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How to Write a Novel (Premium)

Write a novel in three months in this premium course led by author and ghostwriter Tom Bromley. Join our next class, May 2024.

Taught by Tom Bromley

Poetry: How to Spark Creativity with Verse

Curious about poetry but don’t know where to start? Join us for 10 days of easy poetry exercises and get your creative juices flowing.

Taught by Emma Murf

How to Write Mind-Blowing Fantasy Fiction

Want to become the next Frank Herbert or N.K. Jemisin? With this free 10-day course, you can learn the basics of writing fantasy.

Taught by Campfire

How to Master the 'Show, Don't Tell' Rule

Learn how to follow the golden writing rule in this free 10-day course from the Reedsy team.

Taught by Reedsy

How to Turn Up the Heat in Your Romance

Ready to steam up your romance? Kelly Palmer's free course takes you through the essentials of hot writing: from creating tension to writing appealing sex scenes!

Taught by Kelly Palmer

How to Write an Irresistible Romance

Romance editor Kate Studer presents this amazing course that will get you started on of the most popular genres in publishing.

Taught by Kate Studer

How to Write YA That Sells

In this free 10-day course, YA author and editor Blair Thornburgh will take you through how to write YA that you can actually sell to a publisher.

Taught by Blair Thornburgh

How to Write for Middle-Grade Readers

Learn how to write for middle-grade readers from Judy Goldschmidt, a YA and MG editor whose credits include numerous NYT best-sellers and prize-winners.

Taught by Judy Goldschmidt

Understanding Point of View

Learn how to master each of the major points of view. With the help of writing exercises, you'll hone your ability to write from every possible perspective.

Taught by Gabriela Pereira

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Our online writing courses are taught by professionals, including bestselling fantasy author Ben Galley and former Simon & Schuster editor Kate Angelella. Topics include:

• Writing a novel
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• Using dialogue to further your plot and develop your characters
• Creating an iron-clad writing routine

We’ve got you covered on all these topics and more. Each 10-part course is delivered to your inbox, making these the most convenient creative writing courses on the internet. By saving both time and money, you’ll be able to reinvest in your dreams and get one step closer toward making them a reality.

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Every writing course we offer is free. At Reedsy, we believe that knowledge shouldn’t be limited to those who can afford to pay for it — if you want to be a great writer, we want to help you achieve that.

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“The information you provided was exceptional. So much packed into one bite-sized email each day is definitely what time-strapped people need when trying to jump the hurdles that keep them from writing. These lessons have helped me push through several roadblocks that have kept my writing books closed and my pens in the box.” — Paul D.

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Start writing fiction

Course description

Course content, course reviews.

Have you always wanted to write, but never quite had the courage to start? This free course, Start writing fiction, will give you an insight into how authors create their characters and setting s. You will also be able to look at the different genre s for fiction.

Course learning outcomes

After studying this course, you should be able to:

• identify strengths and weaknesses as a writer of fiction
• demonstrate a general awareness of fiction writing
• discuss fiction using basic vocabulary.

First Published: 09/08/2012

Updated: 14/05/2018

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Elements of Creative Writing

J.D. Schraffenberger, University of Northern Iowa

Rachel Morgan, University of Northern Iowa

Grant Tracey, University of Northern Iowa

Copyright Year: 2023

ISBN 13: 9780915996179

Publisher: University of Northern Iowa

Language: English

Formats Available

Conditions of use.

Learn more about reviews.

Reviewed by Robert Moreira, Lecturer III, University of Texas Rio Grande Valley on 3/21/24

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama. read more

Comprehensiveness rating: 4 see less

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama.

Content Accuracy rating: 5

As far as I can tell, content is accurate, error free and unbiased.

Relevance/Longevity rating: 5

The book is relevant and up-to-date.

Clarity rating: 5

The text is clear and easy to understand.

Consistency rating: 5

I would agree that the text is consistent in terms of terminology and framework.

Modularity rating: 5

Text is modular, yes, but I would like to see the addition of a section on dramatic writing.

Organization/Structure/Flow rating: 5

Topics are presented in logical, clear fashion.

Interface rating: 5

Navigation is good.

