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The Best New Biographies and Memoirs to Read in 2024

This year sees some riveting and remarkable lives—from artist ai weiwei to singer-songwriter joni mitchell—captured on the page..

A life story can be read for escapist pleasure. But at other times, reading a memoir or biography can be an expansive exercise, opening us up to broader truths about our world. Often, it’s an edifying experience that reminds us of our universal human vulnerability and the common quest for purpose in life.

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Biographies and memoirs charting remarkable lives—whether because of fame, fortune or simply fascination—have the power to inspire us for their depth, curiosity or challenges. This year sees a bumper calendar of personal histories enter bookshops, grappling with enigmatic public figures like singer Joni Mitchell and writer Ian Fleming , to nuanced analysis of how motherhood or sociopathy shape our lives—for better and for worse.

SEE ALSO: The Best Addiction Memoirs for the Sober Curious

Here we compile some of the most rewarding biographies and memoirs out in 2024. There are stories of trauma and recovery, art as politics and politics as art, and sentences as single life lessons spread across books that will make you rethink much about personal life stories. After all, understanding the triumphs and trials of others can help us see how we can change our own lives to create something different or even better.

Zodiac: A Graphic Memoir by Ai Weiwei and illustrated by Gianluca Costantini

Ai Weiwei , the iconoclastic artist and fierce critic of his homeland China, mixes fairy tales with moral lessons to evocatively retrace the story of his life in graphic form. Illustrations are by Italian artist Gianluca Costantini . “Any artist who isn’t an activist is a dead artist,” Weiwei writes in Zodiac , as he embraces everything from animals found in the Chinese zodiac to mystical folklore tales with anamorphic animals to argue the necessity of art as politics incarnate. The meditative exercise uses pithy anecdotes alongside striking visuals to sketch out a remarkable life story marked by struggle. It’s one weaving political manifesto, philosophy and personal memoir to engage readers on the necessity of art and agitation against authority in a world where we sometimes must resist and fight back.

Alphabetical Diaries by Sheila Heti

Already well-known for her experimental writings, Sheila Heti takes a decade of diary entries and maps sentences against the alphabet, from A to Z. The project is a subversive rethink of our relationship to introspection—which often asks for order and clarity, like in diary writing—that maps new patterns and themes in its disjointed form. Heti plays with both her confessionals and her sometimes formulaic writing style (like knowingly using “Of course” in entries) to retrace the changes made (and unmade) across ten years of her life. Alphabetical Diaries is a sometimes demanding book given the incoherence of its entries, but remains an illuminating project in thinking about efforts at self-documentation.

Splinters: Another Kind of Love Story by Leslie Jamison

Unlike her previous work The Empathy Exams , which examined how we relate to one another and on human suffering, writer Leslie Jamison wrestles today with her own failed marriage and the grief of surviving single parenting. After the birth of her daughter, Jamison divorces her partner “C,” traverses the trials and tribulations of rebound relationships (including with “an ex-philosopher”) and confronts unresolved emotional pains born of her own life living under the divorce of her parents. In her intimate retelling—paired with her superb prose—Jamison charts a personal history that acknowledges the unending divide mothers (and others) face dividing themselves between partners, children and their own lives.

Radiant: The Life and Line of Keith Haring by Brad Gooch

Whether dancing figures or a “radiant baby,” the recognizable cartoonish symbols in Keith Haring ’s art endure today as shorthand signs representing both his playfulness and politicking. Haring (1958-1990) is the subject of writer Brad Gooch ’s deft biography, Radiant , a book that mines new material from the archive along with interviews with contemporaries to reappraise the influential quasi-celebrity artist. From rough beginnings tagging graffiti on New York City walls to cavorting with Andy Warhol and Madonna on art pieces, Haring battled everything from claims of selling out to over-simplicity. But he persisted with work that leveraged catchy quotes and colorful imagery to advance unsavory political messages—from AIDS to crack cocaine. A life tragically cut short at 31 is one powerfully celebrated in this new noble portrait.

The House of Hidden Meanings by RuPaul Charles

In The House of Hidden Meaning , celebrated drag queen, RuPaul , reckons with a murky inner world that has shaped—and hindered—a lifetime of gender-bending theatricality. The figurative house at the center of the story is his “ego,” a plaguing barrier that apparently long inhibited the performer from realizing dreams of greatness. Now as the world’s most recognizable drag queen—having popularized the art form for mainstream audiences with the TV show RuPaul’s Drag Race —RuPaul reflects on the power that drag and self-love have long offered across his difficult, and sometimes tortured, life. Readers expecting dishy stories may be disappointed, but the psychological self-assessment in the pages of this memoir is far more edifying than Hollywood gossip could ever be.

Sociopath: A Memoir by Patric Gagne

Patric Gagne is an unlikely subject for a memoir on sociopaths. Especially since she is a former therapist with a doctorate in clinical psychology. Still, Gagne makes the case that after a troubled childhood of antisocial behavior (like stealing trinkets and cursing teachers) and a difficult adulthood (now stealing credit cards and fighting authority figures), she receives a diagnosis of sociopathy. Her memoir recounts many episodes of bad behavior—deeds often marked by a lack of empathy, guilt or even common decency—where her great antipathy mars any ability for her to connect with others. Sociopath is a rewarding personal exposé that demystifies one vilified psychological condition so often seen as entirely untreatable or irreparable. Only now there’s a familiar face and a real story linked to the prognosis.

Ian Fleming: The Complete Man by Nicholas Shakespeare

Nicholas Shakespeare is an acclaimed novelist and an astute biographer, delivering tales that wield a discerning eye to subjects and embrace a robust attention to detail. Ian Fleming (1908-1964), the legendary creator of James Bond, is the latest to receive Shakespeare’s treatment. With access to new family materials from the Fleming estate, the seemingly contradictory Fleming is seen anew as a totally “different person” from his popular image. Taking cues from Fleming’s life story—from a refined upbringing spent in expensive private schools to working for Reuters as a journalist in the Soviet Union—Shakespeare reveals how these experiences shaped the elusive world of espionage and intrigue created in Fleming’s novels. Other insights include how Bond was likely informed by Fleming’s cavalier father, a major who fought in WWI. A martini (shaken, not stirred) is best enjoyed with this bio.

Knife: Meditations after an Attempted Murder by Salman Rushdie

Salman Rushdie , while giving a rare public lecture in New York in August 2022, was violently stabbed by an assailant brandishing a knife . The attack saw Rushdie lose his left hand and his sight in one eye. Speaking to The New Yorker a year later , he confirmed a memoir was in the works that would confront this harrowing existential experience: “When somebody sticks a knife into you, that’s a first-person story. That’s an ‘I’ story.” Knife: Meditations after an Attempted Murder is promised to be his raw, revelatory and deeply psychological confrontation with the violent incident. Like the sword of Damocles, brutality has long stalked Rushdie ever since the 1989 fatwa issued against the author, following the publication of his controversial novel, The Satanic Verses . The answer to such barbarity, Rushdie is poised to argue, is by finding the strength to stand up again.

The Art of Dying: Writings, 2019–2022 by Peter Schjeldahl (Release: May 14)

Peter Schjeldahl (1942-2022), longstanding art critic of The New Yorker , confronted his mortality when he was diagnosed with incurable lung cancer in 2019. The resulting essay collection he then penned, The Art of Dying , is a masterful meditation on one life preoccupied entirely with aesthetics and criticism. It’s a discursive tactic for a memoir that avoids discussing Schjeldahl’s coming demise while equally confirming its impending visit by avoiding it. Acknowledging that he finds himself “thinking about death less than I used to,” Schjeldahl spends most of the pages revisiting familiar art subjects—from Edward Hopper ’s output to Peter Saul ’s Pop Art—as vehicles to re-examine his own remarkable life. With a life that began in the humble Midwest, Schjeldahl says his birthplace was one that ultimately availed him to write so plainly and cogently on art throughout his career. Such posthumous musings prove illuminating lessons on the potency of American art, with whispered asides on the tragedy of death that will come for all of us.

Traveling: On the Path of Joni Mitchell by Ann Powers (Release: June 11)

Joni Mitchell has enjoyed a remarkable revival recently, even already being one of the most acclaimed and enduring singer/songwriters. After retiring from public appearances for health reasons in the 2010s, Mitchell, 80, has returned to the spotlight with a 2021 Kennedy Centers honor , an appearance accepting the 2023 Gershwin Prize and even a live performance at this year’s Grammy Awards . It’s against this backdrop of public celebration of Mitchell that NPR music critic Ann Powers retraces the life story and musical (re)evolution of the singer, from folk to jazz genres and rock to soul music, across five decades for the American songbook. “What you are about to read is not a standard account of the life and work of Joni Mitchell,” she writes in the introduction. Instead, Powers’ project is one showing how Mitchell’s many journeys—from literal road trips inspiring tracks like “All I Want” to inner probings of Mitchell’s psyche, such as the song “Both Sides Now”—have always inspired Mitchell’s enduring, emotive and palpable output. These travels hold the key, Powers says, to understanding an enigmatic artist.

• SEE ALSO : Will Keen On Playing Vladimir Putin On Broadway in ‘Patriots’

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The Best Memoirs of 2023

These ten books explore what it means to be a person..

