creative writing workshops for adults

Live Online Writing Workshops

In our online creative writing workshops, discover video-based live events that offer you a concentrated and interactive way to grow as a writer. From one-day writing retreats to professional development writing workshops online, you'll find the best live writing workshops right here at Writers.com.

Our instructors are both published writers and experienced educators, and they're dedicated to supporting you—whatever your personal goals, level of experience, or approach to writing.

The online creative writing workshops below are filling fast, so reserve your spot today!

Upcoming Online Creative Writing Workshops

July courses, comics for people who can’t draw, with aubrey hirsch.

Comic strip artists rely much more on creativity than on artistic skill. In this workshop, you'll learn all the tools you need to make fun and engaging comic strips—even if your drawing level is "stick figures."

Lifestyle and Wellness , Live Workshop

August Courses

Poems of all sizes: haiku, tanka, and japanese poetic forms, with miho kinnas.

Explore the history and poetics of Japanese poetry forms, and write haiku, tanka, renga, haiga, and linked verse poetry.

Live Workshop , Poetry

September Courses

Writing with consistency and courage, with tamara dean.

What makes a successful writer? It's not talent, craft, or even the right connections—it's consistency and courage.

Creative Nonfiction , Fiction , Lifestyle and Wellness , Live Workshop , Memoir , Novel , Personal Essay , Poetry , Short Story

Unscheduled Courses

These online writing classes don’t currently have a next session on our calendar, but will soon. If you see a course you’re interested in, use the “I’m Interested” button to let us know, and we’ll follow up with you when the course is on our calendar next.

Want to reach us or our instructors with questions about our online writing courses? Contact us at [email protected] , or visit the contact form .

(Live Workshop) Dream Writing

With zining mok.

How can writers harness the power of dreams? Let your slumber supercharge your creativity in this three hour dream writing workshop.

Creative Nonfiction , Live Workshop , Memoir , Personal Essay

(Live Workshop) Haiku & Senryu: Rekindling A Sense of Wonder

With marc olmsted.

Haiku, Senryu, and other Japanese poetry forms encourage us to slow down and write mindfully. Learn how to write these forms in this meditative writing workshop.

(Live Workshop) Intro to Screenwriting

With susan pohlman.

In this workshop, you'll learn the ropes of screenwriting and create living pieces of collaborative storytelling.

Fiction , Live Workshop , Stage and Broadcast

(Live Workshop) Move Your Writing Forward: The Art of the Bullet Journal

With rudri patel.

Want to have a productive new year? Set up your bullet journal in this one day live workshop.

(Live Workshop) Revising the Novel: Take Your First Draft to the Next Level

With donna levin.

Ready to start revising your novel? Get rolling in this in-depth webinar.

Fiction , Live Workshop , Novel

(Live Workshop) The Art Friend’s Dilemma: Advice on Writing from Real Life

With briana una mcguckin.

Are you writing about people from real life? This one-day live workshop answers the question of how to be a good art friend.

(Live Workshop) The Art of Love Stories: A Flash Fiction Workshop

How do you distill love into 1,500 words or less? Zining Mok explains in this love stories flash fiction workshop.

Fiction , Live Workshop , Short Story

(Live Workshop) Writing Beginnings and Endings

With sarah aronson.

How do you write a story that's compelling to start and satisfying to finish? Sarah Aronson explains in this comprehensive one-day workshop.

Creative Nonfiction , Fiction , Live Workshop , Memoir , Novel , Personal Essay , Short Story

(Live Workshop) Writing from a Strong Sense of Place: A Generative Workshop

With jacquelyn stolos.

Develop powerful and realistic settings in this generative three-hour workshop, with Jacquelyn Stolos.

Fiction , Live Workshop , Novel , Short Story , Stage and Broadcast

Drawing Poems: the Art of Visual Poetry

By melding poetry with design, visual poets can create multidimensional works of art and literature. Explore the craft in this visual poetry workshop. 

Finding Wildness and Freedom in Poetry

With moriel rothman-zecher.

Find a greater sense of comfort, ease, lightheartedness, and freedom in reading and writing poetry.

Get Clear on Your Story and Voice

With nadia colburn.

What is your story about? What is your voice? Whether you write poetry, fiction, or nonfiction, hone your writing in this 3 hour workshop.

Get It Done: Create the Scaffolding to Start (and Finish) a Writing Project

With eman quotah.

Get your butt in the chair, your mind roaming freely, and your creative juices flowing in this motivational, all-genres writing class.

Creative Nonfiction , Fiction , Lifestyle and Wellness , Live Workshop , Memoir , Novel , Personal Essay , Poetry , Short Story , Stage and Broadcast

Graphic Novel Writing Bootcamp

With cristian aluas.

Put pen to graphing paper in this workshop on crafting the graphic novel. By the end of the Zoom call, you'll have an 8 page graphic short story that's ready to illustrate.

How to Pitch

With rachel krantz.

Learn the ins and outs of pitching your work to print and online publications from Rachel Krantz, a full-time writer and formerly the Senior Feature Editor at Bustle.

Creative Nonfiction , Live Workshop , Personal Essay

How To Start A Blog, Grow An Audience & Make Money

With jessica festa.

When planned right, a blog allows you to share your passion and make money in the process. Learn how to start a blog in this one-day webinar.

Creative Nonfiction , Lifestyle and Wellness , Live Workshop , Personal Essay

Iconoclast: Reimagining the Line Break

With shankar narayan.

Poets can express so much in just a line break. Hone this tool of the poetic craft in this two part Zoom workshop.

Make Your Prose Sing

With leslie lawrence.

Enrich your prose with techniques from poetry. Bring paper and pens; leave with a better ear and lots of ideas about how to make your prose sing.

Poetry and Performance: Slam Poetry 101

With ollie schminkey.

In these workshops, master the elements of poetry and performance, and learn to take your poems from the page to the stage.

Techwashed!: Writing with AI, Data, and Surveillance

Raise a mirror against society's relationship to technology in this two part workshop series where we will learn how to write about tech.

Creative Nonfiction , Fiction , Live Workshop , Memoir , Novel , Personal Essay , Poetry , Short Story

Ten Steps to Creating Interesting, In-Depth Characters

How do you write about people convincingly? Empower your character development in this workshop filled with exercises and character discussion.

Fiction , Live Workshop , Novel , Short Story

The Only Submission Workshop You Will Ever Need

With meghan sterling.

How do you get your poems in literary journals? This two part webinar shows you the ropes for getting your work published, read, and celebrated.

The Surprising Sentence: Honing Your Prose Style

With jessie roy.

Great sentences stack up into great stories. Learn how to hone your style and voice at the most basic unit of writing, the sentence, in this workshop.

Twoness Poems

With e. ethelbert miller , miho kinnas.

Twoness poems are poems written collaboratively with another poet. Learn something new about yourself, your writing partner, and poetry in this collaborative Valentine's Day workshop.

Using Your Poetry Skills to Write Memoir

With freesia mckee.

How do poets tell their stories in prose? Take the leap from poetry to memoir in this hybrid writing workshop.

Creative Nonfiction , Live Workshop , Memoir , Poetry

Writing for Kids: Entering the World of Children’s Literature

With amanda hosch.

Learn the fundamentals of writing for children in this one day workshop, and write the kinds of stories that kids simply can't put down.

Writing Magical Fiction

With amy bonnaffons.

In this workshop series, you won't just write using magic in fiction—you'll harness the magic that only fiction can make.

Writing Spontaneously: How to Let Your Stories Surprise You

Some of the best stories don't follow a specific plot structure; they develop organically. Learn how to hone spontaneity in your fiction writing and come away surprised by your work.

You Yourself Are the Beloved: Writing with South Asian Ghazals

The ghazal poem has a rich history with a tricky form to master. Learn the ropes in this inspiring and electrifying workshop.

NEW VIDEO COURSE

Learn How to Write a Novel, Join Tom Bromley for a writing master class.

Learn How to Write a Novel

Join Tom Bromley for a writing master class and finish your first draft in 3 months.

31 Best Adult Creative Writing Classes in 2024

Showing 31 courses that match your search.

Writing a Resume For Success

Kansas City Public Library

Applying for college or a new job is a daunting task, but having a good resume can alleviate some of the stress. In this class, gather tips and guidelines on how best to showcase your skills.

Website: https://kclibrary.org/blog/library-launches-online-writin...

Categories: Adult

Start date:

Open all year round

Prerequisites: No prerequisites

Story Writing: How to Build Background With Imagery and Setting

This class is all about writing sensory descriptions and creating a sense of place in writing fiction. Discover how descriptive language can help ground your reader and create thought-provoking imagery that adds to the tone and intrigue of your story.

Website: https://kclibrary.org/calendar/story-writing-how-build-ba...

April, 2024

(Re)writing as Therapy

One of the most potent powers of writing is its ability to remold the past. In this class, we’ll use writing to explore past events, discovering how imagination can reframe good or bad times. You’ll even have the opportunity to literally rewrite a past event if you’d like.

Website: https://kclibrary.org/calendar/rewriting-therapy-0

How to Write a Novel

Your story matters. Unlock your potential with daily video lessons from bestselling ghostwriter Tom Bromley, and finish your first draft in just 3 months. Learn more →

Reedsy's course, led by Tom Bromley, is a 101-day program aimed at helping writers finish their first novel draft. It includes daily video masterclasses, a structured approach for drafting, and access to a forum and live webinars for interaction and feedback. The course covers various aspects of novel writing, including preparation, character development, plot skills, and writing techniques.

Website: https://reedsy.com/learning

Andrea Beginners Creative Writing Course March 2024

In this practical class, you'll learn techniques to unlock your creativity even when inspiration seems scarce. By the end of the course, you'll be equipped with a toolkit full of writing hints and tips. Additionally, you'll join a supportive global community of Black Women & Women of Colour writers, fostering connections and support.

Website: https://www.rewritelondon.com/product/andrea/

March, 2024

Adult Writers Circle

The Writers Circle

Led by Judith Lindbergh, this virtual 11-week workshop caters to adults 19 years and older. It focuses on various writing forms and genres, offering a supportive environment for developing writing skills. Key aspects like structure, character development, and style are emphasized, along with guidance on the publishing market.

Website: https://writerscircleworkshops.jumbula.com/2023WinterWork...

Creating Complex Characters

Dive into character development in this class, where students learn to add real human depth to their characters. By creating detailed backstories and understanding life-altering scenes, students will move beyond standard roles to develop characters whose personal traits make their story roles not only feasible but essential.

Website: https://litreactor.com/classes/creating-complex-character...

The Creative Writing Project

Contemporary Arts Center

The Creative Writing Project is a series of workshops tailored for adult writers at all levels. It provides a platform to delve into creative writing, supported by a community of writers and educators. Each month-long series features guidance and instruction from a diverse group of local and published writers.

Website: https://www.contemporaryartscenter.org/discover/programs/...

Bring Your Book to Life

This 10-week live webinar series is designed to help participants write, publish, and monetize their non-fiction books. It provides guidance on taking a book idea to the first draft in just 10 weeks, offers strategies for efficient writing, and helps in structuring and titling the book to resonate with the target audience. The program also includes a private book writing consultation session with Lisa Tener, personalized feedback on outlines, and advice on finding the right tone and structure for the book.

Website: https://www.lisatener.com/book/

Prerequisites: Before the first weekly class, you should have a book concept, content and structure.

How To Write A Book Online

Writers Write

This course provides a personalized learning experience for aspiring authors, focusing on turning ideas into plots, creating memorable characters, and the art of show-not-tell in writing. It includes eight 45-minute Skype sessions with a writing coach, immediate access to 60 modules, a printable workbook and PDF course, and practical exercises with feedback. The course is designed to be engaging and interactive, ensuring students receive personalized guidance and support in their writing journey.

Website: https://www.writerswrite.co.za/product/how-to-write-a-book/

The Write Your Memoir Course

UK Writers College

Ideal for anyone with a life story to tell, this course guides you through crafting a compelling memoir. With the support of a published writer, you'll learn traditional editing techniques, find your voice, structure your story, and start your manuscript with a 10,000-word target. The course includes seven modules with personalized feedback, fitting around your schedule over a 12-month period​​.

Website: https://www.ukwriterscollege.co.uk/write-your-memoir-cour...

The Classic Storytelling Course

The Novelry

This self-paced, year-long course consists of 55 lessons and includes a 45-minute coaching session. It focuses on developing storytelling skills, creating compelling characters, and constructing engaging storylines. With access to over 40 live classes and workshops a month, it's ideal for writers at all stages, including beginners, and is designed by a Booker Prize-listed author​​.

Website: https://www.thenovelry.com/courses/the-classic-course

How to choose an adult creative writing class

Looking to build your writing skillset, learn more about your genre, or finally finish that book you’ve been working on? You’re in the right place. That’s why we built this directory of the best creative writing courses.

However, creative writing classes aren’t one size fit all. If you’re planning to join an adult creative writing class in particular, you’ll want to make sure that it matches what you’re seeking to learn about the genre.

So make sure to consider the following questions when you’re researching adult writing courses:

• Who is the instructor? How many years of experience do they have in writing books?
• Is there something in particular you’d like to learn in a writing class for adults? Does this course include it?
• How long is the course, and where is it taught?
• How much does the adult writing course cost? Does it fit into your budget?

More creative writing resources

Whether you’re a new or established author, there are always evergreen resources out there to how to get a headstart on writing books. 

Free online materials

• Creative Writing Prompts (resource)
• Book Title Generator (resource)
• Character Name Generator (resource)
• Plot Generator (resource)
• Reedsy's blog guide to novel writing basics
• How to Edit a Book (blog post)

Recommended books

• For writers in the UK:  Writers' & Artists' Yearbook  
• For writers in the US:  Writer’s Market 2020

Join a community of over 1 million authors

Reedsy is more than just a blog. Become a member today to discover how we can help you publish a beautiful book.