Grammatical Errors rating: 5

No grammatical issues that I could see.

Cultural Relevance rating: 3

I'd like to see more diverse creative writing examples.

As I stated above, textbook is good except that it does not include a section on dramatic writing.

Table of Contents

• Introduction
• Chapter One: One Great Way to Write a Short Story
• Chapter Two: Plotting
• Chapter Three: Counterpointed Plotting
• Chapter Four: Show and Tell
• Chapter Five: Characterization and Method Writing
• Chapter Six: Character and Dialouge
• Chapter Seven: Setting, Stillness, and Voice
• Chapter Eight: Point of View
• Chapter Nine: Learning the Unwritten Rules
• Chapter One: A Poetry State of Mind
• Chapter Two: The Architecture of a Poem
• Chapter Three: Sound
• Chapter Four: Inspiration and Risk
• Chapter Five: Endings and Beginnings
• Chapter Six: Figurative Language
• Chapter Seven: Forms, Forms, Forms
• Chapter Eight: Go to the Image
• Chapter Nine: The Difficult Simplicity of Short Poems and Killing Darlings

Creative Nonfiction

• Chapter One: Creative Nonfiction and the Essay
• Chapter Two: Truth and Memory, Truth in Memory
• Chapter Three: Research and History
• Chapter Four: Writing Environments
• Chapter Five: Notes on Style
• Chapter Seven: Imagery and the Senses
• Chapter Eight: Writing the Body
• Chapter Nine: Forms

Back Matter

• Contributors
• North American Review Staff

Ancillary Material

• University of Northern Iowa

About the Book

This free and open access textbook introduces new writers to some basic elements of the craft of creative writing in the genres of fiction, poetry, and creative nonfiction. The authors—Rachel Morgan, Jeremy Schraffenberger, and Grant Tracey—are editors of the North American Review, the oldest and one of the most well-regarded literary magazines in the United States. They’ve selected nearly all of the readings and examples (more than 60) from writing that has appeared in NAR pages over the years. Because they had a hand in publishing these pieces originally, their perspective as editors permeates this book. As such, they hope that even seasoned writers might gain insight into the aesthetics of the magazine as they analyze and discuss some reasons this work is so remarkable—and therefore teachable. This project was supported by NAR staff and funded via the UNI Textbook Equity Mini-Grant Program.

About the Contributors

J.D. Schraffenberger  is a professor of English at the University of Northern Iowa. He is the author of two books of poems,  Saint Joe's Passion  and  The Waxen Poor , and co-author with Martín Espada and Lauren Schmidt of  The Necessary Poetics of Atheism . His other work has appeared in  Best of Brevity ,  Best Creative Nonfiction ,  Notre Dame Review ,  Poetry East ,  Prairie Schooner , and elsewhere.

Rachel Morgan   is an instructor of English at the University of Northern Iowa. She is the author of the chapbook  Honey & Blood , Blood & Honey . Her work is included in the anthology  Fracture: Essays, Poems, and Stories on Fracking in American  and has appeared in the  Journal of American Medical Association ,  Boulevard ,  Prairie Schooner , and elsewhere.

Grant Tracey   author of three novels in the Hayden Fuller Mysteries ; the chapbook  Winsome  featuring cab driver Eddie Sands; and the story collection  Final Stanzas , is fiction editor of the  North American Review  and an English professor at the University of Northern Iowa, where he teaches film, modern drama, and creative writing. Nominated four times for a Pushcart Prize, he has published nearly fifty short stories and three previous collections. He has acted in over forty community theater productions and has published critical work on Samuel Fuller and James Cagney. He lives in Cedar Falls, Iowa.

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Eight Free Creative Writing Lessons

February 17, 2012 by Ami 17 Comments

I know I throw around the word favorite all the time. But this is the truth: teaching creative writing lessons is my favorite. 

I have taught creative writing enrichment for summer school students. I have taught creative writing in various homeschool settings and co-ops. I have taught big students and little students. And I love it. 

Since I love to share homeschool co-op class ideas , I have compiled the creative writing lessons from a co-op class that I taught. 

