creative writing mentor jobs

A Seriously Long List of Jobs That Involve Creative Writing

Who says you can’t make any money from creative writing?

Okay, so a lot of people. But they’re wrong. If you’re a creative writing major, have a degree in writing, or simply identify this skill as the best thing you’ve got to offer the world, there are a ton of ways to build a career with your talents.

In fact, writing skills are way more valuable than your Uncle Richie realizes (or whichever relative scoffed at your dreams last Thanksgiving). Anyone with a gift for words has the ability to communicate vital information, motivate others into action, and help others feel seen and understood.

The survival of many industries depends on their ability to connect with human beings. They need brilliant wordsmiths. And here’s the really exciting part: not everyone can do what you do as well as you can do it.

So no, being a writer does not mean you’re sentenced to a life as a “starving artist.” 

That said, some creative writing jobs are easier to snag than others. There’s also a difference in pay across different writing gigs. Some jobs will be easier to fill with AI in the future, and—the important detail—some will be more in line with your vision for your writing career. 

So here’s a comprehensive list of opportunities and considerations to help you narrow down your focus. You’re about to find out:

• What writing jobs are out there
• The skills you need to land work in the creative writing field
• Which industries are looking for folks like you
• What type of education or experience you need to get started

Let’s start by taking a look at your many, many options.

Career Opportunities in Creative Writing

Before we launch into this very long list of creative writing jobs, I’d like to clarify the term “freelance writer.”

A freelance writer is a contractor. Rather than hiring them on as employees, an individual or business hires a freelance writer to complete specific tasks within their area of expertise. 

If you choose to work as a freelancer rather than an employee, you’d be your own boss. You’d set your own rates, determine your own schedule, and decide which projects to take on and which to skip. You’d also be free to work with as many different clients as you’d like.

The downside is that you don’t get benefits like paid time off, health insurance, and employer contributions to your retirement fund. You’re responsible for paying quarterly taxes directly to the government, as no one withdraws them from your paycheck. 

Depending on the specific creative writing career you’re building, you might also need to look into professional liability insurance or setting up an LLC. These topics get complicated and vary according to where you live, so I’m not even going to try to give you advice on any of that. It’s better to consult your accountant, mentor, and/or fellow freelance writers in your area.

The main thing I want to convey is that if you choose to freelance, you have to think of yourself as an actual business. That’s what you are after all. It comes with a lot of freedom and extra responsibilities. So weigh your options carefully.

One more quick note:

Salary Ranges Are Tough to Nail Down

I’ve included an average salary range for each of the job descriptions below. These ranges are huge and the numbers are almost meaningless. I put them there because if I were you, I’d want to see them so I could at least get a sense of the income one might make from these different writing jobs.

But the standard salary for each job can vary widely depending on the size of the company hiring you and the cost of living in your (or their) area.

The income range gets massive when you add freelancers to the mix. A rookie freelance copywriter who’s just building their portfolio and client list might make $20,000 in a year. Meanwhile, an in-demand freelance writer could make well into six figures and out-earn an in-house copywriter.

So use the salary information I provide to get a general idea of what’s possible. For more concrete numbers, check out job listings in your area and talk to people who already do the kind of work you want to do.  

And what kind of work is that? Let’s decide! Here are a ton of ways you can make money as a writer.

Content Writing Jobs

Content is all the media that encourages consumers to engage with a brand—blogs, videos, social media, podcasts, you name it. Creative writers like you and I might prefer to think of those things as art, but in business-speak, it’s content.

And as a professional content writer, you’ll have to ride that line between creativity and capitalism. After some looking around, you should be able to find an employer or client who wants you to bring some creative vision to your work. But you’ll also have to care about which creative strategies get buyers to bite. 

More on that in a bit, though. For now, here are the most common content writing jobs.

Content Writer

A content writer focuses more on long-form writing that builds a relationship with the target audience. In other words, content writing is less about making a sales pitch and more about being helpful and conveying the brand’s personality.

Common content writing tasks include:

• Email newsletters
• Articles and blogs
• Case studies

Average Salary: $40,000-$70,000 per year

A copywriter is more involved with the kind of creative writing that says, “Hey, you should spend money on this.” They compose things like:

• Website copy
• Landing pages
• Print and online ads
• Sales emails
• Sales pages and mailers

In many businesses, the content writer and the copywriter are the same person. But if you freelance as a copywriter specializing in one specific area—sales emails, for example—get familiar with the other materials your client is putting out to make sure your sales copy builds on the relationship they're already building through content.

