic. For instance, you may be considering the paintings of Judith mentioned above, but these are simply the objects you you are considering, and now is the time to explain what you want to learn about them. What do the changes in depictions of Judith tell us about the shifting status of women in the early modern period? How do the depictions of Judith differ from contemporaneous portrayals of Salome, and what do these differences tell us about shifting attitudes toward the Other? These are some examples of questions you may want to pose. Keep in mind, though, that the question you pose should be something you can actually answer given the visual and textual evidence available to you.
  • A statement of your working hypothesis. In short, what is your current hunch in terms of how you would answer your research question? This can be provisional. After all, you haven’t yet done all your research.
  • A brief discussion of the importance of this project for the field of Art History. How does your project contribute to our understanding of the topic you are studying? Why is your approach important to other scholars who study this material? And how does your approach relate to others who have looked at this material? In short, you should provide the reader with the “lay of the land” in terms of the ongoing critical conversation around your topic. 
  • A discussion of your research methods and theories that will guide your analysis. What kinds of historical evidence might you use? Are there art historical theories that are guiding you? And if so, why are these particular methodologies important?
  • A brief discussion of what challenges you might anticipate as you work through your research and writing. Are you worried that you may not have access to the proper materials to complete your research? Do you have the language skills necessary to translate any texts not in your first language? Is there sufficient scholarly work already done on your topic?
  • A bibliography of at least ten sources that will contribute substantively to your understanding of your topic. You should provide annotations for at least ten sources in which you demonstrate how the source will aid in your understanding of your research question.

All proposals should be 5–7 pages, double-spaced (except for the bibliography, which should be single-spaced), using a 12-point font. Please use one-inch margins around the page. Footnotes and bibliographic entries should follow the Chicago Manual of Style.

PhD Art History Admission

The Department welcomes graduate applications from individuals with a broad range of life experiences, perspectives, and backgrounds who would contribute to our community of scholars. Review of applications is holistic and individualized, considering each applicant’s academic record and accomplishments, letters of recommendation, and admissions essays in order to understand how an applicant’s life experiences have shaped their past and potential contributions to their field.

University Application Materials

The application for admission as well as general information about applying is available from the Graduate Admissions website; please visit  Graduate Admissions  to apply. Prior to applying you must first determine if you are eligible -  application eligibility (undergraduate degree requirements) . International applicants, please also see  Bechtel International Center  and Graduate Admissions  International Applicants  for more information and any additional application requirements. Prospective students may apply beginning in late September (please verify the precise date on the  Graduate Admissions  website). The following documents are required by the university and can not be waived; please click on the links for more detailed information about each:

Letters of Recommendation : Three letters of recommendation are required. The department does not accept applicant recommendation via a letter service (i.e. Interfolio or other service). It is the applicant's responsibility to ensure that letters are submitted to the electronic application by the published deadline. Please only submit three letters.

Transcripts : Upload a scanned copy of your official transcript(s) with the online application. Applicants must upload transcripts from every post-secondary institution attended as a full-time student and for at least one academic year. Transcripts from current degree programs also need to be submitted.

Statement of Purpose : You must indicate in the first sentence of your SOP the name of the program to which you are applying and the area you wish to study (e.g. PhD in Art History – Modern). The Statement of Purpose should describe succinctly your reasons for applying to the proposed program at Stanford, your preparation for this field of study, research interests, future career plans, and other aspects of your background and interests which may aid the admissions committee in evaluating your aptitude and motivation for graduate study. Applicants can include and mention faculty members, with overlapping research interests whom they would like to work with and why, in their statement of purpose. The Statement of Purpose must be: 1,000 words or less; single-spaced; formatted with 1-inch margins and 12-point, Times New Roman font.

Application Fee : The application fee $125, is non-refundable, and must be received by the application deadline (fee waivers are available to eligible students. Please see  Graduate Fee Waivers  for more information). The Department does not offer fee waivers outside of the process at the Graduate Fee Waivers page. Please do not contact the department requesting to waive the application fee.

GRE Scores: Graduate Record Exam (GRE) General Test is no longer required for admission to the Department of Art & Art History.

TOEFL Scores : Required when first language is not English; IELTS is not accepted. Please note that the department can NOT waive the TOEFL requirement. If you wish to submit a request for TOEFL waiver, please see  GRE and TOEFL Requirements . It is the applicant's responsibility to ensure that the scores are submitted to the electronic application by the published deadline.  (Note: To bypass the entry of TOEFL scores in the application, enter a future test date. You can add in the additional information section of the application that you have received a waiver from Graduate Admissions.)

Online Application

* Please note all application materials, once submitted as part of your application, become the property of Stanford University. Materials will not be returned and copies will not be provided for applicants nor released to other institutions. Please keep a copy for your records. Re-applicants must submit new supporting documents and complete the online graduate application.

Writing Sample Requirement

In addition to the University application materials listed above, applicants in Art History are required to submit a writing sample.  You should upload your writing sample along with your online application (only one writing sample will be accepted). It should be 20 pages maximum, including illustrations and bibliography – neither papers over this limit nor entire Master’s theses will be accepted.

Start Your Application

For admission in Autumn Quarter of the next academic year, all required application materials, including your test scores and recommendation letters, must be received on-line by no later than  December 1 at 9:00 pm (PT).

Note: The Graduate Admissions period opens in late September each year for applications to be submitted by the published deadline in December (for matriculation beginning in the following academic year). After April 15th each year, the Graduate Admissions period is closed, and the online application will reopen during the following September.

Selection Process

Application review takes place between mid-February and mid-March; applicants are notified by e-mail of their status around March 15th. Accepted students are admitted for the following Autumn Quarter; no applicants for mid-year entrance will be considered.  You will be contacted via e-mail regarding your application status after the deadline; please do not contact the Department in this regard. Applicants who are chosen as finalists for admissions are asked to make themselves available for an individual interview by faculty via Skype.  Admitted prospective students are invited for a campus visit intended to introduce them to faculty, current graduate students, and to members of the larger Stanford community involved in the arts.  Library, museum and other facilities are part of this introduction to the PhD program in Art History at Stanford.

The Art and Art History Department recognizes that the Supreme Court issued a ruling in June 2023 about the consideration of certain types of demographic information as part of an admission review. All applications submitted during upcoming application cycles will be reviewed in conformance with that decision.

Knight-Hennessy Scholars

Join dozens of  Stanford School of Humanities and Sciences  students who gain valuable leadership skills in a multidisciplinary, multicultural community as  Knight-Hennessy Scholars (KHS). KHS admits up to 100 select applicants each year from across Stanford’s seven graduate schools, and delivers engaging experiences that prepare them to be visionary, courageous, and collaborative leaders ready to address complex global challenges. As a scholar, you join a distinguished cohort, participate in up to three years of leadership programming, and receive full funding for up to three years of your PhD studies at Stanford. Candidates of any country may apply. KHS applicants must have earned their first undergraduate degree within the last seven years, and must apply to both a Stanford graduate program and to KHS. Stanford PhD students may also apply to KHS during their first year of PhD enrollment. If you aspire to be a leader in your field, we invite you to apply. The KHS application deadline is October 11, 2023. Learn more about  KHS admission .

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General Information

The PhD program in the Division of Art History prepares graduates for university-level teaching, curator positions at major museums, and independent research in the field. Before beginning work for the PhD, students should have completed a master's degree in art history. Requirements for the degree include 60 credits of coursework beyond the master's degree and research capability in at least two foreign languages.

Preparation

Applicants to the PhD program must have a master's degree in art history or a related field combined with course work in art history. Applicants need not have an undergraduate major in art history but should have a solid record of art history course work. In our program we define a “solid record” for our undergraduate majors as 55 quarter credits of art history classes distributed among major fields of study offered in our department. This figure should serve only as a general reference point, however; we do not expect all applicants to have exactly the same background and course distribution as our undergraduate majors. Studio art classes and work experience in art-related fields can enhance your application but, in most cases, will not substitute for a good background in art history course work.

Financial Support

Each year the Division of Art History offers two fully funded five-year PhD packages, which are typically comprised of a combination of fellowship support and teaching assistantships.

Information about other financial support opportunities can be found under Graduate Support .

More about the Art History PhD

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Art History Resources

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Guidelines for Writing Art History Research Papers

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Writing a paper for an art history course is similar to the analytical, research-based papers that you may have written in English literature courses or history courses. Although art historical research and writing does include the analysis of written documents, there are distinctive differences between art history writing and other disciplines because the primary documents are works of art. A key reference guide for researching and analyzing works of art and for writing art history papers is the 10th edition (or later) of Sylvan Barnet’s work, A Short Guide to Writing about Art . Barnet directs students through the steps of thinking about a research topic, collecting information, and then writing and documenting a paper.

A website with helpful tips for writing art history papers is posted by the University of North Carolina.

Wesleyan University Writing Center has a useful guide for finding online writing resources.

The following are basic guidelines that you must use when documenting research papers for any art history class at UA Little Rock. Solid, thoughtful research and correct documentation of the sources used in this research (i.e., footnotes/endnotes, bibliography, and illustrations**) are essential. Additionally, these guidelines remind students about plagiarism, a serious academic offense.

Paper Format

Research papers should be in a 12-point font, double-spaced. Ample margins should be left for the instructor’s comments. All margins should be one inch to allow for comments. Number all pages. The cover sheet for the paper should include the following information: title of paper, your name, course title and number, course instructor, and date paper is submitted. A simple presentation of a paper is sufficient. Staple the pages together at the upper left or put them in a simple three-ring folder or binder. Do not put individual pages in plastic sleeves.

Documentation of Resources

The Chicago Manual of Style (CMS), as described in the most recent edition of Sylvan Barnet’s A Short Guide to Writing about Art is the department standard. Although you may have used MLA style for English papers or other disciplines, the Chicago Style is required for all students taking art history courses at UA Little Rock. There are significant differences between MLA style and Chicago Style. A “Quick Guide” for the Chicago Manual of Style footnote and bibliography format is found http://www.chicagomanualofstyle.org/tools_citationguide.html. The footnote examples are numbered and the bibliography example is last. Please note that the place of publication and the publisher are enclosed in parentheses in the footnote, but they are not in parentheses in the bibliography. Examples of CMS for some types of note and bibliography references are given below in this Guideline. Arabic numbers are used for footnotes. Some word processing programs may have Roman numerals as a choice, but the standard is Arabic numbers. The use of super script numbers, as given in examples below, is the standard in UA Little Rock art history papers.

The chapter “Manuscript Form” in the Barnet book (10th edition or later) provides models for the correct forms for footnotes/endnotes and the bibliography. For example, the note form for the FIRST REFERENCE to a book with a single author is:

1 Bruce Cole, Italian Art 1250-1550 (New York: New York University Press, 1971), 134.

But the BIBLIOGRAPHIC FORM for that same book is:

Cole, Bruce. Italian Art 1250-1550. New York: New York University Press. 1971.

The FIRST REFERENCE to a journal article (in a periodical that is paginated by volume) with a single author in a footnote is:

2 Anne H. Van Buren, “Madame Cézanne’s Fashions and the Dates of Her Portraits,” Art Quarterly 29 (1966): 199.

The FIRST REFERENCE to a journal article (in a periodical that is paginated by volume) with a single author in the BIBLIOGRAPHY is:

Van Buren, Anne H. “Madame Cézanne’s Fashions and the Dates of Her Portraits.” Art Quarterly 29 (1966): 185-204.

If you reference an article that you found through an electronic database such as JSTOR, you do not include the url for JSTOR or the date accessed in either the footnote or the bibliography. This is because the article is one that was originally printed in a hard-copy journal; what you located through JSTOR is simply a copy of printed pages. Your citation follows the same format for an article in a bound volume that you may have pulled from the library shelves. If, however, you use an article that originally was in an electronic format and is available only on-line, then follow the “non-print” forms listed below.

B. Non-Print

Citations for Internet sources such as online journals or scholarly web sites should follow the form described in Barnet’s chapter, “Writing a Research Paper.” For example, the footnote or endnote reference given by Barnet for a web site is:

3 Nigel Strudwick, Egyptology Resources , with the assistance of The Isaac Newton Institute for Mathematical Sciences, Cambridge University, 1994, revised 16 June 2008, http://www.newton.ac.uk/egypt/ , 24 July 2008.

If you use microform or microfilm resources, consult the most recent edition of Kate Turabian, A Manual of Term Paper, Theses and Dissertations. A copy of Turabian is available at the reference desk in the main library.

C. Visual Documentation (Illustrations)

Art history papers require visual documentation such as photographs, photocopies, or scanned images of the art works you discuss. In the chapter “Manuscript Form” in A Short Guide to Writing about Art, Barnet explains how to identify illustrations or “figures” in the text of your paper and how to caption the visual material. Each photograph, photocopy, or scanned image should appear on a single sheet of paper unless two images and their captions will fit on a single sheet of paper with one inch margins on all sides. Note also that the title of a work of art is always italicized. Within the text, the reference to the illustration is enclosed in parentheses and placed at the end of the sentence. A period for the sentence comes after the parenthetical reference to the illustration. For UA Little Rcok art history papers, illustrations are placed at the end of the paper, not within the text. Illustration are not supplied as a Powerpoint presentation or as separate .jpgs submitted in an electronic format.

Edvard Munch’s painting The Scream, dated 1893, represents a highly personal, expressive response to an experience the artist had while walking one evening (Figure 1).