Creative Writing Lessons for a Homeschool Co-op Class

First, please remember that any teacher can use these creative writing lessons. You don’t need to be teaching homeschoolers. You can be a classroom teacher or a homeschool teacher at home with one student. You can even be a librarian who needs a fun program series.

Second, I used these creative writing lesson plans with upper elementary students (with maybe a few 7th graders thrown in). However, you can adapt and use them for older students or younger students!

Creative Writing Lesson Plans

Creative writing lesson one.

The first lesson focuses on cliché and metaphor. It prompts students to consider how words matter.

Grab lesson one here .

Creative Writing Lesson Two

The second lesson teaches students about sensory details: why they are important and how to include them in their writing. Students will begin using sensory details to evoke smells and sounds and sights.

Grab lesson two here.

Creative Writing Lesson Three

The third lesson introduces showing vs. telling. Students learn how to recognize authors who utilize showing, and students are able to articulate the difference between showing and telling.

Grab lesson three here.

Creative Writing Lesson Four

The fourth lesson teaches students how to capture images. We use examples of poetry and prose to discuss this important writing skill.

Grab lesson four here.

Creative Writing Lesson Five

The fifth lesson introduces the story elements of character and conflict.

Note: You may choose to split this lesson into two lessons since it covers two big elements. I only had nine weeks with my students, so I had to jam character and conflict together.

Grab lesson five here.

Creative Writing Lesson Six

The sixth lesson introduces the students to point of view and perspective. We have fun reading poems and using pictures to write descriptions from different points of view.

Grab lesson six here.

Creative Writing Lesson Seven

The seventh lesson puts everything we’ve learned together. I read the students some fractured fairy tales, and we watch some, too. Students then use the prewriting activities and their imaginations to begin drafting their own fractured fairy tales.

Grab lesson seven here.

Creative Writing Lesson Eight

The eighth lesson focuses on revision. After a mini-lesson, students partner up for peer editing.

Grab lesson eight here .

For our final class day, students bring revised work, and I host coffee shop readings. This is a memorable experience for students (and their teacher).

Creative Writing Lessons FAQ

Since posting these creative writing lessons, I have had lots of questions. I decided to compile them here in case you have the same question.

Q: What are copywork quotes? A: Copywork quotes are simply great quotes that students copy as part of their homework assignments. You can use any quotes about writing. I’ve included my favorites throughout the printable packs.

Q: Can I use this with a younger or older student? A: Absolutely! Just adapt it to meet the needs of your student.

Q: Can I use this for my library’s programming or my homeschool co-op class? A: Yes! I just ask that it not be used for profit.

Do you have any questions about teaching creative writing? What’s your biggest hang-up when it comes to teaching creative writing? I’d love to hear from you and help you solve the issue.

January 7, 2016 at 1:57 pm

Hi Theresa,

As long as you are not profitting from using them, they are yours to use! Enjoy! Wish I could be there to help facilitate all those young writers! 

[…] Creative Writing Class […]

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Poetry Is For Everyone: Students Display Their Creative Writing at Rogers Free Library

As part of their Creative Writing Studio class, RWU students from diverse academic disciplines are sharing their poems with the public through the end of May.

BRISTOL, R.I. – A dozen Creative Writing majors and minors are currently displaying their poetry at the Rogers Free Library in downtown Bristol, R.I., in what they are calling a “Wandering Magazine,” an installation that is open to the public.

The project began after Ann Kathrin Weldy, Adult Programming & Outreach Coordinator at the library, asked Renee Soto, Associate Professor of Creative Writing at RWU, if her students wanted to share their work with the library for National Poetry Month in April. Soto said she brought the idea to the students in her Poetry Studio course and a dozen volunteered to participate. The installation was originally scheduled to run until the end of April, but it proved so popular, library staff are keeping it up through the end of May.

“Projects such as this enrich the library and the community in myriad ways. I’m impressed by the creative spirit of the poetry students, and it’s valuable for them to have a platform where their work can be discovered and seen. It’s a real joy to witness patrons and passersby stop to read their words and be inspired,” Weldy said. “We always look forward to collaborating with the amazing students and faculty of Roger Williams University. The university is a treasure in Bristol.”