Save your shortlist

Enter your email address to save your shortlist so that you don't lose it!

By continuing, you will also receive Reedsy's weekly publishing tips and access to our free webinars.

We sent over your shortlist. Thank you for using Reedsy's Writing Courses Directory, happy publishing! 🙌

Try our novel writing master class — 100% free

Sign up for a free video lesson and learn how to make readers care about your main character.

1 million authors trust the professionals on Reedsy. Come meet them.

Enter your email or get started with a social account:

• All Online Classes
• New: Short Story Submission Boot Camp
• Fall 2024 Book Proposal Boot Camp
• Testimonials
• 2025 Destination Retreats

• Create account
• — View All Workshops
• — Fiction Classes
• — Nonfiction Classes
• — Poetry Classes
• — Lit Agent Seminar Series
• — 1-On-1 Mentorships
• — Screenwriting & TV Classes
• — Writing for Children
• — New Orleans 2025: Apply Now!
• — Tuscany 2025: Join List!
• — Dublin 2025: Join List!
• — Iceland 2025: Join List!
• — Hawaii 2025: Join List!
• — Paris 2025: Join List!
• — Mackinac Island 2025: Join List!
• — Latest Posts
• — Meet the Teaching Artists
• — Student Publication News
• — Our Mission
• — Testimonials
• — FAQ
• — Contact

Shopping Cart

Upcoming workshops on zoom, filter and sort.

70 products

Course Subject

Using the Literature of Time Travel to Play with Time in Your Writing Zoom Seminar with Amber Sparks, Saturday, September 21st, 2024

Once Upon a Time: Using Fairy Tale Forms to Write Better in any Genre Zoom Seminar with Amber Sparks, Saturday, July 20th, 2024

Staying the Course: Navigating Each Stage of Your Writing and Publishing Journey with Focus and Persistence Zoom Seminar, Saturday, August 3rd, 2024

Writing Our Way Into Story: A 6-Week Generative Zoom Workshop, Starts Wednesday, July 10th, 2024

Four Fabulous Ways to Explore Character in Fiction: A Generative Approach with Robert Anthony Siegel (5-Week Zoom Class), Starts Wednesday, July 31st, 2024

Stealing from Shakespeare: How to Create Characters Like the Bard Did 4-Week Zoom Class, Starts Tuesday, August 6th, 2024

The Nonfiction Storytelling Lab: Read and Analyze 5 Great Essays in 5 Weeks with Robert Anthony Siegel (Zoom), Starts Tuesday, July 30th, 2024

Formal Constraints: an 8-Week Poetry Intensive (Zoom) with CD Eskilson, Starts Monday, September 9th, 2024

Twenty Different Ways (and More) to End a Story, Essay, Memoir, or Novel Zoom Seminar, Saturday, July 20th, 2024

Mastering Flash Fiction: 6 Weeks, 6 Stories Zoom Workshop, Starts Thursday, August 22nd, 2024

Writing About Addiction 3-Week Nonfiction Zoom Seminar, Starts Tuesday, October 29th, 2024

Writing About Women's Sports 2-Week Nonfiction Zoom Seminar, Starts Tuesday, September 17th, 2024

Twelve Structure Ideas for Your Story, Essay, Memoir, or Novel Zoom Seminar, Saturday, June 22nd, 2024

Love and the Creative Life: How to Smoothly Navigate Your Relationship and a Writing Career Zoom Seminar, Sunday, July 14th, 2024

Idea to First Draft: A Personal Essay 4-Week Zoom Workshop, Starts Thursday, September 26th, 2024

Pitching Your Personal Essay Zoom Seminar, Saturday, October 26th, 2024

The Funny Thing About Memory: 6-Week Nonfiction Zoom Class, Starts Sunday, July 7th, 2024

Writing Real Sex 4-Week Zoom Seminar, Starts Tuesday, July 9th, 2024

YA Bestseller 101: How to Write a Propulsive Page-Turner 6-Week Zoom Workshop, Starts Saturday, September 7th, 2024

Writing Young: Drawing from Personal Experience to craft YA Characters 2-Week Zoom Intensive, Wednesday July 17th & 24th, 2024

Metaphor Magic: Creating Strong Metaphors to Transform Your Writing Zoom Seminar, Saturday, August 24th, 2024

Advanced Autofiction 6-Month Workshop with Victoria Costello, Starts Wednesday, August 14th, 2024

(Re)Creating Genre: Blurring Lines & Labels 6-Week Zoom Class, Starts Thursday, July 11th, 2024

Etched Memories: Body Marks & Scars Zoom Seminar, Saturday, September 7th, 2024

Create an online course, reach students across the globe, & earn money.

Gotham Writers Workshop

Classes starting now.

• Grammar 2: Expertise and Finesse (Zoom)
• Creative Writing 101 (Online)
• Fiction Writing I (Online)

Gotham Writers Workshop is a creative home where writers develop their craft and come together in the spirit of discovery and fellowship. We’ve been teaching creative writing and business writing since 1993.

Gotham is now offering Online and Zoom (videoconference) classes.

Join us for a free Open House via Zoom videoconference on April 1 and 2.

• Scriptwriting
• Comedy, Poetry & Song
• Professional Development

The Art of Craft

We teach the craft of writing in a way that’s clear, practical, and inspiring. Explore our wide variety of courses for adults and teens, as well as our One-on-One options. New classes are starting all the time, in NYC, on Zoom, and asynchronously Online.

The Gotham Writers Children’s Lit Conference Sep 28-29

Two sharp stories each month—fiction and nonfiction. Presented with text, audio, and original art.

Enter the experience.

Scholarships for Writers of Color

Scholarships for Writers of Color are available to all people of color who aspire to improve their writing skills, either in the fields of creative writing or elsewhere.

Postcards from Summer Camp Contest

Summer camp is a setting that evokes heightened emotion. With that in mind, we invite you to submit a story about summer camp—with a twist.

How to Get Published

Here you will learn how to navigate the ins-and-outs of the publishing business and you’ll write (and refine) the most important selling tool for your book—the query letter. All under the guidance of an established literary agent.

Summer Classes

Summer classes are now available for enrollment , on Zoom, Online, and in NYC!

Stay Connected

Sign up for our email list to receive writing advice, news, and special deals. We promise to send you great content that enlightens and brightens your day.

Student Success

Expert Teachers, Working Writers

A skilled teacher is the key to an exceptional class. Our teachers have been in the trenches, working daily at the craft of writing. They know the lay of the land. And they are equally adept at the fine art of teaching.

A Wealth of Resources

The tools needed to write are quite simple—pen and paper, or electronic device. But it’s useful to have advice and information within easy reach. We’ve put together all kinds of resources to guide your journey as a writer, including Gotham books.

The Gotham Experience

We believe everyone has a story to tell. And we like to help people tell their stories better. We’ve been practicing this philosophy for more than three decades, and it’s made us the leading private writing school in the world.

• Course Catalogue
• Gotham Shop
• Credit & Refund Policy
• Ways to Save
• Privacy Policy
• [email protected]
• 212.974.8377

© 2024 Gotham Writers Workshop, Inc.

Subscribe to our email list

BloomTech’s Downfall: A Long Time Coming

Your source for the latest news and trends in online education.

600 Free Google Certifications

Most common

Popular subjects.

Digital Marketing

Web Development

Microsoft Excel

Popular courses

Mindfulness for Wellbeing and Peak Performance

Food as Medicine

Tsinghua Chinese: Start Talking with 1.3 Billion People

Class Central

• classcentral.com
• Browse Courses
• Write a Review
• About Class Central
• Best Courses
• Free Certificates
• Best Free Online Courses of All Time
• Most Popular Online Courses of All Time
• Featured Articles
• Online Learning Guides
• Student Voices

Disclosure:  Class Central is learner-supported. When you buy through links on our site, we may earn an affiliate commission.

10 Best Creative Writing Courses for 2024: Craft Authentic Stories

Learn how to tell your story and engage your readers with great storytelling.

As a lifelong literature enthusiast, I decided to challenge myself in 2010 by participating in NaNoWriMo (National Novel Writing Month), which tasks participants with writing a 50,000-word draft within a month. Although I’ve only achieved this goal twice since then, the experience has been invaluable. I’ve connected with a wonderful community of writers, both online and in person.

Through my experience, I can confidently say that creative writing is a skill that can be developed and honed, just like any other. While traditionally associated with literature, creative writing is increasingly being recognized as a powerful tool in various forms of writing, from copywriting and storytelling to novels and poetry. It has the ability to captivate readers and elevate the impact of written expression.

If you’re searching for the best online Creative Writing courses and resources, you’ve come to the right place. This Best Courses Guide (BCG) is built from Class Central’s catalog of over 300 Creative Writing courses and selected according to a methodology that you can check below.

Click on the shortcuts for more details:

What is Creative Writing?

Courses overview, why you should trust us, how we made our picks and tested them, here are our top picks.

Click on one to skip to the course details:

Related Guides

• Copywriting
• Content Marketing
• 2D Animation
• Digital Art

Special Picks

• Fashion Design
• Music Theory
• Emotional Intelligence

Trending Guides

• Design Thinking
• Graphic Design
• American Sign Language (ASL)

Creative writing is a genre of writing that seeks to evoke emotions and feelings in its readers. It surpasses the limits of traditional forms of literature and emphasizes narrative craft, character development, and the use of literary tropes and poetic traditions. Creative writing finds application in various forms of writing, including screenplays, plays, novels, poems, and other written works. In this guide, I will delve into some of its most popular facets.

Enhancing resilience and creativity through writing

Research shows that the brains of professional writers work differently from those of novice writers. Moreover, creative writing has been found to boost resilience in students . If you want to enjoy the benefits of writing, it’s important to develop the habit of jotting down your thoughts and words. Doing so can help you overcome writer’s block.

Creative writing is so powerful that it’s used in prisons to give inmates a chance to express themselves in programs like PEN America . “By providing resources, mentorship, and audiences outside the walls, we help these writers to join and enrich the broader literary community.”

Creative writing is a skill that can be learned and practiced like any other. Techniques such as ABDCE structure, 1st or 3rd person point of view, “show don’t tell”, dialogues, and tropes can be easily learned through the online courses in this guide.

• Together, they account for over 1M enrollments
• Skillshare, with 2 courses, is the most featured provider
• The single most popular course has nearly 400k enrollments
• Three courses are entirely free or free-to-audit.

Best Fantasy And Short-Stories Writing Lessons For Beginners (Brandon Sanderson)

Besides being an awesome writer, Sanderson is an instructor with a very unique talent for keeping us engaged. He has also made available a full course in creative writing on YouTube , originally presented at Brigham Young University, which includes the most crucial tools for any beginner or even experienced writers. The course is comprehensive and rich in content, with great sound and video quality.

Each video discusses a specific tool or technique, so you can easily select the theme you want to explore next or watch it all in sequence. It’s up to you. I recommend you take your time, watch one video at a time and experiment with each concept, or even better, find a writing buddy or form a group to practice writing together.

What you’ll learn:

• Plot construction, character development, and engaging storytelling
• Techniques for crafting immersive worlds and believable viewpoints
• Insights into the publishing industry, tailored for emerging writers
• Strategies for writing compelling short stories and leveraging them for larger projects.

“Very informative! I’m a beginner writer looking to study writing for video games, and this class gave me a lot of helpful tools to start understanding how stories work/how to organize my ideas! Will definitely be returning to some of these lectures in the future for guidance 👍” – Paige Webster

Best University-level Creative Writing Course (Wesleyan University)

Creative Writing by Wesleyan University is a specialization for those looking for a way to improve their writing structure, scene and character creations and finding your style. Each course includes writing practice (for paying learners) and insightful interviews. It’s worth your time and effort if you are a disorganized writer like myself.

• Techniques for crafting a bracing story with memorable characters and an interesting setting
• How to employ a fresh descriptive style in your writing
• Skills for analyzing and constructively evaluating peer writing
• The ability to refine your writing, critique writing in general, and draw inspiration from existing literature
• The process of drafting, rewriting, and completing an original story in the genre of your choosing.

It should be noted that the peer-grading system often lacks depth. However, the assignments are well-crafted and can be easily evaluated with minimal effort, providing some insights from other participants in the form of feedback or inspiration from their submissions.

“Great information about plot and scene structure. The information about revision was entirely new to me – thank you! The exercises were good and difficult in a good way that helped me hone my writing.” – Laura B, Coursera learner

Best Course to Find Your Voice (Neil Gaiman)

Neil Gaiman is currently one the most prolific writers I know of: he’s written books , comics , movies and even TV shows . Even if you’re not a fan of his style, there is definitely something you can learn from him.

In Neil Gaiman Teaches The Art Of Storytelling you will discover Neil’s philosophy on what drives a story and learn to unlock new stories within yourself.

While MasterClass doesn’t sell single courses, a subscription provides access to their entire library, including other writing courses like Margaret Atwood Teaches Creative Writing , Dan Brown Teaches Writing Thrillers , Malcolm Gladwell Teaches Writing , and James Patterson Teaches Writing . If you are considering the purchase, you should definitely enjoy the rest of their catalog.

By the end of this course, you will be able to:

• Discover and develop your unique writing voice
• Generate and develop original ideas
• Create dynamic, well-rounded characters that come to life on the page.

This course includes a 94-page workbook that includes assignments and supplemental material.

Best Practical Writing Course With Support (Trace Crawford)

I love it when a passionate teacher like Trace Crawford puts the effort into creating a comprehensive curriculum. COMPLETE Creative Writing – All Genres is a 12-hour course with 145 downloadable resources. In this course, you will learn how to write engaging fiction, poetry, drama, and creative non-fiction, helping you become the successful writer you want to be.