The beauty of memoir is its resistance to confinement: We contain multitudes, so our methods of introspection must, too. This year’s best memoirs perfectly showcase such variety. Some are sparse, slippery — whole lives pieced together through fragmented memories, letters to loved ones, recipes, mythology, scripture. Some tease the boundary between truth and fiction. Others elevate straightforward narratives by incorporating political theory, philosophy, and history. The authors of each understand that one’s life — and more significantly, one’s self — can’t be contained in facts. After all, the facts as we remember them aren’t really facts. It’s their openness and experimentation that allow, at once, intimacy and universality, provoking some of our biggest questions: How does a person become who they are? What makes up an identity? What are the stories we tell ourselves, and why do they matter? These books might not spell out the answers for you, but they’ll certainly push you toward them.

10. Hijab Butch Blues , by Lamya H

NYC-based organizer Lamya H (a pseudonym) has described her memoir as “unapologetically queer and unapologetically Muslim .” What this looks like is a book that isn’t so much grappling with or reconciling two conflicting identities, but rather lovingly examining the ways each has supported and strengthened the other. Lamya provides close, queer readings of the Quran, drawing connections between its stories and her own experiences of persecution as a brown girl growing up in an (unnamed) Arab country with strict colorist hierarchies. Beginning with her study of the prophet Maryam — whose virgin pregnancy and general rejection of men brings a confused 14-year-old Lamya real relief during Quran class — Lamya draws on various religious figures to track her political, spiritual, and sexual coming of age, jumping back and forth in time as she grows from a struggling child into a vital artist and activist.

9. Better Living Through Birding , by Christian Cooper

On May 25, 2020, birder Christian Cooper was walking the Central Park Ramble when he asked a white woman on the same path to leash her dog. She refused, he started recording, and after both he and his sister posted the video on social media , the whole world saw her call 911 and falsely claim that an African American man was threatening both her and her dog. Cooper quickly found himself at the center of an urgent conversation about weaponized whiteness and police brutality against Black men in the U.S., amplified by another devastating video circulating that same day: George Floyd’s murder by Minneapolis police. Many will pick up Cooper’s memoir for his account of the interaction that captured international attention and forever changed his life — and it is a powerful, damning examination — but it is far from the main event. By the time it shows up, Cooper has already given us poignant recollections of growing up Black and gay (and in the closet) in 1970s Long Island, a loving analysis of science fiction, a behind-the-scenes look at the comic-book industry as it broke through to the mainstream, and most significantly, an impassioned ode to and accessible education on recreational birding. (The audiobook comes with interstitial birdsong!) Recalling his time at Harvard, Cooper turns repeatedly to his love of his English classes, and this background comes through in his masterful writing. An already prolific writer in the comic-book space, his memoir marks his first (and hopefully not last) foray into the long-form territory.

8. Love and Sex, Death and Money , by McKenzie Wark

McKenzie Wark is one of the sharpest, most exciting voices writing at the intersections of capitalism, community, gender, and sex — more broadly, everything in this title — and she is also criminally underread. In her epistolary memoir Love and Sex … , she looks at a lifetime of transitions — journeys not only through her gender, but also politics, art, relationships, and aging — and reflects on all the ways she has become the woman she is today, in letters to the people who helped shape her. Wark’s first letter is, fittingly, directed to her younger self. She acknowledges their infinite possible futures and that, in this way, this younger Wark on the brink of independence is the one most responsible for setting her on the path to this specific future. In theory, it’s a letter to offer clarity, even guidance, to this younger self, but really it’s a means of listening to and learning from her. Her letters to mothers, lovers, and others are as much, if not more, about Wark as they are about the recipients, but that self-reflection doubles as a testament to the recipients’ power. What comes across most strongly is Wark’s belief in ongoing evolution and education, and it’s hard not to leave inspired by that possibility.

7. A Man of Two Faces , by Viet Thanh Nguyen

Pulitzer Prize winner Viet Thanh Nguyen’s memoir maintains the singular voice of his fiction: audacious, poetic, self-aware. Written in nonlinear second-person stream of consciousness — its disjointedness represented on the page by paragraphs volleying from left to right alignment across the page — A Man of Two Faces recounts his life as a Vietnamese refugee in the U.S. When his family moves from wartime Vietnam to San Jose, California, 4-year-old Nguyen is placed in a different sponsor home than the rest of his family. The separation is brief, but it sets a tone of alienation that continues throughout his life — both from his parents, who left their home in pursuit of safety but landed in a place with its own brand of violence, and from his new home. As he describes his journey into adulthood and academia, Nguyen incorporates literary and cultural criticism, penetrating analyses of political history and propaganda, and poignant insights about memory and trauma.

6. Sure, I’ll Join Your Cult: A Memoir of Mental Illness and the Quest to Belong Anywhere , by Maria Bamford

It’s safe to say alt-comedian Maria Bamford’s voice isn’t for everyone. Those who get her anti-stand-up stand-up get it and those who don’t, don’t. Her absurdist, meta series Lady Dynamite revealed the work of a woman learning to recognize and love her brilliant weirdness, and in Sure, I’ll Join Your Cult , she channels that weirdness into a disarmingly earnest, more accessible account of both fame and mental illness. Centered on Bamford’s desperate pursuit of belonging, and the many, often questionable places it’s led her — church, the comedy scene, self-actualization conferences, 12-step groups, each of which she puts under the umbrella of the titular “cults” — Sure, I’ll Join Your Cult is egoless, eye-opening, uncomfortable, and laugh-out-loud funny. These are among the best qualities — maybe even prerequisites — of an effective mental-illness memoir, and Bamford’s has earned its keep in the top tier. If you’re thinking of skipping it because you haven’t connected with Bamford’s work before: don’t.

5. In Vitro: On Longing and Transformation , by Isabel Zapata

In Isabel Zapata’s intimate, entrancing memoir In Vitro , the Mexican poet brazenly breaks what she calls “the first rule of in vitro fertilization”: never talk about it. Originally published in Spanish in 2021, and with original drawings woven throughout, In Vitro is a slim collection of short, discrete pieces. Its fragments not only describe the invasive process and its effects on her mind and body, but also contextualize its lineage, locating the deep-seated draw of motherhood and conception, analyzing the inheritances of womanhood, and speaking directly to her potential child. All together, it becomes something expansive — an insightful personal history but also a brilliant philosophical text about the very nature of sacrifice and autonomy.

4. The Night Parade , by Jami Nakamura Lin

When Jami Nakamura Lin was 17 years old, she checked herself into a psych ward and was diagnosed bipolar. After years experiencing disorienting periods of rage, the diagnosis offers validation — especially for her historically dismissive parents — but it doesn’t provide the closure that mainstream depictions of mental illness promise. In The Night Parade , intriguingly categorized as a speculative memoir, Lin explains that if a story is good, it “collapses time”; in other words, it has no beginning or end. Chasing this idea, Lin turns to the stories of her Japanese, Taiwanese, and Okinawan heritage, using their demons, spirits, and monsters to challenge ideas of recovery and resituate her feelings of otherness. Intertwined in this pursuit is her grappling with the young death of her father and the birth of her daughter after a traumatic miscarriage. Extensively researched — citing not only folklore but also scholars of history, literary, and mythology — and elevated by her sister Cori Nakamura Lin’s lush illustrations, The Night Parade is both an entirely new perspective on bipolar disorder and a fascinating education in mythology by an expert who so clearly loves the material. It might be Lin’s first book, but it possesses the self-assurance, courage, and mastery of a seasoned writer.

3. Doppelganger , by Naomi Klein

After the onset of the COVID pandemic, as the U.S. devolved into frenzied factions, sociopolitical analyst Naomi Klein found herself in the middle of her own bewildering drama: A substantial population, especially online, began to either confuse or merge her with Naomi Wolf, a writer who’d gone from feminist intellectual to anti-vaxx conspiracy theorist. Klein’s initial bemusement becomes real concern verging on obsession as she fixates on her sort-of doppelgänger and starts questioning the stability of her identity. Klein becomes entangled in the world of her opposite, tracing the possible pipelines from leftism to alt-right and poking at the cracks in our convictions. Throughout, she nails the uncanniness of our digital existence, the ways constant performance of life both splinters and constrains the self. What happens when we sacrifice our humanity in the pursuit of a cohesive personal brand? And when we’re this far gone, is there any turning back?

2. The Woman in Me , by Britney Spears

Throughout the yearslong campaign to release Britney Spears from a predatory conservatorship , the lingering conspiracy theories questioning its success , and the ongoing cultural discourse about the ways public scrutiny has harmed her, what has largely been missing is Spears’s own voice. In her highly anticipated memoir, she lays it all out: her upbringing in a family grappling with multiple generations of abuse, the promise and betrayal of stardom, her exploitation and manipulation by loved ones, and the harrowing, dehumanizing realities of her conservatorship . These revelations are tempered by moments of genuine joy she’s found in love, motherhood, and singing, though it’s impossible to read these recollections without anticipating the loss — or at least the complication — of these joys. Most touching are her descriptions of her relationships with her sons; her tone is conversational, but it resonates with deep, undying devotion. It’s an intimate story, and one that forces questions about our treatment of mental illness, the ethics of psychiatric practices, the relationships between public figures and their fans, and the effects of fame — especially on young women. Justice for Britney, forever.