Average Salary: $60,000-$120,000 per year

Technical Writer

Technical writing is basically “how-to” writing. It includes:

• Instruction manuals
• Explainer video scripts
• White papers
• Spec sheets

Technical writing might be your jam if you’re great at grasping complex concepts and clarifying them for the rest of us. It’s truly a magical writing skill that involves simplifying and being thorough at the same time. 

If you can pull that off, it’s only a matter of time before you’re considered an irreplaceable rockstar in someone’s business.

Annual Salary: $60,000-$90,000 per year

Social Media Writer

You’ll sometimes see social media fall under the umbrella of content writing, but it’s also its own position in many businesses.

As you can probably guess, a great social media writer comes up with brilliant captions that engage audiences on social platforms. But there’s more to it than that.

To do this job well, you have to be on top of social media trends so you can jump on challenges and hashtags while they’re still fresh. You also need to understand which customer segments are more likely to be on which platforms and how to engage with them.

Depending on the size of the company you’re working with, there’s a good chance you’ll also have to come up with the visuals and create the videos that accompany your brilliant captions.

If you love social media, you’ll be in heaven. If you don’t, you probably won’t be able to fake it. 

Average Salary: $50,000-$80,000 per year

Journalism and Media Jobs

In this category of creative writing jobs, we’re looking at everything that has to do with news and mass communication.

I know. That includes a lot. So let’s get to it.

A journalist investigates, researches, and writes the news for print and/or online publications. That’s a tidy little sentence to describe a writing job that involves a lot of specialized skills and a strict code of ethics.

While journalism absolutely belongs under the heading of “creative writing careers,” it’s an area where you can’t get fast and loose with your creativity. Journalists are responsible for revealing the truth to the public. Ideally , they do this without guiding the reader’s opinion or embellishing actual events. 

The ability to compose engaging articles that inspire thoughtful questions without pushing an agenda is a remarkable skill in and of itself. Successful journalists also tend to be curious, driven, resourceful, and fast writers.

This is one of the few writing jobs where having a degree (usually in journalism) is relatively important, especially if you hope to work for a notable publication. 

Average Salary: $60,000-100,000 per year

Broadcast Writer

A broadcast writer prepares the news for television, radio, and online media. In other words, they take all the deets about what’s going on in the world and turn them into scripts to be read by news anchors.

Like a journalist, a broadcast writer faces the challenging task of conveying information in an unbiased way. They also need to be adept at writing pieces intended to be read aloud—scripts that flow naturally for the speaker and can be quickly understood by the audience. 

Much like journalists, broadcast writers must be able to work quickly, often under pressure. If you like the idea of being in front of the camera yourself, this creative writing career path can include conducting interviews, attending press conferences, and reporting the news.

Average Salary: $40,000-$100,000 per year

Scriptwriter

A scriptwriter is anyone who writes a script for a play, movie, radio show, podcast, video game, or television show. Scriptwriters who write plays are called playwrights, movie writers are more commonly called screenwriters, and television writers are best known as—get this—television writers.

Playwrights and screenwriters almost always work on a freelance basis. Much like traditionally published book authors, they work with a literary agent and are constantly trying to sell their next project.

Television authors also need representation, though they’re usually hired onto the writing staff of a TV show as an employee. There is such a thing as freelance television writing where a writer steps in to pen a single episode of a show, but this practice isn’t as common as it used to be.

All of these jobs have the potential to be deeply fulfilling for a creative writer. They come with fun challenges like learning how to tell a great story purely through visuals and dialogue. 

Keep in mind that—much like becoming a successful author—it takes a long time to build a solid career in this field. There are a lot of gatekeepers and frequent rejection .

Film, theater, and television are also much more collaborative art forms than book publishing. Whatever you write, you have to be prepared for producers, directors, set designers, sound designers, actors, and editors to put their fingerprints on it, too. It’s entirely possible that the end product will be quite different from what you imagined.

In other words, if you’re precious about your work, this might not be your field.

Average Salary: $40,000-$80,000 per year

Publishing and Editing Jobs

Feel like your true home is in the book world? Then you’re looking for something in publishing.

When we think about creative writing jobs in publishing, we usually think of authors first. After all, that’s the dream for a lot of creative writers. But it’s no secret that authorship comes with rejection, requires a ton of patience, and doesn’t always cover the bills.