• The four genres of creative writing: fiction, poetry, drama, and creative non-fiction
• How to discover, refine, and share your unique writing voice
• A series of authentic writing assignments designed to target the skills you need to develop
• Writing techniques, literary devices, and specialized skills to enhance your writing
• Opportunities for publishing, podcasts, and how to create a professional creative writing portfolio
• Discover multiple public outlets to share your writing with others as you gain confidence and experience success in your writing ability.

This is a practical creative writing course that includes assignments reviewed by the instructor, though response time may vary.

“The short snippets of theory in combination with the short assignments suits my learning style. I don’t remember the last time I’ve written anything creative, but this course gave me the incentive to set some foundation and its actually quite enjoyable if you stick to it.” – Nikolaos-Stylianos Z., Udemy learner

Best Course to Overcome Writer’s Block: 10-Day Journaling Challenge (Emily Gould)

I couldn’t resist adding Creative Writing for All: A 10-Day Journaling Challenge to this guide. Emily Gould is a delightful instructor, and her approach to inviting you to participate in the challenge is impossible to decline. It’s the perfect course to overcome writer’s block, which is exactly what she proposes. In this 10-day creative writing challenge, filled with inspiring examples, observation prompts, and clever revision tricks, writers and enthusiasts will be able to express their creativity in a personal and artful way.

This course is the shortest one on the list, and it’s more about the challenge of keeping a journal. If you decide to subscribe to Skillshare, you can also enjoy their entire library of courses. In addition to the other two recommended courses on this list, you can also check out these other Skillshare courses: Writing Suspense: How to Write Stories That Thrill in Any Genre and The Writer’s Toolkit: 6 Steps to a Successful Writing Habit .

Best Course to Create Fiction From Personal Experience (Shaun Levin)

Shaun’s approach to writing in Short Story Writing: Create Fiction from Personal Experience is an unusual one. It draws from your personal experience to create a compelling fictional story. I can say from experience that this technique will help you write with more depth and authenticity. Every time we bring our own life to the story, it becomes alive, believable and relatable. In a way, all fictional stories are based on the author’s life.

This course will help you with techniques and a series of practical exercises to start writing your scenes from a more philosophical point of view, creating compelling stories. You’ll learn how to delve into your imagination to find everything you’ll need to become a prolific writer, no matter where you are.

By the end of the course, you will have a final project that will receive feedback from Shaun and other learners as well. Actually, if you want to check it out, in the course page on Domestika you can open the submitted projects and read the comments.

Shaun’s other courses: Creative Writing for Beginners: Bringing Your Story to Life .

“A practical course. Shaun Levin talks about theory but also demonstrates his process, which was invaluable. The exercises got my creative juices flowing. Thinking about doing his other course in the future.” – Maya Dicheva

Best Course to Make Writing Less Stressful with Best Practices (Jennie Nash)

If you struggle to start or get stuck in your writing, Write Your Book: Start Strong and Get It Done can help. With good advice and emotional support, you’ll learn techniques to make writing less stressful. The accompanying workbook guides you to think methodically by asking the right questions to keep you focused on your story and not chasing your own tail.

In this class, you’ll learn how to:

• Design every element of your novel or memoir, including the protagonist, plot, story structure and a project success plan
• Define your narrator’s voice
• Determine where your story begins and where it ends
• Decide what point you’re making about human nature
• Make sure you’re giving your ideal reader exactly what they want
• Gain the confidence you need to push past any doubts and finish your book.

This course is more of a masterclass, so there are no assignments included but it teaches good practices and provides a very useful workbook.

Best Course to Create A Compelling Story (Lisa Cron)

Writing: The Craft of Story is a series of well-produced lectures covering the basic building blocks of a story. Taught by author Lisa Cron, you will learn how to create compelling stories based on the way the brain responds to storytelling. This course emphasizes the importance of capturing the reader’s attention through techniques such as suspense, exploring the protagonist’s inner issues and dreams, specificity, and cause and effect. Upon completion of the quizzes, you will receive a certificate for your LinkedIn profile. Additionally, you can watch all the videos without subscribing to the course.

“Learning the fundamentals of crafting a story was and is a fascinating experience. And yes, I would highly recommend writing to anyone interested in learning how to express the communication of feeling.” – Nicole Gillard, LinkedIn learner.

Best Course to Write Personal Essays with Impact (Roxane Gay)

Discover the art of crafting powerful personal essays with best-selling author Roxane Gay in her course, Creative Writing: Crafting Personal Essays with Impact . Through her honest and thoughtful approach, Roxane will help you find your story, craft your truth, and write to make a difference.

This master class offers eight video lessons that are filled with practical guidance, actionable tactics, and example essays to guide you from the first idea to a final, publication-ready work.

You’ll learn how to:

• Find a specific purpose for telling your story
• Connect your work to larger conversations and timely themes
• Conduct crucial research to support your work
• Navigate personal memories to write your truth
• Write and revise your final work, and submit your work for publication.

Additionally, the class provides a downloadable worksheet to support your ongoing creative nonfiction writing practice, as well as links to additional resources.

If you enjoy creative nonfiction writing, you might consider this course that’s also on Skillshare: Creative Nonfiction: Write Truth with Style (Skillshare Original) by Susan Orlean

Best Course to Develop Your Ideas And Research for Characters (The Open University)

Start Writing Fiction explores the writing process, from journaling and idea development to reflection and editing. It features insights from established writers such as Louis de Bernières, Patricia Duncker, Alex Garland, Abdulrazak Gurnah, Tim Pears, Michèle Roberts, and Monique Roffey,  who share their approaches to research and turning events into plot. Led by Derek Neale, a novelist and short story writer, this course provides a comprehensive understanding of the writing rituals and techniques used by successful writers.

You’ll get to critique the work of other writers and receive feedback. This course is designed for individuals interested in starting or improving their fiction writing and does not require prior experience in the subject.

You’ll learn:

• Creation of characters in fiction
• Different sources and ways of presenting characters in stories
• Reading as a writer
• Writing practice including creativity, research, observation and editing
• Peer reviewing, workshops and the importance of feedback.

“This course takes learners through many aspects of writing such as developing characters, observing and describing details, finding inspiration, writing and editing. It includes some peer reviews which can be varying in quality. I was lucky enough to have some of my writing reviewed by a reviewer who gave very helpful and positive feedback.” – Pat Bowden

What’s Next

Scribophile is one of the largest online writing communities. You can get feedback on your writing and join writing groups. If you decide to join with a free plan, you need to collect points by reviewing other writers’ work before submitting your own work for review. They also developed some advanced tools for evaluating work and guidelines to make sure you give/receive feedback that is actually meaningful.

NaNoWriMo started out as a month-long challenge where you invite your friends and join other writers in your region, be it online in their forums or in person, to challenge yourself in writing your first draft. Nowadays, they run all-year round writing challenges (but November is still the biggest one in terms of participation). What is cool about it is you actually get to meet people in real life with various writing skills and backgrounds. I was able to make some great friends over the years and even met a few professional writers that decided to join our local group just to support us.

If you have any resources you would like to have added here, leave a comment below.

Class Central , a Tripadvisor for online education, has helped 60 million learners find their next course. We’ve been combing through online education for more than a decade to aggregate a catalog of 200,000 online courses and 200,000 reviews written by our users. And we’re online learners ourselves: combined, the Class Central team has completed over 400 online courses, including online degrees.

Trying to find “the best” can be daunting, even for those of us who live and breathe online courses. Here’s how I approached this task.

First, I combed through Class Central’s Catalog and the internet to find a variety of free and paid open courses, some with certificates. You don’t need to enroll in a university to learn about creative writing.

When choosing courses, I considered the following factors:

• Renowned Institutions : I looked for recognized institutions in creative writing
• Instructor experience : I sought instructors with extensive experience in creative writing and engaging presentation styles
• Popularity : I checked numbers of enrollments and views to find popular courses
• Course content : I examined courses that covered a range of topics and presentation styles, including the basics and more advanced topics. I watched some course videos to sample courses I hadn’t already taken
• Learner reviews : I read learner reviews (when available) to get a sense of the quality of each course, leveraging the Class Central database with its thousands of course ratings and reviews written by our users as well as available course provider reviews.

Then, I defined the scope for these recommendations. A creative writing course can cover various topics, so I chose top courses from a range of sub-fields.

Ultimately, I used a combination of data and my own judgment to make these picks. I’m confident these recommendations will be a reliable way to learn about creative writing.

Fabio Dantas

Leave a reply.

This site uses Akismet to reduce spam. Learn how your comment data is processed .

Browse our catalog

Discover thousands of free online courses from top universities around the world like MIT, Stanford, and Harvard.

Computer Science 13,166 courses

• Artificial Intelligence
• Algorithms and Data Structures
• Internet of Things
• Information Technology
• Computer Networking
• Machine Learning
• Deep Learning
• Cryptography
• Quantum Computing
• Human-Computer Interaction (HCI)
• Distributed Systems
• Blockchain Development
• Operating Systems
• Computer Graphics
• Automata Theory
• Digital Image Processing
• CSS Animation
• Morph Transition

Business 21,417 courses

• Management & Leadership
• Entrepreneurship
• Strategic Management
• Industry Specific
• Business Intelligence
• Human Resources
• Project Management
• Business Software
• Customer Service
• Nonprofit Management
• Operations Management
• Corporate Governance
• Business Plan
• Business Proposal
• Management Consulting
• Business Math

Humanities 8,300 courses

• Language Learning
• Grammar & Writing
• Linguistics
• Library Science
• Crisis Management
• Emergency Management
• Language Arts

Data Science 4,789 courses

• Bioinformatics
• Data Mining
• Data Analysis
• Data Visualization
• Jupyter Notebooks
• Process Mining
• Text Mining
• Topological Data Analysis

Personal Development 5,702 courses

• Communication Skills
• Career Development
• Self Improvement
• Presentation Skills
• Self-Acceptance
• Mental Toughness
• Self-Doubt Management
• Personal Empowerment
• Habit Tracking

Art & Design 20,638 courses

• Digital Media
• Visual Arts
• Design & Creativity
• Art Therapy
• Art Composition

Take a workshop

Help us help writers!

Learn about The Writer's Center

America's oldest poetry magazine

Writing Workshops

The Writer’s Center offers hundreds of writing workshops and classes every year. Workshops cover all genres and all experience levels. Join us in person and online.

Events Search and Views Navigation

Event views navigation, freedom with forms.

Here’s an opportunity to shed any misconception that received forms are constricting. Inspired by Richard Moore’s “The Rule That Liberates,” we will do brief writing exercises that use the enchantment of meter and rhyme to liberate your deeper imagination. After exploring several traditional forms, we will experiment with creating improvised (nonce) forms. Participants may leave with at least one new draft poem and ideas for creating more.

Inspiration Station — A Multi-Genre Workshop

Helpful exercises and prompts can free your imagination and lead you to surprises in your writing. If you’ve already chosen a genre to pursue, this workshop can help you broaden your approach by using techniques from other genres. If you write poems, perhaps you could write poetic fiction. This will be a positive space in a can’t-fail atmosphere. Your writing is greeted with support and (often) applause from your workshop colleagues. Receive generative tips to take with you. You will leave with a finished poem and flash fiction or memoir excerpts—and the fun you had writing them. Bring your favorite writing instruments. If you have a poem or paragraph you love that makes you want to write, bring that too.

Vulnerability in Personal Storytelling

Each of us has the power to look at our lived experiences to find meaning and wisdom that we can transform however we want: into art, into lifestyle, into legacy. In this workshop, you will learn how to view creative vulnerability as generosity, and how to offer up your humanity through story as a gift to yourself and others. You will come away from this workshop with perspective on your unique storyteller type and how grasping it can build courage, as well as best practices for taking care of yourself as you do this introspective work. Writers will produce a rough draft of a personal story.

Virtual Info Session for Generative Poetry Intensive w/ Jose Hernandez Diaz

Meet Jose Hernandez Diaz, instructor for our Generative Poetry Intensive workshop, and have all your questions about the program answered! The Writer’s Center staff will be on hand, too, to […]

Natural Meter Crash Course

Have you ever wondered how scanning the lines of your first draft can make for a better poem? Here’s an opportunity to improve your ear for meter—a major element of poetic prosody—and to fine-tune your understanding of how it works. Guided by an internationally published author of sonnets, villanelles, and other metrical poems, this one-day workshop includes scansion of well-known poems, writing exercises, and, if you like, close examination of a poem you’ve drafted prior to class. You’ll leave with new insights about improving the auditory qualities of all your poems and prose.

Plot Like a Pro

You have a great idea for a story. Do you dive in and just begin writing, or start by drafting an outline? Are you a born planner or a writer who loves to discover stories organically (i.e., a pantser)? Understanding how to structure a well-conceived story around a main character and central conflict, while paying attention to pacing, can make the difference between a finished, publishable manuscript and an abandoned work-in-progress. Plotting provides a safety net that never robs the author of the joy of writing, and always reduces revision time. Think you can’t plot? Join us for this course, and we’ll show you how!

Picture Book Revision Workshop

Bring your completed picture book manuscript to work on as we complete real-time revision that addresses the big picture, plot and character beats, and line by line strengths and weaknesses of your manuscript.

How To Write, Pitch, and Place Op Eds

Learn from an expert how to format, write, and pitch your opinion. Second only to the Front Page, the OP ED page is read by more readers than any other. In this class you’ll learn how to write an opening paragraph that pulls readers in, what factual sources editors trust (or don’t), the three questions an OP ED editor needs you to answer, how to take down opposing arguments politely, and end your piece to get results. Each session presents important information, from what words constitute an editor’s red flags to what’s in the contract you’ll sign. Each session presents a lecture with specific examples and offers a workshop to let you practice and receive feedback—if you wish it.