As part of the installation, each student submitted one poem that they were proud of, which library staff hung on the walls in the foyer entryway and throughout the building for library patrons to read as they browse for books. Soto explained that there were no restrictions on the content or style of the poetry submissions, leaving the choice entirely up to the students. Though some of the students may have been inspired by prompts given in class, it was ultimately their decision which poem they wanted to submit, leading to a diverse array of work.

“The Creative Writing Studio classes are exciting because they are spaces where students emphasize making their own work, and that’s the most important thing for them as artists,” said Soto. “The focus is on developing, reviewing, revising, and – in many ways – recreating work so that it’s ready for an audience. This is perfect because this (installation) at Rogers Free Library is a publication they can put on their résumés.”

Soto noted that she was surprised by how many students in her class weren’t Creative Writing or English Literature majors; some are studying Criminal Justice, Forensic Science, History, and Psychology. “They are just taking it for fun,” she said. “Poetry really is for everyone. It’s incredible.”

Sophomore Lourdes Rodriguez, a Computer Science major with a minor in Creative Writing from Woonsocket, R.I., shared that the inspiration for her poem, “Parasol,” came from a moment in class when her professor said the word during a lecture. “It was so weird to me because Spanish is my first language. He said it, and I was sitting in class and my mind was just blown. From there, my brain was like, ‘wait, I gotta write, I gotta write.’” Rodriguez said that her poems are typically more emotional, but for this project she wanted to challenge herself to write something out of her comfort zone. That challenge produced a poem that was more whimsical and playful in nature. It is also her first poem – of many, Rodriguez hopes – to include Spanish words and phrases. “I'm just really proud of this piece,” she said.

When Rodriguez started at RWU, she first majored in Journalism but then switched to Computer Science. Not wanting to let go of writing, she said she decided to incorporate her passion into a minor. Now deciding whether to go into coding for mobile apps or software development, she knows that writing will always be part of her life. “It would be great to get published in the future or even just keep writing my poems and short stories for myself,” she said.

For sophomore A. Lee, an English Literature and Creative Writing double major from Acton, Mass., the inspiration for their poem came from a prompt that Soto brought to the class, which they tweaked to suit their needs, they said. Their poem, titled “An Assortment of Nonsensical Meeting Places,” was inspired by their time at summer camp growing up but more specifically by the memories they share with their partner. “We have a lot of really fun, really strange memories that I wanted to capture,” said Lee. Snapshots include a moment where Lee got a nosebleed while hiking the Appalachian Mountains, in which the only solution was to shove tampons up their nose, as well as a six-day biking trip. “It's a nostalgia-heavy piece, where I am sort of reflecting on all the fun times we had together,” they said.

For both Lee and Rodriguez, this is the first time either of them has shared their writing in such a public format. The Wandering Magazine helped boost Lee’s confidence as a writer, they said, sharing that they would love to publish a collection of their own work one day.

“It’s nerve-wracking, but it means a lot,” Rodriguez said.

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ChatGPT vs. Microsoft Copilot vs. Gemini: Which is the best AI chatbot?

Artificial intelligence (AI) has transformed how we work and play  in recent months, giving almost anyone the ability to write code , create art , and even make investments . For professional and hobbyist users alike, generative AI tools, such as  ChatGPT , offer advanced capabilities to create decent-quality content from a simple user prompt. 

Keeping up with all the latest AI tools can get confusing, especially as Microsoft added  GPT-4 to Bing  and renamed it to Copilot, OpenAI added new capabilities to ChatGPT and released GPT-4o , and Bard got plugged into the Google ecosystem  and rebranded to Gemini.

Also: How to use ChatGPT (and how to access GPT-4o)

Knowing which of the three most popular AI chatbots is best to write code , generate text , or help build resumes is challenging. We'll break down the biggest differences so you can choose the one that best meets your needs. 

Testing ChatGPT vs. Microsoft Copilot vs. Gemini

To help determine which AI chatbot gives more accurate answers, I'm going to use a simple prompt to compare the three: 

"I have 5 oranges today, I ate 3 oranges last week. How many oranges do I have left?"