The caption that accompanies the illustration at the end of the paper would read:

Figure 1. Edvard Munch, The Scream, 1893. Tempera and casein on cardboard, 36 x 29″ (91.3 x 73.7 cm). Nasjonalgalleriet, Oslo, Norway.

Plagiarism is a form of thievery and is illegal. According to Webster’s New World Dictionary, to plagiarize is to “take and pass off as one’s own the ideas, writings, etc. of another.” Barnet has some useful guidelines for acknowledging sources in his chapter “Manuscript Form;” review them so that you will not be mguilty of theft. Another useful website regarding plagiarism is provided by Cornell University, http://plagiarism.arts.cornell.edu/tutorial/index.cfm

Plagiarism is a serious offense, and students should understand that checking papers for plagiarized content is easy to do with Internet resources. Plagiarism will be reported as academic dishonesty to the Dean of Students; see Section VI of the Student Handbook which cites plagiarism as a specific violation. Take care that you fully and accurately acknowledge the source of another author, whether you are quoting the material verbatim or paraphrasing. Borrowing the idea of another author by merely changing some or even all of your source’s words does not allow you to claim the ideas as your own. You must credit both direct quotes and your paraphrases. Again, Barnet’s chapter “Manuscript Form” sets out clear guidelines for avoiding plagiarism.

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Preparing a History PhD proposal

The carefully thought-out and detailed research proposal to be submitted with the formal application is the product of a sometimes prolonged negotiation with your potential supervisor. The supervisor may be enthusiastic about your project or might advise you to consider a different subject or change your angle on it; they may query aspects of your plan such as its breadth, the availability of primary sources or the extent to which you are familiar with the secondary literature. You may be asked to demonstrate the originality of your research question or be advised to consider applying to another institution which may have more appropriate expertise. During this process you will likely be asked to submit a specimen of written-up historical research, such as your Masters or BA dissertation. The sooner you start developing the structure that is expected in a research proposal, the more productive your exchanges with your potential supervisor will be.

You may find different advice for writing a research proposal across different OU webpages. Given that a research proposal can vary significantly across different disciplines, when applying to the History Department you should follow the guidance provided here.

The research proposal you submit in January should be approximately 1000 words, plus a bibliography, and should contain the following:

A title, possibly with a subtitle

The title should not take the form of a question and it may run to a dozen words or more. Like the title of a book, it should clearly convey the topic you propose to work on. A subtitle may explain the chronological or geographical focus of your work, or the methodological approach you will take. Choosing a title is a good way for focusing on the topic you want to investigate and the approach you want to take.

These are examples of poor titles and topics to research:

  • Captain Cook’s Third Voyage
  • Women in eighteenth-century England

These would be poor topics to research because they lack a strong question and it is not clear which approach they take to their already well-researched subjects. They are generic or merely descriptive. 

Examples of good research topics

  • Constructing the Eternal City: visual representations of Rome, 1500-1700
  • Rearing citizens for the state: manuals for parents in France, 1900-1950

These projects combine a sharp chronological and geographical focus with a clear indication of how the sources will be analysed to respond to a precise question. In the first case, for example, the premise is that visual representations are critical in the making of a city’s eminence. This indicates the type of sources that will be analysed (paintings, engravings and other visual sources). The chronology is particularly well chosen because in these two centuries Rome turned from being the capital of the Catholic world to becoming the much sought-after destination of the Grand Tour; interesting questions of change and continuity come into focus.

Brief summary of your argument

An acceptable PhD thesis must have a central argument, a 'thesis'.  You need to have something to argue for or against, a point to prove or disprove, a question to answer. What goes into this section of the proposal is a statement of your question and the answer you plan to give, even if, for now, it remains a hypothesis.

Why this subject is important

We expect originality in a thesis and so under this rubric we expect you to explain why the knowledge you seek on the subject you propose to work on is important for its period and place, or for historians’ views on its period and place. Finding some early-modern English laundry lists would not suffice  on its own  to justify writing a PhD thesis about them. But those laundry lists could be important evidence for a thesis about the spread of the Great Plague in London, for example.

Framing your research

Your proposal has to show awareness of other scholarly writing on the subject. This section positions your approach to the subject in relation to approaches in some of those works, summarising how far you think it differs. For instance, you could challenge existing interpretations of the end the Cold War, or you might want to support one historian or another; you could open up a neglected aspect of the debate - say by considering the role of an overlooked group or national government - and perhaps kick-start a debate of your own. All this is to show that you have read  into  your subject and familiarised yourself with its contours. We don’t expect you to have done all your research at the start, but it is essential for you to show familiarity with the key texts and main authors in your chosen field.

What sources might you need to consult in libraries and archives?

Here you should describe or at least list the primary materials you are likely to use in researching your thesis. This demonstrates your confidence that enough relevant sources exist to support a sustained scholarly argument. Many archival catalogues are available online and can be searched remotely, including The National Archives, the National Archives of Scotland, the National Archives (Ireland), the Public Record Office of Northern Ireland and Archives Wales. You can search the London-based Historical Manuscripts Commission and the National Register of Archives, both of which provide access to local county record offices. Databases such as ‘Eighteenth Century Collections Online’ and the British Library’s ‘British Newspapers Online 1600-1900’ will help you identify and locate relevant sources.

What skills are required to work on the sources you plan to use?

You need to show that you have the linguistic competence to pursue your research. With few exceptions, original sources must be read in the original languages; if the principal historical literature is not in English, you must be able to read it too. Palaeographic problems aren’t confined to ancient writing. You might have to tackle early modern or other scripts that are hard to decipher. Even with fluent German, an applicant baffled by the Gothic script and typeface would flounder without undertaking ancillary study. Training is available at The Open University, or in some circumstances you can be funded to undertake training elsewhere, and you should demonstrate awareness of the skills that you need to acquire.

Do you have the technical competence to handle any data-analysis your thesis may require?

Databases, statistical evidence and spreadsheets are used increasingly by historians in certain fields. If your research involves, say, demographic or economic data, you will need to consider whether you have the necessary IT and statistical skills and, if not, how you will acquire them.

How will you arrange access to the libraries and archives where you need to work?

Although primary sources are increasingly available in digitised form, you should consider that important sources may be closed or in private hands. To consult them may require some travelling and so you should be realistic as to what you will be able to do, particularly if you are applying to study part-time as not all archives are open out of regular office hours.

A bibliography

This should come at the end and include a list of the primary sources you plan to use and the relevant secondary literature on the subject. While you should show that you are on top of recent work (and of important older studies) on the topic, there is no point in having a long list of works only marginally related to your subject. As always, specificity is the best policy.

Please follow this link to see an  example of a successful research proposal [PDF].

All this may seem daunting, as if the department is asking you to write a thesis before you apply. But that is not our intention; the advice is to help you perform the necessary spadework before entering the formal application process. Working up a proposal under the headings suggested above will, if your application is successful, save you and your supervisor(s) much time if and when the real work begins.

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Ph.D. Program

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We offer graduate courses in European, American, East Asian, and African art. Students may pursue graduate degrees in European and American Art/Global Modern and Contemporary Art or East Asian Art. Students who are interested in pursuing graduate degrees that emphasize international and/or transnational modern and contemporary art should follow the European and American/Global Modern and Contemporary track. 

The Ph.D. is intended for students who hold the M.A. degree in art history.

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Ph.D. Overview

In consultation with their faculty advisor and comprehensive exam committee, Ph.D. students develop a program of study composed of eighteen to twenty-one post-M.A. credit hours focusing on one major and two minor areas of study. Students are also required to demonstrate knowledge of at least one foreign language sufficient to meet the demands of their research prior to taking the comprehensive examination.

Upon completion of their coursework, students take both written and oral comprehensive examinations that cover their one major and two minor areas of study. Following the passing of the exams, students prepare a dissertation proposal and begin work on the dissertation.

Admission Deadlines

For fall semester admission, all application materials must be received by January 5 For spring semester admission, all application materials must be received by October 1

Required Application Materials

A completed  graduate application

Three letters of recommendation (preferably from art history professors). The application system will send your recommenders an email containing the instructions for submitting their letters once you have entered their contact information. 

A chronological list of art history courses completed that includes (1) the number of credit hours, (2) the instructor's name, and (3) the grade received. Applicants typically have completed no fewer than 18 credit hours of art history coursework.

Resumé or curriculum vitae

A statement of personal and educational interests and career objectives. We appreciate this opportunity to learn more about you. Feel free to discuss any personal, educational, economic, cultural, and/or social experiences that have helped shape you as a candidate. Please address how the graduate program/faculty in Art History at KU would help you to achieve your goals. Do not exceed 750 words. 

A writing sample, preferably from an art history course that you feel best represents your research, writing, and critical thinking skills. Your text (not including the bibliography, endnotes, and images) should be between 10-20 pages.

Official transcripts , or copies of official transcripts, from all post-secondary institutions

To be considered for admission, an applicant must hold a bachelor's degree. The Office of Graduate Studies requires applicants, international or domestic, whose native language is not English to demonstrate English proficiency. Please review Graduate Admissions'  English proficiency requirements  for additional information.

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Graduate program contacts.

Lauren Chaney

  • Graduate Program Coordinator

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  • Professor, Nineteenth-Century European Art
  • Director of Graduate Studies

Department of Art History

phd proposal art history

The doctoral program in art history typically involves two years of coursework, the completion of a qualifying paper, preliminary exams in three fields, a dissertation prospectus, and a dissertation. Following their coursework, students also learn to teach by serving as a teaching assistant for faculty-taught undergraduate courses and taking the department’s teaching colloquium. After advancing to ABD status, students research and write their dissertation, usually combining time in Chicago with traveling abroad.

Course Requirements

In general terms, the doctoral program requires two years of full time coursework. Students typically enroll in three courses each quarter during their first two years, and courses are selected with the guidance of the student’s doctoral advisor and in consultation with the Director of Graduate Studies in the department.

phd proposal art history

All students take the Proseminar and the COSI Objects & Materials seminar in the Autumn and Winter Quarters, respectively, of their first year. Among the other 18 courses required for the doctoral degree are two courses each for distribution requirements and for the student’s minor field. The qualifying paper, completed by the end of Winter Quarter of the second year, is researched and written within the framework of two Qualifying Paper Reading Courses typically supervised by the doctoral advisor and/or another faculty member. Finally, students enroll in a Preliminary Exam Directed Reading Course in the Spring Quarter of their second year.

All students must demonstrate competency in languages determined by their chosen field. Depending on the language and level, up to three language courses may be counted toward the total number of courses required for the degree.

Given the department's strong history of and continuing commitment to interdisciplinary inquiry and intellectual formation, the doctoral program allows for as many as 8 of the total 18 courses required for the PhD to be taken outside the Department of Art History.

In their third year, students are required to take the Teaching Colloquium and Dissertation Proposal Workshop offered yearly by an art history faculty member. These courses do not count toward the 18 courses required for the PhD. Students also prepare for and take their preliminary exams, and typically hold their first teaching assignments in their third year.

phd proposal art history

Upon successful completion of all coursework requirements, the qualifying paper, the relevant language requirements, and the preliminary exams, each student prepares a dissertation proposal that must be approved by three committee members. Upon that approval and an administrative review of the student's file, the student formally advances to the status of “PhD Candidate” and “ABD” status.

In subsequent years, students research and write the dissertation while further developing their teaching skills (in keeping with the doctoral program’s teaching requirement). Following the submission and successful defense of the dissertation, the doctoral degree is conferred. The current expectation, in general terms, is that completion of the PhD in Art History requires approximately seven years, but time to degree will vary: some students may graduate in less than seven years, others may find they need an additional year.

While all doctoral students must fulfill the requirements sketched above, the different fields of art historical study that are represented in the Department of Art History each have their own particular scholarly requirements. With the aim of providing graduate students with the most rigorous formation in their chosen area of specialization, the department has made various structural provisions to ensure that students can receive the additional training required by their chosen field (including additional language study, training in specialized research skills, and curatorial formation). As these scholarly requirements vary from field to field, so too—within limits set by the Department of Art History and the Division of the Humanities—the pace of each student’s progress through the doctoral program will necessarily be shaped by the requirements of his/her chosen area of study, in consultation with the art history faculty.

Students should refer to the Graduate Student Handbook   for details on all requirements.

Joint and Dual PhDs

Select students may pursue joint PhD degrees with art history and another department or program. Joint PhD programs at the University of Chicago are of two types, "standing" and "ad hoc."

A standing joint degree program has been established between Art History (ARTH) and the Committee on Theater and Performance Studies (TAPS). It allows students to complement their doctoral studies in Art History with a program of study in TAPS that reflects their particular training and interests, encompassing both academic and artistic work. Students apply to this standing program at the time of their application to the University, which is submitted to the art history department.

Students may petition for an ad-hoc joint PhD with another department or program according to guidelines set by the Humanities Division . Generally, admitted students must separately meet the requirements of both programs, but any overlapping requirement need only be met once if each department would otherwise consider it met were that student not in the joint degree program. Recent art history students have completed joint PhDs with Cinema and Media Studies and with Social Thought.