1. Pulling the Chariot of the Sun , by Shane McCrae

When Shane McCrae was 3 years old, his white maternal grandparents told his Black father they were taking Shane on a camping trip. It wasn’t the first time they’d done so, but this time, they never returned. What followed was a life full of instability, abuse, and manipulation, while his grandparents — including a grandfather who had, more than once, trawled cities for Black men to attack — convinced McCrae his father had abandoned him and that his Blackness was a handicap. It’s clear McCrae is first and foremost a poet; the rhythm of his prose and his hypnotic evocation of sensory memory reveals the way a lifetime of lies affected his grasp on his past. Maybe he can’t trust the facts of his past, but he certainly knows what it felt like, what it looked like. As he excavates and untangles muddied memories, contends with ambivalent feelings about his grandmother and mother, and ultimately comes to terms with their unforgivable robbery of a relationship with both his father and his true, full self, McCrae’s pain bleeds through his words — but so too does a gentle sense of acceptance. We are lucky to bear witness.

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The Best New Biographies of 2023

CJ Connor is a cozy mystery and romance writer whose main goal in life is to make their dog proud. They are a Pitch Wars alumnus and an Author Mentor Match R9 mentor. Their debut mystery novel BOARD TO DEATH is forthcoming from Kensington Books. Twitter: @cjconnorwrites | cjconnorwrites.com

View All posts by CJ Connor

Read on to discover nine of the best biographies published within the last year. Included are life stories of singular people, including celebrated artists and significant historical figures, as well as collective biographies.

The books included in this list have all been released as of writing, but biography lovers still have plenty to look forward to before the year is out. A few to keep your eye out for in the coming months:

• The World According to Joan Didion by Evelyn McDonnell (HarperOne, September 26)
• Einstein in Time and Space by Samuel Graydon (Scribner, November 14)
• Overlooked: A Celebration of Remarkable, Underappreciated People Who Broke the Rules and Changed the World by Amisha Padnani (Penguin Random House, November 14).

Without further ado, here are the best biographies of 2023 so far!

Master Slave Husband Wife: An Epic Journey from Slavery to Freedom by Ilyon Woo

Ellen and William Craft were a Black married couple who freed themselves from slavery in 1848 by disguising themselves as a traveling white man and an enslaved person. Author Ilyon Woo recounts their thousand-mile journey to seek safety in the North and their escape from the United States in the months following the passage of the Fugitive Slave Act.

The Art Thief: A True Story of Love, Crime, and a Dangerous Obsession by Michael Finkel

Written over a period of 11 years with exclusive journalistic access to the subject, author Michael Finkel explores the motivations, heists, and repercussions faced by the notorious and prolific art thief Stéphane Breitwieser. Of special focus is his relationship with his girlfriend and accomplice, Anne-Catherine Kleinklaus.

King: A Life by Jonathan Eig

While recently published, King: A Life is already considered to be the most well-researched biography of Civil Rights activist Martin Luther King Jr. published in decades. New York Times bestselling journalist Jonathan Eig explores the life and legacy of Dr. King through thousands of historical records, including recently declassified FBI documents.

Why Willie Mae Thornton Matters by Lynnée Denise

This biography is part of the Why Music Matters series from the University of Texas. It reflects on the legendary blues singer’s life through an essay collection in which the author (also an accomplished musician) seeks to recreate the feeling of browsing through a box of records.

Young Queens: Three Renaissance Women and the Price of Power by Leah Redmond Chang

Historian Leah Redmond Chang’s latest book release focuses on three aristocratic women in Renaissance Europe: Catherine de’ Medici, Elizabeth de Valois, and Mary, Queen of Scots. As a specific focus, she examines the juxtaposition between the immense power they wielded and yet the ways they remained vulnerable to the patriarchal, misogynistic societies in which they existed.

Daughter of the Dragon: Anna May Wong’s Rendezvous with American History by Yunte Huang

Anna May Wong was a 20th-century actress who found great acclaim while still facing discrimination and typecasting as a Chinese woman. University of California professor Yunte Huang explores her life and impact on the American film industry and challenges racist depictions of her in accounts of Hollywood history in this thought-provoking biography.

Twice as Hard: The Stories of Black Women Who Fought to Become Physicians, from the Civil War to the 21st Century by Jasmine Brown

Written by Rhodes Scholar and University of Pennsylvania medical student Jasmine Brown, this collective biography shares the experiences and accomplishments of nine Black women physicians in U.S. history — including Rebecca Lee Crumpler, the first Black American woman to earn a medical degree in the 1860s, and Surgeon General Joycelyn Elders.

Larry McMurtry: A Life by Tracy Daugherty

Two years after the Pulitzer Prize-winning author’s death, this biography presents a comprehensive history of Larry McMurtry’s life and legacy as one of the most acclaimed Western writers of all time.

The Kneeling Man: My Father’s Life as a Black Spy Who Witnessed the Assassination of Martin Luther King Jr. by Leta McCollough Seletzky

Journalist Leta McCollough Seletzky examines her father, Marrell “Mac” McCollough’s complicated legacy as a Black undercover cop and later a member of the CIA. In particular, she shares his account as a witness of the assassination of Martin Luther King Jr. at the Lorraine Motel.

Are you a history buff looking for more recommendations? Try these.

• Best History Books by Era
• Books for a More Inclusive Look at American History
• Fascinating Food History Books

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Make Your Own List

Best Biographies » The Best Memoirs and Autobiographies

The best memoirs: the 2022 nbcc autobiography shortlist, recommended by marion winik.

Gay Bar: Why We Went Out by Jeremy Atherton Lin

Autobiography is evolving; increasingly we find the field dominated by 'genre-fluid' books that plait memoir together with strands of cultural criticism, history, journalism or even poetry. Here, Marion Winik , the memoirist and critic, talks us through the five books that have been shortlisted in the National Book Critic's Circle autobiography category—and describes the face of memoir in 2022.

Interview by Cal Flyn , Deputy Editor

A Little Devil in America: Notes In Praise Of Black Performance by Hanif Abdurraqib

A Farewell to Gabo and Mercedes: A Son's Memoir of Gabriel García Márquez and Mercedes Barcha by Rodrigo Garcia

A Ghost in the Throat by Doireann Ní Ghríofa

Concepcion: An Immigrant Family’s Fortunes by Albert Samaha

1 A Little Devil in America: Notes In Praise Of Black Performance by Hanif Abdurraqib

2 gay bar: why we went out by jeremy atherton lin, 3 a farewell to gabo and mercedes: a son's memoir of gabriel garcía márquez and mercedes barcha by rodrigo garcia, 4 a ghost in the throat by doireann ní ghríofa, 5 concepcion: an immigrant family’s fortunes by albert samaha.

W hat an exciting shortlist for this year’s National Book Critics Circle autobiography award category. As the chair of the judges, can you give us an overview—what does autobiography and memoir look like in 2022?

Yes, I think ‘a blend of memoir and cultural criticism’ is probably a reasonable way of describing the first book that made the shortlist. This is Hanif Abdurraqib’s A Little Devil in America: Notes In Praise Of Black Performance.

I think I can reveal that this book was considered by more than one committee at the NBCC, because—yes—it is as much cultural criticism as it is autobiography. One of the things that’s important to us is not to let books like that fall through the cracks. We might say, well, it’s not really a memoir, and they might say, well, it’s not really criticism. So we’ve made it our job to embrace those hybrid books. I mean, there was almost a little turf war over this one.

Abdurraqib’s voice is so powerful and personal that even when he’s writing about Whitney Houston or Michael Jackson, it still reads as personal storytelling. It’s certainly not what we ordinarily think of as music criticism. His discussion of each entertainer is very much in terms of his culture and life story.

There was one essay that the committee went crazy for: ‘It Is Safe to Say I Have Lost Many Games of Spades.’ It’s about playing cards in a van with a group of other writers traveling to an event down South. It’s about the different rules and traditions for the game in black communities all over the country. It’s also about friendship. He says that the way each of his friends plays Spades brings out the thing he most loves about each of them. That’s a lovely piece of memoir right there.

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As both a writer and reader of this genre, I’m obsessed with interesting formal constraints and decisions about language. Abdurraqib is a poet, and brings a lyricism and often a sort of incantatory style to his writing. One essay is based on a kind of poem called a ‘crown of sonnets’, where the last line of each sonnet becomes the first line of the next one. He did that with sections of an essay about Mike Tyson. That enchanted me. He also has five essays with the same title: ‘On Times I Have Forced Myself to Dance.’ And ‘Sixteen Ways of Looking at Blackface’ clearly gets its spinal column from Wallace Stevens.

That makes sense. The second shortlisted title is Jeremy Atherton Lin’s Gay Bar: Why We Went Out . It’s described as “a transatlantic tour of the hangouts that marked his life, with each club, pub and dive revealing itself as a palimpsest of queer history.” What did you admire about this book?

Oh, it’s really good. First of all, it’s very brave and candid. It has a lot of raw sex writing in it, which is attention-grabbing and very well handled. It’s a love story, really; he describes how he met his partner, whom he calls ‘Famous Blue Raincoat’ or just ‘Famous’, in a bar when they were really very young. It’s the story of him and Famous, their coming of age, and their sex life over decades, threaded all through the book. So it’s the furthest thing from a dry history of gay bars. It’s very experiential, and takes you inside gay culture in a rare way. He evokes the settings so powerfully. It’s a great way of telling history.