The answer should be five, as the number of oranges I ate last week doesn't affect the number of oranges I have today, which is what we're asking the three bots. First up, ChatGPT.

You should use ChatGPT if...

1. you want the most advanced ai chatbot - for free.

OpenAI lets users access ChatGPT , available with the GPT-3.5 and the GPT-4o models, for free with a registered account. But if you're willing to pay for the Plus version, you can access GPT-4, use a higher prompt limit for GPT-4o, and get early access to new features for $20 monthly.

ChatGPT with GPT-4o, available for free users, answered the question correctly. 

GPT-4o is a new omnimodel available for both free and paying ChatGPT users. Rather than relying on three separate models to power its features with GPT-4 for text, DALL-E 3 for images, and Whisper for voice, GPT-4o is a single model capable of processing and generating text, images, and sounds. This makes it faster than GPT-4 for paying subscribers, and its free availability makes it even better. 

Aside from giving free ChatGPT users access to the latest GPT-4o model, the company also announced that free users will have most of the features that until now were exclusive to Plus users. These include web browsing, access to custom GPTs, ChatGPT Memory, and advanced data analysis.

2. You want to try the most popular AI chatbot

ChatGPT  was created by OpenAI and released for a widespread preview in November 2022. Since then, the AI chatbot quickly gained more than 100 million users, with its website alone seeing 1.8 billion monthly visitors. It's been at the center of  controversies , especially as people uncover its potential to  do schoolwork  and replace some workers.

Also: ChatGPT will put your data into interactive tables and charts with GPT-4o

Since its release, I've been testing ChatGPT almost daily. Although its user interface has remained simple, minor changes have improved it greatly, such as a simplified user interface and adding GPT-4o for free users,  Custom Instructions , and easy access to your account. 

The free version of ChatGPT using the default GPT-3.5 model gave the wrong answer to our question.

Though ChatGPT has proven itself as a valuable AI tool, it can be prone to  misinformation . Like other large language models (LLMs), GPT-3.5 is imperfect, as it is trained on human-created data up to January 2022. It also often fails to comprehend nuances, like it did with our math question example, which it answered incorrectly by saying we have two oranges left when the answer should be five. 

Also: I put GPT-4o through my coding tests and it aced them - except for one weird result

For example, the GPT-4o model answered the math question correctly, having understood the full context of the problem from beginning to end.

Next, let's consider Microsoft Copilot (formerly Bing chat) , which is a great way to access GPT-4 for free, as it's integrated into Bing's new format. 

You should use Microsoft Copilot if...

1. you want to use gpt-4.

Though the free version of ChatGPT lets you use GPT-4o, access to free users is limited to about 15 messages every three hours or capped depending on peak hours to keep it accessible to the widest number of people. After you reach your GPT-4o limit, your chat session reverts to GPT-3.5, which is limited to generating text in a conversational style with information up to early 2022.

Also:  How to use Copilot (formerly called Bing Chat)

On the other hand, Copilot can access the internet to deliver more current information than GPT-3.5, complete with links to sources. 

Copilot's Creative conversation style was the only Copilot mode to answer the question accurately.

There are other benefits, too. Copilot is powered by GPT-4, OpenAI's LLM, and is completely free. Unfortunately, you are limited to five responses on a single conversation and can enter up to 4,000 characters in each prompt. 

Also: Microsoft Copilot vs. Copilot Pro: Is the subscription fee worth it?

Copilot's user interface isn't as straightforward as ChatGPT's, but it's still easy to navigate. Though Bing Chat can access the internet to give you more up-to-date results compared to ChatGPT, I've found it is more prone to stall before replying and will miss more prompts than its competitor does. 

2. You prefer more visual features

Microsoft has upgraded its platform several times to add visual features to Copilot, formerly Bing Chat. At this point, you can ask Copilot questions like, 'What is a Tasmanian devil?' and get a response complete with photos, lifespan, diet, and more, for a more scannable result that is easier to digest than a wall of text. 

When you use Copilot, you also can ask it to create an image for you. Give Copilot a description of what you want the image to look like, and the chatbot will generate four images for you to choose from. 