The good news is, you can still build your career around books even if you’d prefer to pass on all the uncertainty that comes with being an author. This field has plenty of other opportunities to flex those creative writing skills.

But we’ll get to those in a moment. First, let’s look at the best-known writing job in publishing.

As I mentioned before, authors are almost always freelance writers. This means that whether you plan to publish traditionally or self-publish, you have to think of yourself as a business.

Publishing traditionally means working with a publishing house to release your book into the world. This process usually involves finding an agent who then pitches your book to publishers and negotiates a book deal for you. We have a guide to the entire process right here .

Self-publishing means you produce and market your book yourself. This publishing model has boomed in both popularity and earning potential in the past decade and change. You must have an entrepreneurial spirit to succeed on this publishing path, though. You can learn more about it here . 

Whichever path they choose, successful authors build platforms and a following through channels like social media , email newsletters, and speaking engagements. Those platforms help them develop relationships with readers, give them more visibility, and make them more appealing to publishers.

You also need to some degree of sales smarts, whether you self-publish and take on the full responsibility of marketing your book or you decide to publish traditionally, which requires creating a compelling book pitch that gets agents and publishers onboard.

Average Salary: I can’t even give you a range in good conscience. So many factors influence author earnings, and only a small percentage of authors make a living on books alone. I recommend checking out this article for a clearer understanding of what you can make as an author. 

As Doug can tell you , there are several kinds of editing you could do, including:

• Developmental editing
• Line editing
• Sensitivity reading
• Fact-checking

Each type of editing evaluates a different aspect of a written work. These options also allow you to zero in on your greatest strength as a creative writer. Are you the sultan of story structure ? You might be interested in developmental editing . Are you a research rockstar and a stickler for accuracy? Maybe fact-checking is for you. 

This is a job you can do as an employee of a publishing house or as a freelancer. If you go the freelance route, you’ll likely be working with a lot of indie authors.

Average Salary: $60,000-$80,000 per year

Copy Editor or Proofreader

Copy editors are magical beings who have the kind of superhuman focus that allows them to catch tiny issues like grammar errors, misspelled words, inconsistencies in story details, and the like.

It’s true that AI is getting better and better at catching these mistakes. That’s why Dabble uses ProWritingAid to power grammar, spelling, and style checks. It helps creative writers prepare a draft that isn’t utterly riddled with errors.

But at this moment in time, we still can’t count on AI to catch nuanced errors, recognize clever word play, or appreciate an author’s deliberate decision to shirk old grammar rules. We still need human eyes to do this job.

Often confused with a copy editor, a proofreader is the very last person to review a book, and they look for any and all errors. If there’s a missed typo, a messed up margin, or a wonky image, they’ll flag it. Think of them as quality control.

As you likely guessed, both jobs require you to be extremely detail oriented.

Average Salary: $50,000-$90,000 per year

Literary agent

You probably associate this career path with sales more than creative writing. But the literary agents who succeed are the ones who understand what makes a book great . 

This job is best suited for someone who’s ready to do a ton of reading and enjoys rubbing elbows. You can expect to spend plenty of time on the phone, in lunch meetings, at publishing events, and in pitch meetings. You have to be good at building relationships and love talking books. 

What many creative writers don’t realize about agents is that their job also involves giving feedback on current projects and helping their clients talk through new ideas. The advice of a good agent can mean the difference between a book deal and a manuscript that never graduates beyond PDF status. 

Keep in mind that it takes time to succeed in this career. As a literary agent, you’ll make 15% of what your authors earn from their books. Expect some lean years as you build your client list.

Average Salary: $50,000-$70,000 per year

Book Reviewer

As a creative writer, you’re probably great at explaining why books work. You have smart things to say about character development , plot structure, and pacing. And if you’re a fast reader—and would love to make reading part of your creative writing career—you’d probably enjoy being a book reviewer.

Book reviewers do exactly what you think they do: they review books. Many choose to specialize in a specific genre or two. Specializing can be an effective strategy when it comes to building a name for yourself and giving readers a reason to value your opinion. It’s a way of establishing yourself as a genre expert.

Just note that this isn’t an easy career to just plop into. While you can find job listings for book reviewers, there aren’t many of them. Most people who do this for a living start by writing reviews on a freelance basis or even for their own blog/social media platform.