Do you remember the Alia Volz book we talked about last year , Home Baked ? About her mother selling hash brownies in San Francisco?

So the cities featured in this book, London, Los Angeles and San Francisco, come to life in a similar way as in that book. You feel there’s a really vivid capturing of those cultural centers at certain times in their history.

The author came of age in the 1990s, but Aids plays a smaller role in the book than I might have expected or feared. It’s put in its place by all that’s happened before and since. It’s put in a historical context, and that’s kind of liberating I think

I know when people are selling nonfiction books at the moment, publishers often want a personal link to the story. I suppose this is where the trend towards genre fluidity might come in, and I guess it also reflects the way that so-called ‘lived experience’ is increasingly respected and prioritised.

Thanks. The third book is Rodrigo García’s A Farewell To Gabo And Mercedes: A Son’s Memoir. Rodrigo Garcia is Gabriel García Márquez’s son; this is a short but well-formed memoir about the deaths of his parents.

We talked a lot about two aspects of this book. First: is it a handicap that it’s so short? Or is it beautifully compressed, and perfect at this length? Obviously we decided it was the latter. We also talked about whether this book is important because his father was so famous—is that why we liked it?—or was it because it captured something universal about losing both parents? Again, we decided the latter, though Garcia does honor the loss to the world and to his father’s many fans, as well as his own.

Next up, we have Doireann Ní Ghríofa’s A Ghost in the Throat . I do love this strange little book. It weaves the story of how she subsumes herself in early motherhood with a parallel story of an Irish noblewoman and poet. Can you tell us a bit more about it?

People really can’t decide what genre this book is in, probably more so than any of the other books. They even tried to say it was fiction! Turf war, part two! I think there’s no doubt it belongs in autobiography. Ní Ghríofa interweaves the earthbound realities of her life as a young mother with her literary obsession with an 18th-century poem. It’s quite remarkable.

She explains that she knew this poem from it being taught to her at school, and then she encountered it at a different time in her life. She had never realised before that the woman poet was a young mom at the time she was widowed; I think she says that this was the detail that pushed her over the edge into obsession. She has a xeroxed copy under her pillow that she pulls out and reads in stolen moments. She researches everything that can be known about this woman’s life (which is both more than you’d think and less than she wants), and she makes her own translation from the Irish, which is included in the book.

“‘Autobiography’ is a pretty old-fashioned word for this category. I think it’s closer to what people now call ‘creative nonfiction’”

The poem itself is almost kind of goth in its details. She drinks her dead husband’s blood, she takes his dead horse’s skull and buries it in her fireplace. It’s also unbelievably romantic, quite in contrast to the diaper pails and floor-mopping and everything else she has going on. But the thing is that she embraces both. She is not downtrodden by her duties as a mother.

There’s an interesting discussion over whether this is a feminist book, because she does kind of love her dishwashing and breast-pumping and such. It has been more traditional in feminism to package up domestic duties as part of female oppression. That’s not really Ní Ghríofa’s approach at all. She finds a beauty in the duties of care. She’s a romantic in the traditional sense. She finds an intensity and romance in her own life.

It has this echoing refrain: “This is a female text.” She applies it to real texts, like the book itself and the poem that she translates, but also to other less obvious tasks. She talks about the idea of the fruits of female labour disappearing, or undoing themselves as fast as you do them—the clean becoming unclean, and so on. I felt this book very powerfully, although I find it hard to sum up the thrust of its ‘argument’.

You know how there was a turn in feminist thinking about sex? Instead of being exploited or ashamed or whatever, you could be  ‘sex positive’ and proud of it. This book is, like, housework positive.

I love that. There’s a bit about how she donates her breast milk until she’s too ill to continue. She’s sapping herself dry for a baby she’s never met. It’s a very pure image of femininity as self-abnegation.

Maybe that brings us to the final book on the shortlist: Albert Samaha’s Concepcion: An Immigrant Family’s Fortunes. It’s the story of the author’s Filipino-American family, and it traces his ancestry back through Filipino history.

There’s a lot we admired about this book. It’s an undertold story. Someone on the committee described it as a collective memoir, shared by unheard people from this background. In addition to the complicated history of the islands starting with Magellan, he includes several wonderful personal stories.  His uncle Spanky who was literally a rock star in the Philippines became a baggage handler at the airport in California. His mother who darts in and out of the story, is a Trumper and a QAnon follower. She gets catfished by a guy from an online dating site. So all these different narrative threads energize each other, and benefit from the contrast.

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In some ways it’s like Gay Bar , in that it is a long cultural history mixed with a personal story. And it succeeds because the writing is so personal and powerful and vivid. It’s part of a more general flowering of Filipino writers right now.

How would you characterise his literary style?

I’d say he writes in a very accomplished narrative nonfiction style—longform journalism laced with personal storytelling—including moments of high irony and humor. He’s not as lyrical as the poets Abdurraqib and Ní Ghríofa, but the task he sets himself makes that an asset. There’s a lot of actual information and education delivered by this book, more like what you’d expect from a title on the nonfiction list—and there’s that hybrid thing again, the leitmotif of this list.

Fantastic. What happens next?

So now the members of all six NBCC committees are reading all the shortlisted books from every category. Then we will meet on Zoom, and at that point it’s all about hearing the voices of the people who weren’t involved in the shortlisting process. As the chair of the autobiography committee, I’m very interested to see how the five books are going to roll with the larger group. Those final discussions are so interesting and important. The best part of being on the NBCC, really. Then we will vote on the winners, and the ceremony will be on the 17 March , preceded by a finalists reading where we will hear two minutes each of all 37 books! I’m particularly excited about that.

February 18, 2022

Five Books aims to keep its book recommendations and interviews up to date. If you are the interviewee and would like to update your choice of books (or even just what you say about them) please email us at [email protected]

Marion Winik

University of Baltimore professor Marion Winik  is the author of The Big Book of the Dead and winner of the 2019 Towson Prize for Literature. Among her ten other books are First Comes Love and Above Us Only Sky . Her essays have appeared in publications including The New York Times Magazine and The Sun . A board member of the National Book Critics Circle, she writes book reviews for People, Newsday, The Washington Post , and Kirkus Reviews . She was a commentator on NPR for fifteen years; her honours include an NEA Fellowship in Creative Nonfiction.

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24 best autobiographies you have to read in 2024

Whether you're a long-time lover of non-fiction or you're new to the world of autobiographies, this is our list of the 24 best autobiographies you've got to read in 2024.

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Are you dreaming of a summer holiday? Perhaps you're fantasising of afternoons spent lying on the beach or by the pool — chilly January days just a mere memory... And there's nothing that says holiday quite like a new book.

Autobiographical writing is a skill that is hard to master. Done well, it can give you a behind the scenes peek into the world of your favourite star, or give you an insight into historical events and cultural context that would otherwise be near impossible to understand.

While books can make some of the best gifts for others they also can be a great gift for yourself — especially if you're looking to take a break from the screens that surround us in modern life. We love the experience of going into a bookshop, looking at all the covers and picking out a few new titles. But life can get busy, and it can be tricky to find the time to continue to support your local bookshop. Shopping from a site like Bookshop.org also lets you support independent bookshops from home.

Having said that, reading a physical book isn't the only way to enjoy these amazing stories.

Getting a Kindle can be a great way to carry lots of books round with you if you're travelling, and you can often download books for a much lower cost. Listening to audiobooks is also a great way to stay on top of your reading when you're on the go. Amazon Audible lets you download books onto your phone and listen as you go, and it's also running a 30-day UK free trial right now.

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Here's our list of the best autobiographies that you should read in your lifetime.

Looking for better ways to experience your favourite audiobook? Check out guides to the best wireless earbuds , best AirPod alternatives , and the best smart speakers . For more on audio, take a look at the best DAB radios .

Best autobiographies at a glance:

• Open, Andre Agassi | £10.99
• Everything I Know About Love, Dolly Alderton | £10.99
• I Know Why the Caged Bird Sings, Maya Angelou | from £4.99
• Wild Swans, Jung Chang | from £4.49
• The Year of Magical Thinking, Joan Didion | from £6.99
• The Princess Diarist, Carrie Fisher | £10.99
• The Diary of a Young Girl, Anne Frank | from £9.49
• All Creatures Great and Small, James Herriot | from £9.49
• This is Going to Hurt, Adam Kay | from £5.99
• Long Walk to Freedom, Nelson Mandela | from £6.99
• I'm Glad My Mom Died, Jennette McCurdy | from £11.99
• Dreams From My Father, Barack Obama | £9.99
• Becoming, Michelle Obama | from £7.99
• Madly, Deeply: The Diaries of Alan Rickman, Alan Rickman | from £7.50
• Just Kids, Patti Smith | £12.34
• Wild, Cheryl Strayed | £8.99
• Taste, Stanley Tucci | from £1.99
• Educated, Tara Westover | £10.99
• I Am Malala, Malala Yousafzai | from £8.54
• Crying In H Mart, Michelle Zauner | £9.99
• Friends, Lovers and the Big Terrible Thing, Matthew Perry | £20.99
• The Woman in Me, Britney Spears | £12.50
• Love, Pamela, Pamela Anderson | from £10.99
• Finding Me, Viola Davis | from £5.99

Best autobiographies to read in 2024

Open, andre agassi.