My Favorite Things: Writing About Ordinary Objects and Places

Contrary to what you’ve been told, poetry can be accessible and profound by paying attention to the mundane. In this workshop we will write a new poem each meeting based on odes, praise songs, and, yes, our favorite things to arrive at the pleasures and wisdom of poetry.

Virtual Info Session for Short Fiction Intensive with R. O. Kwon

Meet R. O. Kwon, instructor for our Short Fiction Intensive workshop, and have all your questions about the program answered! The Writer’s Center staff will be on hand, too, to […]

How to Write Dialogue That Advances Plot, Scene, and Motive

In each session of this workshop, you’ll hear a brief lecture with examples, and be able to practice a particular technique to understand the why and how it’seffective. Participants who wish to read their practice work aloud for quick feedback may do so.

The Complete Playwright

Dig into the full spectrum of playwriting — with workshops on process, form and technique, and group critique sessions that develop your individual approach to writing for performance. Over eight weeks, we’ll explore playwriting in a wide range of forms: from realism and adaptations to immersive theatre, musicals and verbatim plays. In-depth sessions on writing dialogue, crafting character and dramatic world-building will be paired with weekly critique sessions, giving each writer dedicated time to interrogate your ideas and find your unique style. You’ll come away with a full understanding of the playwright’s tools and techniques and new connections with fellow scriptwriters.

Point of View and Narrative Voice

Do the multitude of Point of View options elude you? We will look at everything from the first person point of view to the editorial omniscient, as well as some of the less traditional points of view, to help you choose the best voice to tell your story.

Intro to the Novel

This workshop will help you understand the process of writing a novel so you can get started putting pen to paper. The workshop will focus on everything from generating ideas to developing characters to establishing point of view. Participants will discuss many elements of fiction (dialogue, scene, etc.) but the emphasis will be on discovering the writing process that works best for each writer.

Creative Spirit: Infusing Your Writing with Energy and Inspiration

Are you struggling to find your voice as a writer? Do you have a story to tell but feel stuck in the creative process? No matter your beliefs, spirituality and open-mindedness can play a critical role in the creative process if we allow it and nurture it. In a safe and supportive space, reintroduce your childlike wonder around creativity so you can write freely, authentically reclaim your power, and uncover your true gifts. In this workshop you will learn to facilitate a concentrated focus and tap into a higher source of inspiration, whether viewed as the highest self, inner wisdom, or any other entity. You will walk away with efficient ways to set intentions for different writing projects, stay in the present, trust your process, set healthy boundaries, and follow signs and intuition. You will have the information necessary to create a sacred space and ritual for your writing practice, motivating you to enrich your content and deepen your message.

How to Start a Compelling Story

This workshop will teach writers how to capture readers’ and agents’ attention from the very first sentence and keep them turning pages. We will examine the way successful authors of both fiction and nonfiction draw us in, make us care, and create stakes in which we are immediately invested. By the end of this workshop participants will have created their own compelling story start upon which to build.

How to Write a Lot

You may think you don’t have the time, energy, or inspiration to write because of your hectic lifestyle. Wrong! Learn what Kathryn Johnson’s Extreme Novelists know about organizing their time, establishing a productive writing routine, and getting their stories written. We’ll share methods EN Grads (and many professional writers) use to complete their books in months instead of years, their short stories in mere weeks. Become the dedicated author you’ve always dreamed of being.

Find the Right Agent for You: Submission Package Workshop Class

To get a book published by a traditional publisher, you need an agent. In this class you will learn how to research agents to find the right one for you. After studying sample query letters, you’ll write your own query to be critiqued by your classmates. We will also workshop everyone’s opening pages and discuss topics such as conference pitch sessions, common query mistakes, and agent red-flags. By the end of the workshop, you will be ready to send query submissions to the agents of your choice. (Although you do not need to bring it to class, you should have a completed manuscript you are hoping to publish through traditional publishing.)

Marketing Your Poetry

This workshop will show you easy hacks for promoting your book. With small presses a popular choice for publishing, more writers are looking for ways to market their books when their publishers don’t have the resources. Courtney LeBlanc has published with small presses and have experience with grassroots marketing. She has successfully gotten her books included in festivals, author events, and into bookstores. The tips she will offer are low/no-cost, which is beneficial for writers on a budget.

Fiction II: Revise, Perfect and Submit!

This course aims to help you experience your work objectively, help you polish your work, and give you tools to submit to either literary journals, competitions, or agents. We will workshop, give and receive constructive, concrete feedback, discuss peer submissions, do writing exercises, critique query letters and talk about all things publishing.

Elements of Writing: Sound & Vision

As Rumi once wrote, “I can’t stop pointing to the beauty. Every moment and place says, ‘Put this design in your carpet!” In this exploratory four-week generative workshop, we will engage multidisciplinary modes of creativity to guide inspiration for writing. Using sound and vision as the aperture to ignite the inner dialogue, each week will integrate these mediums to engage a sensory interplay and weave a tapestry for the written word. Within this collaborative expression, we will utilize visual objects and music as the streaming catalysts for our subconscious intellect.

What a Character!

An introduction to the key elements and craft strategies of fiction, with a focus on creating and refining character-based stories (whether short stories or novels).

Persona Poem Crash Course

In the Persona Poem, or Dramatic Monologue, the poet writes in the voice of another real or imagined person—or even an inanimate object. Guided by a widely published author of persona and other poems, you will read and discuss several time-honored examples, then start new ones of your own. You may find unexpected insights, expanding your poetic range in the process.

Poetry Writing and Revision

For some poets, the most difficult part of writing is getting to the page. For others, it is the act of revisiting that first draft. This course will help students not only write new work with ease, but also return to those poems with a keen eye towards revision. To start, participants will respond to weekly prompts with a craft focus, based on readings from poets like Ada Limón, Chen Chen, Jericho Brown, and Natalie Diaz. Mid-way through the course, we will shift our focus to revision, reapproaching the poems from earlier weeks. Readings will outline various revision strategies and techniques aimed at giving students new entry points into their work. By the end of the course, students can expect to have written at least 3-6 new poems, with 3 substantial revisions. There will be 1 opportunity to receive feedback from other students and multiple opportunities for feedback from the instructor, but this is not an entirely workshop-style course. Students should have at least one poem in its early draft stages to begin the course.

Virtual Craft Chat with Essayist Lilly Dancyger

The Writer’s Center presents a FREE virtual chat about the craft of creative nonfiction! We’re joined by Lilly Dancyger to discuss her new essay collection, First Love: Essays on Friendship. […]

Generative Poetry Intensive with Jose Hernandez Diaz

Work with acclaimed poet and teacher Jose Hernandez Diaz to complete new work and get it ready for publication Looking to finish up a poetry or prose poetry manuscript? Need […]

Troubleshooting Your Fiction

Revision is a dirty word to some writers. But you needn’t fear the challenges of polishing a manuscript before submission and publication. This fast-paced, half-day class focuses on the ten most common mistakes and concerns, often overlooked by authors before they send their story out into the world. Everything you do to your manuscript after the first draft is what makes the difference between a ho-hum story and a powerful tale that lingers in readers’ minds. Join us for a painless look at the major revision issues for fiction.

Poetry Vs. Trauma

Trauma can shut us down; writing poems can help free us to open up again. This workshop will present some of the many ways poetry has helped writers both heal trauma and prevent post-traumatic stress syndrome. Guided by an internationally published poet, you will explore the science behind this and learn a range of techniques, immediately putting several of them to use in drafting new work. The workshop includes reading and discussion of time-honored poems, close attention to emotional and sensory aspects of poetry, several class writing exercises, and feedback on poems for those who wish to share them. (Note: All sharing is optional. This workshop is not a substitute for therapy.)

Exercises to Improve Your Writing

Not only will you learn from expert feedback in this workshop, you can continue to learn from this workshop even after it’s over. Exercises offered in this workshop are designed for repeated use in your practice at home—including some tailored to jump-start your inspiration.

August 2024

Diy novel revision.

Do you have a finished draft of a novel but don’t know what to do next? This workshop will take you through the revision and editing process step-by-step. From large-picture issues like plot and structure, characterization, etc… to line editing, we will look at what it takes to revise your own novel without the assistance of a professional editor.

How to Write A Grant Proposal

Learn how to write proposals to request grants from funders. This workshop will cover how to research prospective funders, the elements of a good proposal, and how to approach funders. Proposal writing is a practical skill that, applied to those who work or volunteer for non-profit organizations, can be a good source of freelance writing income. Please come to class with a non-profit or project in mind to use as the focus of your research and proposal. By the end of class, you will have a draft of a proposal to use for fundraising. Note: The workshop will meet August 3, 10, and 17. There will be a fourth meeting on September 14 to review your finished proposal.

Ready, Set, Write! A Generative Fiction Workshop

Join this two-hour generative writing session that will help you shake off your inner editor and put pen to paper (or fingers to keyboard). If you’ve been uninspired in your creativity lately, feel like your work could use a jolt, or just want to give yourself dedicated writing time, this session is structured to encourage creativity and playfulness. A range of prompts, short reading selections, and class discussion—along with in-class writing time—will introduce different craft techniques, styles, and approaches that will pump up your inspiration and get the words flowing. By the end of the session, you’ll have the start for 4-5 new story drafts.

Poetic Memoir

Do you want to approach personal memoir in short, manageable high points rather than attempting a long running narrative? Poems can capture the most meaningful moments of your life and evoke their essence in a reader. In this course you’ll begin to learn how to focus on such moments and present them so they illustrate you in your life and imply its arc. You’ll draft one poem after the first session and have a clear sense of how to revise it by the end of the second.

Short Fiction Intensive with R. O. Kwon

Work with acclaimed author R. O. Kwon to revise your stories, generate new work, and prepare for publication. In this 10-month intensive class, we’ll workshop our short fiction, whether they’re […]

Book Promotion Through Podcasting

Podcasting is one of the easiest ways to get your book and your voice out there, and we’ll not only be looking at how to find good podcasts and get booked on them, we’ll even talk about how to start your own podcast!

Ekphrastic Poetry

Find new ways to enter your drafts and deepen your revisions by writing poems about the visual arts (ekphrastic poems). We’ll read and discuss a variety of ekphrastic poems to inspire your own writing and enhance your craft skills (line, image, repetition, point of view, etc.). You’ll find new ways to access common themes, explore new terrain, and braid two narratives to enrich your poems. Each week, with provided prompts, you’ll be encouraged to visit a local gallery/museum and write about an artwork that moves you. Students will read aloud drafts for feedback of general appreciation and using a writer-focused workshop process, we’ll replace opinions and invasive “fix-its” with specific feedback to best serve the poet and support them in revisions. This class is perfect for poets looking to deepen their own creative process, write about art, and enhance their skills with feedback and revision.

Short Story I

Participants will bring in work which to be workshopped by the entire class. This workshop will teach participnats how to edit other’s work, read like a writer, scrutinize sentences, and how to submit to magazines.

Best Served Cold: Writing Revenge Poems

This generative workshop will review and discuss poems that serve, in some way, a bit of revenge on someone. We’ll then write our own revenge poems, participants can expect to leave with 2-4 new drafts of poems.

Journaling Techniques for Writing Memories

This workshop is about the pursuit of insight through writing personal memories. Whether you currently keep a journal or want to start journaling to nurture a consistent writing practice, in this two-day workshop you will learn journaling techniques that help you recall significant memories and explore the meaning behind those experiences. We will explore how a memoir writer’s journal differs from a regular journal, how to get your memoir journal started, and how to work with your captured memories to create a single storyline.

Write Like the News

Lead with the future — not background — for lead-ership, especially in a crisis. That’s the most important of eight journalism skills that will transform your writing. The others: write your readers’ language, be positive (to be both clear and upbeat), lay out logically, be consistent, be precise, be concise and choose strong verbs. (Plus a Speak Like the News skill: avoid “uptalk?”) Emulate the vivid news examples you’ll see in this workshop, and you’ll strengthen your writing voice with lively, engaging news style. At 7 sharp, we’ll critique TheWallStreetJournal.com, seeing how to communicate your main point in just a few words. To cover as much ground as possible, we’ll have just a few writing exercises and most of them will take less than a minute each.

September 2024

Crafting your life into story.

Following a tried-and-true formula (“Once upon a time . . . . Then, one day . . .”), you will learn how to identify, begin, and structure an autobiographical story, whether fiction or non-fiction. Participants will finish the workshop with the plots of at least three new autobiographical works, a two-page beginning of a new essay, story, novel, or memoir, or a revised beginning of their work-in-progress. Participants should bring either paper and pen or a writing device.Part 1: Learn how to begin and structure your new work. Part 2 (two weeks later): Workshop the drafts (5 pages max.) of your new work.

• Google Calendar
• Outlook 365
• Outlook Live
• Export .ics file
• Export Outlook .ics file

Search for a Class

Upcoming events, science fiction and fantasy writers of hampton roads meeting, the scribes: a club for 18-25 year old writers, shannon curtin book launch, write now at slover library.

View Events Calendar →

Support the Muse

The Muse Writers Center is a 501(c)3 nonprofit organization and your tax-deductible donation will help us continue to grow and serve the Hampton Roads literary community, including offering scholarships and tuition help as well as through our outreach programs to youth, seniors, and the military community.