As you build your portfolio and reputation, you can submit your reviews to other publications, monetize your own review website/podcast/vlog, or possibly land a job as an in-house reviewer for a magazine, newspaper, or online platform.

Average Salary: $20,000-$80,000 per year

We already covered what a copywriter is, so I won’t go too deep on the subject here. I just want to make sure you know that it’s possible to do copywriting work within the world of publishing.

Publishing houses have copywriters on staff to handle things like press releases, media kits, author bios, social media content, and marketing materials.

In this role, you’d be able to enjoy the stability of a marketing-focused creative writing job while still getting to think about books all day. Not too shabby.

Average Salary: $50,000-$120,000 per year

Advertising and Marketing Jobs

If you’re on the lookout for creative writing jobs that make your value as an employee easy to quantify, advertising is the place to be. 

The goal of all advertising is to persuade your audience to make a purchase or take some other action that benefits the business you work for. 

Modern technology makes it easier than ever to track the success of your ad copy and marketing campaigns, which means you often have access to numbers that demonstrate what the return on investment is when someone hires you.

Now, all this might sound very cold and business-y, but this is an area where creative writers thrive because your goal is the same as it would be if you were writing a novel or screenplay. You’re trying to find the best words to connect emotionally with your audience.

Not everyone can do that. You can.

Let’s take a closer look at the different ways you can do that.

Advertising Copywriter

Oh, look! We’re talking about copywriters again. Since we’ve already covered this, I’ll give the abbreviated explanation for the article skimmers.

An advertising copywriter writes copy (go figure) advertising a product or service to potential buyers. This includes anything that could potentially lead to a purchase, including:

• Marketing emails
• Print or online ads

Brand Strategist

If you already know what a brand strategist is, you might be surprised to see this position appear on a list of creative writing jobs. Brand strategists don’t write as much as they, well, strategize brands.

This person is responsible for conducting market research, analyzing trends, creating buyer avatars, planning campaigns, and overseeing the production of marketing materials. 

Depending on the size of the marketing team, a brand strategist might also write copy and content. But what makes this career a decent option for a creative writer is the storytelling aspect.

Brand strategists are responsible for translating the business’s message into a story that resonates with buyers. They also need to understand their consumer on a deeper level—a skill that comes more naturally to someone who’s spent time studying character development.

Creative Director

Much like a brand strategist, a creative director looks at the big picture of a company’s marketing efforts. What story is being told? How can they best use the creative resources available to tell that story in an emotionally compelling way?

The creative director leads all the creative professionals on a marketing team, including copywriters, designers, and social media content creators. They make sure everyone is on the same page, telling the same story and communicating the same message.

Average Salary: $120,000-$200,000 per year

Content Marketing Specialist

Remember when we talked about content writing? This is that, plus some added responsibility.

While a content writer is usually told what to write, a content marketing specialist is the person who decides what type of content will be most effective for the business. 

They strategize content like emails, blog posts, videos, and social media depending on which formats and messaging are most likely to help buyers connect with the brand. 

This person also selects the SEO and analytics tools to help them make sure their strategy is effective. They watch the results closely and regularly optimize their content marketing efforts to get better performance.

And yes, a content marketing specialist might also write some or all of the content themselves.

Skills Required for Creative Writing Jobs

I tried to give you some sense of the skills required to stand out in each of the creative writing jobs we just went over. 

Nevertheless, if you’ve found something that interests you, I strongly suggest researching it further and connecting with someone who’s already killing it in that field. Get a sense of what it means to excel and you’ll be in a good spot to pursue your creative writing career seriously.

If you’re still not sure where you want this journey to lead, no problem! Follow your curiosity and let yourself gravitate towards the work that excites you. In the meantime nurture the following skills essential for every creative writing career.

Writing Skills

Okay, so I’m not exactly dropping a bone-rattling truth bomb here. Of course you need strong writing skills to build a career as a creative writer. You know that. That said, some writers underestimate the importance of building on the skills they already have. 

This is an issue I think tends to plague young writers the most. We catch wind of the fact that we’re “good writers” from teachers and peers and get attached to the idea that a good writer is something we already are. Like inherently.

I know I wasted a lot of energy in my early adult years worrying about whether or not people thought I was a talented writer instead of working to continuously become a better writer.  Ongoing improvement is how you’ll stand out from the crowd, especially as you zero in on the type of creative writing you want to do. 

If you want to be a copywriter, find a mentor and start a course on copywriting. If you dream of being a bestselling author who makes a living from books alone, join a writing group, attend writing conferences, and download this free e-book on writing a novel that rocks.