Written in 2009, this is the autobiography of the American former World No.1 tennis player, Andre Agassi. Written in collaboration with JR Moehringer from a collection of hundreds of hours of tapes, this memoir gives top insight into the life of a professional sportsperson.

Agassi's was a career of fierce rivalries and it's fascinating to hear these from the perspective of an insider. Like many high-performing careers, in sport children are singled out for their talent at a young age, and Agassi describes the intensity of training for himself and his fellow tennis players in their collective pursuit of excellence.

This book would make a great present for any tennis fan, and gives an interesting insight into the man behind the nickname 'The Punisher'.

Buy Open by Andre Agassi for £10.99 at Waterstones

Everything I Know About Love, Dolly Alderton

Everything I Know About Love follows Times columnist Dolly Alderton through her early life and 20s. It tackles themes of dating, love, friendship as Alderton comes of age and grows into herself. Dispersed with recipes in the style of Nora Ephron's Heartburn, the book gained a cult following since it was published in 2018 and won a National Book Award (UK) for best autobiography of the year.

Alderton's memoir has also now been turned into a BBC TV show which follows a fictionalised version of Alderton and her friends as they navigate life in London.

Buy Everything I Know About Love by Dolly Alderton for £10.99 at Foyles

I Know Why The Caged Bird Sings, Maya Angelou

I Know Why The Caged Bird Sings is the first of seven autobiographies Angelou wrote about her life. It follows her childhood, beginning when she's just three years old and spanning to when she is 16 — from her time as a child to when she had a child herself. The book follows the young Maya as she and her brother Bailey are moved between family members following the separation of her parents.

Discussing themes of racism, sexual assault and displacement, the expertly crafted narrative is widely taught in schools here and in the US. Written in the aftermath of the death of Martin Luther King Jr in 1968, I Know Why The Caged Bird Sings became an instant classic and is a must-read.

Buy I Know Why The Caged Bird Sings by Maya Angelou from £4.99 at Amazon

Wild Swans, Jung Chang

Slightly different from traditional first person autobiographies, in this book Jung Chang tells the stories of three generations of women in her own family — her grandmother, her mother and herself. At a time when China is becoming increasingly isolated from the rest of the world, this book provides vital context into the 20th century history of the country.

Through the stories of her grandmother who was given to a warlord as a concubine, and her mother who was a young idealist during the rise of Communism, she captures moments of bravery, fear, and ultimately survival.

The book, which is banned in China, has sold more than 13 million copies worldwide and is as beautifully written as it is educationally fascinating.

Buy Wild Swans by Jung Chang from £4.49 at Amazon

The Year of Magical Thinking, Joan Didion

Published in 2005 when it went on to win Pulitzer Prize for Biography or Autobiography, this book follows Didion in the year after her the death of her husband of nearly 40 years, John Gregory Dunne. In this harrowing depiction of grief, love and loss, Didion turns her personal experience into one that is universally relatable.

Didion and Donne's adopted daughter Quintana fell ill days before his death and was still in hospital when he died. Didion recounts her experience caring for her throughout the book, all while going through her own grief.

While not an easy read, this is an incredibly powerful one.

Buy The Year of Magical Thinking by Joan Didion from £6.99 at Amazon

The Princess Diarist, Carrie Fisher

This might be an obvious choice for any Star Wars fan, but we think the appeal of this book stretches far beyond just that. Made up of the diaries Fisher wrote when she was 19 years old and first started playing Princess Leia, the book was released shortly before her death in 2016.

Any peak behind the scenes of such a well-known franchise is bound to be popular, and this examines her experience as a young adult thrust into the world of fame and sex. Unlike her deeply person earlier memoir Wishful Drinking, in which Fisher described her struggles with mental illness, The Princess Diarist is full of bombshell revelations and funny punchlines, making for an enjoyable read.

Buy The Princess Diarist by Carrie Fisher for £10.99 at Foyles

The Diary of a Young Girl, Anne Frank

The title of this book is clever because in so many ways, Anne Frank's diary is just that — the diary of a young girl. But it is also a vital account of history.

Starting on her 13th birthday, Anne writes about her life with her family living in Amsterdam from 1942 to 1944. Alongside other Jews, Anne and her family go into hiding to escape persecution from the Nazis. She deals with all the feeling teenagers experience growing up, but also grapples with her isolation, lack of freedom, and trying to understand what is happening in the world around her.

Important reading for young people and adults alike, Anne's writing brings home the realities of human suffering levelled upon the Jewish people by the Nazis. Anne's father Otto Frank was the only member of her family to survive the Holocaust, and he published his daughter's diary in line with her wishes.

Buy The Diary of a Young Girl by Anne Frank from £9.49 at Bookshop.org

All Creatures Great and Small, James Herriot

This book would make a great gift for the animal lover in your life, or any fan of the great outdoors. In it, James Herriot recounts his experiences as a newly qualified vet working in the Yorkshire Dales in the 1930s.

The first in his series of memoirs, All Creatures Great and Small finds Herriot in situations where there are high stakes, and more often than not some hilarity (think escaped pigs!). In the years since their first publication, the books have become classics.

If you want more of All Creatures Great and Small, there is also a TV adaptation to get stuck into.

Buy All Creatures Great and Small by James Herriot from £8.54 at Bookshop.org

This is Going to Hurt, Adam Kay

This autobiography follows Adam Kay through his years as a junior doctor specialising in obstetrics and gynaecology and working within the NHS. It will have you crying of laughter and sorrow as the young doctor finds himself helping people from all walks of life, all while his own personal life falls into disarray.

Kay's debut publication was the bestselling non-fiction title of 2018 in the UK and stayed at the top of the charts for weeks.

This is Going to Hurt was adapted into a limited drama series by the BBC earlier this year starring Ben Whishaw, which used elements of the book to explore wider themes around health and the NHS.

Buy This is Going to Hurt by Adam Kay from £5.99 at Amazon

Long Walk to Freedom, Nelson Mandela

This autobiography hardly needs an introduction. It tells the life story of former South African President and antiapartheid revolutionary Nelson Mandela, covering his childhood, education and the 27 years he spent in prison.

Mandela is internationally praised for overcoming enormous persecution and struggle, rebuilding South Africa's society as President. The film adaptation of his autobiography stars Idris Elba as Mandela, and was released shortly after his death.

The Kindle edition and paperback copy of this book starts from just £6.99.

Buy Long Walk to Freedom by Nelson Mandela from 99p at Amazon

I'm Glad My Mom Died, Jennette McCurdy

Jennette McCurdy's memoir has been one of the most talked about books of 2022. A former child star best know for her role on Nickelodeon's iCarly in the USA, McCurdy's memoir describes her experience growing up in the limelight with an abusive parent.

The book's title has, unsurprisingly, been a big talking point, but it addresses an issue faced by many who write about their life experiences — how do you write about your true experience without damaging your relationships? In this frank and often funny book, McCurdy describes the emotional complexity of receiving abuse from someone you love.

Buy I'm Glad My Mom Died by Jennette McCurdy from £11.99 at Amazon

Dreams From My Father, Barack Obama

Published nearly 15 years before he became President of the United States, Barack Obama's first memoir is a deep exploration into identity and belonging. In this book which begins with him learning about his father's death, Obama explores his own relationship with race as the son of a Black Kenyan father and a white American mother.

Written with his recognisable voice, Obama travels back to Kansas where his mother's family is from (they later moved to Hawaii where Obama spent most of his childhood) before making the journey to Kenya.

This makes an interesting read not only to learn more about the background of a man who holds such an important place in America's history, but also in shedding light on how we all relate to our own parentage and what makes us who we are.

Buy Dreams From My Father by Barack Obama for £9.99 at Waterstones

Becoming, Michelle Obama

America's former First Lady Michelle Obama recounts experiences of her life in this record breaking autobiography, from growing up on the south side of Chicago with her parents and brother, to attending Princeton University and Harvard Law School before returning to Chicago as a qualified lawyer. It was whilst working at a law firm in the city that she met her husband Barack Obama.

Obama uses her elegant story telling to take us along on the incredible journey she went on, as an accomplished lawyer, daughter, wife and mother to becoming First Lady. This is an autobiography that lets you see history from the insider's perspective and is definitely a must read.

Buy Becoming by Michelle Obama from £7.99 at Amazon

Madly, Deeply: The Diaries of Alan Rickman, Alan Rickman

Alan Rickman was much loved for his roles in fan favourite films, such as Hans Gruber in Die Hard and Professor Severus Snape in the Harry Potter series. This collection of diary entries, written with the intention of being made public and published after his death, give his witty insights into his day-to-day life but also his take on world events.

The book is filled not only with delightful showbiz gossip, but also with snippets of hidden moments — from his disbelief and grief at the sudden death of actor and friend Natasha Richardson, to the relief he feels that the costume for Severus Snape still fits.

Buy Madly, Deeply: The Diaries of Alan Rickman by Alan Rickman from £7.79 at Amazon

Just Kids, Patti Smith

On its release in 2010, Patti Smith's memoir won the US National Book Award for Nonfiction. In many ways it is a love letter to her life long friend, the artist Robert Mapplethorpe. In Just Kids, she recounts their meeting, romance and how they continued to inspire and encourage each other in their artistic pursuits for the rest of their lives.