The Muse Writers Center celebrates creative writing and the literary arts throughout Hampton Roads, Virginia, the nation, and beyond. We offer in-person, online, and hybrid creative writing classes, workshops, and seminars in every genre (fiction, poetry, nonfiction, screenwriting, songwriting, and comic book writing, as well as craft and professional development) for beginning and experienced writers--whether they be adults, children, or teens. In our Norfolk literary center, we house a library and space for writers to work and meet. We host diverse and culturally relevant literary events, readings, open mics, and special events at The Muse, around the region, and online for every audience. We never turn anyone away from a class because of their financial situation and have provided tuition help and scholarships to more than 4,000 people. Our engaging and creative outreach to youth and schools, senior living communities, and the military community is always expanding.  More about us →

Our Students Say

I think the Muse is brilliant and that Norfolk/Hampton Roads is unbelievably fortunate to have this resource. And that I am beyond fortunate to have the opportunity to be part of it, for which I am incredibly grateful for the Muse’s generosity in allowing me to participate in spite of my current state of very limited income.

Coming around the Muse is the most ‘at home’ I’ve felt in a long time. So glad you all are around.

The Muse keeps me afloat, and is the best community I’ve ever found. Thank you.

The Muse is the place where I can open my mind and let my thoughts out, since I can’t do that anywhere else, like in school. It’s more of a creative place where there are other people like me, and I can share my opinions and views and get feedback as well. I have definitely improved my poetry, and also I have started getting into screenwriting, and the classes give me short story ideas. I want a career as a writer; I aspire to be a professional author and poet.

Thanks for creating an outlet and community for something I’ve always wanted to do. I especially appreciate the rigor that The Muse provides. I’m always impressed by the caliber of the instructors and my fellow students. Keep up the good work!

The Muse is an amazing place and the fact that it is available even when I can’t afford to pay speaks to the true support of writing and all creativity. It is a quality place, and I am learning so much.

Welcome to The Muse!

READY TO WRITE?

HAVE THE MUSE SEND YOU CLASSES, TIPS, & TRICKS STRAIGHT TO YOUR MAILBOX :

We don’t spam! Read our privacy policy for more info.

You’ve been successfully subscribed to our newsletter!

You are using an outdated browser. Please upgrade your browser or activate Google Chrome Frame to improve your experience.

Summer Quarter

• Student Login Username Password Remember my password --> Submit Forgotten Username/Password New Student Account Setup Existing Student Account Setup ? Close This form is for current or former Stanford Continuing Studies students who do NOT already have a student login. Click here if you already have a student login account and have forgotten your username or password.

• Join Email List Sign up
• Follow Us Twitter Facebook

CREATIVE WRITING

What’s your story? Whether you’re just beginning to write or putting the finishing touches on your first novel, our on-campus and online writing courses offer expert instruction, individual attention, and supportive feedback at all levels, in all genres of creative writing. Please visit The Writer's Spotlight page to learn more about our online Writing Certificates.

• 43 Creative writing exercises

A selection of fun creative writing exercises that can be completed solo, or with a group. Some are prompts to help inspire you to come up with story ideas, others focus on learning specific writing skills.

I run a  Creative Writing Meetup  for adults and teens in Montpellier or online every week. We start with a 5 to 20 minute exercise, followed by an hour and a half of silent writing, during which each participant focuses on their own project. Every exercise listed below has been run with the group and had any kinks ironed out.  Where the exercises specify a number of people, if you have a larger group, simply split everyone up into smaller groups as appropriate.

The solo exercises are ideal to help stimulate your mind before working on a larger project, to overcome writer’s block, or as stand-alone prompts in their own right. If a solo exercise inspires you and you wish to use it with a larger group, give every member ten minutes to complete the exercise, then ask anyone who wishes to share their work to do so in groups of 3 or 4 afterwards.

Looking for something quick to fire your imagination? Check out these  creative writing prompts for adults .

Writing Retreat in South France

A note on running exercises remotely

While you can enjoy the exercises solo, they are also designed for online writing groups using Zoom, WhatsApp, or Discord.

If you're running a group and follow a ' Shut Up and Write ' structure, I recommend connecting on WhatsApp (for example) first, doing the exercise together, sharing writing samples as needed. Next, write in silence for an hour and a half on your own projects, before reconnecting for a brief informal chat at the end. This works great with small remote groups and is a way to learn new techniques, gain online support, and have a productive session.

If you have a larger online group, it's worth looking into Zoom, as this has a feature called  Breakout Rooms . Breakout Rooms let you split different writers into separate rooms, which is great for group activities. The free version of Zoom has a 40 minute limit, which can be restrictive, but Zoom Pro is well worth it if you're going to use it on a regular basis. In my experience, Zoom has a better connection than Facebook chat or WhatsApp.

A Letter From Your Character To You

Spend ten minutes writing a letter from a character in your novel to  you , the author, explaining why you should write about them. This serves three purposes:

• As you write, it helps you get into the mindset of the character. Ask yourself how they would language this letter and what they would consider important.
• It's motivating to know that your character wants you to write about them.
• If your goal is to publish a complete work of fiction one day, whether it be a novel, a play or a movie script, you will want to contact an agent or publisher. This helps you practice in an easy, safe way.

If you're doing this exercise with a group of teens or adults, and some of the group haven't already started working on their masterpiece, they can instead choose any fictional novel they love. Ask participants to imagine that a character within the book wrote to the author in the first place to ask them to write their story. How did they plead their case?

The Opening Sentence

The opening sentence has to grab the reader's attention and make them want to keep reading. Many authors achieve this by starting with an action scene. In modern literature, it's best to avoid starting with someone waking up, or a description of the weather. In this exercise the task is to write an opening sentence either to a book you're currently writing, or simply for an imaginary piece of literature.  Here are some of my favourite opening sentences to get you going:

It was a bright cold day in April, and the clocks were striking thirteen.

George Orwell , 1984

The Golem's life began in the hold of a steamship.

Helene Wecker , The Golem and the Djinni

All happy families are alike; each unhappy family is unhappy in its own way.

Leo Tolstoy , Anna Karenina

It wasn't a very likely place for disappearances, at least at first glance.

Diana Gabaldon , Outlander

You better not never tell nobody but God.

Alice Walker , The Color Purple

The cage was finished.

Gabriel Garcia Marquez ,  Balthazar’s Marvelous Afternoon

Imagine that you are living your life out of order: Lunch before breakfast, marriage before your first kiss.

Audrey Niffenegger ,  The Time Traveler's Wife

Far out in the uncharted backwaters of the unfashionable end of the western spiral arm of the Galaxy lies a small unregarded yellow sun.

Douglas Adams ,  The Hitchhiker's Guide to the Galaxy

There are a plethora of ways you can start a book, however two ways that help engage the reader immediately are:

• Set the scene in as few words as possible, so the reader immediately knows what's happening and wants to know what happens next.  The scene must be original and create a vivid image in the reader's mind.
• Surprise the reader with an unusual event or usual point of view.

Spend 5 minutes working on your own opening sentence, then share it with the other participants.

Make your protagonist act!

Exercise for 2 writers, or can be done solo.

According to John Gardner:

"Failure to recognise that the central character must act, not simply be acted upon, is the single most common mistake in the fiction of beginners."

Spend 5 minutes writing a scene where the protagonist is passive in a conversation with one other character. It could be that the other character says something dramatic, and the protagonist just listens, or it could be anything else of your choice!

Once the 5 minutes is up, swap papers with another writer. If you're using Zoom, or working online, send it to each other in a private chat. Now the other person spends 8 minutes rewriting the scene to make the protagonist as active as possible. This might include:

Read both scenes together. Which makes you want to keep on reading?

If you're doing this as a solo writing exercise, simply complete both parts yourself.

• Showing the emotion this evokes.
• Getting them to disagree with the other character.
• Showing how they respond physically (whether it's as a physical manifestation of how they feel, or a dramatic gesture to make a point).

Overcoming writer's block

Are you staring at a blank page or stuck for any story ideas? This exercise will help anyone who's experiencing writer's block with a particular piece of writing. If this isn't you, that's great, others will value your input!

If anyone has a particular scene they're stuck with (a pool of blood on the floor they have no explanation for, a reason why the rich lady just walked into a particular pub, etc.) then at the start of the exercise everyone briefly describes their scenes (if working online with a large group, typing it into the chat might be best). Everyone then chooses one scene to use as a writing prompt to write a short story for 10-15 minutes.

Afterwards, split into small groups if necessary, and read out how you completed someone else's writing prompt. As everyone listens to everyone else's ideas, this can be a wonderful source of inspiration and also improves your writing. As an alternative solo exercise, try free writing. With free writing, simply write as quickly as you can on the topic without editing or censoring yourself - just let your creative juices flow. If you're not sure what happens next, brainstorm options on the page, jot down story ideas, or just put, "I don't know what happens next." Keep going and ideas will come.

Writing Character Arcs

There are several different types of character arc in a novel, the 3 most common being:

For this exercise choose either a positive or negative character arc. Spend 8 minutes writing a scene from the start of a novel, then 8 minutes writing a scene towards the end of a novel showing how the character has developed between the two points. Don't worry about including how the character has changed, you can leave that to the imagination.

The point here is to capture the essence of a character, as they will be the same, but show their development.

• Positive  - Where a character develops and grows during the novel. Perhaps they start unhappy or weak and end happy or powerful.
• Negative  - Where a character gets worse during a novel. Perhaps they become ill or give in to evil tendencies as the novel progresses.
• Flat  - In a flat character arc the character themself doesn't change much, however the world around them does. This could be overthrowing a great injustice, for example.

Sewing Seeds in Your Writing

In this exercise, we will look at how to sew seeds. No, not in your garden, but in your story. Seeds are the tiny hints and indicators that something is going on, which influence a reader's perceptions on an often unconscious level. They're important, as if you spring a surprise twist on your readers without any warning, it can seem unbelievable. Sew seeds that lead up to the event, so the twists and turns are still surprising, but make intuitive sense. Groups : Brainstorm major plot twists that might happen towards the end of the novel and share it in a Zoom chat, or on pieces of paper. Choose one twist each. Individuals : Choose one of the following plot twists:   -  Your friend is actually the secret son of the king.   -  Unreliable narrator - the narrator turns out to be villain.   -  The monster turns out to be the missing woman the narrator is seeking.   -  The man she is about to marry happens to already have a wife and three kids.

Write for ten minutes and give subtle hints as to what the plot twist is. This is an exercise in subtlety. Remember, when the twist occurs, it should still come as a surprise.

This is a fun writing activity for a small group. You’ve found a magic potion labelled ‘Cat Chat’ and when you drink it, you turn into whichever animal you’re thinking about; but there’s a problem, it also picks up on the brainwaves of other people near you!

Everyone writes down an animal in secret and then reveals it to the other writers.  The spell will turn you into a creature that combines elements of all the animals.  Each person then spends 5 minutes writing down what happens when they drink the potion.

After the 5 minutes is up, everyone shares their story with the other participants.

If you enjoy this exercise, then you may also want to check out our  Fantasy and Sci-Fi writing prompts  full of world building, magic, and character development prompts..

Joe Brainard wrote a novel called:  I Remember It contains a collection of paragraphs all starting with “I remember”.  This is the inspiration for this exercise, and if you’re stuck for what to write, is a great way to get the mental gears turning.  Simply write “I remember” and continue with the first thing that pops into your head.

Spend 5 minutes writing a short collection of “I remember” stories.

Here are a couple of examples from Joe Brainard’s novel:

“I remember not understanding why people on the other side of the world didn't fall off.”

“I remember waking up somewhere once and there was a horse staring me in the face.”

Giving feedback to authors

If you're running a workshop for more experienced adult authors and have at least an hour, this is a good one to use. This is the longest exercise on this page, but I felt it important enough to include.

Give each author the option to bring a piece of their own work. This should be double spaced and a maximum of 3 pages long. If you're running a workshop where not everyone is likely to bring a manuscript, ask everyone who wants to bring one to print two copies each. If someone forgets but has a laptop with them, the reader can always use their laptop.

Print out a few copies and hand them around to everyone in the workshop of the guide on: 'How to give constructive feedback to writers'

Each author who brought a sample with them then gives them to one other person to review. They write their name on the manuscript in a certain colour pen, then add any comments to it before passing it to a second person who does the same (commenting on the comments if they agree or disagree).

Then allow 5 minutes for everyone to discuss the feedback they've received, ensuring they are giving constructive feedback.

The Five Senses

Painting by Giovanni Battista Manerius -  The Five Senses

Choose a scene and write it for 5 minutes focusing on one sense, NOT sight. Choose between:

Hearing  Taste Smell Touch

This can be internal as well as external (I heard my heartbeat thudding in my ears, or I smelt my own adrenaline).

After the 5 minutes stop and everyone reads it out loud to each other. Now write for another 5 minutes and continue the other person's story, but do NOT use sight OR the sense they used.

You can use any sense to communicate the essentials, just focus on creating emotions and conveying the story with the specific sense(s).

If you need some writing prompts, here are possible scenes that involve several senses:

• Climbing through an exotic jungle
• Having an argument that becomes a fight
• A cat's morning
• Talking to someone you're attracted to

Show don't tell

2 or 3 people

A lot of writing guides will advise you to, "Show, don't tell". What does this actually mean?

If you want to evoke an emotional reaction from your reader, showing them what is happening is a great way to do so.  You can approach this in several ways:

Split up into pairs and each person writes down a short scene from a story where they "tell" it.  After this, pass the description of the scene to your partner and they then have 5 minutes to rewrite it to "show" what happened.  If there are an odd number of participants, make one group of three, with each person passing their scene clockwise, so everyone has a new scene to show.  After the 5 minutes, for small groups everyone reads their new description to everyone else, or for large groups, each person just reads their new scene to their partner.

• Avoid internal dialogue (thinking), instead have your protagonist interact with other people, or have a physical reaction to something that shows how s/he feels.  Does their heart beat faster?  Do they notice the smell of their own adrenaline?  Do they step backwards, or lean forwards?
• Instead of using an adjective like creepy, e.g. "Mary entered the creepy house", show why the house is creepy through description and in the way the protagonist responds - "The light streamed through the filthy skylight, highlighting the decomposing body of a rat resting on top of it.  As Mary stepped inside, she felt a gust of freezing air brush past her. She turned, but there was nothing there..."