Keep sharpening those writing skills, no matter how exceptional you already are.

Research and Analysis Skills

Research and analysis sounds like a skill set that only applies in marketing and technical writing. But in all creative writing jobs, research and analysis have the same goal: understanding what it takes to connect with an audience.

Now, if you become a screenwriter or a novelist, you might not pore over metrics the way you would if you were a brand strategist. What you will do (hopefully) is consume a ton of art in your genre to understand what works.

Constantly refresh your understanding of what speaks to readers, which trends are hot, and why current bestsellers are selling so well. It’s also important to stay on top of new developments in the publishing industry and strategize your career accordingly.

And if you plan to be a self-published author, your research and analysis skills will help you make important marketing decisions.                                                                                                                              

Creativity and Imagination

If there’s one area where you have a leg-up on AI, it’s this one. Everything AI creates comes from ideas and structures that already exist. As an adaptable, creative human being, you can find unique ways to express ideas that haven’t been explored before.

This skill is essential for all the creative writing jobs we’ve discussed. The best ad writers figure out how to write copy that stands out from the competition. Great editors help writers tap into their own original voices. Even in technical writing, imagination is crucial for finding new ways to simplify complicated topics.

Communication and Collaboration Skills

There are no writing jobs that allow you to compose brilliance alone in your cave and release it into the world with no input from anyone else. 

You have to be open to feedback, and in ultra-collaborative fields like screenwriting, you must be ready for the possibility that your vision won’t often be everyone’s top priority. (It hurts, I know.)

If you’re still working on building your collaboration skills, I can offer a few suggestions.

One is to make a habit of identifying what’s important to you about every project you work on. What’s motivating you? What are your goals? When you can answer those questions, you’ll be more confident gently pushing back on things you care about and more open to offering compromising when it comes to less important issues.

Another tip is to cultivate a genuine appreciation for what others can contribute. As a writer who regularly wrestles with a stubborn, foot-stomping ego, I often return to this interview with Dolly Parton for a reminder of the kind of artist I want to be—someone humble enough to celebrate when another person makes my good thing better.

And of course, working with people you respect helps boost that collaborative spirit, too.

Finally, clear communication is absolutely essential. Make sure you know what clients, employers, or team members expect from you. Also manage their expectations by being frank about your availability, timeline, and expertise.

Adaptability and Time Management

Most writing jobs involve deadlines and your reputation as a reliable writer hinges on your ability to meet those deadlines. That means you’ve got to get good at managing your time.

This can be especially difficult if you’re a freelance writer, because there’s no one dictating your schedule. There’s just today, a deadline in the future, and all this space in between that can be whatever you want it to be.

Time management takes practice, and a quick Google search will take you to loads of suggestions for making the process easier. You can try time blocking , the Pomodoro Technique , deep work strategies … test whatever you think will do the trick.

For me, the most effective method is to remember two things. First, I need to maintain my reputation as a reliable writer if I want to pay my rent and gradually increase my income. Second, I don’t want to be stuck at my desk when my husband comes home from work or friends are inviting me out on the weekend.

Those two limits help me draw time boundaries on that wide-open calendar and keep me motivated to stick to it.

Even as you create structure for yourself, however, you have to keep in mind that things might change. A client might shift direction. A project could fall through. You might find yourself partnering with a collaborator on something you thought would be a solo situation.

It’s important to know your own work boundaries so you don’t get walked on. But being adaptable (within reason) is also crucial for building positive, long-term professional relationships.

Industries That Hire Creative Writers

We’ve examined your professional opportunities by looking at the most common creative writing jobs. Now let’s take a look at them by industry.

If you’re already in the workforce, you might discover that there are writing jobs within your current industry—jobs you never even knew were there. If you’re in school pursuing something other than a creative writing major, you might discover that you can totally flex your wordsmith skills in your field of study.

And if you still have no idea how you want to put your talents to work, this list might help you uncover some less obvious job opportunities.

Entertainment Industry

You already know that the entertainment industry needs scriptwriters. You can probably guess that there’s a need for copywriters in those massive marketing departments, too. 

But there’s also song writing, video game writing, script reading/analysis, and script consulting. Every single thing you see on TV has a writer behind it—usually an entire writing staff —including award shows and reality television.

You can even get hired to rewrite or “punch-up” someone else’s script. 