Under a new initiative , some students may simultaneously pursue PhD studies at the University of Chicago and at a degree-granting institution of higher learning in France, leading to two PhD degrees – one from each of the two institutions. Students approved for this initiative pursue a specific course of study depending on their research and professional interests, must satisfy all the requirements of both doctoral programs, and must write and defend a single dissertation that meets the requirements for each degree.

phd proposal art history

Master of Arts Program in Humanities

Masters-level study in Art History is offered through the  Master of Arts Program in Humanities . Sstudents build their own curriculum with graduate-level courses in any humanities department (including in the Department of Art History) and complete a thesis with a University of Chicago faculty advisor. Typically a one-year program, some students pursue the “Two Year Language Option” or TLO to pursue additional foreign language study. 

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Course requirements:

Candidates accepted for this course will have a 1st class or a high 2i honours degree and, a Masters degree with 70% overall (or equivalent) in History of Art or a related discipline. Please note the information given in the International Qualifications Search is a guideline of the University's minimum academic requirements. The requirements for this course are higher than the University minimum academic requirements.

The University requires all applicants to demonstrate competence in the English language at a very high level before they begin their proposed course of study. Adherence to this requirement is strict, especially for candidates on one-year courses. You must be able to demonstrate that you are able to communicate in English at a level and in an idiom suitable to the subject. You will, therefore, need to provide evidence that you meet the University’s minimum requirements for competence in English. For further information s ee Postgraduate Admissions Office .

The Department of History of Art places particular emphasis upon competence in foreign languages required for work in the chosen area of specialization. Language tuition in Latin and modern foreign languages is available, but students who already possess the necessary language skills will be better prepared to undertake the course.

How to Make an Application for the PhD in History of Art:

If you do meet the course requirements, you are recommended to consult the list of our established University Teaching Officers (UTOs) and their research interests (see below for links to information about each of our UTOs). If one of our UTOs has relevant research interests to your own, please email them directly with a short research proposal of about 300 words, an example of your writing and a CV to determine whether they are potentially available to work with you as a supervisor before you make a formal application.

Please note that while the regulations of the Faculty of Architecture and History of Art do allow for students to study for the MPhil with a supervisor who is not a University Teaching Officer in the Faculty, this is not possible for the PhD.  Those students who wish to continue from the MPhil degree are advised that they will need to find a University Teaching Officer within the Department who is able to supervise their research.   Professor Rosalind (Polly) Blakesley  - European, British and Russian art, 18th-early 20th century   Professor Donal Cooper  - Italian late Medieval and Renaissance art 

Professor Caroline Van Eck - European art and architecture and their theories, in particular French, the reception of Graeco-Roman art, the anthropology of art, Giovanni Battista Piranesi, and Aby Warburg.

Dr Kareem Estefan -  Film, video, and digital media, particularly Arab moving-image practices, documentary and Global South cinema, and activist engagements with colonialism and its legacies in contemporary art and film

Professor Alyce Mahon   - 20th-century art, especially Surrealism, performance and feminist art practice 

Professor Alexander Marr  - European and British art and architecture, 16th and 17th centuries

Dr Frank Salmon  - British and European Architecture, 17th-19th century

Dr Laura Slater - Medieval art and architecture 

Dr Amy Tobin - 20th- and 21st-century art, and moving image, especially in relation to feminism, gender politics, queer and post-colonial theory

Dr Xin Peng - Film history, classical Hollywood cinema, critical race and postcolonial theories, Asian American studies and transnational cinemas

You are recommended to only make a formal application via the University’s Graduate Admissions Office, once an established UTO has confirmed that they would be interested to consider a formal application.  Please note that an offer of admission to the University is subject to final approval by the University's Graduate Admissions Office.  Do not assume that you will be made an offer on the grounds that your prospective supervisor has suggested you make a formal application – this just represents the first stage of admission administration.

All applications must be made via the Graduate Student Application Form (GRADSAF) available on the  Postgraduate Admissions Office  website. It is important that you read through the information available on the Graduate Admissions Office website before submitting your application. If you are already a current graduate student at Cambridge you will be referred to as a ‘Continuer’ on the Graduate Admissions Office website.   

You will need to arrange for the following documents to be submitted with your application:

  • Academic Reference(s) 
  • A Personal Reference will only be required if you are applying for the Gates Cambridge Scholarship
  • Evidence of Competence in English if English is not your first language
  • Sample of Work - this could be a journal publication or a chapter from your undergraduate dissertation
  • Research Proposal of 1000 - 1500 words should consist of a topic and a hypothesis, a literature review, a statement on method, and key references

Application Deadlines

The PhD in History of Art commences in October each year and applications for the course can be made from the preceding September. All applications must be made via the Graduate Student Application Form (GRADSAF) available on the  Postgraduate Admissions Office  website . It is important that you read through the information available on the Graduate Admissions Office website before submitting your application.

The final deadline for applicants seeking funding is early January, for the exact date, please see the Postgraduate Admissions website. Even if you are not seeking funding, we strongly recommend that you submit your application by this date, as no applications will be accepted once this competitive and popular programme is full.

If places are still available on programmes beyond this deadline; self-funded applicants will continue to be considered until the final deadline in March, for the exact date please see the Postgraduate Admissions website No applications will be considered after this deadline.

Course Fees

Information relating to the fee for this course is available from the  Postgraduate Admissions Office .   

If you are seeking funding for your course via one of the University’s main funding competitions, there are specific deadlines and eligibility criteria for each competition. Please check the the Funding Section of the Postgraduate Admissions Office website for information and application deadlines . 

Applicants classified as 'Home' or 'EU' for fees purposes are eligible to be considered for an AHRC DTP studentship. Applicants wishing to be considered for these awards need to check the appropriate box on the Graduate Student Application Form (GRADSAF).  Applicants will also need to ensure that they you make their application by the funding competition deadline for Home/EU students. See the University’s AHRC DTP funding website for more information.

Please note that you will also need to complete and save an AHRC application form as a pdf and upload it via your self service pages once you have submitted your application.

After your Application is Submitted   After submitting your online application form, there will be a delay of up to 48 hours before you are able to access your self-service account and submit supporting documentation.   When the application reaches the Department, it will be considered by the Department’s Graduate Admissions Team. Applicants may be invited for an interview in Cambridge or, via Skype if it is not possible to travel to Cambridge.  The Faculty’s Degree Committee will then consider the application and make a recommendation to the Graduate Admissions Office as to whether an offer of a place on the course should be made, and if so, with what academic conditions.

Please be aware that this process may take several months. You can check the status of your application at any time via your self-service pages.

Full information about making your application, Colleges, fees and funding opportunities is provided on the  Postgraduate Admissions Office  website pages.

For further information on graduate admission to the Department of History of Art contact:  [email protected]

At a Glance

Course length and dates:

3 years full-time/5 years part-time, October start.

Examination:

A dissertation, of not more than 80,000 words. 

Academic requirement:

A 1st class or a high 2i honours degree and, a Masters degree with 70% overall (or equivalent) in History of Art or a related discipline.

English language requirement:

See Postgraduate Admissions Office . 

Applicants should consider the language skills required to complete their proposed research project and if necessary, consult with their prospective supervisor about their current level of linguistic ability .

Applications accepted from:

The preceding September.

Application Deadlines:

Course Fees:

Information relating to the fee for this course is available from the Postgraduate Admissions Office .  

If you are seeking funding for your course via one of the University’s main funding competitions, there are specific deadlines and eligibility criteria for each competition.  Please check  Funding Section of the Postgraduate Admissions Office website for information and application deadlines . 

The Secretary The Department of History of Art 1-5 Scroope Terrace Cambridge CB2 1PX Tel: 01223 332975 Fax: 01223 332960

Contact: [email protected] [email protected]

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History of Art PhD

The Department of History of Art offers a two-stage integrated master's and doctoral program (MA/PhD) in preparation for college teaching, writing, and specialized curatorial careers. Students are not admitted to work for a terminal MA degree, though students may apply for the MA after meeting Stage I requirements toward the PhD. Students work closely with faculty in courses, seminars, and on independent research projects to develop independent thought and a thorough knowledge of the field and its critical methods. Cross-disciplinary work in Berkeley's distinguished departments of languages and literature, philosophy, rhetoric, film studies, women's studies, history, and the social sciences is strongly encouraged. A student may opt for a more formal relationship with other departments through Designated Emphases programs, including film studies; folklore; women, gender, and sexuality; and critical theory.

Contact Info

[email protected]

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Berkeley, CA 94720

At a Glance

Admit Term(s)

Application Deadline

December 4, 2023

Degree Type(s)

Doctoral / PhD

Degree Awarded

GRE Requirements

The University of Edinburgh home

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Postgraduate study

History of Art PhD, MPhil

Awards: PhD, MPhil

Study modes: Full-time, Part-time

Funding opportunities

Programme website: History of Art

Discovery Day

Join us online on 18th April to learn more about postgraduate study at Edinburgh

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Research profile

At Edinburgh College of Art within the History of Art department we provide a dynamic and supportive research environment for our large and diverse graduate community. What makes us distinct within the History of Art department is our inclusion of global art histories, from Japan and China to the Islamic world and India, in addition to a remarkably wide array of methodologies and period specialisms in more established areas. We have strong groupings of staff in Medieval, Renaissance, Early Modern, Nineteenth-Century, Modern and Contemporary subjects.

The research topics that we can supervise includes but is not limited to:

  • Medieval Art History
  • South Asian Art History
  • Japanese Art
  • Renaissance Visual and Material Cultures
  • Eighteenth-Century History of Art
  • Modern and Contemporary Art History
  • Islamic Art
  • Nineteenth-Century Art
  • Curatorial Theory and Practice
  • Scottish Visual Culture
  • Early Modern
  • Contemporary Art History and Digital Culture
  • Contemporary German Art
  • Chinese Art

Programme structure

The PhD programme comprises three years of full-time (six years part-time) research under the supervision of an expert in your chosen research topic within History of Art. This period of research culminates in a supervised thesis of up to a maximum of 100,000 words.

The MPhil programme comprises two years of full-time (four years part-time) research under the supervision of an expert in your chosen research topic within History of Art. This period of research culminates in a supervised thesis of up to a maximum of 60,000 words.

Regular individual meetings with your supervisor provide guidance and focus for the course of research you are undertaking.

You will be encouraged to attend research methods courses at the beginning of your research studies.

And for every year you are enrolled on the programme you will be required to complete an annual progression review.

Training and support

All of our research students benefit from Edinburgh College of Art's interdisciplinary approach, and you will be assigned at least two research supervisors.

Your first/lead supervisor would normally be based in the same subject area as your degree programme. Your second supervisor may be from another discipline within Edinburgh College of Art or elsewhere within the University of Edinburgh, according to the expertise required. On occasion more than two supervisors will be assigned, particularly where the degree brings together multiple disciplines.

Our research culture is supported by seminars and public lecture programmes and discussion groups.

Tutoring opportunities will be advertised to the postgraduate research community, which you can apply for should you wish to gain some teaching experience during your studies. But you are not normally advised to undertake tutoring work in the first year of your research studies, while your main focus should be on establishing the direction of your research.

You are encouraged to attend courses at the Institute for Academic Development ( IAD ), where all staff and students at the University of Edinburgh are supported through a range of training opportunities, including:

  • short courses in compiling literature reviews
  • writing in a second language
  • preparing for your viva

The Scottish Graduate School for Arts and Humanities ( SGSAH ) offers further opportunities for development. You will also be encouraged to refer to the Vitae research development framework as you grow into a professional researcher.

You will have access to study space (some of which are 24-hour access), studios and workshops at Edinburgh College of Art’s campus, as well as University wide resources. There are several bookable spaces for the development of exhibitions, workshops or seminars. And you will have access to well-equipped multimedia laboratories, photography and exhibition facilities, shared recording space, access to recording equipment available through Bookit, the equipment loan booking system.

You will have access to high quality library facilities. Within the University of Edinburgh, there are three libraries; the Main Library, the ECA library and the Art and Architecture Library. The Centre for Research Collections which holds the University of Edinburgh’s historic collections is also located in the Main Library.

The Talbot Rice Gallery is a public art gallery of the University of Edinburgh and part of Edinburgh College of Art, which is committed to exploring what the University of Edinburgh can contribute to contemporary art practice today and into the future. You will also have access to the extraordinary range and quality of exhibitions and events associated with a leading college of art situated within a world-class research-intensive University.

St Cecilia’s Hall which is Scotland’s oldest purpose-built concert hall also houses the Music Museum which holds one of the most important historic musical instrument collections anywhere in the world.

In addition to the University’s facilities you will also be able to access wider resources within the City of Edinburgh. Including but not limited to; National Library of Scotland, Scottish Studies Library and Digital Archives, City of Edinburgh Libraries, Historic Environment Scotland and the National Trust for Scotland.

You will also benefit from the University of Edinburgh’s extensive range of student support facilities provided, including student societies, accommodation, wellbeing and support services.

PhD by Distance option

The PhD by Distance is available to suitably qualified applicants in all the same areas as our on-campus programmes.

The PhD by distance allows students who do not wish to commit to basing themselves in Edinburgh to study for PhD in an ECA Subject area from their home country or city.

There is no expectation that students studying for an ECA PhD by Distance study mode should visit Edinburgh during their period of study. However, short term visits for particular activities could be considered on a case by case basis.

For further information on the PhD by Distance please see the ECA website

Entry requirements

These entry requirements are for the 2024/25 academic year and requirements for future academic years may differ. Entry requirements for the 2025/26 academic year will be published on 1 Oct 2024.