World building

World building is the art of conveying the magic of living in a different world, whether it's a spaceship, a medieval castle, a boat, or simply someone's living room. To master world building, it's not necessary to know every intricate detail, rather to convey the experience of what it would be like to live there.

Choose one of the above images as a prompt and spend 10 minutes writing a scene from the perspective of someone who is seeing it for the first time. Now, move your character six months forward and imagine they've spent the last six months living or working there. Write another scene (perhaps with an additional character) using the image as a background, with the events of the scene as the main action.

Click the above image for a close-up.

Gossiping about a character as if they're a friend.

Judy Blume says that she tells her family about her characters as if they’re real people. 

Chris Claremont said, "For me, writing the 'X-Men' was easy - is easy. I know these people, they're my friends." 

Today’s exercise has 2 parts. First, spend 5 minutes jotting down some facts about a character you’ve invented that might come up if you were telling your friends about them. Either choose a character in something you’ve already written, or invent one from scratch now.

Answer the questions:

What are they up to? How are they? What would you say if you were gossiping about them?

Then split up into groups of 4 to 6 writers. 2 volunteers from each group then role-play talking about their character as if they were a friend (perhaps another character in the story).  The other participants will role-play a group of friends gossiping about the character behind their back and ask questions. If you don’t know the answer, invent it!

Degrees of Emotion Game

This is based on an acting game, to help actors understand how to perform with different degrees of emotion.

Ask everyone to write the following 4 emotions:

For groups of 5 or less, write down numbers starting with 1 and going up until everyone has a number, then give them out in order. For groups of 6 or more, divide groups into 3's, 4's or 5's.

Each person has to write a scene where the protagonist is alone and is only allowed to say a single word, e.g. "Banana".  The writer with number 1 should write the scene with a very low level of the emotion (e.g. happiness), number 2 increases the intensity a bit and the highest number writes a scene with the most intense emotion you can possibly imagine.

Once each writer has written about happiness, rotate the numbers one or two spaces, then move onto anger, then fear, then sadness.

It can help to give everyone numbers showing the intensity of the emotions to write about at the start of the exercise, in which case you may wish to print either the Word or PDF file, then use the ones corresponding to 3, 4 or 5 writers.

Everyone shares their scene with the other course participants.

Three birds, one line

The first paragraph of a surprising number of best-selling novels serves multiple purposes. These are to:

• Establish a goal
• Set the scene
• Develop a character

Nearly every chapter in a novel also serves all three purposes. Instead of establishing a goal though, the protagonist either moves towards it, or encounters an obstacle that hinders them from achieving it.

Some books manage to meet all three purposes with their opening lines, for example:  

Mr and Mrs Dursley, of number four, Privet Drive, were proud to say that they were perfectly normal, thank you very much.

J.K. Rowling ,  Harry Potter and the Philosopher's Stone  

A little more than one hundred days into the fortieth year of her confinement, Dajeil Gelian was visited in her lonely tower overlooking the sea by an avatar of the great ship that was her home.

Iain M. Banks ,  Excession  

"We should start back," Gared urged as the woods began to grow dark around them.

George R.R. Martin ,  A Game of Thrones

For this exercise write a sentence or short paragraph that serves all three purposes. If you're already writing a novel, then see if you can do this for the first line in a chapter. If not, choose any combination from the following table:

Blind Date on Valentine's Day (Exercise for Adults)

In pairs one writer spends a minute or two describing a character they're writing about, or alternatively they can describe a celebrity or someone from a work of fiction.  The next writer then describes their character.

The story is that these 2 characters (or in my case, person and alien, as I'm writing a sci-fi) have accidentally ended up on a blind date with each other. Perhaps the waiter seated them in the wrong location, perhaps it's an actual blind date, or perhaps they met in some other fashion the writers can determine.

Now spend 10 minutes discussing what happens next!

A Success (Works best for online groups)

This exercise works best for online groups, via Zoom, for example.  The instructions to give are:

"In a few words describe a success in your life and what it felt like to achieve it. It can be a small victory or a large one."

Share a personal example of your own (mine was watching my homeschooled sons sing in an opera together).

"Once you have one (small or large), write it in the chat.

The writing exercise is then to choose someone else's victory to write about for 10 minutes, as if it was the end of your own book.

If you want to write for longer, imagine how that book would start. Write the first part of the book with the ending in mind."

This is great for reminding people of a success in their lives, and also helps everyone connect and discover something about each other.

Your dream holiday

You’re going on a dream holiday together, but always disagree with each other. To avoid conflict, rather than discuss what you want to do, you’ve decided that each of you will choose a different aspect of the holiday as follows:

• Choose where you’ll be going – your favourite holiday destination.
• Choose what your main fun activity will be on the holiday.
• Decide what mode of travel you’ll use to get there.
• If there’s a 4 th  person, choose what you’ll eat on the holiday and what you’ll be wearing.

Decide who gets to choose what at random. Each of you then writes down your dream holiday destination/activity/travel/food & clothes in secret.  Next spend 5 minutes discussing your dream holiday and add any other details you’d like to include, particularly if you’re passionate about doing something in real life.

Finally, everyone spends another 5 minutes writing down a description of the holiday, then shares it with the others.

A haiku is a traditional Japanese form of non-rhyming poetry whose short form makes it ideal for a simple writing exercise.

They are traditionally structured in 3 lines, where the first line is 5 syllables, the second line is 7 syllables, and the third line is 5 syllables again. Haiku tend to focus on themes of nature and deep concepts that can be expressed simply.

A couple of examples:

A summer river being crossed how pleasing with sandals in my hands! Yosa Buson , a haiku master poet from the 18 th  Century.

And one of mine:

When night-time arrives Stars come out, breaking the dark You can see the most

Martin Woods

Spend up to 10 minutes writing a haiku.  If you get stuck with the 5-7-5 syllable rule, then don’t worry, the overall concept is more important!

See  How to write a haiku  for more details and examples.

Unlike a haiku, which is profound and sombre, a limerick is a light-hearted, fun rhyming verse.

Here are a couple of examples:

A wonderful bird is the pelican. His bill can hold more than his beli-can He can take in his beak Food enough for a week But I'm damned if I see how the heli-can.

Dixon Lanier Merritt, 1910

There was a young lady named Bright, Whose speed was far faster than light; She started one day In a relative way, And returned on the previous night.

Arthur Henry Reginald Buller in  Punch,  1923

The 1 st , 2 nd  and 5 th  line all rhyme, as do the 3 rd  and 4 th  line.  The overall number of syllables isn’t important, but the 3 rd  and 4 th  lines should be shorter than the others.

Typically, the 1 st  line introduces the character, often with “There was”, or “There once was”. The rest of the verse tells their story.

Spend 10 minutes writing a limerick.

Time Travel - Child, Adult, Senior

Imagine that your future self as an old man/woman travels back in time to meet you, the adult you are today.  Alternatively, you as a child travels forward in time to meet yourself as an adult.  Or perhaps both happen, so the child you, adult you, and senior you are all together at the same time.  In story form write down what happens next.

Participants then share their story with other writers either in small groups, or to the whole group.

Focus on faces

Solo exercise.

One challenge writers face is describing a character. A common mistake is to focus too much on the physical features, e.g. "She had brown eyes, curly brown hair and was five foot six inches tall."

The problem with this is it doesn't reveal anything about the character's personality, or the relationship between your protagonist and the character. Your reader is therefore likely to quickly forget what someone looks like.  When describing characters, it's therefore best to:

• Animate them - it's rare that someone's sitting for a portrait when your protagonist first meets them and whether they're talking or walking, it's likely that they're moving in some way.
• Use metaphors or similes  - comparing physical features to emotionally charged items conjures both an image and a sense of who someone is.
• Involve your protagonist  - if your protagonist is interacting with a character, make it personal.  How does your protagonist view this person?  Incorporate the description as part of the description.
• Only give information your protagonist knows  - they may know if someone is an adult, or a teenager, but they won't know that someone is 37 years old, for example.

Here are three examples of character descriptions that leave no doubt how the protagonist feels.

“If girls could spit venom, it'd be through their eyes.” S.D. Lawendowski,  Snapped

"And Ronan was everything that was left: molten eyes and a smile made for war." Maggie Stiefvater,  The Dream Thieves

"His mouth was such a post office of a mouth that he had a mechanical appearance of smiling." Charles Dickens

Spend 5 minutes writing a character introduction that is animated, uses metaphors or similes and involves your protagonist.

If working with a group, then form small groups of 3 or 4 and share your description with the rest of the group.

Onomatopeai, rhyme and alliteration

Today's session is all about sound.

Several authors recommend reading your writing out loud after you've written it to be sure it sounds natural.   Philip Pullman  even goes as far as to say:

"When I’m writing, I’m more conscious of the sound, actually, than the meaning. I know what the rhythm of the sentence is going to be before I know what the words are going to be in it."

For today's exercise, choose the name of a song and write for 10 minutes as if that's the title for a short story. Focus on how your writing sounds and aim to include at least one onomatopoeia, rhyme or alliteration.  At the end of the 10 minutes, read it out loud to yourself, or to the group.

Alliterations

An alliteration example from Samuel Taylor Coleridge’s “The Rime of the Ancient Mariner”

The fair breeze blew, the white foam flew, The furrow followed free; We were the first that ever burst Into that silent sea.

Onomatopoeias

Buzz, woof, quack, baa, crash, purr, beep, belch,...

The alphabet story - creating a story as a group

This is a novel way to write a story as a group, one word at a time.  The first person starts the story that begins with any word starting with “A”, the next person continues the story with a word starting with “B”, and so on.

Keep going round until you have completed the alphabet.  Ideally it will all be one sentence, but if you get stuck, start a new sentence.  Don’t worry if it doesn’t make complete sense!

It can be tricky to remember the alphabet when under pressure, so you may wish to print it out a couple of times, so the storytellers can see it if they need to, this is particularly helpful if you have dyslexics in the group.

A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Here’s an example of an alphabet story:

A Band Can Dance Each Friday, Ghostly Hauntings In Jail Kill Lucky Men, Nobody Or Perhaps Quiet Rats, Still That Unifies Villains Who X-Ray Your Zebras.

As I mentioned, it doesn’t need to make sense!

A question or two

Small or large groups

The standard format in our group is a short writing exercise followed by an hour and a half of silent writing on our projects.

At one point I felt like we'd done a lot of small group exercises, and wanted to gain an insight into what everyone was working on, so we did the following exercise instead:

Go round the table and ask everyone to briefly talk about their writing.  Each person then asks one or two yes/no questions.

Everyone responds either by raising their hand for 'yes' or shaking their heads for 'no'. You can also leap up and down to indicate a very strong 'yes'.

Questions can be about anything, and you can use them either to help guide your writing or to help find other people in the group who have similar interests.

Here are some random examples you might ask:

• I want to write a romance novel and am considering setting it in Paris, a traditional romantic setting, or Liverpool which is a less obvious setting. Who thinks Liverpool would be best?
• I need to know more about the life of a farmer. Has anyone got farming experience who I can interview in exchange for a drink?
• My character gets fired and that night goes back to his office and steals 35 computers. Does that sound realistic as the premise of a story?

This works best when you give participants some advance notice, so they have time to think of a question.

Murder Mystery Game

Groups of 3 or 4

This exercise takes 20-30 minutes and allows participants to create a murder mystery outline together.

Phase 1 (3 minutes)

• Split into groups of 3 or 4
• Decide as a group where the murder occurs (e.g. the opera house, a bar, a casino)
• Decide one person who will write the details of the victim and the murder itself.  Everyone else writes the details of one suspect each.
• The ‘victim author’ then invents a few extra details about the scene of the crime, who the victim was (a teenage punk, an adult opera singer, etc.) and the murder weapon and summarises this to the others.

Phase 2 (10 minutes)

Each person then writes a police report as if they are either describing the scene of the crime, or recording the notes from their interview with a single suspect:

Write the following:

• 1 line description of the victim.
• When they were last seen by a group of witnesses (and what they were doing).
• How the murder occurred in more detail based on the evidence available.

Write the following (from the perspective of the investigator):

• 1 line description of the suspect
• What they said during the interview (including what they claim to have doing when the murder occurs).
• A possible motivation (as determined by the police from other witnesses).

Phase 3 (5 minutes)

• Each person reads out their police reports to the other members of their small group
• As a group, decide who the murderer was and what actually happened

See more ideas on  creating murder mystery party games

The obscure movie exercise

Pick a famous movie and spend 5 minutes writing a scene from it from an unusual perspective.  Your aim is to achieve a balance between being too obscure and making it too obvious.  Feel free to add internal dialogue.

At the end of the 5 minutes, everyone reads their movie scene to the others and all the other participants see if they can guess what the movie is.

How to hint at romantic feelings

Write a scene with two people in a group, where you hint that one is romantically interested in the other, but the feelings aren’t reciprocated.

The goal of this exercise is to practice subtlety. Imagine you are setting a scene for the future where the characters feelings will become more important. Choose a situation like a work conference, meeting with a group of friends, etc. How do you indicate how the characters feel without them saying it in words?

Some tips for hinting at romantic feelings:

• Make the characters nervous and shy.
• Your protagonist leans forward.
• Asks deeper questions and listens intently.
• Finds ways to be close together.
• Mirrors their gestures.
• Gives lots of compliments.
• Makes eye contact, then looks away.
• Other people seem invisible to your protagonist.

A novel idea

Take it in turns to tell everyone else about a current project you’re working on (a book, screenplay, short story, etc.)