Also: How to use Image Creator from Microsoft Designer (formerly Bing Image Creator)

Microsoft Copilot features different conversational styles when you interact with the chatbot, including Creative, Balanced, and Precise, which alter how light or straightforward the interactions are. 

The Balanced and Precise conversation styles in Microsoft Copilot answered my question inaccurately.

Finally, let's turn to Google's Gemini, formerly known as Bard. It uses a proprietary LLM and has received considerable upgrades in the past few months.

You should use Gemini if...

1. you want a fast, almost unlimited experience.

In my time testing different AI chatbots, I saw  Google Bard catch a lot of flack for different shortcomings . While I'm not going to say they're unjustified, I will say that Google's AI chatbot, now named Gemini and powered by a completely different AI model than the one it debuted with, has improved greatly.

Also: How to use Gemini (formerly Google Bard): Everything you should know

Gemini is speedy with its answers, which have become more accurate over time. It's not faster than ChatGPT Plus, but it can be faster at giving responses than Copilot and faster than the free GPT-3.5 version of ChatGPT, though your mileage may vary. 

Gemini answered accurately, like GPT-4o and Copilot's Creative conversation style.

The previous Bard used to make the same mistake as other bots on my example math problem by incorrectly using the 5 - 3 = 2 formula, but Gemini, powered by Google's new Gemini Pro -- the company's largest LLM -- now answers the question accurately.

Also: Copilot Pro vs. ChatGPT Plus: Which is AI chatbot is worth your $20 a month?

Gemini also is not limited to a set number of responses. You can have long conversations with Google's Gemini, while Copilot is limited to five replies in one conversation. Even ChatGPT Plus limits users to 40 messages every three hours. 

2. You want the full Google experience

Google also incorporated more visual elements into its Gemini platform than those currently available on Copilot. Users can generate images using Gemini, upload photos through an integration with Google Lens , and enjoy Kayak, OpenTable, Instacart, and Wolfram Alpha plugins.

Also: 6 AI tools to supercharge your work and everyday life

Gemini is slowly becoming a full Google experience thanks to extensions that fold the wide range of Google applications into Gemini. Gemini users can add extensions for Google Workspace, YouTube, Google Maps, Google Flights, and Google Hotels, giving them a more personalized and extensive experience.

Artificial Intelligence

Chatgpt vs. copilot: which ai chatbot is better for you, copilot pro vs. chatgpt plus: which is ai chatbot is worth your $20 a month, what is copilot (formerly bing chat) here's everything you need to know.

4 Reasons to Start Using Claude 3 Instead of ChatGPT

Quick links, claude is better at creative writing, claude offers multimodality for free, larger context window, more messages per hour.

• Claude excels at creative writing, producing engaging and natural-sounding content with less clichés.
• Claude offers free multimodal features, while ChatGPT requires upgrading for similar capabilities.
• Claude boasts a larger context window and potentially more messages per hour than ChatGPT.

In the AI chatbot space, ChatGPT has been the undisputed leader since its launch in November 2022. However, with the release of Claude 3, it is increasingly looking like ChatGPT might be losing that title. Here are four reasons you should consider switching from ChatGPT to Claude.

Besides occasional science homework, programming tasks, and fun games, one of the most popular use cases of AI chatbots is creative writing. Most users use AI chatbots to help draft an email , cover letter, resume, article, or song lyrics—basically one creative write-up or another. While ChatGPT has clearly been the favored option owing mostly to its brand name and publicity, Claude has consistently delivered top-notch results even in earlier iterations of the AI chatbots. But it's not just about providing top-notch results. Claude, especially backed by the latest Claude 3 model , outperforms ChatGPT in a wide range of creative writing tasks.

As someone who has consistently used both chatbots since their launch, Claude, although not necessarily the overall better model, is significantly better at creating write-ups that better mimic human "creativity and imperfections." Putting both chatbots to the test, ChatGPT's write-ups, although grammatically correct, were full of tell-tale signs of an AI-written piece. Claude's write-ups read more naturally and sound human. Although not perfect, they are likely to be more engaging and creative.