Normally a UK 2:1 honours degree or its international equivalent. If you do not meet the academic entry requirements, we may still consider your application on the basis of relevant professional experience.

You must also submit a research proposal; see How to Apply section for guidance.

International qualifications

Check whether your international qualifications meet our general entry requirements:

  • Entry requirements by country
  • English language requirements

Regardless of your nationality or country of residence, you must demonstrate a level of English language competency at a level that will enable you to succeed in your studies.

English language tests

We accept the following English language qualifications at the grades specified:

  • IELTS Academic: total 7.0 with at least 6.5 in each component. We do not accept IELTS One Skill Retake to meet our English language requirements.
  • TOEFL-iBT (including Home Edition): total 100 with at least 23 in each component. We do not accept TOEFL MyBest Score to meet our English language requirements.
  • C1 Advanced ( CAE ) / C2 Proficiency ( CPE ): total 185 with at least 176 in each component.
  • Trinity ISE : ISE III with passes in all four components.
  • PTE Academic: total 70 with at least 62 in each component.

Your English language qualification must be no more than three and a half years old from the start date of the programme you are applying to study, unless you are using IELTS , TOEFL, Trinity ISE or PTE , in which case it must be no more than two years old.

Degrees taught and assessed in English

We also accept an undergraduate or postgraduate degree that has been taught and assessed in English in a majority English speaking country, as defined by UK Visas and Immigration:

  • UKVI list of majority English speaking countries

We also accept a degree that has been taught and assessed in English from a university on our list of approved universities in non-majority English speaking countries (non-MESC).

  • Approved universities in non-MESC

If you are not a national of a majority English speaking country, then your degree must be no more than five years old* at the beginning of your programme of study. (*Revised 05 March 2024 to extend degree validity to five years.)

Find out more about our language requirements:

Fees and costs

no additional costs

Scholarships and funding

Featured funding.

  • Edinburgh College of Art scholarships

UK government postgraduate loans

If you live in the UK, you may be able to apply for a postgraduate loan from one of the UK’s governments.

The type and amount of financial support you are eligible for will depend on:

  • your programme
  • the duration of your studies
  • your tuition fee status

Programmes studied on a part-time intermittent basis are not eligible.

  • UK government and other external funding

Other funding opportunities

Search for scholarships and funding opportunities:

  • Search for funding

Further information

  • Edinburgh College of Art Postgraduate Research Team
  • Phone: +44 (0)131 651 5740
  • Contact: [email protected]
  • Postgraduate Research Director, History of Art, Dr Chia-ling Yang
  • Phone: +44 (0)131 651 1370
  • Contact: [email protected]
  • Edinburgh College of Art Postgraduate Office Student and Academic Support Service
  • The University of Edinburgh
  • Evolution House, 78 West Port
  • Central Campus
  • Programme: History of Art
  • School: Edinburgh College of Art
  • College: Arts, Humanities & Social Sciences

Select your programme and preferred start date to begin your application.

PhD History of Art - 3 Years (Full-time)

Phd history of art - 6 years (part-time), phd history of art by distance - 3 years (full-time), phd history of art by distance - 6 years (part-time), mphil history of art - 2 years (full-time), mphil history of art - 4 years (part-time), application deadlines.

If you are applying for funding or will require a visa then we strongly recommend you apply as early as possible. All applications must be received by the deadlines listed above.

  • How to apply

You must submit two references with your application.

One of your references must be an academic reference and preferably from your most recent studies.

You should submit a research proposal that outlines your project's aims, context, process and product/outcome. Read the application guidance before you apply.

  • Preparing your application - postgraduate research degrees (PDF)

Find out more about the general application process for postgraduate programmes:

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History of Art PhD/ MA by Research (On-Campus or by Distance Learning)

Annual tuition fee 2024 entry: UK: £4,778 full-time, £2,389 part-time International: £21,840 full-time; £10,920 part-time (distance learning only) More detail .

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By pursuing research in History of Art at Birmingham, you will be joining a vibrant and dynamic research community thanks to the Department’s broad range of expertise, from medieval and Renaissance art and architecture, to contemporary global art.

You will also benefit from access to original works, a dedicated fine art library and collection of resources in the Barber Institute of Fine Arts, our acclaimed public gallery on-campus in which the Department is based.

It's important to remember that our academic excellence isn't confined to a single building or gallery. Our university boasts award-winning art installations across the campus and the wider city of Birmingham, providing you with countless opportunities for artistic inspiration and academic growth. Our expert academics, renowned in their fields, will guide you through your learning in exciting and innovative ways, ensuring that your studies continue to be engaging and transformative.

AHRC funding for PhD students

phd proposal art history

The University of Birmingham is part of the Midlands4Cities Doctoral Training Partnership (M4C), offering Arts and Humanities Research Council PhD studentships for campus-based programmes. These include a number of Collaborative Doctoral Award opportunities. Each studentship includes research fees, a substantial maintenance grant and additional research training support. Applications are open until 12:00 (noon), 13 January 2021.

Find out more

Scholarships for 2024 entry

The University of Birmingham is proud to offer a range of scholarships for our postgraduate programmes. With a scholarship pot worth over £2 million, we are committed to alleviating financial barriers to support you in taking your next steps.

Each scholarship has its own specific deadlines and eligibility criteria. Please familiarise yourself with the information on individual scholarship webpages prior to submitting an application.

Explore our scholarships

History of Art scholarships available

The College of Arts and Law is offering a number of scholarships for postgraduate research students in History of Art. This includes the Haywood Scholarship and the prestigious Wolfson Scholarships, which provide for fees, a maintenance grant, and some research and training costs. Applications are now open.

Find out more and apply now

Virtual Chat: Postgraduate opportunities in Art History, Curating and Visual Studies - 27 April 2020 11:00-12:00

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Take part in our online chat where Dr Claire Jones will be answering your questions about postgraduate study.

Find out more and register

Virtual Open Day: Postgraduate opportunities in Art History, Curating and Visual Studies - 10 May 2019, 15:00-16:00

Join us online to watch a range of staff and student videos, and take part in our online chat where Dr Jutta Vinzent will be answering your questions about postgraduate study.

We offer two postgraduate research-only programmes, whether you are looking to complete your academic studies with a PhD or pursue your research at Masters level. Find out more about what to expect from a PhD and MA by Research .

At Birmingham, Postgraduate Taught and Postgraduate Research students also have the opportunity to learn graduate academic languages free of charge, to support your studies.

  • Graduate School Language Skills

To find out more about this programme and make an enquiry you can  contact Dr Michaela Giebelhausen  the Admissions Tutor for postgraduate research. In order to apply for the PhD or MA by Research History of Art programme, you should approach the Admissions Tutor and/or a potential supervisor with a detailed research proposal.

Barber Institute refurbishment

The Barber Institute of Fine Arts is currently undergoing a two-phase £10 million improvement program which includes a temporary closure of the Lady Barber Gallery and select areas until June 2024 and, in Phase Two, a temporary closure of the Barber Institute's building from February 2025 until late autumn 2025, as we make essential repairs and upgrades to enhance your future experience.

phd proposal art history

At the University of Birmingham I am supervised by a leading authority in my field and am part of a world-leading research university. The best thing is the amount of support available to develop various skills as a researcher, academic or for a future career in creative industries. Cosmin

Why study this course?

  • World-leading research : 8th Art History department in the UK in the Research Excellence Framework exercise 2021 based on Grade Point Average (Times Higher Education).
  • Excellent facilities : The Department is based in The Barber Institute of Fine Arts. The Barber Institute’s building is owned and maintained by the University of Birmingham and features works from the 13th to the 20th century, including Old Master and Impressionist collections.
  • Postgraduate community : You will join a thriving postgraduate community. The Department hosts public lectures, research seminars and an annual symposium, in which postgraduate students are encouraged to actively participate. 

The postgraduate experience

The College of Arts and Law offers excellent support to its postgraduates, from libraries and research spaces, to careers support and funding opportunities. Learn more about your postgraduate experience .

We charge an annual tuition fee. Fees for 2024 entry are as follows:

  • UK: £4,778 full-time; £2,389 part-time *
  • International: £21,840 full-time; £10,920 part-time (distance learning only)

The same fees apply to both campus-based and distance learning study. The distance learning programme also includes one fully-funded visit to campus in the first year of study.

The above fees quoted are for one year only; for those studying over two or more years, tuition fees will also be payable in subsequent years of your programme.

* For UK postgraduate research students the University fee level is set at Research Council rates and as such is subject to change. The final fee will be announced by Research Councils UK in spring 2024.

Eligibility for UK or international fees can be verified with Admissions. Learn more about fees for international students .

Paying your fees

Tuition fees can either be paid in full or by instalments. Learn more about postgraduate tuition fees and funding .

How To Apply

In order to apply for the MA or PhD programme, you should approach the admissions tutor with a detailed research proposal. You should also identify a member of staff in the department with the expertise to supervise and guide your project. You can look through a full list of potential supervisors . This research proposal should outline the general area of research; foci objects; key research questions; proposed methodology and should also demonstrate a solid grasp of the current state of scholarship in the proposed area of research. You should also include a bibliography. We will be unable to consider applications that do not address these issues.

Application deadlines

Postgraduate research can start at any time during the year, but it is important to allow time for us to review your application and communicate a decision. If you wish to start in September 2024, we would recommend that you aim to submit your application and supporting documents by 7 May 2024.

If the programme has a Distance learning option then students will usually attend a residential visit in September or January, and those students wishing to attend the September residential are also encouraged to apply by 7 May 2024. The visit will take place at the end of September/beginning of October and you will receive further details once you have accepted your offer.

Six easy steps to apply for a postgraduate research course in the College of Arts and Law

Six steps to apply for our Postgraduate Research courses

Do you have an idea for an interesting research project? You can follow our six easy steps to apply to study for our postgraduate research courses . These include guidance on identifying funding opportunities and writing your research proposal .

Please also see our additional guidance for  applicants to the PhD Distance Learning study mode .

Please note: While our PhD programmes are normally studied in three years full-time or six years part-time, and Masters-level research programmes one year full-time or two years part-time, many programmes have a longer length listed in course or funding applications. This is because the course length is defined as the maximum period of registration, which includes a period of supervised study plus a thesis awaited period. The maximum period of registration for a full-time PhD is four years (three years supervision plus one year thesis awaited). For a full-time Masters-level research programme, it is two years (one year supervision plus one year thesis awaited). For part-time programmes, the periods are double the full-time equivalent.

Making your application

  • How to apply

To apply for a postgraduate research programme, you will need to submit your application and supporting documents online. We have put together some helpful information on the research programme application process and supporting documents on our how to apply page . Please read this information carefully before completing your application.

Our Standard Requirements

Our requirements for postgraduate research are dependent on the type of programme you are applying for:

  • For MRes and MA by Research programmes, entry to our programmes usually requires a good (normally a 2:1 or above) Honours degree, or an equivalent qualification if you were educated outside the UK, usually in a relevant area.
  • Applicants for a PhD will also need to hold a Masters qualification at Merit level or above (or its international equivalent), usually in a relevant area.

Any academic and professional qualifications or relevant professional experience you may have are normally taken into account, and in some cases, form an integral part of the entrance requirements.

If you are applying for distance learning research programmes, you will also be required to demonstrate that you have the time, commitment, facilities and experience to study by distance learning.

If your qualifications are non-standard or different from the entry requirements stated here, please contact the admissions tutor.

International students

IELTS 6.5 with no less than 6.0 in any band is equivalent to:

  • TOEFL: 88 overall with no less than 21 in Reading, 21 Listening, 22 Speaking and 21 in Writing
  • Pearson Test of English (PTE): Academic 59 in all four skills
  • Cambridge English (exams taken from 2015): Advanced - minimum overall score of 176, with no less than 169 in any component

Learn more about international entry requirements

International Requirements

Applicants for postgraduate research programmes should hold a Bachelors degree and a Masters degree, with a GPA of 14/20 from a recognised institution to be considered. Applicants with lower grades than this may be considered on an individual basis.

Holders of the Licenciado or an equivalent professional title from a recognised Argentinian university, with a promedio of at least 7.5, may be considered for entry to a postgraduate degree programme. Applicants for PhD degrees will normally have a Maestria or equivalent

Applicants who hold a Masters degree will be considered for admission to PhD study.

Holders of a good four-year Diplomstudium/Magister or a Masters degree from a recognised university with a minimum overall grade of 2.5 will be considered for entry to postgraduate research programmes.

Students with a good 5-year Specialist Diploma or 4-year Bachelor degree from a recognised higher education institution in Azerbaijan, with a minimum GPA of 4/5 or 80% will be considered for entry to postgraduate taught programmes at the University of Birmingham.

For postgraduate research programmes applicants should have a good 5-year Specialist Diploma (completed after 1991), with a minimum grade point average of 4/5 or 80%, from a recognised higher education institution or a Masters or “Magistr Diplomu” or “Kandidat Nauk” from a recognised higher education institution in Azerbaijan.

Applicants for postgraduate research programmes should hold a Bachelors degree and a Masters degree, with a GPA of 3.0/4.0 or 75% from a recognised institution to be considered. Applicants with lower grades than this may be considered on an individual basis.

Applicants for postgraduate research programmes should hold a Bachelors degree and will usually be required to have completed a Masters degree, with a CGPA of 3.0-3.3/4.0 or higher for 2:1 equivalency from a recognised institution to be considered for entry. Applicants with lower grades than this may be considered on an individual basis.