The other writers then brainstorm ideas for related stories you could write, or directions your project could take.  There are no right or wrong suggestions and the intention is to focus on big concepts, not little details.

This whole exercise takes around 15 minutes.

Creative writing prompts

Exercise for groups of 3-5

If you're in larger group, split up into groups of 3 or 4 people.

Everyone writes the first line of a story in the Zoom chat, or on paper. Other people can then choose this line as a writing prompt.

For this exercise:

• Say who the protagonist is.
• Reveal their motivation.
• Introduce any other characters

Once everyone's written a prompt, each author chooses a prompt (preferably someone eles's, but it can be your own if you feel really inspired by it.)  Then write for 10 minutes using this prompt. See if you can reveal who the protagonist is, what their motivation is (it can be a small motivation for a particular scene, it doesn't have to be a huge life goal), and introduce at least one new character.

Take turns reading out your stories to each other.

• Write in the first person.
• Have the protagonist interacting with an object or something in nature.
• The challenge is to create intrigue that makes the reader want to know more with just a single line.

Creative story cards / dice

Cut up a piece of paper and write one word on each of the pieces of paper, as follows:

Give each participant a couple of pieces of paper at random.  The first person says the first sentence of a story and they must use their first word as part of that sentence.  The second person then continues the story and must include their word in it, and so on.  Go round the group twice to complete the story.

You can also do this creative writing exercise with story dice, your own choice of words, or by asking participants to write random words down themselves, then shuffling all the cards together.

Alternative Christmas Story

Every Christmas adults tell kids stories about Santa Claus. In this exercise you write a Christmas story from an alternative dimension.

What if every Christmas Santa didn't fly around the world delivering presents on his sleigh pulled by reindeer? What if gnomes or aliens delivered the presents? Or perhaps it was the gnomes who are trying to emulate the humans? Or some other Christmas tradition entirely that we humans have never heard of!

Group writing exercise

If you're working with a group, give everyone a couple of minutes to write two possible themes for the new Christmas story. Each theme should be 5 words or less.

Shuffle the paper and distribute them at random. If you're working online, everyone types the themes into the Zoom or group chat. Each writer then spends 10 minutes writing a short story for children based on one of the two themes, or their own theme if they really want to.

If working alone, choose your own theme and spend 15 minutes writing a short story on it. See if you can create the magic of Christmas from another world!

Murder Mystery Mind Map

In a murder mystery story or courtroom drama, there's often conflicting information and lots of links between characters. A mind map is an ideal way to illustrate how everything ties together.

Split into groups of 3 or 4 people each and place a blank piece of A3 paper (double the size of A4) in the middle of each group. Discuss between you who the victim is and write their name in the middle of the piece of paper. Then brainstorm information about the murder, for example:

Feel free to expand out from any of these, e.g. to include more information on the different characters involved.

The idea is that  everyone writes at the same time!   Obviously, you can discuss ideas, but anyone can dive in and write their ideas on the mind map.

• Who was the victim? (job, appearance, hobbies, etc.)
• Who did the victim know?
• What were their possible motivations?
• What was the murder weapon?
• What locations are significant to the plot?

New Year’s resolutions for a fictional character

If you’re writing a piece of fiction, ask yourself how your protagonist would react to an everyday situation. This can help you to gain a deeper insight into who they are.

One way to do this is to imagine what their New Year’s resolutions would be.

If completing this exercise with a group, limit it to 3 to 5 resolutions per person. If some participants are historical fiction or non-fiction writers, they instead pick a celebrity and either write what their resolutions  will  be, or what their resolutions  should  be, their choice.

Verb Noun Fiction Exercise (Inspired by Stephen King)

Stephen King said, "I believe the road to hell is paved with adverbs, and I will shout it from the rooftops."

He also said, "Take any noun, put it with any verb, and you have a sentence. It never fails. Rocks explode. Jane transmits. Mountains float. These are all perfect sentences. Many such thoughts make little rational sense, but even the stranger ones (Plums deify!) have a kind of poetic weight that’s nice."

In this fiction writing exercise, start by brainstorming (either individually or collectively) seven verbs on seven different pieces of paper. Put those aside for later. Now brainstorm seven nouns. Randomly match the nouns and verbs so you have seven pairs. Choose a pair and write a piece of fiction for ten minutes. Avoid using any adverbs.

It’s the end of the world

It’s the end of the world!  For 5 minutes either:

If working as a team, then after the 5 minutes is up each writer reads their description out to the other participants.

• Describe how the world’s going to end, creating evocative images using similes or metaphors as you wish and tell the story from a global perspective, or
• Describe how you spend your final day before the world is destroyed.  Combine emotion and action to engage the reader.

7 Editing Exercises

For use after your first draft

I’ve listened to a lot of masterclasses on writing by successful authors and they all say variants of your first draft won’t be good and that’s fine. Terry Pratchett and Neil Gaiman summarise it the best:

“The first draft is just you telling yourself the story.”  

Terry Pratchett

“For me, it’s always been a process of trying to convince myself that what I’m doing in a first draft isn’t important. One way you get through the wall is by convincing yourself that it doesn’t matter. No one is ever going to see your first draft. Nobody cares about your first draft. And that’s the thing that you may be agonising over, but honestly, whatever you’re doing can be fixed… For now, just get the words out. Get the story down however you can get it down, then fix it.”

Neil Gaiman

Once you’ve written your first draft, it will need editing to develop the plot, enhance the characters, and improve each scene in a myriad of ways – small and large. These seven creative editing exercises are designed to help with this stage of the process.

The First Sentence

Read the first paragraph of the novel, in particular the first sentence. Does it launch the reader straight into the action? According to  On Writing and Worldbuilding  by Timothy Hickson,  “The most persuasive opening lines are succinct, and not superfluous. To do this, it is often effective to limit it to a single central idea… This does not need to be the most important element, but it should be a central element that is interesting.” Ask yourself what element your opening sentence encapsulates and whether it’s the best one to capture your readers’ attention.

Consistency

Consistency is crucial in creative writing, whether it’s in relation to location, objects, or people.

It’s also crucial for personality, emotions and motivation.

Look at scenes where your protagonist makes an important decision. Are their motivations clear? Do any scenes force them to choose between two conflicting morals? If so, do you explore this? Do their emotions fit with what’s happened in previous scenes?

As you edit your manuscript, keep the characters’ personality, emotions and motivation in mind. If their behaviour is inconsistent, either edit it for consistency, or have someone comment on their strange behaviour or be surprised by it. Inconsistent behaviour can reveal that a character is keeping a secret, or is under stress, so characters don’t always need to be consistent. But when they’re not, there has to be a reason.  

Show Don’t Tell One

This exercise is the first in  The Emotional Craft of Fiction  by Donald Maass. It’s a writing guide with a plethora of editing exercises designed to help you reenergize your writing by thinking of what your character is feeling, and giving you the tools to make your reader feel something.  

• Select a moment in your story when your protagonist is moved, unsettled, or disturbed… Write down all the emotions inherent in this moment, both obvious and hidden.
• Next, considering what he is feeling, write down how your protagonist can act out. What is the biggest thing your protagonist can do? What would be explosive, out of bounds, or offensive? What would be symbolic? … Go sideways, underneath, or ahead. How can your protagonist show us a feeling we don’t expect to see?
• Finally, go back and delete all the emotions you wrote down at the beginning of this exercise. Let actions and spoken words do the work. Do they feel too big, dangerous, or over-the-top? Use them anyway. Others will tell you if you’ve gone too far, but more likely, you haven’t gone far enough.

Show Don’t Tell Two

Search for the following words in your book:

Whenever these words occur, ask yourself if you can demonstrate how your characters feel, rather than simply stating it. For each occasion, can you use physiological descriptors (a racing heart), actions (taking a step backwards) or dialogue to express what’s just happened instead? Will this enhance the scene and engage the reader more?

After The Action

Find a scene where your characters disagree – in particular a scene where your protagonist argues with friends or allies. What happens next?

It can be tempting to wrap up the action with a quick resolution. But what if a resentment lingers and mistrust builds? This creates a more interesting story arc and means a resolution can occur later, giving the character development a real dynamic.

Review how you resolve the action and see if you can stretch out the emotions for a more satisfying read.

Eliminating the Fluff

Ensure that the words used don’t detract from the enormity of the events your character is going through. Can you delete words like, “Quite”, “Little”, or “Rather”? 

Of “Very” Florence King once wrote: “ 'Very' is the most useless word in the English language and can always come out. More than useless, it is treacherous because it invariably weakens what it is intended to strengthen .” Delete it, or replace the word after it with a stronger word, which makes “Very” redundant.

“That,” is another common word used in creative writing which can often be deleted. Read a sentence as is, then reread it as if you deleted, “That”. If the meaning is the same, delete it.

Chapter Endings

When talking about chapter endings, James Patterson said,  “At the end, something has to propel you into the next chapter.”

Read how each of your chapters finish and ask yourself does it either:

• End on a cliff hanger? (R.L. Stine likes to finish every chapter in this method).
• End on a natural pause (for example, you’re changing point of view or location).

Review how you wrap up each of your chapters. Do you end at the best point in your story? Can you add anticipation to cliff hangers? Will you leave your readers wanting more?

How to run the writing exercises

The editing exercises are designed to be completed individually.

With the others, I've always run them as part of a creative writing group, where there's no teacher and we're all equal participants, therefore I keep any 'teaching' aspect to a minimum, preferring them to be prompts to generate ideas before everyone settles down to do the silent writing. We've recently gone online and if you run a group yourself, whether online or in person, you're welcome to use these exercises for free!

The times given are suggestions only and I normally get a feel for how everyone's doing when time's up and if it's obvious that everyone's still in the middle of a discussion, then I give them longer.  Where one group's in the middle of a discussion, but everyone else has finished, I sometimes have a 'soft start' to the silent writing, and say, "We're about to start the hour and a half of silent writing now, but if you're in the middle of a discussion, feel free to finish it first".

This way everyone gets to complete the discussion, but no-one's waiting for ages.  It's also important to emphasise that there's no wrong answers when being creative.

Still looking for more? Check out these creative writing prompts  or our dedicated Sci-Fi and Fantasy creative writing prompts

If you've enjoyed these creative writing exercises, please share them on social media, or link to them from your blog.

Marketing Blog

• Real estate SEO case study
• Writing retreat in South France
• How Google detects and penalizes AI content
• 13 Ideas for Murder Mystery Riddles
• How to create your own Murder Mystery Party
• How to write a blog for a company