Too frequently, ChatGPT falls victim to the use of so many clichés and predictable word choices. Ask ChatGPT to write about some business topics, and there's a good chance you will see words like "In today's business environment," "In recent history," and "In the fast-paced digital landscape" in the starting paragraphs.

Putting our theory to the test, it was just as predicted. ChatGPT (GPT-3.5 and GPT-4) used cliché intros in five out of five trials. Here are the first three samples:

Claude, on the other hand, produced varying results four times out of five trials, avoiding the cliche on the first trial:

Besides cliché, ChatGPT, more than Claude, tends to fall victim to the sporadic use of joining words like "in conclusion," "as a result," and a tendency for unnecessary emphasis where emphatic words like "undisputed, critical, unquestionable, must" etc., are used.

But besides these flaws, how do write-ups from each chatbot sound from a holistic point of view?

To top off the comparison, I asked both chatbots to produce rhyming rap lyrics on the theme "coconut to wealth." Claude seems the better option, but I'll let you be the judge.

Here's ChatGPT's take:

And here's Claude's take:

Early adopters of ChatGPT probably have a deep-rooted preference for the AI chatbot, but when it comes to creative writing, ChatGPT has some serious catching up to do in many areas.

Besides Google's Gemini AI chatbot, there are hardly any major AI chatbots in the market that offer Claude's multimodal features for free. With the free version of ChatGPT, all you get is text generation abilities, and that's it. No file uploads for analysis, no image processing, nothing else! On the other hand, Claude offers these premium features on its free tier. So, you can use image prompting or upload files for analysis on the chatbot for free if you use the free beta version of the bot.

Context window is the limit of text data an AI chatbot can process at a go. Think of it as how many things you can keep in your memory (and be able to recall) at a time.

Depending on the version of ChatGPT you use, you should get anywhere between 4k, 8k, 16k, 32k, and 128k context windows. For clarity, a 4k context window can accommodate around 3,000 words, while a 32k window can accommodate around 24,000 words. With the ChatGPT free tier, you get the lowest limits of the context window options (4k or 8k), meaning a few pages of text. You can access the 16k and possibly 32k options on ChatGPT Plus or Team plans, while the 128k context window seems to be an exclusive reserve of the ChatGPT Enterprise plans.

Whereas Claude has a 200k context window on its free and premium plans—a significant improvement from ChatGPT's 4k or 8k window.

Why does this even matter? Well, the larger the context window, the more text data you can process at a time without the AI chatbot making things up. Claude's 200k context window is equivalent to around 150,000 words. Yep, it means you'll theoretically be able to process 150,000 words simultaneously with Claude, while ChatGPT could cap you out at 24,000 words even on its premium tier. You see? The difference is like night and day—at least in theory.

Rate limits can be a pain. You're in the middle of an interesting prompting session, you get an alert that you've reached your limit and have to wait (sometimes hours!) to get a reset. It's a huge joy killer and can set your work back hours. However, this happens both on ChatGPT and Claude, so it's an even ground on that point.

ChatGPT offers 40 messages every three hours on the Plus plan, while Claude offers 100 messages per eight hours. If you're not lost in the optics and do the math, ChatGPT's message limits are slightly better than Claude's. But there's more to it.

OpenAI dynamically throttles your usage limits. This means the limit you see isn't what you'll always get. It depends on the demand, as per OpenAI . On the other hand, despite having slightly lower usage limits, Claude can actually be more liberal with the limits depending on how much text you use per message.

So, if, for instance, you send around 2,000 words (around 200 English sentences of 15–25 words each), you should be able to get "at least" the 100 messages per 8-hour limit. Two thousand words per prompt is a generous number; only a few people get that wordy when doing basic prompting. If you use a lower number of words per prompt, you should be able to get a larger number of messages per hour theoretically.

So, while ChatGPT might seem more generous on the outside if you use both chatbots daily, Claude seems to be the more generous option, although not necessarily at all times.

While early adopters may have a sentimental attachment to ChatGPT, it's becoming increasingly clear that Claude is a force to be reckoned with. As the AI landscape continues to evolve, it will be fascinating to see how these titans of conversational AI push each other to new heights, ultimately benefiting users with ever-improving and more capable chatbots. The future of AI-powered interactions has never been more exciting.