Publishing and Journalism

We covered the big writing jobs in this industry earlier, so for now, I’ll just add this:

As technology advances, these creative writing careers are more accessible than ever. You develop specialized skills online, build your own platform, and publish your own work. It’s entirely possible to forge your own path in these industries that used to be heavily guarded by gatekeepers.

That’s not to say it’ll be easy to make a name for yourself, nor is it to say that I think everyone with a Wordpress account should feel free to market themselves as a journalist. 

What I mean to say is that if you want a career in these traditionally intimidating fields, there’s space for you. There are more ways than ever to learn what you need to learn and create what you want to create.

Advertising and Marketing

Again, we’ve talked about these writing jobs, so I’ll just tell you a quick story.

When I first moved to Los Angeles, I took an improv class (it’s mandatory here) with a woman who was a freelance namer. That was her whole job. She named products for major companies and made a whole entire L.A. living doing it.

While I can’t help but wonder if AI has taken over her job yet, it’s an important reminder that writing skills are worth a lot in marketing. The right words are straight-up gold . 

Education and E-learning

Creative writing is a teachable skill. If you enjoy guiding others, teaching might be a solid career option for you. You could teach creative writing in a formal education environment (you’ll need a degree), at a local community center, or even online.

The education world also needs creative writers to put together written materials like textbooks, discussion guides, glossaries, and study guides. You could even write scripts for educational videos.

This is an area of creative writing that doesn’t get a lot of attention, but there’s an increasing demand for it. Not only do modern students turn to the Internet for information and homework help, the digital world has made self-directed learning easier than ever. You can find an online course for almost anything from auto repair to world literature. 

What’s great about this industry is that it allows you to combine your passion for creative writing with your interest in another subject. Plus, there’s the business about inspiring curious minds and all that.

Nonprofit Organizations

If you’re intrigued by the challenges of a job in marketing but want to feel like your work serves a greater purpose, consider writing for a nonprofit.

You’d be doing many of the same things you’d do for a for-profit business: email marketing, advertising, blogging, video creation, and the like. The goal is similar—you want to get the word out about the organization and create a positive association in people’s minds.

But there’s also a strong fundraising element, since that’s how a nonprofit stays afloat (and covers your paycheck). This means you can also expect to write grant proposals and oversee donor communications. 

You can do all of this as part of the team or on a contract basis. Grant writing in particular is a good option if you’re looking to set up shop as a freelance writer.

Corporate Communications

Corporate communications is an oversized novelty umbrella that covers a lot of stuff. Simply put, this term refers to the many ways a corporation communicates its mission, goals, successes, and functions to everyone. 

Seriously, everyone . The public, employees, shareholders, partners… every person who exists.

Now, if you work with a small startup, “corporate communications” could be your entire job. For larger companies, however, you’re more likely to work in a specific department. You might be on the marketing team or you could be responsible for internal communications like employee manuals and reports.

Bottom line: if you’re dreaming of a creative writing career in the corporate world, the job opportunities are definitely there.

Career Development and Education Options

You know what creative writing jobs are out there. You know what skills these different industries are looking for. What about education? What kind of training do you need in order to land the job and crush it?

It depends on the specific job as well as what kind of time and money you have to invest in your creative writing education. 

The good news is that you don’t have to rack up insane student loans in order to make a good living as a writer. There are certain positions where a degree is mandatory, but there are plenty of hiring managers who don’t care where you got your creative writing skills as long as you have them.

And it’s never been easier to find training as a writer. Let’s look at your options.

Degree Programs in Creative Writing

If you plan to get a four-year degree to boost your knowledge as a writer, you might be eyeballing a creative writing major. This area of study is most useful if you plan to become a fiction writer, screenwriter, poet, or the like.

If you’re mapping out a career that’s a little more predictable and a little less “artsy,” consider majors like journalism, communications, technical writing, or marketing.

Industries that are most likely to have a mandatory college degree requirement include journalism, academia, and large corporations or nonprofits.

If you plan to go into entertainment or work as a freelance writer, a formal education can help you develop essential skills. Although—real talk—many of those skills can be learned through the less expensive educational avenues we’re about to go over. 

Many folks who earned creative writing degrees will tell you that the biggest benefit of their program was the network it provided when they left college. That’s no small thing, but it’s also not what we think we’re going to college for. 

Writing Workshops and Online Courses

You can easily find live workshops, online courses, and writing groups to help you sharpen your skills or develop new ones. 