Indigoextra Ltd © 2006 - 2024

UK Tel: +44 (0) 208 1234 618 France Tel: +33 (0) 602 222 354

Testimonials - Terms & Privacy  - Ethics - Contact

• Moscow Oblast
•  » 
• Elektrostal

State Housing Inspectorate of the Moscow Region

Phone 8 (496) 575-02-20 8 (496) 575-02-20

Phone 8 (496) 511-20-80 8 (496) 511-20-80

Public administration near State Housing Inspectorate of the Moscow Region

Location City:    Orlovo, Moskovskaya, Russian Federation (Russia) Near (Alt.): Rus' ICAO: Details Type: Heliport Latitude: 55�32'58"N (55.549444) Longitude: 37�51'52"E (37.864444) Variation: 12.03�E (WMM2020 magnetic declination) 0.14� annual change Related Locations Nearby: Farthest: Find:    beyond   but within    Copyright © 2004-2024 . All rights reserved. The Great Circle Mapper name and logo are trademarks of the . All other trademarks mentioned herein belong to their respective owners. Please see for attributions and further copyright information.       Bahasa Indonesia Eastern Europe Moscow Oblast Elektrostal Elektrostal Localisation : Country Russia , Oblast Moscow Oblast . Available Information : Geographical coordinates , Population, Altitude, Area, Weather and Hotel . Nearby cities and villages : Noginsk , Pavlovsky Posad and Staraya Kupavna . Information Find all the information of Elektrostal or click on the section of your choice in the left menu. Update data Country Oblast Elektrostal Demography Information on the people and the population of Elektrostal. Elektrostal Population 157,409 inhabitants Elektrostal Population Density 3,179.3 /km² (8,234.4 /sq mi) Elektrostal Geography Geographic Information regarding City of Elektrostal . Elektrostal Geographical coordinates Latitude: , Longitude: 55° 48′ 0″ North, 38° 27′ 0″ East Elektrostal Area 4,951 hectares 49.51 km² (19.12 sq mi) Elektrostal Altitude 164 m (538 ft) Elektrostal Climate Humid continental climate (Köppen climate classification: Dfb) Elektrostal Distance Distance (in kilometers) between Elektrostal and the biggest cities of Russia. Elektrostal Map Locate simply the city of Elektrostal through the card, map and satellite image of the city. Elektrostal Nearby cities and villages Elektrostal Weather Weather forecast for the next coming days and current time of Elektrostal. Elektrostal Sunrise and sunset Find below the times of sunrise and sunset calculated 7 days to Elektrostal. Day Sunrise and sunset Twilight Nautical twilight Astronomical twilight 8 June 02:43 - 11:25 - 20:07 01:43 - 21:07 01:00 - 01:00 01:00 - 01:00 9 June 02:42 - 11:25 - 20:08 01:42 - 21:08 01:00 - 01:00 01:00 - 01:00 10 June 02:42 - 11:25 - 20:09 01:41 - 21:09 01:00 - 01:00 01:00 - 01:00 11 June 02:41 - 11:25 - 20:10 01:41 - 21:10 01:00 - 01:00 01:00 - 01:00 12 June 02:41 - 11:26 - 20:11 01:40 - 21:11 01:00 - 01:00 01:00 - 01:00 13 June 02:40 - 11:26 - 20:11 01:40 - 21:12 01:00 - 01:00 01:00 - 01:00 14 June 02:40 - 11:26 - 20:12 01:39 - 21:13 01:00 - 01:00 01:00 - 01:00 Elektrostal Hotel Our team has selected for you a list of hotel in Elektrostal classified by value for money. Book your hotel room at the best price. Located next to Noginskoye Highway in Electrostal, Apelsin Hotel offers comfortable rooms with free Wi-Fi. Free parking is available. The elegant rooms are air conditioned and feature a flat-screen satellite TV and fridge... from Located in the green area Yamskiye Woods, 5 km from Elektrostal city centre, this hotel features a sauna and a restaurant. It offers rooms with a kitchen... from Ekotel Bogorodsk Hotel is located in a picturesque park near Chernogolovsky Pond. It features an indoor swimming pool and a wellness centre. Free Wi-Fi and private parking are provided... from Surrounded by 420,000 m² of parkland and overlooking Kovershi Lake, this hotel outside Moscow offers spa and fitness facilities, and a private beach area with volleyball court and loungers... from Surrounded by green parklands, this hotel in the Moscow region features 2 restaurants, a bowling alley with bar, and several spa and fitness facilities. Moscow Ring Road is 17 km away... from Elektrostal Nearby Below is a list of activities and point of interest in Elektrostal and its surroundings. Elektrostal Page Direct link DB-City.com Elektrostal /5 (2021-10-07 13:22:50) Information /Russian-Federation--Moscow-Oblast--Elektrostal#info Demography /Russian-Federation--Moscow-Oblast--Elektrostal#demo Geography /Russian-Federation--Moscow-Oblast--Elektrostal#geo Distance /Russian-Federation--Moscow-Oblast--Elektrostal#dist1 Map /Russian-Federation--Moscow-Oblast--Elektrostal#map Nearby cities and villages /Russian-Federation--Moscow-Oblast--Elektrostal#dist2 Weather /Russian-Federation--Moscow-Oblast--Elektrostal#weather Sunrise and sunset /Russian-Federation--Moscow-Oblast--Elektrostal#sun Hotel /Russian-Federation--Moscow-Oblast--Elektrostal#hotel Nearby /Russian-Federation--Moscow-Oblast--Elektrostal#around Page /Russian-Federation--Moscow-Oblast--Elektrostal#page Terms of Use Copyright © 2024 DB-City - All rights reserved Change Ad Consent Do not sell my data IELTS Exam Preparation: Free IELTS Tips, 2024 elektrostal' Take IELTS test in or nearby Elektrostal' There is no IELTS test center listed for Elektrostal' but you may be able to take your test in an alternative test center nearby. Please choose an appropriate test center that is closer to you or is most suitable for your test depending upon location or availability of test. Closest test centers are: Make sure to prepare for the IELTS exam using our Free IELTS practice tests . Moscow, Russia British council bkc-ih moscow, students international - moscow, students international - moscow cb, vladimir, vladimir oblast, russia, students international vladimir, obninsk, kaluga oblast, russia, british council bkc-ih obninsk, nizhny novgorod, nizhny novgorod oblast, russia, students international - nizhny novgorod, british council bkc-ih nizhny novgorod, voronezh, voronezh oblast, russia, british council bkc-ih voronezh, veliky novgorod, novgorod oblast, russia, lt pro - veliky novgorod, kazan, tatarstan, russia, british council bkc-ih kazan, students international - kazan, st petersburg, russia, lt pro - saint petersburg, students international - st petersburg, saratov, saratov oblast, russia, british council bkc-ih saratov, students international - saratov, petrozavodsk, republic of karelia, russia, students international - petrozavodsk, lt pro - petrozavodsk, kirov, kirov oblast, russia, students international - kirov, samara, samara oblast, russia, students international - samara, british council bkc-ih samara, volgograd, volgograd oblast, russia, british council bkc-ih volgograd, students international - volgograd, rostov-on-don, rostov oblast, russia, students international - rostov-on-don, syktyvkar, komi republic, russia, students international - syktyvkar, perm, perm krai, russia, british council bkc-ih perm, students international - perm, ufa, republic of bashkortostan, russia, students international - ufa, british council bkc-ih ufa, kaliningrad, kaliningrad oblast, russia, students international - kaliningrad, lt pro - kaliningrad, krasnodar, krasnodar krai, russia, students international - krasnodar, stavropol, stavropol krai, russia, students international - stavropol, astrakhan, astrakhan oblast, russia, students international - astrakhan, magnitogorsk, chelyabinsk oblast, russia, ru069 students international - magintogorsk, yekaterinburg, sverdlovsk oblast, russia, british council bkc-ih ekaterinburg, students international - ekaterinburg, chelyabinsk, chelyabinsk oblast, russia, british council bkc-ih chelyabinsk, students international - chelyabinsk, murmansk, murmansk oblast, russia, students international - murmansk, tyumen, tyumen oblast, russia, students international - tyumen, omsk, omsk oblast, russia, students international - omsk, novosibirsk, novosibirsk oblast, russia, british council bkc-ih novosibirsk, students international - novosibirsk, tomsk, tomsk oblast, russia, british council bkc-ih tomsk, students international - tomsk, barnaul, altai krai, russia, students international - barnaul, other locations nearby elektrostal'. Zheleznodorozhnyy Orekhovo-Zuyevo Sergiyev Posad Podol'sk Novo-Peredelkino Ryazan' An Overview of the IELTS The International English Language Testing System (IELTS) is designed to measure English proficiency for educational, vocational and immigration purposes. The IELTS measures an individual's ability to communicate in English across four areas of language: listening , reading , writing and speaking . The IELTS is administered jointly by the British Council, IDP: IELTS Australia and Cambridge English Language Assessment at over 1,100 test centres and 140 countries. These test centres supervise the local administration of the test and recruit, train and monitor IELTS examiners. IELTS tests are available on 48 fixed dates each year, usually Saturdays and sometimes Thursdays, and may be offered up to four times a month at any test centre, including Elektrostal' depending on local needs. Go to IELTS test locations to find a test centre in or nearby Elektrostal' and to check for upcoming test dates at your test centre. Test results are available online 13 days after your test date. You can either receive your Test Report Form by post or collect it from the Test Centre. You will normally only receive one copy of the Test Report Form, though you may ask for a second copy if you are applying to the UK or Canada for immigration purposes - be sure to specify this when you register for IELTS. You may ask for up to 5 copies of your Test Report Form to be sent directly to other organisations, such as universities. There are no restrictions on re-sitting the IELTS. However, you would need to allow sufficient time to complete the registration procedures again and find a suitable test date. SHARE THIS PAGE The reading, writing and listening practice tests on this website have been designed to resemble the format of the IELTS test as closely as possible. They are not, however, real IELTS tests; they are designed to practise exam technique to help students to face the IELTS test with confidence and to perform to the best of their ability. While using this site, you agree to have read and accepted our terms of use, cookie and privacy policy. 191 COMMENTS 25+ Incredible Writers Retreats to Attend in 2024 Willow Writers' Retreat is facilitated by Susan Isaak Lolis, a published and award-winning writer. Attendees have access to workshops, including one with creative writing instructor Margaret Harrington, plus a reading on the last evening to celebrate your work. Cost: TBD; 2022 rate was $350. The Best Online Writing Workshops Great writing workshops introduce you to literature that provokes these kinds of questions. 11. The Best Online Writing Workshops Provide a Creative Outlet. One of the best reasons to take online writing workshops is that they give you an outlet for feelings and creativity. Best Creative Writing Courses Online with Certificates [2024] In summary, here are 10 of our most popular creative writing courses. Creative Writing: Wesleyan University. Write Your First Novel: Michigan State University. Introduction to Psychology : Yale University. Script Writing: Write a Pilot Episode for a TV or Web Series (Project-Centered Course): Michigan State University. Online Courses: Creative Writing Stanford Continuing Studies' online creative writing courses make it easy to take courses taught by instructors from Stanford's writing community. Thanks to the flexibility of the online format, these courses can be taken anywhere, anytime—a plus for students who lead busy lives or for whom regular travel to the Stanford campus is not ... Writing Workshops The Secret Formula to Writing Nonfiction Stories that Sell Zoom Seminar, Thursday, June 27th, 2024. $75.00. All The Best Online Writing Workshops for Emerging and Established Authors. Join WritingWorkshops.com for expert-led online courses in fiction, poetry, nonfiction, screenwriting, and children's writing. Elevate your skills with our global ... Live Online Writing Workshops In our online creative writing workshops, discover video-based live events that offer you a concentrated and interactive way to grow as a writer. From one-day writing retreats to professional development writing workshops online, you'll find the best live writing workshops right here at Writers.com. Our instructors are both published writers and experienced educators, and they're… 31 Adult Writing Classes in 2024 The Creative Writing Project is a series of workshops tailored for adult writers at all levels. It provides a platform to delve into creative writing, supported by a community of writers and educators. Each month-long series features guidance and instruction from a diverse group of local and published writers. Margaret Atwood Teaches Creative Writing In her first-ever online writing class, the author of The Handmaid's Tale teaches how she crafts compelling stories, from historical to speculative fiction, that remain timeless and relevant. Explore Margaret's creative process for developing ideas into novels with strong structures and nuanced characters. Instructor (s): Margaret Atwood. The Best Online Writing Workshops for Emerging and Established Authors Demystifying Show, Don't Tell - Enhancing Your Writing 4-Week Zoom Class, Starts Thursday, June 13th, 2024. $325.00. Writing with James Baldwin and Toni Morrison 4-Week Zoom Class, Starts Saturday, June 15th, 2024. $299.00. Writing the Dark, the Funny, and the Darkly Funny: 4-Week Short Story Intensive (Zoom), Starts Sunday, June 16th, 2024. Upcoming Creative Writing Workshops on Zoom Mastering Flash Fiction: 6 Weeks, 6 Stories Zoom Workshop, Starts Thursday, August 22nd, 2024. $395.00. Writing About Addiction 3-Week Nonfiction Zoom Seminar, Starts Tuesday, October 29th, 2024. $225.00. Writing About Women's Sports 2-Week Nonfiction Zoom Seminar, Starts Tuesday, September 17th, 2024. $150.00. Stanford Creative Writing Courses Choose from writing courses in creative nonfiction, fiction, poetry, memoir, magazine writing, travel writing, the short story and more. Stanford Continuing Studies offers writing workshops and online and on-campus writing courses, so you can choose the format that best fits your schedule. Creative Writing Classes Gotham Writers Workshop is a creative home where writers develop their craft and come together in the spirit of discovery and fellowship. We've been teaching creative writing and business writing since 1993. ... and inspiring. Explore our wide variety of courses for adults and teens, as well as our One-on-One options. New classes ... 10 Best Creative Writing Courses for 2024: Craft Authentic Stories 15 hours. Best University-level Creative Writing Course (Wesleyan University) 5-6 hours. Best Course to Find Your Voice (Neil Gaiman) 4-5 hours. Best Practical Writing Course With Support (Trace Crawford) 12 hours. Best Course to Overcome Writer's Block: 10-Day Journaling Challenge (Emily Gould) 1-2 hours. Workshops Writing Workshops. The Writer's Center offers hundreds of writing workshops and classes every year. Workshops cover all genres and all experience levels. ... This class is perfect for poets looking to deepen their own creative process, write about art, and enhance their skills with feedback and revision. Find out more. $215.00 12 tickets left ... Welcome We offer in-person, online, and hybrid creative writing classes, workshops, and seminars in every genre (fiction, poetry, nonfiction, screenwriting, songwriting, and comic book writing, as well as craft and professional development) for beginning and experienced writers--whether they be adults, children, or teens. Creative Writing CREATIVE WRITING. What's your story? Whether you're just beginning to write or putting the finishing touches on your first novel, our on-campus and online writing courses offer expert instruction, individual attention, and supportive feedback at all levels, in all genres of creative writing. Please visit The Writer's Spotlight page to learn ... Community Adult Writing Programs We offer creative writing programs for young writers and adults that inspire innovation, build critical thinking, enhance education, and entertain readers and writers of all ages. We offer Adult Writing Workshops and Visiting Author Sessions for schools, libraries, nonprofits, businesses, and community groups. Creative Writing groups Worldwide. Creative Writing. Meet other local people interested in Creative Writing: share experiences, inspire and encourage each other! Join a Creative Writing group. 904,366. members. 1,655. groups. Join Creative Writing groups. 43 Creative Writing Exercises & Games For Adults A selection of fun creative writing exercises that can be completed solo, or with a group. Some are prompts to help inspire you to come up with story ideas, others focus on learning specific writing skills. Intro. I run a Creative Writing Meetup for adults and teens in Montpellier or online every week. We start with a 5 to 20 minute exercise ... State Housing Inspectorate of the Moscow Region State Housing Inspectorate of the Moscow Region Elektrostal postal code 144009. See Google profile, Hours, Phone, Website and more for this business. 2.0 Cybo Score. Review on Cybo. UUDO Heliport information about UUDO - Orlovo, MOS, RU. Information on this site may not be accurate or current and is not valid for flight planning or navigation. Elektrostal, Moscow Oblast, Russia Elektrostal Geography. Geographic Information regarding City of Elektrostal. Elektrostal Geographical coordinates. Latitude: 55.8, Longitude: 38.45. 55° 48′ 0″ North, 38° 27′ 0″ East. Elektrostal Area. 4,951 hectares. 49.51 km² (19.12 sq mi) Elektrostal Altitude. Take IELTS test in or nearby Elektrostal' The IELTS measures an individual's ability to communicate in English across four areas of language: listening, reading, writing and speaking. The IELTS is administered jointly by the British Council, IDP: IELTS Australia and Cambridge English Language Assessment at over 1,100 test centres and 140 countries. These test centres supervise the ... assignment essay homework paper phd report review speech thesis