This story which so vividly depicts life is, however, overshadowed by Mapplethorpe's death. Read for a vivid description of the New York art scene in the late '60s.

Buy Just Kids by Patti Smith for £12.34 at Bookshop.org

Wild, Cheryl Strayed

In this autobiography, Cheryl Strayed writes about hiking the Pacific Coast Trail, from the Mojave Desert in California to Washington State in the Pacific North West. In total, Strayed walks over a thousand miles on her own and in the process, she walked back to herself.

This memoir is beautifully written, moving between stories from the trail to those about Strayed's childhood, her struggles with heroin use and the sudden death of her mother — the main motivation for her walk. Full of suspense, warmth and humour, this book will make you think about your life and your family, and probably make you want to go on a walk.

Wild was adapted into a film in 2014, produced by and starring Reese Witherspoon.

Buy Wild by Cheryl Strayed for £8.99 at Waterstones

Taste, Stanley Tucci

Stanley Tucci has long been beloved for his nuanced and charming acting performances, but in the last few years has gained popularity for his true love — food. Between his CNN series Searching for Italy making us all cross eyed with food envy, and his cookbook The Tucci Table written with wife Felicity Blunt, there's no getting away from the fact that Stanley Tucci is giving Italian food an even better name than it had already.

But there's a good reason for Tucci's renewed love of food and his devotion to these passion projects. He was diagnosed with oral cancer in 2018 which left him unable to eat for several months, and even after he was able to eat again, his sense of taste was changed. In this memoir, he recounts his early relationship with food in his grandparent's kitchen and at his parent's table, and how his relationship with food has shaped all the loves of his life.

We recommend having a bowl of pasta in front of you while you read this!

Buy Taste by Stanley Tucci from £6.99 at Amazon

Calling all bookworms, take a look at the best Kindle deals and the best Audible deals for this month.

Educated, Tara Westover

This is a frankly astonishing memoir in which Tara Westover recounts how she came from a Mormon fundamentalist background without a birth certificate or any schooling, and ended up studying for her PhD at the University of Cambridge.

Westover gives readers a peak behind the curtain into the lifestyle of a group who do everything they can to stay away from the outside world. She recounts the experience of herself and her siblings as they grew up in an environment where they were often injured and didn't have access to medical help.

The juxtaposition of loving her family and yet needing to escape is acutely described, and she writes so cleverly about the complex subject matter, often admitting that her version of events may not be the correct one. Westover expertly uses her own story to examine themes of religion, love and above all education - and we promise you won't be able to put it down.

Buy Educated by Tara Westover for £10.99 at Foyles

I Am Malala, Malala Yousafzai

Malala Yousafzai's story is undeniably an incredible one. After the Taliban took over in Swat Valley in Pakistan where she was born, Yousafzai was prevented from going to school. Despite being just a child herself, she became outspoken on girls' right to learn and in 2012, she was shot in the head by a masked gunman while on the bus to school.

After the attack Yousafzai moved to the UK with her family. In this autobiography, she describes the importance of female education, starting the Malala Fund, and receiving the Nobel Peace Prize in 2014. This book will leave you inspired.

Buy I Am Malala by Malala Yousafzai from £8.54 at Bookshop.org

Crying In H Mart, Michelle Zauner

Michelle Zauner is an Asian-American singer-songwriter and guitarist best known as lead of the band Japanese Breakfast. In this memoir, Zauner explores her relationship with her Korean heritage and how her mother's death forced her to reckon with the side of herself she had all but lost.

At the heart of this book about love, loss and grief is food. It acts as a constant dialogue between Zauner and her mother, as well as an enduring connection with her Korean heritage. This makes for a highly emotional and thought-provoking read.

Buy Crying In H Mart by Michelle Zauner for £9.99 at Waterstones

Friends, Lovers and the Big Terrible Thing, Matthew Perry

Last year, we were saddened by the news that Friends actor Matthew Perry had sadly passed away, his autobiography, Friends, Lovers and the Big Terrible Thing had become a bestseller the year before.

In Friends, Lovers and the Big Terrible Thing, Perry takes the reader behind the scenes of the most successful sitcom of all time (Friends), and he opens up about his private struggles with addiction. The book is honest and moving, with plenty of Perry's trademark humour, too.

Buy Friends, Lovers and the Big Terrible Thing by Matthew Perry for £20.99 at Waterstones

The Woman in Me, Britney Spears

If the reviews of Britney Spears's autobiography are anything to go by — "The easiest 5 stars I've given" — The Woman in Me is sure to be a hit with Spears fans.

For the first time in a book, Spears is sharing her truth with the world: The Woman in Me tackles themes of fame, motherhood, survival and freedom, and Spears doesn't shy away from speaking about her journey as one of the world's biggest pop stars.

Buy The Woman in Me by Britney Spears for £12.50 at Waterstones

Love, Pamela, Pamela Anderson

We might think we know Pamela Anderson as the bombshell in Baywatch, Playboy's favourite cover girl, and, more recently, making makeup-free appearances on red carpets – looking beautiful as she does so; she's an icon and an activist, and now we can read all about her in her own words for the first time.

Anderson uses a mixture of poetry and prose to speak about her childhood, career, and how she lost control of her own narrative.

Buy Love, Pamela by Pamela Anderson from £10.99 at Amazon

Finding Me, Viola Davis

Naturally, we're big Viola Davis fans over on RadioTimes.com — we've loved her in everything from The Hunger Games: The Ballad of Songbirds & Snakes to The Woman King and The Help, so her autobiography Finding Me is right up our street.

In this book, we meet Davis when she's a little girl in an apartment in Central Falls, Rhode Island, and we journey with her to her stage career in New York City and beyond.

Buy Finding Me by Viola Davis from £5.99 at Amazon

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Meet the editor who brought Julia Child to American kitchens

Judith Jones, a publishing pioneer who championed the publication of Child’s first cookbook and Anne Frank’s diary, is the subject of a new biography, “The Editor.”

In 2007, at the age of 83, the great book editor Judith Jones published a slim, sparkling memoir that danced over the major events of her life and publishing career, chiefly as related to cooking and cookbooks. Jones is best known — insofar as editors are known at all — for her momentous collaboration with Julia Child. “ The Tenth Muse: My Life in Food ” was sculpted with all the economy and finesse you would expect from a professional. Jones sketched her life in a series of bright, evocative vignettes: telling her prim mother that, yes, she really did like garlic; lunching on calves’ brains en cocotte with pianist/memoirist Arthur Rubinstein; arguing with an imperious Marcella Hazan over the fat content of a recipe (they weren’t buddies); skinning and frying a beaver’s tail (“I popped a glistening morsel into my mouth and was ravished”). The book perfectly captured Jones’s wit, moxie and appetite.

Culinary scholar Sara B. Franklin picked up a copy of “The Tenth Muse” as a college student and found it “fun,” but suspected there were shadowy corners of Jones’s life that had gone unexplored. A few years later, Franklin met and befriended Jones, confirmed that suspicion, and began taking notes on their conversations. In her discreet and deeply respectful new biography, “ The Editor: How Publishing Legend Judith Jones Shaped Culture in America ,” Franklin restores the “disappointments, hard choices, mistakes, and pain” that Jones omitted from her sunny memoir. Simultaneously, she tries to give a notoriously modest woman her due. As Franklin puts it: “Nowhere could I find a depiction of Judith that even suggested the reaches of her curiosity and sophistication, her complexity and acumen, her savvy and her guile.” With this book, she has righted that wrong.

Born in 1924, Jones grew up in a genteel Manhattan family where the women were, Franklin writes, “groomed their whole lives to climb the social ladder and become ladies of society.” A bookworm from childhood, Judith never conformed. She wanted a career, she wanted varied experiences, she wanted to eat garlic. Probably the spiciest revelation in the book comes early: Studying at Bennington College in the 1940s, Jones fell in love with one of her professors, the poet Theodore Roethke. In Franklin’s quaint verbiage, Jones was drawn to the “workings of his intellect and his big, hulking frame.” The pair would later “tangle in the sheets.”

The tangling ceased after Jones moved to Paris in 1948 and encountered cafe life, sole meunière and her future husband, Evan Jones. (“I just wanted to spend my life with this person!” Judith gushed to Franklin decades later.) She began working at Doubleday’s Paris office and made her first contribution to literary history. It was a doozy. Charged with typing “polite pass” letters for books on the rejection pile, she instead read one of them over the course of an afternoon and convinced her boss that he was wrong about “Anne Frank: The Diary of a Young Girl.” He sent the book to New York with an endorsement that didn’t mention Jones.

When she returned to New York, Jones took a job at Alfred A. Knopf, where she would work for the rest of her career. Franklin walks us through the many knockout hits, as well as a few misses. Jones pushed to publish Sylvia Plath’s first collection, “The Colossus,” though unaccountably turned down “The Bell Jar.” (Ironically, she envied Plath’s seemingly cozy domestic life.) She had long, sustaining professional relationships with John Updike, Anne Tyler — with whom she corresponded about a range of subjects, such as garden pests and print runs — and the poet Sharon Olds, who appreciated her “judgments, which were never unkind.” Her editing style, according to Tyler, was “very delicate and graceful, almost weightless.”