Students who hold a Masters degree from the University of Botswana with a minimum GPA of 3.0/4.0 or 3.5/5.0 (70%/B/'very good') will be considered for Postgraduate Diplomas and Masters degrees.

Please note 4-year bachelor degrees from the University of Botswana are considered equivalent to a Diploma of Higher Education. 5-year bachelor degrees from the University of Botswana are considered equivalent to a British Bachelor (Ordinary) degree.

Students who have completed a Masters degree from a recognised institution will be considered for PhD study.

A Licenciatura or Bacharelado degree from a recognised Brazilian university:

  • A grade of 7.5/10 for entry to programmes with a 2:1 requirement
  • A grade of 6.5/10for entry to programmes with a 2:2 requirement

Holders of a good Bachelors degree with honours (4 to 6 years) from a recognised university with a upper second class grade or higher will be considered for entry to taught postgraduate programmes.  Holders of a good Masters degree from a recognised university will be considered for entry to postgraduate research programmes.

Holders of a good post-2001 Masters degree from a recognised university will be considered for entry to postgraduate research programmes.

Students with a minimum average of 14 out of 20 (or 70%) on a 4-year Licence, Bachelor degree or Diplôme d'Etudes Superieures de Commerce (DESC) or Diplôme d'Ingénieur or a Maîtrise will be considered for Postgraduate Diplomas and Masters degrees.

Holders of a bachelor degree with honours from a recognised Canadian university may be considered for entry to a postgraduate degree programme. A GPA of 3.0/4, 7.0/9 or 75% is usually equivalent to a UK 2.1.

Holders of the Licenciado or equivalent Professional Title from a recognised Chilean university will be considered for Postgraduate Diplomas and Masters degrees. Applicants for PhD study will preferably hold a Magister degree or equivalent.

Students with a bachelor’s degree (4 years minimum) may be considered for entry to a postgraduate degree programme. However please note that we will only consider students who meet the entry guidance below.  Please note: for the subject areas below we use the Shanghai Ranking 2022 (full table)  ,  Shanghai Ranking 2023 (full table) , and Shanghai Ranking of Chinese Art Universities 2023 .

需要具备学士学位(4年制)的申请人可申请研究生课程。请根据所申请的课程查看相应的入学要求。 请注意,中国院校名单参考 软科中国大学排名2022(总榜) ,  软科中国大学排名2023(总榜) ,以及 软科中国艺术类高校名单2023 。  

Business School    - MSc programmes (excluding MBA)  

商学院硕士课程(MBA除外)入学要求

School of Computer Science – all MSc programmes 计算机学院硕士课程入学要求

College of Social Sciences – courses listed below 社会科学 学院部分硕士课程入学要求 MA Education  (including all pathways) MSc TESOL Education MSc Public Management MA Global Public Policy MA Social Policy MA Sociology Department of Political Science and International Studies  全部硕士课程 International Development Department  全部硕士课程

  All other programmes (including MBA)   所有其他 硕士课程(包括 MBA)入学要求

Please note:

  • Borderline cases: We may consider students with lower average score (within 5%) on a case-by-case basis if you have a relevant degree and very excellent grades in relevant subjects and/or relevant work experience. 如申请人均分低于相应录取要求(5%以内),但具有出色学术背景,优异的专业成绩,以及(或)相关的工作经验,部分课程将有可能单独酌情考虑。
  • Please contact the China Recruitment Team for any questions on the above entry requirements. 如果您对录取要求有疑问,请联系伯明翰大学中国办公室   [email protected]

Holders of the Licenciado/Professional Title from a recognised Colombian university will be considered for our Postgraduate Diploma and Masters degrees. Applicants for PhD degrees will normally have a Maestria or equivalent.

Holders of a good bachelor degree with honours (4 to 6 years) from a recognised university with a upper second class grade or higher will be considered for entry to taught postgraduate programmes.  Holders of a good Masters degree from a recognised university will be considered for entry to postgraduate research programmes.

Holders of a good Bacclaureus (Bachelors) from a recognised Croatian Higher Education institution with a minimum overall grade of 4.0 out of 5.0, vrlo dobar ‘very good’, or a Masters degree, will be considered for entry to postgraduate research programmes.

Holders of a Bachelors degree(from the University of the West Indies or the University of Technology) may be considered for entry to a postgraduate degree programme. A Class II Upper Division degree is usually equivalent to a UK 2.1. For further details on particular institutions please refer to the list below.  Applicants for PhD level study will preferably hold a Masters degree or Mphil from the University of the West Indies.

Applicants for postgraduate research programmes should hold a good Bachelors degree from a recognised institution with a minimum overall grade of 6.5 out of 10, or a GPA of 3 out of 4, and will usually be required to have completed a good Masters degree to be considered for entry to postgraduate research programmes. Applicants with lower grades than this may be considered on an individual basis.

Holders of a good Bakalár from a recognised Czech Higher Education institution with a minimum overall grade of 1.5, B, velmi dobre ‘very good’ (post-2004) or 2, velmi dobre ‘good’ (pre-2004), or a good post-2002 Magistr (Masters), will be considered for entry to postgraduate research programmes.

Applicants for postgraduate research programmes should hold a good Bachelors degree from a recognised institution with a minimum overall grade of 7-10 out of 12 (or 8 out of 13) or higher for 2:1 equivalence and will usually be required to have completed a good Masters/ Magisterkonfereus/Magister Artium degree to be considered for entry to postgraduate research programmes. Applicants with lower grades than this may be considered on an individual basis.

Holders of the Licenciado or an equivalent professional title from a recognised Ecuadorian university may be considered for entry to a postgraduate degree programme. Grades of 70% or higher can be considered as UK 2.1 equivalent.  Applicants for PhD level study will preferably hold a Magister/Masterado or equivalent qualification, but holders of the Licenciado with excellent grades can be considered.

Applicants for postgraduate research programmes should hold a Bachelors degree and a Masters degree, with a GPA of 3.0/4.0 or 75% from a recognised institution. Applicants with lower grades than this may be considered on an individual basis.

Holders of a good Bakalaurusekraad from a recognised university with a minimum overall grade of 4/5 or B, or a good one- or two-year Magistrikraad from a recognised university, will be considered for entry to postgraduate research programmes.

Students who hold a Masters degree with very good grades (grade B, 3.5/4 GPA or 85%) will be considered for Postgraduate Diplomas and Masters degrees. 

Holders of a good Kandidaatti / Kandidat (old system), a professional title such as Ekonomi, Diplomi-insinööri, Arkkitehti, Lisensiaatti (in Medicine, Dentistry and Vetinary Medicine), or a Maisteri / Magister (new system), Lisensiaatti / Licenciat, Oikeustieteen Kandidaatti / Juris Kandidat (new system) or Proviisori / Provisor from a recognised Finnish Higher Education institution, with a minimum overall grade of 2/3 or 4/5, will be considered for entry to postgraduate research programmes.

Applicants for postgraduate research programmes should hold a should hold a Bachelors degree and will usually be required to have completed a Masters/Maîtrise with a minimum overall grade of 13 out of 20, or a Magistère / Diplôme d'Etudes Approfondies / Diplôme d'Etudes Supérieures Specialisées / Mastère Specialis, from a recognised French university or Grande École to be considered for entry. Applicants with lower grades than this may be considered on an individual basis.

Holders of a Magister Artium, a Diplom or an Erstes Staatsexamen from a recognised university with a minimum overall grade of 2.5, or a good two-year Lizentiat / Aufbaustudium / Zweites Staatsexamen or a Masters degree from a recognised university, will be considered for entry to postgraduate research programmes.

Students who hold a Bachelor degree from a recognised institution will be considered for Postgraduate Diplomas and Masters degrees. Most taught Masters programmes require a minimum of an upper second class degree (2.1) with a minimum GPA of at least 3.0/4.0 or 3.5/5.0 Students who have completed a Masters degree from a recognised institution will be considered for PhD study.

Applicants for postgraduate research programmes should hold a good four-year Ptychio (Bachelor degree) with a minimum overall grade of 6.5 out of 10, from a recognised Greek university (AEI), and will usually be required to have completed a good Metaptychiako Diploma Eidikefsis (Masters degree) from a recognised institution to be considered for entry. Applicants with lower grades than this may be considered on an individual basis.

4-year Licenciado is deemed equivalent to a UK bachelors degree. A score of 75 or higher from Universidad de San Carlos de Guatemala (USAC) can be considered comparable to a UK 2.1, 60 is comparable to a UK 2.2.  Private universities have a higher pass mark, so 80 or higher should be considered comparable to a UK 2.1, 70 is comparable to a UK 2.2

The Hong Kong Bachelor degree is considered comparable to British Bachelor degree standard. Students with bachelor degrees awarded by universities in Hong Kong may be considered for entry to one of our postgraduate degree programmes.

Students with Masters degrees may be considered for PhD study.

Holders of a good Alapfokozat / Alapképzés or Egyetemi Oklevel from a recognised university with a minimum overall grade of 3.5, or a good Mesterfokozat (Masters degree) or Egyetemi Doktor (university doctorate), will be considered for entry to postgraduate research programmes.

Applicants for postgraduate research programmes should hold a Bachelors degree and will usually be required to have completed a Masters degree, with a 60% or higher for 2:1 equivalency from a recognised institution to be considered for entry. Applicants with lower grades than this may be considered on an individual basis.

Holders of the 4 year Sarjana (S1) from a recognised Indonesian institution will be considered for postgraduate study. Entry requirements vary with a minimum requirement of a GPA of 2.8.

Applicants for postgraduate research programmes should hold a Bachelors degree and a Masters degree, with a score of 14/20 or 70% from a recognised institution to be considered. Applicants with lower grades than this may be considered on an individual basis.

Applicants for postgraduate research programmes should hold a Bachelors degree and will usually be required to have completed a Masters degree from a recognised institution, with 100 out of 110 or higher for 2:1 equivalency from a recognised institution to be considered for entry. Applicants with lower grades than this may be considered on an individual basis.

Students who hold the Maitrise, Diplome d'Etude Approfondies, Diplome d'Etude Superieures or Diplome d'Etude Superieures Specialisees will be considered for Postgraduate Diplomas and Masters degrees (14-15/20 or Bien from a well ranked institution is considered comparable to a UK 2.1, while a score of 12-13/20 or Assez Bien is considered comparable to a UK 2.2).

Students with a Bachelor degree from a recognised university in Japan will be considered for entry to a postgraduate Masters degree provided they achieve a sufficiently high overall score in their first (Bachelor) degree. A GPA of 3.0/4.0 or a B average from a good Japanese university is usually considered equivalent to a UK 2:1.

Students with a Masters degree from a recognised university in Japan will be considered for PhD study. A high overall grade will be necessary to be considered.

Students who have completed their Specialist Diploma Мамаң дипломы/Диплом специалиста) or "Magistr" (Магистр дипломы/Диплом магистра) degree (completed after 1991) from a recognised higher education institution, with a minimum GPA of 2.67/4.00 for courses requiring a UK lower second and 3.00/4.00 for courses requiring a UK upper second class degree, will be considered for entry to postgraduate Masters degrees and, occasionally, directly for PhD degrees.  Holders of a Bachelor "Bakalavr" degree (Бакалавр дипломы/Диплом бакалавра) from a recognised higher education institution, with a minimum GPA of  2.67/4.00 for courses requiring a UK lower second and 3.00/4.00 for courses requiring a UK upper second class degree, may also be considered for entry to taught postgraduate programmes.

Students who hold a Bachelor degree from a recognised institution will be considered for Postgraduate Diplomas and Masters degrees. Most taught Masters programmes require a minimum of an upper second class degree (2.1) with a minimum GPA of at least 3.0/4.0 or 3.5/50

Holders of a good Postgraduate Diploma (professional programme) from a recognised university or institution of Higher Education, with a minimum overall grade of 7.5 out of 10, or a post-2000 Magistrs, will be considered for entry to postgraduate research programmes.

Applicants for postgraduate research programmes should hold a Bachelors degree and a Masters degree, with a score of 16/20 or 80% from a recognised institution to be considered. Applicants with lower grades than this may be considered on an individual basis.

Holders of a Bachelors degree from a recognised university in Libya will be considered for postgraduate study. Holders of a Bachelors degree will normally be expected to have achieved score of 70% for 2:1 equivalency or 65% for 2:2 equivalency. Alternatively students will require a minimum of 3.0/4.0 or BB to be considered.

Holders of a good pre-2001 Magistras from a recognised university with a minimum overall grade of 8 out of 10, or a good post-2001 Magistras, will be considered for entry to postgraduate research programmes

Holders of a good Bachelors degree from a recognised Luxembourgish Higher Education institution with a minimum overall grade of 16 out of 20, or a Diplôme d'Études Supérieures Spécialisées (comparable to a UK PGDip) or Masters degree from a recognised Luxembourgish Higher Education institution will be considered for entry to postgraduate research programmes.

Students who hold a Masters degree will be considered for Postgraduate Diplomas and Masters degrees (70-74% or A or Marginal Distinction from a well ranked institution is considered comparable to a UK 2.1, while a score of 60-69% or B or Bare Distinction/Credit is considered comparable to a UK 2.2).

Holders of a Bachelors degree from a recognised Malaysian institution (usually achieved with the equivalent of a second class upper or a grade point average minimum of 3.0) will be considered for postgraduate study at Diploma or Masters level.

Holders of a good Bachelors degree from the University of Malta with a minimum grade of 2:1 (Hons), and/or a Masters degree, will be considered for entry to postgraduate research programmes.

Students who hold a Bachelor degree (Honours) from a recognised institution (including the University of Mauritius) will be considered for Postgraduate Diplomas and Masters degrees.  Most taught Masters programmes require a minimum of an upper second class degree (2:1).

Students who hold the Licenciado/Professional Titulo from a recognised Mexican university with a promedio of at least 8 will be considered for Postgraduate Diplomas and Masters degrees.

Students who have completed a Maestria from a recognised institution will be considered for PhD study.

Applicants for postgraduate research programmes should hold a Bachelors degree, licence or Maîtrise and a Masters degree, with a score of 14/20 or 70% from a recognised institution to be considered. Applicants with lower grades than this may be considered on an individual basis.

Students with a good four year honours degree from a recognised university will be considered for postgraduate study at the University of Birmingham. PhD applications will be considered on an individual basis.

Applicants for postgraduate research programmes should hold a Bachelors degree and will usually be required to have completed a Masters degree, with 60-74% or higher for 2:1 equivalency from a recognised institution to be considered for entry. Applicants with lower grades than this may be considered on an individual basis.

Holders of a good Doctoraal from a recognised Dutch university with a minimum overall grade of 7 out of 10, and/or a good Masters degree, will be considered for entry to postgraduate research programmes.

Students who hold a Bachelor degree (minimum 4 years and/or level 400) from a recognised institution will be considered for Postgraduate Diplomas and Masters degrees.  Most taught Masters programmes require a minimum of an upper second class degree (2.1) with a minimum GPA of at least 3.0/4.0 or 3.5/5.0

Applicants for postgraduate research programmes should hold a good Bachelors degree from a recognised institution with a minimum GPA of B/Very Good or 1.6-2.5 for a 2.1 equivalency, and will usually be required to have completed a good Masters, Mastergrad, Magister. Artium, Sivilingeniør, Candidatus realium or Candidatus philologiae degree to be considered for entry to postgraduate research programmes. Applicants with lower grades than this may be considered on an individual basis.

Applicants for postgraduate research programmes should hold a Bachelors degree and will usually be required to have completed a Masters degree, with a CGPA of 3.0/4 or higher for 2:1 equivalency from a recognised institution to be considered for entry. Applicants with lower grades than this may be considered on an individual basis.

Holders of a Bachelors degree from a recognised university in the Palestinian Territories will be considered for postgraduate study. Holders of Bachelors degree will normally be expected to have achieved a GPA of 3/4 or 80% for 2:1 equivalency or a GPA of 2.5/4 or 70% for 2:2 equivalency.    

Holders of the Título de Licenciado /Título de (4-6 years) or an equivalent professional title from a recognised Paraguayan university may be considered for entry to a postgraduate degree programme. Grades of 4/5 or higher can be considered as UK 2.1 equivalent.  The Título Intermedio is a 2-3 year degree and is equivalent to a HNC, it is not suitable for postgraduate entry but holders of this award could be considered for second year undergraduate entry or pre-Masters.  Applicants for PhD level study will preferably hold a Título de Maestría / Magister or equivalent qualification, but holders of the Título/Grado de Licenciado/a with excellent grades can be considered.

Holders of the Licenciado, with at least 13/20 may be considered as UK 2.1 equivalent. The Grado de Bachiller is equivalent to an ordinary degree, so grades of 15+/20 are required.  Applicants for PhD level study will preferably hold a Título de Maestría or equivalent qualification.

Holders of a good pre-2001 Magister from a recognised Polish university with a minimum overall grade of 4 out of 5, dobry ‘good’, and/or a good Swiadectwo Ukonczenia Studiów Podyplomowych (Certificate of Postgraduate Study) or post-2001 Magister from a recognised Polish university with a minimum overall grade of 4.5/4+ out of 5, dobry plus 'better than good', will be considered for entry to postgraduate research programmes.

Holders of a good Licenciado from a recognised university, or a Diploma de Estudos Superiores Especializados (DESE) from a recognised Polytechnic Institution, with a minimum overall grade of 16 out of 20, and/or a good Mestrado / Mestre (Masters) from a recognised university, will be considered for entry to postgraduate research programmes.

Applicants for postgraduate research programmes should hold a good Bachelors degree from a recognised Romanian Higher Education institution with a minimum overall grade of 8 out of 10, and will usually be required to have completed a Masters degree/Diploma de Master/Diploma de Studii Academice Postuniversitare (Postgraduate Diploma - Academic Studies) or Diploma de Studii Postuniversitare de Specializare (Postgraduate Diploma - Specialised Studies) to be considered for entry. Applicants with lower grades than this may be considered on an individual basis.

Holders of a good Диплом Специалиста (Specialist Diploma) or Диплом Магистра (Magistr) degree from recognised universities in Russia (minimum GPA of 4.0) will be considered for entry to taught postgraduate programmes/PhD study.

Students who hold a 4-year Bachelor degree with at least 16/20 or 70% will be considered for Postgraduate Diplomas and Masters degrees.   

Students who hold a Maitrise, Diplome d'Etude Approfondies,Diplome d'Etude Superieures or Diplome d'Etude Superieures Specialisees will be considered for Postgraduate Diplomas and Masters degrees. A score of 14-15/20 or Bien from a well ranked institution is considered comparable to a UK 2.1, while a score of 12-13/20 or Assez Bien is considered comparable to a UK 2.2

Students who hold a Bachelor (Honours) degree from a recognised institution with a minimum GPA of 3.0/4.0 or 3.5/5.0 (or a score of 60-69% or B+) from a well ranked institution will be considered for most our Postgraduate Diplomas and Masters degrees with a 2:1 requirement.

Students holding a good Bachelors Honours degree will be considered for postgraduate study at Diploma or Masters level.

Holders of a good three-year Bakalár or pre-2002 Magister from a recognised Slovakian Higher Education institution with a minimum overall grade of 1.5, B, Vel’mi dobrý ‘very good’, and/or a good Inžinier or a post-2002 Magister from a recognised Slovakian Higher Education institution will be considered for entry to postgraduate research programmes.

Holders of a good Diploma o pridobljeni univerzitetni izobrazbi (Bachelors degree), Diplomant (Professionally oriented first degree), Univerzitetni diplomant (Academically oriented first degree) or Visoko Obrazovanja (until 1999) from a recognised Slovenian Higher Education institution with a minimum overall grade of 8.0 out of 10, and/or a good Diploma specializacija (Postgraduate Diploma) or Magister (Masters) will be considered for entry to postgraduate research programmes.

Students who hold a Bachelor Honours degree (also known as Baccalaureus Honores / Baccalaureus Cum Honoribus) from a recognised institution will be considered for Postgraduate Diplomas and Masters degrees. Most Masters programmes will require a second class upper (70%) or a distinction (75%).

Holders of a Masters degree will be considered for entry to postgraduate research programmes.

Holders of a Bachelor degree from a recognised South Korean institution (usually with the equivalent of a second class upper or a grade point average 3.0/4.0 or 3.2/4.5) will be considered for Masters programmes.

Holders of a good Masters degree from a recognised institution will be considered for PhD study on an individual basis.

Applicants for postgraduate research programmes should hold a Bachelors degree and will usually be required to have completed a Masters degree, with 7 out of 10 or higher for 2:1 equivalency from a recognised institution to be considered for entry. Applicants with lower grades than this may be considered on an individual basis.

Applicants for postgraduate research programmes should hold a Bachelors degree and will usually be required to have completed a Masters degree, with 60-74% or a CGPA 3.30/4.0 or higher for 2:1 equivalency from a recognised institution to be considered for entry. Applicants with lower grades than this may be considered on an individual basis.

Holders of a good Kandidatexamen (Bachelors degree) or Yrkesexamen (Professional Bachelors degree) from a recognised Swedish Higher Education institution with the majority of subjects with a grade of VG (Val godkänd), and/or a good Magisterexamen (Masters degree), International Masters degree or Licentiatexamen (comparable to a UK Mphil), will be considered for entry to postgraduate research programmes.

Holders of a good "PostGraduate Certificate" or "PostGraduate Diploma" or a Masters degree from a recognised Swiss higher education institution (with a minimum GPA of 5/6 or 8/10 or 2/5 (gut-bien-bene/good) for a 2.1 equivalence) may be considered for entry to postgraduate research programmes.

Applicants for postgraduate research programmes should hold a Bachelors degree and a Masters degree, with a GPA of 3.0/4.0, 3.5/5 or 75% from a recognised institution to be considered. Applicants with lower grades than this may be considered on an individual basis.

Holders of a good Bachelor degree (from 75% to 85% depending upon the university in Taiwan) from a recognised institution will be considered for postgraduate Masters study. Holders of a good Masters degree from a recognised institution will be considered for PhD study.

Students who hold a Bachelor degree from a recognised institution will be considered for Postgraduate Diplomas and Masters degrees.  Most taught Masters programmes require a minimum of an upper second class degree (2.1) Students who have completed a Masters degree from a recognised institution will be considered for PhD study.

Holders of a good Masters degree from a recognised institution will be considered for entry to our postgraduate research programmes.

Holders of a good Masters degree or Mphil from a recognised university will be considered for entry to postgraduate research programmes.

Students with a Bachelors degree from the following universities may be considered for entry to postgraduate programmes:

  • Ateneo de Manila University - Quezon City
  • De La Salle University - Manila
  • University of Santo Tomas
  • University of the Philippines - Diliman

Students from all other institutions with a Bachelors and a Masters degree or relevant work experience may be considered for postgraduate programmes.

Grading Schemes

1-5 where 1 is the highest 2.1 = 1.75 2.2 = 2.25 

Out of 4.0 where 4 is the highest 2.1 = 3.0 2.2 = 2.5

Letter grades and percentages 2.1 = B / 3.00 / 83% 2.2 = C+ / 2.5 / 77%

Holders of a postdoctoral qualification from a recognised institution will be considered for PhD study.  Students may be considered for PhD study if they have a Masters from one of the above listed universities.

Holders of a Lisans Diplomasi with a minimum grade point average (GPA) of 3.0/4.0 from a recognised university will be considered for postgraduate study at Diploma or Masters level.

Holders of a Yuksek Diplomasi from a recognised university will be considered for PhD study.

Students who hold a Bachelor degree from a recognised institution will be considered for Postgraduate Diplomas and Masters degrees. Most Masters programmes will require a second class upper (2.1) or GPA of 3.5/5.0

Applicants for postgraduate research programmes should hold a good Bachelors degree / Диплом бакалавра (Dyplom Bakalavra), Диплом спеціаліста (Specialist Diploma) or a Dyplom Magistra from a recognised Ukrainian higher education institution with a minimum GPA of 4.0/5.0, 3.5/4, 8/12 or 80% or higher for 2:1 equivalence and will usually be required to have completed a good Masters degree to be considered for entry to postgraduate research programmes. Applicants with lower grades than this may be considered on an individual basis.

The University will consider students who hold an Honours degree from a recognised institution in the USA with a GPA of:

  • 2.8 GPA (on a 4.0 scale) for entry to programmes with a 2:2 requirement 
  • 3.2 GPA (on a 4.0 scale) for entry to programmes with a 2:1 requirement 

Please note that some subjects which are studied at postgraduate level in the USA, eg. Medicine and Law, are traditionally studied at undergraduate level in the UK.

Holders of the Magistr Diplomi (Master's degree) or Diplomi (Specialist Diploma), awarded by prestigious universities, who have attained high grades in their studies will be considered for postgraduate study.  Holders of the Fanlari Nomzodi (Candidate of Science), where appropriate, will be considered for PhD study.

Holders of the Licenciatura/Título or an equivalent professional title from a recognised Venezuelan university may be considered for entry to a postgraduate degree programme. Scales of 1-5, 1-10 and 1-20 are used, an overall score of 70% or equivalent can be considered equivalent to a UK 2.1.  Applicants for PhD level study will preferably hold a Maestria or equivalent qualification

Holders of a Bachelors degree from a recognised Vietnamese institution (usually achieved with the equivalent of a second class upper or a grade point average minimum GPA of 7.0 and above) will be considered for postgraduate study at Diploma or Masters level.  Holders of a Masters degree (thac si) will be considered for entry to PhD programmes.

Students who hold a Masters degree with a minimum GPA of 3.5/5.0 or a mark of 2.0/2.5 (A) will be considered for Postgraduate Diplomas and Masters degrees.   

Students who hold a good Bachelor Honours degree will be considered for Postgraduate Diplomas and Masters degrees. 

Our research in the Department covers a broad range of themes and topics, from medieval and renaissance art and architecture to contemporary global art. Our work is multifaceted, and engages with historical issues as well as theoretical questions.

Please contact a staff member working in your area of interest in the first instance:  Find a supervisor in Art History, Curating and Visual Studies .

Your degree will provide excellent preparation for your future career, but this can also be enhanced by a range of employability support services offered by the University and the College of Arts and Law.

The University's Careers Network  provides expert guidance and activities especially for postgraduates, which will help you achieve your career goals. The College of Arts and Law also has a dedicated  careers and employability team  who offer tailored advice and a programme of College-specific careers events.