Naturally, Franklin devotes abundant real estate to Jones’s work on cookbooks, especially her relationship with Julia Child, which began in 1959. Knowing that Jones liked to cook, a colleague handed her a “thick, unwieldy stack of paper” that he assumed she would reject. Jones took it home in chunks and, following its recipe for boeuf bourguignon , made the best version of that dish she’d ever tasted. She went to bat for the book — and the rest really is history. What Franklin supplies here is context: At the time, cookbooks in the United States were “patronized, written off, or altogether ignored.” Jones changed that. She and Child both saw “cooking as a gateway to the wider world and a richer, more autonomous life,” and so, now, do many of us. Jones went on to nurture writers whose works line the shelves of American cooks to this day: Madhur Jaffrey, Claudia Roden, Joan Nathan and Edna Lewis, to name but a few.

So what were the struggles that Jones left out of the memoir? Franklin describes Jones’s conflicts with her boss, the legendary Robert Gottlieb, who comes off to her as a boor. He seems to have disdained Jones’s modesty, belittled her contributions, taken credit for her work and denied her only request for a raise. But the overarching sorrow of Jones’s life was, in Franklin’s telling, her infertility. Although she was close to her stepdaughters and later adopted the older children of family friends, she had badly wanted children of her own. None of this is unusual or dramatic except insofar as it shows that Jones, like everyone, had demons to battle and obstacles to surmount. That friction — absent from her memoir — makes her accomplishments all the more impressive.

While Jones’s memoir is a quicker, more effervescent read, Franklin, a loyal amanuensis, has filled in the holes, restored the cultural context and talked up the triumphs in an extraordinary life.

Jennifer Reese, the author of “Make the Bread, Buy the Butter,” is a freelance writer and critic.

How Publishing Legend Judith Jones Shaped Culture in America

By Sara B. Franklin

Atria. 336 pp. $29.99

More from Book World

Love everything about books? Make sure to subscribe to our Book Club newsletter , where Ron Charles guides you through the literary news of the week.

Check out our coverage of this year’s Pulitzer winners: Jayne Anne Phillips won the fiction prize for her novel “ Night Watch .” The nonfiction prize went to Nathan Thrall, for “ A Day in the Life of Abed Salama .” Cristina Rivera Garza received the memoir prize for “ Liliana’s Invincible Summer .” And Jonathan Eig received the biography prize for his “ King: A Life .”

Best books of 2023: See our picks for the 10 best books of 2023 or dive into the staff picks that Book World writers and editors treasured in 2023. Check out the complete lists of 50 notable works for fiction and the top 50 nonfiction books of last year.

Find your favorite genre: Three new memoirs tell stories of struggle and resilience, while five recent historical novels offer a window into other times. Audiobooks more your thing? We’ve got you covered there, too . If you’re looking for what’s new, we have a list of our most anticipated books of 2024 . And here are 10 noteworthy new titles that you might want to consider picking up this April.

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A Furious, Forgotten Slave Narrative Resurfaces After Nearly 170 Years

John S. Jacobs was a fugitive, an abolitionist — and the brother of the canonical author Harriet Jacobs. Now, his own fierce autobiography has re-emerged.

By Jennifer Schuessler

One day in 1855, a man walked into a newspaper office in Sydney, Australia, with an odd request.

The man, later described as a “man of color” with “bright, intelligent eyes” and an American accent, was looking for a copy of the United States Constitution.

The text was procured, along with a recent book on the history of the United States. Two weeks later, the man returned with a nearly 20,000-word text of his own, bearing a blunt title: “The United States Governed by Six Hundred Thousand Despots.”

The first half offered an account of the author’s birth into slavery in North Carolina around 1815, his escape from his master, his years on a whaling ship and then his departure from “the land of the free” for the shores of Australia, where he went to work in the gold fields.

The second half was a long, blistering condemnation of the country he had left behind, in particular its revered founding document.

“That devil in sheepskin called the Constitution of the United States,” the man wrote, is “the great chain that binds the north and south together, a union to rob and plunder the sons of Africa, a union cemented with human blood, and blackened with the guilt of 68 years.”

The newspaper published the narrative anonymously, in two installments, attributing it only to “A Fugitive Slave.” How it was received is unknown.

The man’s words then sat, unread and forgotten, until a few years ago, when an American literary scholar came across them while digging around one night in an online newspaper database.

Now, it is being published for the first time in 169 years by the University of Chicago Press, under its unflinching original title, with the author’s name — John Swanson Jacobs — emblazoned on the cover.

The rediscovery of a long-forgotten slave narrative would be notable enough. But this one, scholars who have seen it say, is unique for its global perspective and its uncensored fury, from a man living far outside the trans-Atlantic network of white abolitionists who often limited what the formerly enslaved could write about their experiences.

And it comes with an uncanny twist: Jacobs was the brother of Harriet Jacobs, whose 1861 autobiography, “Incidents in the Life of a Slave Girl,” the first published slave narrative written by a formerly enslaved African American woman, is now seen as a cornerstone of the 19th-century literary canon.

Today, John Jacobs is remembered mostly as a footnote to his sister’s story. But Jonathan D.S. Schroeder, the scholar who rediscovered the narrative, said he hopes the book will restore Jacobs to history, placing him in the tradition of Black radicalism from David Walker’s incendiary “Appeal to the Colored Citizens of the World” from 1829 to the Black Lives Matter movement today.

The narrative is a “spectacular performance of autobiographical freedom,” Schroeder argues. And it raises a deeper question: How would other formerly enslaved people — including Jacobs’s more famous sister — have told their stories if they had been truly able to write freely?

A Homegrown American Genre

Slave narratives have been called the United States’ only homegrown literary genre, if also a complicated one. Well into the 20th century, they were dogged by questions about their authenticity, and the degree to which they had been shaped, or even fabricated, by white editors.

But today, the roughly 200 known to survive are prized both as direct testimony of enslavement and as the seedbed of a literary tradition that stretches from Frederick Douglass and Sojourner Truth to Toni Morrison and Colson Whitehead (whose novel “The Underground Railroad’ was partly inspired by Harriet Jacobs’s book ).

Schroeder came upon John Jacobs’s 1855 narrative by an odd back door. Back in 2017, he was fresh out of graduate school in English, and trying to turn his Ph.D. dissertation about the history of nostalgia into a book.

Today, we may think of nostalgia, a term coined in the 1680s by a Swiss physician, as a pleasantly wistful state. But it originated as a medical diagnosis , which was often applied to despondent prisoners, soldiers and others seen as “irrationally” homesick, including enslaved people .

One night, after a day of working on a job application, Schroeder was digging around on the internet, trying to blow off “stress anxiety.” He had been reading the 2004 biography of Harriet Jacobs by Jean Fagan Yellin and was fascinated by the fact that both her brother and her son, Joseph, had gone to Australia — “physically pretty much the farthest away from America you could get,” as Schroeder put it.

Joseph died in Melbourne, apparently by suicide, around 1860. Had the cause of death been listed as “nostalgia,” Schroeder wondered? Looking for more information, he started plugging various spellings (and misspellings) of both men’s names into Trove , a database of digitized Australian newspapers.

Almost immediately, two articles popped up, published on subsequent days in April 1855, with the same striking title: “The United States Governed by Six Hundred Thousand Despots: A True Story of Slavery.”

“It felt like getting hit by a bolt of lightning,” Schroeder said. But he also didn’t want to get too excited. “I know how often these things turn out to not be what they appear to be.”

The narrative begins with the anonymous author’s birth in Edenton, N.C., where Harriet Jacobs was born. As he read the first installment, Schroeder noticed many other details that lined up with those in Harriet Jacobs’s as-yet unpublished book.

Then, two-thirds of the way through, there was a description of a letter the author had left for his enslaver in 1839, shortly before escaping from their hotel in New York City and fleeing by ship.

“Sir, I have left you not to return,” he wrote. The letter was signed, “No longer yours, John S. Jacob.”

The editors had left a letter off the surname. But this was clearly Jacobs.

“Then, I allowed myself to be hit with the full force of it,” Schroeder said.

The next day, Schroeder contacted Caleb Smith, an English professor at Yale, to ask for advice. Smith, who in 2013 drew headlines for authenticating the earliest known memoir by an imprisoned Black American , from the 1850s, called Jacobs’s narrative an “exciting” find.

“We are accustomed to thinking about slavery in terms of silenced voices, lost stories, lives that left only cryptic traces in the archives,” Smith said in an email. “But the voice here is loud and clear in its rage.”

Manisha Sinha, a leading historian of abolition at the University of Connecticut, called it “a major discovery” and “a wow,” which adds to our understanding of the evolution of Black antislavery activism.

Historians have known John Jacobs as a barely documented player in radical abolitionist circles of the 1840s, who sometimes lectured alongside Frederick Douglass, his neighbor in Rochester, N.Y.

In 1851, Douglass broke with the white abolitionist William Lloyd Garrison, rejecting his view of the Constitution as an irredeemable “covenant with death.” But unlike Douglass, Sinha said, “Jacobs doesn’t give up on his radical indictment of the United States.”

Scattered in the Archives

Schroeder, now 43 and teaching at the Rhode Island School of Design, was initially uncertain what to do with the discovery. A literary agent recommended he research a full biography to publish alongside the text. So Schroeder transformed himself from an interpretive literary scholar into an old-fashioned archive hound.