You will be encouraged to make the most of your postgraduate experience and will have the opportunity to:

  • Receive one-to-one careers advice, including guidance on your job applications, writing your CV and improving your interview technique, whether you are looking for a career inside or outside of academia
  • Meet employers face-to-face at on-campus recruitment fairs and employer presentations
  • Attend an annual programme of careers fairs, skills workshops and conferences, including bespoke events for postgraduates in the College of Arts and Law
  • Take part in a range of activities to demonstrate your knowledge and skills to potential employers and enhance your CV

What’s more, you will be able to access our full range of careers support for up to 2 years after graduation.

Postgraduate employability: History of Art

Birmingham's History of Art graduates develop a broad range of transferable skills, including: familiarity with research methods; the ability to manage large quantities of information from diverse sources; the ability to organise information in a logical and coherent manner; the expertise to write clearly and concisely and to tight deadlines; critical and analytical ability; the capacity for argument, debate and speculation; and the ability to base conclusions on detailed research.

Our History of Art postgraduates also have the advantage of gaining hands-on experience at the Barber Institute of Fine Arts: the university's on-campus art gallery which is home to the Department of Art History, Curating and Visual Studies.

Employers that History of Art graduates have gone on to work for include: Barber Institute of Fine Arts; Birmingham Museums Trust; National Trust; National Portrait Gallery; Royal Birmingham Society of Artists; University of Edinburgh; University of Lincoln; Warwick Business School; Ben Uri Gallery and Museum; Henry Moore Foundation; University of Cambridge; University of Exeter; University of Birmingham; and the Ironbridge Gorge Museums Trust.

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Graduate Art History

  • Current Graduate Students
  • PhD Program Requirements
The PhD program is designed to prepare students for college and university teaching, museum work, and other research positions

Admission Requirements

Candidates are admitted under the general regulations listed by the School of Graduate Studies . Applicants should have an exceptionally strong academic record with a grade average of at least an A- average in recent senior art history and/or humanities courses. The Department also welcomes applications from outstanding candidates with a background other than art history (with at least five art history courses in their academic background). In addition to transcripts, a CV, and three letters of reference, applicants must include a statement of intent and a sample research paper.

Graduate Application Information

PhD students, depending on whether they enter with a Master's degree or a Bachelor's degree (direct entry), will fulfill different requirements. Refer to the appropriate section below for further information.

PhD Program Requirements (Entering with an MA)

Phd program requirements (direct entry).

The five-year PhD program is designed for students who have graduated with a MA in art history or a related humanities major. The basic requirements include a minimum of four seminars (2.0 Full-Course Equivalents), a dissertation reading course (1.0 FCE), two language exams (unless already completed during a UofT MA degree), comprehensive examinations, a colloquium presentation, and a dissertation. One of the seminars must be FAH1001H: Methods in Art History, unless an exception has been made by the Director of Graduate Studies. You will be expected to maintain an A- average in your course work and complete your language exams before sitting the comprehensive examinations; in addition, your progress will be reviewed annually to assure that you have met expectations. Students who fail to make satisfactory progress during the first two years may have their registration terminated.

PhD Program Milestones (Entering with an MA)

At the end of each academic, students' progress will be reviewed to ensure that they have made satisfactory progress through the program. Both the student and the supervisory committee will complete annual reports and submit such reports to the Graduate Office.

Students admitted to the PhD program with an MA will be guaranteed a minimum of five years of funding and will be given teaching experience as a teaching assistant and/or as a course instructor.

PhD Funding

The six-year program is designed for students who have graduated with a BA in art history or a related humanities major. The basic requirements include a minimum of nine seminars (4.5 Full Course Equivalents), a dissertation reading course (1.0 FCE), two language exams, comprehensive examinations, a colloquium presentation, and a dissertation. One of the seminars must be FAH1001H: Methods in Art History, unless an exception has been made by the Director of Graduate Studies. You will be expected to maintain an A- average in your coursework and complete your language exams before sitting the comprehensive examinations; in addition, your progress will be reviewed annually to assure that you have met expectations. Students who fail to make satisfactory progress during the first two years may have their registration terminated or transferred to the MA program.

PhD Program Milestones (Direct Entry)

Qualifying year components.

To achieve candidacy, PhD students will complete the comprehensive examinations and an approved dissertation proposal during the qualifying year.

Comprehensive Examinations

Upon the completion of all coursework and language requirements, PhD students must secure the participation of a supervisor with whom they will discuss plans for the comprehensive examinations. PhD students are required to take the comprehensive examination within one and a half years (or two and a half years in the case of direct-entry PhD students). The examinations will be scheduled by the Director of Graduate Studies, during the academic year, from September to April. If a student fails the comprehensive examinations, one further attempt is allowed, no more than three months later. A second failure results in the immediate removal of the student from the program.

The Department of Art History runs a Comprehensive Examination roundtable each year. 

Examination Procedure

At the beginning of the study period, the PhD student will meet with the Examination Committee (made up of at least three members of the department—one of whom will be the prospective dissertation supervisor (see SGS Supervision Guidelines for Students ). The committee will define the areas of the examination, the length of study, and such readings and special topics as deemed to be appropriate. The Examination Committee will meet prior to the examination in order to discuss and agree upon the written questions to be submitted to the student.

The comprehensive examination is made up of three components, two written, and one oral. The written examination consists of two parts, the general area and dissertation area:

  • The general area is tested in the Department. The student receives two sets of three questions and is required to answer one from each set. The exam duration is 6 hours.
  • The dissertation area is a take-home exam. The student receives three questions for this examination, answers one of them, and returns it to the Department within 72 hours.
  • The oral examination for both components of the comprehensive examination (general and dissertation area) is normally scheduled three or four days after the take-home part is completed. The examination is normally 2 hours in length.

The examination is reported as pass or fail. A member of the Examination Committee will discuss with the student the results of the examination and provide advice.

Areas of Coverage

Ancient, Medieval, Early Modern, Modern/Contemporary. The general area examination will be defined at the beginning of the study period. In all fields, the flexibility of area definition will be maintained. The dissertation area component differs with each student and will be agreed upon by the Examination Committee and the student.

Dissertation Proposal

Immediately following the successful completion of the comprehensive examinations, students are expected to formally establish their PhD Supervisory Committees. A faculty member will have already been requested to act as the dissertation supervisor, and two other members of the graduate faculty to serve on their supervisory committee. One member of this three-person committee may be from outside the Department. (Exceptions may be possible if approved by the Director of Graduate Studies.) These arrangements must be approved by the Department’s Graduate Program Committee. Then, working with the Supervisory Committee, students will have three months following the successful completion of their comprehensive exam to develop a detailed proposal for their research. The length and specific nature of the proposal will be determined by the Supervisory Committee and the PhD student, and the drafted proposal must be approved by the Supervisory Committee, then submitted to the Director of Graduate Studies.

Please refer to the FAQ page and/or contact the Graduate Assistant .

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The Department of Art History

The Department of Art History offers B.A. and Ph.D. degrees in Art History and a wide range of courses in European, American, and Asian art history with additional strengths in architectural history and film and media studies.

Apr. 1, 2024

Eilis coughlin, phd candidate, selected as predoctoral research resident in naples, italy, center for the art and architectural history of port cities “la capraia”.

Eilis Coughlin

Eilis Coughlin, PhD candidate and HART grad representative, will be heading off to Naples, Italy later this year as the Predoctoral Research Resident at the Center for the Art and Architectural History of Port Cities “La Capraia.” Eilis will be working on her dissertation project, “The Bible of Naples (Paris, BnF, Ms. français 9561): Female Power, Piety, and Patronage in Fourteenth-Century Angevin Naples” at the Center from September 2024 - June 2025 which also engages the Museo e Real Bosco di Capodimonte and the city of Naples “as a laboratory for new research in the cultural histories of port cities and the mobilities of artworks, people, technologies, and ideas.” Research at La Capraia is grounded in direct study of objects, sites, collections, and archives in Naples and southern Italy and fosters research for advance graduate students in the city as a site of cultural encounter, exchange, and transformation, and cultivates a network of scholars working at the intersection of the global and the local. Eilis is currently a fourth-year PhD candidate who focuses on Medieval Art of the Mediterranean. Her interests include the study of female patronage and representation in fourteenth-century Angevin art and art objects.

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College of Liberal Arts and Sciences

You are here, clas art history professor named fellow in medieval studies academy.

By Charlotte Brookins 

Robert Bork , professor and director of graduate studies in the School of Art and Art History is one of only seven fellows named to the Medieval Academy of America’s 2024 Fellowship Class .  

Robert Bork

The Medieval Academy of America (MAA) was first established in 1925 and works to propagate a scholarly community with the goal of deepening and disseminating knowledge of medieval history in a way that is equitable, accessible, and inclusive. The fellowship class is nominated on an annual basis, with up to 150 fellows at one time. 

“I feel deeply honored to join this group, which includes only a few art historians,” says Bork. 

As described on its website, the purpose of the MAA’s fellowship program is to honor long-term academic achievements in the field of medieval studies. Fellows work as a group to use their raised profile as medievalists to ensure the continued vitality of their field.  

Bork, who has been with the University of Iowa College of Liberal Arts and Sciences for just over 25 years, says his time at the university has contributed to his development as a scholar and professor in many ways. 

“Most concretely, the university has supported my work with internal grants such as the Faculty Scholar program, the Arts and Humanities Initiative , and grants for conference and research travel,” Bork explains, referring to the AHI-funded trip in which Bork and a small group of students and staff traveled to France. On this trip, the group used laser scanners to create precise 3D models of Gothic cathedrals important to Bork’s current research.  

“The university has also supported my applications for external grants such as those from the Humboldt Foundation , the National Gallery of Art , and the American Council of Learned Societies , which have been crucial to my book projects,” he adds. 

Bork has appeared in numerous publications detailing his research in medieval studies. 

Bork majored in physics before embarking on his career in architectural history, and he notes that much of his research utilizes his multifaceted background, something that is supported by the university and college’s strength in a variety of programs. 

“I would urge students to take advantage of this breadth by taking a wide range of classes during their years here,” says Bork. “At the same time, I encourage students to share their diverse interests with their faculty mentors, since undergraduate research can open up valuable and unexpected opportunities, as I have seen in my own career.” 

Bork will be formally inducted as an MAA Fellow during the organization’s annual meeting in March. 

The University of Iowa  College of Liberal Arts and Sciences  offers about 70 majors across the humanities; fine, performing and literary arts; natural and mathematical sciences; social and behavioral sciences; and communication disciplines. About 15,000 undergraduate and nearly 2,000 graduate students study each year in the college’s 37 departments, led by faculty at the forefront of teaching and research in their disciplines. The college teaches all Iowa undergraduates through the college's general education program, CLAS CORE . About 80 percent of all Iowa undergraduates begin their academic journey in CLAS. The college confers about 60 percent of the university's bachelor's degrees each academic year. 

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Art & Art History News - April 9, 2024

Upcoming events.

Lisa An

King Awards Ceremony & Exhibition

Awards Ceremony & Reception: THIS FRIDAY!! April 12, 2024, 4:00-6:00PM Exhibition in the Visual Arts Complex: Wednesday, April 10 - April 19, 2024 

Undergraduate Finalists: Lisa An, Annabelle Farris, Sarah Mak, Alice Neild, Brooke Schuh

Graduate Finalists: Dati Alsaedi, Ana González Barragán, Cody Norton, Silvia Alejandra Saldivar Romero, Natalie Thedford

View online exhibition

Image: Lisa An,  Untitled, October 2023, photographic print on matte paper, 20in x 30in with borders

Hiroki Mourinoue

Setsuko and Hiroki Morinoue: Visiting Artist Lecture

Monday, April 22 at 4:00 PM Visual Arts Complex, Auditorium 1B20

Born in 1947, in Holualoa on the Island of Hawaii, Hiroki Morinoue received his BFA degree from the California College of Arts and Crafts (now CCA) in 1973. For Hiroki the landscape of Hawaii, its light, rocks, skies, and water has deeply influenced his work alongside the aesthetic of Japanese arts, crafts and landscaped gardens, which is prevalent in his work. In all of Morinoue's work there is a compelling sense of place, curiosity and dialogue between the art and its viewer. He transcends these observations in various mediums, including watercolor, oil, acrylic and mixed media paintings, monotypes, sculptures, photography, ceramics and Mokuhanga (Japanese woodblock prints). He has completed several major public art commissions, including projects at the Honolulu Public Library, and for the Hawaii Convention Center. Hiroki's work is represented in art collections around the world.

Born in Kanagawa, Japan, Setsuko began her interest in art through photography in high school. Later it transformed into the love for fiber art in Kusaki and Roketsu-zome, a Japanese natural dye with wax resist. She began her journey with clay at the Kona Arts Center in Holualoa. Setsuko is mainly self-taught by exploring and experimenting while taking many workshops throughout her career by well-established artists. She has participated in numerous group shows in Japan, Hawaii, and the US Mainland. Her works are in numerous private, public and corporate collections.

Hiroki and Setsuko Morinoue established Studio 7 Fine Arts Gallery in November 1979, as the first and now longest-standing contemporary art gallery in Hawaii. A humble space in a small village with a charmed history, the gallery holds an open-ended mission: to create and promote Contemporary Art.