Today, many scholars of slavery emphasize the silences and biases of the archive. “It’s important to know that the records you are looking at weren’t set up to preserve the life of the person you are writing about, and often quite the opposite,” Schroeder said.

Most scholars had assumed that Yellin, who spent three decades researching Harriet Jacobs, had tracked down most of what could be found about the Jacobs family. (Yellin died in 2023 .) But Schroeder found many previously unnoticed records, including a forgotten oil portrait from 1848 that he believes depicts John.

In Boston, he uncovered court documents describing Jacobs’s great-grandparents’ attempt to escape slavery in the 1790s. In London, he found ship logs that allowed him to trace Jacobs’s wanderings after he left Australia for London in 1856.

From his base in London, Jacobs spent the next 15 years working on ships carrying sugar from the Caribbean, oranges from the Black Sea, cotton from Egypt. He also helped finish the trans-Atlantic telegraph line and, in 1869, sailed to Bangkok on a gunboat delivered as a present for the new king of Siam.

Jacobs, Schroeder writes, “lived a life that was even more incredible than his narrative.” But his traces, he said, were “scattered to the wind.”

In 1860, as Harriet’s book was about to appear, John decided to republish his own narrative. Before a voyage to Brazil, he entrusted the text to a London magazine called Leisure Hour.

The editors chopped it nearly in half , excising most of its political arguments and turning it into a more conventional tale of suffering and escape. And gone was the original title, with its blast at the 600,000 American “despots” who owned fellow human beings.

“They cut out the radical contract that Jacobs asks the reader to submit to,” Schroeder said, “which is to pay attention not to enslaved people in pain, but to the people and laws that create the pain.”

Brother and Sister

John Jacobs died in 1873, a few months after returning to the United States. Today, few of the literary pilgrims who go to Mount Auburn Cemetery in Cambridge, Mass., to visit Harriet’s grave are likely to pause over the small marker set into the grass nearby, labeled simply “Brother.”

But Schroeder hopes his research will prompt a rethinking of the siblings’ interconnected stories.

Harriet’s book, which includes harrowing descriptions of sexual abuse, borrowed conventions from the sentimental novel, to better appeal to the target audience of antislavery Northern white women. John’s narrative, Schroeder writes, is “unsentimental to its core.” But were their stories originally intended to be so different?

Both siblings, Schroeder writes, began thinking about their books in the period when they lived together in Rochester, in the late 1840s, and possibly “intended for their stories to be read together.” And in the late 1850s, Schroeder writes, John seemed to encourage Harriet, who visited London, to publish her book there.

In her biography, Yellin describes how Harriet spent three years trying to get her book published, which meant getting the imprimatur of white benefactors. Twice, she asked Harriet Beecher Stowe for an endorsement, and was rebuffed. When “Incidents in the Life of a Slave Girl” was finally published in 1861, in Boston, the white editor revised it heavily, and cut a closing tribute to the radical abolitionist John Brown.

At the end of her book, Harriet describes John’s departure for California. What would her finished book have been like, Schroeder wonders, if she had joined him — and then, like him, continued even farther?

“There were invisible constraints on formerly enslaved authors who remained in the United States,” Schroeder said. Without the two versions of John Jacobs’s narrative, “we wouldn’t see that as clearly.”

An earlier version of this article referred incorrectly to the publishing history of Harriet Jacobs’s “Incidents in the Life of a Slave Girl.” It is the first published slave narrative written by a formerly enslaved African American woman, not the earliest account of American slavery known to have been written by a woman.

How we handle corrections

Jennifer Schuessler is a culture reporter covering intellectual life and the world of ideas. She is based in New York. More about Jennifer Schuessler

Why Knoxville author Reed Massengill's 'Portrait of a Racist' remains relevant

It has been more than 60 years since civil rights pioneer Medgar Evers was gunned down in the driveway of his home in Jackson, Mississippi. And it has been 30 years since Evers' killer, Byron De La Beckwith, was convicted after a third trial.

That conviction was secured in part by the testimony of Knoxville native Reed Massengill, the author of the biography "Portrait of a Racist" about Beckwith, Massengill's uncle by marriage.

Evers was honored earlier this month as one of 19 recipients of the Presidential Medal of Freedom, the nation’s highest civilian honor, and Massengill believes now is the perfect time to release a new edition of his book. The reissue feels serendipitous to Massengill, who noted Evers' award was far too long in coming.

"Although I've written about Beckwith, I want to pivot some of that attention back to Medgar Evers and his contributions and his legacy," Massengill said. "I don't want him to be overlooked in the conversation."

Who was Byron de la Beckwith and how did Massengill end up writing 'Portrait of a Racist?'

Byron De La Beckwith, who was born in 1920, had been married to Massengill's aunt, Mary Louise "Willie" Williams. But as Massengill notes in the beginning of his biography, Williams' family never spoke of Beckwith, who was suspected of murdering Evers in 1963.

Beckwith's first two trials in 1964 − both times by all-male, all-white juries − ended in mistrials. Delmar Dennis, who acted as a key witness for the prosecution at the 1994 trial, said Beckwith boasted of his role in the death of Medgar Evers at several Ku Klux Klan rallies and similar gatherings in the years after those trials. Beckwith was finally convicted after the third trial in 1994.

Prior to his re-arrest, Beckwith had reached out to Massengill, in the mid-1980s, with the idea that his nephew would write a sympathetic account.

"I had been curious about him since I was a kid, but he came to me," Massengill said. "I got a letter from (him). ... I don't think I would have ended up with the book I did if I had approached him. I owed our interaction almost entirely to this curiosity he had about me as the writer in the family. He was constantly giving me stuff that drew me in even more; his letters invariably provided me with details that led to further research."

One of the items Beckwith sent was the FBI file that had been amassed on his activities since Evers' assassination, Massengill said, adding of his uncle's "complex" personality, "He was definitely a narcissist."

Massengill was interviewed by Knox News in December 1992, shortly after the Mississippi Supreme Court ruled Beckwith would stand trial for the third time, while Massengill was in the process of writing "Portrait of a Racist." Massengill told reporter Don Williams he had just returned from a jailhouse interview with his uncle.

"Massengill is breaking the family taboo," Williams wrote. "He is airing out the family secret, literally writing the final chapter to a book scheduled to be published by St. Martin's Press in August."

What happened after 'Portrait of a Racist' was published?

The publication of the biography in January 1994 resulted in Massengill being subpoenaed to testify against Beckwith because of the letters his uncle wrote him.

"I feared something might happen to me to keep me from testifying," Massengill said, recalling that a planned hit list with his name on it showed up in his post office box. On another occasion, his windshield was smashed. "It was creepy and scary."

Eventually, Massengill said, he left Knoxville and moved back to his former home − New York City − where he felt "a lot less vulnerable." (Massengill moved back to Knoxville in the early 2000s.)

The publisher of "Portrait of a Racist," St. Martin's Press, tried several times to arrange a book signing in Jackson, but two attempts were canceled due to bomb threats, Massengill said. Finally, with extra security, one did take place.

At that book signing, Beckwith's son showed up in what Massengill described as a "funny run-in."

"He got in my face," Massengill said, adding that his cousin claimed he was printing lies and defaming the family but said he hadn't even read the book. "I literally walked to the cash register and paid for the book and gave it to my cousin ... and then he asked me if I was going to sign it."

What prompted a new edition of Massengill's book about Byron de la Beckwith?

Massengill said an "odd series of events" precipitated the decision to work on a new edition of "Portrait of a Racist."

A fellow board member at Knox Heritage took a trip to Jackson five years ago and toured Medgar Evers' home. When she mentioned Massengill's book to the woman standing next to her on the infamous driveway, a man standing nearby chimed in.

"He was the acquisitions editor for the University of Georgia Press," Massengill said, explaining the chance meeting led to a conversation between the two men about a new edition before COVID-19 put a stop to the potential collaboration.

Fast-forward a few years, to when Massengill was working on a book for the University of Tennessee Press about film director Clarence Brown. Another chance meeting, this time with Scott Danforth, the now-retired director of UT Press, brought the new edition back to life.

"He said, we need to do that book," Massengill recalled. "We did think it was time to look at this again. ... I don't know what kind of reception the new book will get. It's a very different world in some ways, but not in others. It will be interesting to see if the book will be embraced at all."

Massengill will do a book signing at Union Ave Books at 3 p.m. July 13, as well as a brown bag lunch at noon Sept. 18 at the East Tennessee History Center. Still in the works is an appearance in Mississippi, possibly in conjunction with the sketch artist who was present every day of Beckwith's last trial.

The new edition includes an afterword that recounts Massengill’s participation as a witness and his introduction of new evidence in the third trial. It also chronicles Beckwith’s last years of declining health behind bars, examines the deep scholarship on Evers and civil rights that has arisen since this book’s original appearance, and reflects on the catastrophic persistence of Beckwith’s ideology − Christian nationalism and white supremacy − in the current political climate.

"It's more than I could take on, to tie all the loose ends (together), to things like Proud Boys and Oath Keepers and religious nationalism," Massengill said. "But my point in attempting that is to show that we choose to believe that the world has changed for the better, but the evidence is clearly being presented, day in and day out, that times have not changed as much as we think."

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