Master of Fine Arts Thesis Exhibitions

Currently on View at CU Art Museum [Round 1] April 6–18, 2024 Artists featured: Brianna Autin, Erin Hyunhee Kang, Dani Wasserman, Elisa Wolcott

Next exhibition: April 27–May 11 [Round 2]  Opening reception: Fri. April 26 from 4–6 PM Artists featured: Natalie Thedford, Noa Fodrie, Aunna Moriarty, Cody Norton 

Art History symposium

Spring 2024 Art History Graduate Student Symposium

Visual Arts Complex, Rm 303 Tuesday, April 16, 2024, 9:00-10:45 AM

9:00 AM — Welcome, introductions, Albert Alhadeff, Director of Graduate Studies, Art History 9:15-9:30 — Brittany Ashley, Collections as Medium 9:30-9:45 — Kat Bertram, Manga Introduction to Nichiren: Unveiling Nichiren Buddhism through Manga Study Aids 9:45-10:00 — Natalie Ginez, Hybridity and Indigeneity in Colonial Ecuador BREAK 10:15-10:30 — Sam Hensley, Gathering for Tea: Modernity, Material Culture, and Tea Ceremony in Japan and Abroad 10:30-10:45 — Taite Shomo, Theatre of the Horrible: Self-Immolation, Violence, and Representation 10:45-11:00 — Bella Malherbe, Bhekisisa, Sakouli Beach, Mayotte: The Black Queer Figure as an Apoptotic Agent of the Anthropocene

Audrey Lebsack, The Vietnam American War

The 2024 Art History Showcase

Join us on  Tuesday, April 16, 3:30 - 4:30pm in the 3rd floor lobby  of the Visual Arts Complex for a reception celebrating the  Art History Showcase . This exhibition highlights Art History students’ research and coursework, raises the visibility of their scholarship, and honors their accomplishments. Refreshments will be served. The exhibition will be on view April 15-19, 2024.

Participants include  M.A. candidate Kat Bertram  ( Manga Introduction to Nichiren: Unveiling Nichiren Buddhism through Manga Study Aids ) and  B.A. with Honors candidate Bella Malherbe  ( Bhekisisa, Sakouli Beach, Mayotte: The Black Queer Figure as an Apoptotic Agent of the Anthropocene ), as well as students in Professor Brianne Cohen's capstone seminar: Photo and Political Violence, who have collaborated to create the "Waging Peace Through AI" exhibition.

Waging Peace Through AI This exhibition investigates the potential of generating AI-based images to advocate for peace. Each artwork has been created using AI-generating software, and students have conceived the artworks in the context of an undergraduate course, Photography and Political Violence. In the seminar, we have examined photographic histories of more visible violence from centuries of wars and genocide (e.g. WWII and the Holocaust, the Vietnam War) as well as more invisible, structural violence (e.g. racism in the U.S. prison system, the AIDS epidemic). The title of the exhibition is an homage to another contemporary, widely circulating exhibition, “Waging Peace in Vietnam,” about the efforts of U.S. soldiers and veterans who opposed the war.

Image caption: Audrey Lebsack,  The Vietnam American War

Department Announcements

Fieldschool

Art & Environments Field School

Registration is now open!

Art & Environments Field School Summer 2024 — June 10-28 ARTS 4444 6 Credits, 3 weeks in the field & 3 weeks asynchronous online

Field Instructor: Aaron Treher Artist and Exhibitions Developer, CU Museum of Natural History Visiting Artist: Nina Elder, Interdisciplinary Artist and Researcher Field Technician: Delaney Gardner-Sweeney, Installation Artist and Researcher Program Director I Online: Richard Saxton,  lnterdiscipinary Artist and Researcher 

Please email [email protected] or [email protected]

Marina Kassianidou

Marina Kassianidou, Assistant Professor, Painting & Drawing

A Partial History Solo exhibition by Marina Kassianidou

NARS Foundation Brooklyn, NY

Opening: April 12, 6:00 - 8:00 pm Duration: April 12 – May 15, 2024 https://www.narsfoundation.org/2024-exhibitions/marina-kassianidou-a-partial-history

A Partial History  unfolds histories/stories of touch, movement, language, and translation. The artist recreates books from her late grandmother’s library, focusing on marks of use and time on the books’ pages. She then makes drawings that magnify and superimpose the marks from the books, compressing time while potentially expanding space. The recreated books and drawings become alternative history books and maps, recording shared histories and spaces of handling and holding.

Megan O'Grady

Megan O'Grady, Assistant Professor, Critical and Curatorial Studies

O'Grady's book review of  CHASING BEAUTY: The Life of Isabella Stewart Gardner,  by Natalie Dykstra was recently published in the New York Times

An Exquisite Biography of a Gilded Age Legend Link to read the full review

graduation photo

Art & Art History Department Commencement

Friday, May 10 at 10:00am to 12:00pm ​Visual Arts Complex, Plaza — in front of the building 1085 18th Street, Boulder, CO 80309

Join us from 10 AM-12 Noon for the Art & Art History graduation on the Visual Arts Complex plaza. The ceremony is from 10-11 AM followed by morning refreshments served from 11AM-12PM.

Seating is limited! Please consider 2-4 guests per student.

IMPORTANT: Students should check in with their advisors about all graduation details!!! Are you registered to graduate?  CLICK HERE  to register. CLICK HERE  to order regalia If you are graduating this Summer or Fall and want to participate in the Spring 2024 Art & Art History graduation ceremony you will need to contact  [email protected]  in advance to be included in the event. 

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COMMENTS

  1. PROPOSAL GUIDELINES

    PROPOSAL GUIDELINES. In 2019, the department EC compiled the following guidelines to assist students as they write their dissertation proposals. A PDF version of these guidelines is available for download here. Subject and Rationale: This section should be 1-2 pages in length, and offer the background necessary for understanding your dissertation.

  2. PDF how to write an arts phd proposal

    of effort now. There are, in my opinion, four main criteria to a PhD proposal, which reflect the final outcome. of the qualification: Evidence of originality. Evidence of a coherent, well-researched project. Evidence of a suitable theme and topic. Evidence of being able to complete on time/a solid work ethic.

  3. PhD in History of Art

    PhD: PhD (Distance Learning): Application guidance. Full guidance information about the process of applying can be found on the central web pages for postgraduate admissions: Applying for postgraduate study; Supporting documents guidance; Research proposal. The most important aspect of the research degree application is the research proposal.

  4. Ph.D. Program

    The proposal will usually be 15-25 pages of text followed by illustrations and should include, at minimum, the following: ... Professor, Contemporary Art History & Theory, and Director of Graduate Studies, Art History and Archaeology . 4204 Parren J. Mitchell Art-Sociology Building College Park MD, 20742 (301) 405-1485. Department of Art ...

  5. Doctor of Philosophy in Art History

    Applications to the PhD program in art history, with all supporting materials and requests for financial aid, must be received by Dec. 15 for fall admission in the following year. ... The proposal includes a 1-2 page abstract, a 10-15 page précis (including a review of the state of the field), and a bibliography.

  6. Guidelines for Art History Comps Proposals

    All proposals should be 5-7 pages, double-spaced (except for the bibliography, which should be single-spaced), using a 12-point font. Please use one-inch margins around the page. Footnotes and bibliographic entries should follow the Chicago Manual of Style. There are two primary goals for writing a research proposal To provide the reader with ...

  7. PDF GRADUATE RESEARCH IN ART HISTORY THEORY Research Proposal Guidelines

    GRADUATE RESEARCH IN ART HISTORY & THEORY Research Proposal Guidelines Project title Research topic summary: a one to three sentence description that briefly encapsulates the project Project description: describe the proposed project including relevant historical and

  8. PhD Art History

    The Department of Art & Art History offers M.A. and Ph.D. degrees, although the Master of Arts in Art History is only available to doctoral students in Art and Art History, as a step toward fulfilling requirements for the Ph.D. The Department does not admit students who wish to work only toward the M.A. degree.

  9. PhD Art History Admission

    PhD Art History Admission. The Department welcomes graduate applications from individuals with a broad range of life experiences, perspectives, and backgrounds who would contribute to our community of scholars. Review of applications is holistic and individualized, considering each applicant's academic record and accomplishments, letters of ...

  10. What is a PhD in Art History?

    A contribution to new knowledge through original research or other advanced scholarship. A systematic acquisition of a substantial body of knowledge at the forefront of an academic discipline. The ability to design and execute a project to deliver the above, and to modify it as required. A detailed understanding of relevant research methods.

  11. Structure of the PhD Program

    Structure of the PhD Program. First-semester students all enroll in a methodologically oriented Proseminar, as well as seminars and graduate lecture courses. Adventurous breadth in art history is encouraged, and there is ample opportunity for coursework in related departments. After the first year there is also a steady exchange of advanced ...

  12. Art History PhD

    General Information The PhD program in the Division of Art History prepares graduates for university-level teaching, curator positions at major museums, and independent research in the field. Before beginning work for the PhD, students should have completed a master's degree in art history. Requirements for the degree include 60 credits of coursework beyond the master's degree and research ...

  13. Guidelines for Writing Art History Research Papers

    The following are basic guidelines that you must use when documenting research papers for any art history class at UA Little Rock. Solid, thoughtful research and correct documentation of the sources used in this research (i.e., footnotes/endnotes, bibliography, and illustrations**) are essential. Additionally, these guidelines remind students ...

  14. Preparing a History PhD proposal

    The research proposal you submit in January should be approximately 1000 words, plus a bibliography, and should contain the following: A title, possibly with a subtitle. The title should not take the form of a question and it may run to a dozen words or more. Like the title of a book, it should clearly convey the topic you propose to work on.

  15. Ph.D.

    Students who are interested in pursuing graduate degrees that emphasize international and/or transnational modern and contemporary art should follow the European and American/Global Modern and Contemporary track. The Ph.D. is intended for students who hold the M.A. degree in art history. Learn More. Faculty Profiles.

  16. Program

    The doctoral program in art history typically involves two years of coursework, the completion of a qualifying paper, preliminary exams in three fields, a dissertation prospectus, and a dissertation. Following their coursework, students also learn to teach by serving as a teaching assistant for faculty-taught undergraduate courses and taking ...

  17. PDF H o w to w rite a P h D proposal

    A good PhD proposal should do the following things, probably in the following order: 1. W ha t. E xplain w ha t his to rical p roblem (s) you w ant to und e rstan d . i.e. W h a t a re your ... Eleanor Robson & Adam Smith, UCL History, 2018. Author: Adam Smith Created Date:

  18. How to apply for the PhD in History of Art

    Research Proposal of 1000 - 1500 words should consist of a topic and a hypothesis, a literature review, a statement on method, and key references; Application Deadlines. The PhD in History of Art commences in October each year and applications for the course can be made from the preceding September.

  19. History of Art PhD

    The Department of History of Art offers a two-stage integrated master's and doctoral program (MA/PhD) in preparation for college teaching, writing, and specialized curatorial careers. Students are not admitted to work for a terminal MA degree, though students may apply for the MA after meeting Stage I requirements toward the PhD. Students work ...

  20. History of Art PhD, MPhil

    What makes us distinct within the History of Art department is our inclusion of global art histories, from Japan and China to the Islamic world and India, in addition to a remarkably wide array of methodologies and period specialisms in more established areas. We have strong groupings of staff in Medieval, Renaissance, Early Modern, Nineteenth ...

  21. PDF Research Proposal Art History Capstone Gillian Wei Research Question

    In this paper, I will argue that although Manet, Degas, and Toulouse-Lautrec sought to establish themselves as a new school of art, they relied on. many biblical and classical allusions, subject matter, and motifs in order to establish artistic. legitimacy, communicate the nuances of their aesthetic intentions, and attract wealthy.

  22. PhD History of Art course

    Students with a Masters degree from a recognised university in Japan will be considered for PhD study. A high overall grade will be necessary to be considered. Applicants for postgraduate research programmes should hold a Bachelors degree and a Masters degree, with a GPA of 3.0/4.0 or 75% from a recognised institution.

  23. PhD Program Requirements

    PhD Program Requirements (Entering with an MA) The five-year PhD program is designed for students who have graduated with a MA in art history or a related humanities major. The basic requirements include a minimum of four seminars (2.0 Full-Course Equivalents), a dissertation reading course (1.0 FCE), two language exams (unless already ...

  24. Eilis Coughlin, PhD candidate, selected as Predoctoral Research

    The Department of Art History offers B.A. and Ph.D. degrees in Art History and a wide range of courses in European, American, and Asian art history with additional strengths in architectural history and film and media studies. ... Eilis is currently a fourth-year PhD candidate who focuses on Medieval Art of the Mediterranean. Her interests ...

  25. CLAS art history professor named fellow in medieval studies academy

    By Charlotte Brookins Robert Bork, professor and director of graduate studies in the School of Art and Art History is one of only seven fellows named to the Medieval Academy of America's 2024 Fellowship Class. Robert Bork The Medieval Academy of America (MAA) was first established in 1925 and works to propagate a scholarly community with the goal of deepening and disseminating knowledge of ...

  26. Art & Art History News

    Spring 2024 Art History Graduate Student Symposium. Visual Arts Complex, Rm 303 Tuesday, April 16, 2024, 9:00-10:45 AM. 9:00 AM — Welcome, introductions, Albert Alhadeff, Director of Graduate Studies, Art History 9:15-9:30 — Brittany Ashley, Collections as Medium