This option is a good compromise between a formal education and fully self-directed learning. There’s often a fee, but it’s tens of thousands of dollars less than you’d spend on a creative writing degree. There’s a structure to keep you on track but you don’t have to show up at a physical location multiple times a week for months at a time.

Whatever type of creative writing skill you want to work on, a quick Google search will help you find courses you can take. You can also search the course selection at sites like Coursera , Udemy , and Masterclass .

Finally, a lot of folks who sell online writing courses offer free webinars as a way to get you on their mailing list and pitch their full program. If you don’t feel like you have a clear enough goal to invest in an entire course, these webinars provide a great opportunity to pick up some basic insights and start practicing new skills.

Networking and Professional Associations

Look for networking events and professional associations specific to the field you wish to enter. You absorb so much information just by being around experts and peers, plus you’ll have access to seminars, boot camps, training programs, and more.

Many organizations also hold or participate in conferences. These conferences provide learning opportunities that not only sharpen your creative writing skills but also educate you about your chosen industry. If you don’t have the travel budget, you can attend many conferences online at a discount.

And don’t forget to build your own little network of creative writers! Even fiction-focused communities like Dabble’s Story Craft Café are full of writers who rely on more predictable writing work like copywriting and communications to pay their rent. These are great places to share information about building creative writing careers of all kinds.

Building a Portfolio and Gaining Experience

Finally, we learn best by doing. As you pick up new advice and information through your chosen educational channels, put that insight to work immediately.

Offer to write the press release for your cousin’s startup. Ask a strapped-for-cash nonprofit if they’d be interested in letting you write your first grant proposal on their behalf. Create a blog that allows you to showcase the kind of content you hope to one day get paid to write.

These things help you build a portfolio to show prospective clients or employers. They also give you an opportunity to learn from your mistakes, get feedback early, and discover the challenges that are unique to different writing jobs. 

The faster you experience those things, the faster you learn and the sooner you’re ready to make a living as a creative writer.

Writing is an in-demand skill. Don’t let anyone tell you otherwise. If you dream of paying your bills with your words—either as a full-time job or a side hustle—you absolutely can. It may take patience, diligence, and a lot of learning, but the work is out there.

The last bit of advice I’ll offer you is to find a community of writers who have your back. No one understands the journey like another writer. You can count on your network of fellow wordsmiths for moral support, job leads, feedback, and more.

If you’re still in the process of finding those friends, join us at the Story Craft Café—especially if fiction is part of your writerly aspirations. The community is free to join and a great place to talk craft, share your work, and stay productive with daily word sprints. Follow this link to get started.

Abi Wurdeman is the author of Cross-Section of a Human Heart: A Memoir of Early Adulthood, as well as the novella, Holiday Gifts for Insufferable People. She also writes for film and television with her brother and writing partner, Phil Wurdeman. On occasion, Abi pretends to be a poet. One of her poems is (legally) stamped into a sidewalk in Santa Clarita, California. When she’s not writing, Abi is most likely hiking, reading, or texting her mother pictures of her houseplants to ask why they look like that.

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Last updated on Aug 13, 2021

20 Creative Writing Jobs for Graduates (+ Entry-Level Positions)

About the author.

Reedsy's editorial team is a diverse group of industry experts devoted to helping authors write and publish beautiful books.

About Linnea Gradin

The editor-in-chief of the Reedsy Freelancer blog, Linnea is a writer and marketer with a degree from the University of Cambridge. Her focus is to provide aspiring editors and book designers with the resources to further their careers.

Being passionate about creative writing hasn’t always been associated with a stable career path, but that’s not to say that there aren’t any opportunities out there to bring well-written stories into your job. In fact, we’re here to talk about 20 different creative writing jobs — 20 professions that let the storyteller in you shine! We’ll discuss the industries, entry level jobs, and potential income for each job below. 

When it comes to creative writing, the first thing that pops up in our mind is books! While writing is the obvious option (and we’ll cover that later on in the post), most writers choose to work in one of the following positions in the publishing industry to gain financial stability first. 

❗ Note: The “per book” rates below are made with 50,000-60,000 word manuscripts in mind. 

1. Ghostwriter 

👨🏽‍💼 Entry level positions: freelance writer, ghostwriter, editorial assistant 

💰 Potential beginner’s earning: $2,000-$9,000 per book or $0.10-$0.15 per word

If you’re all about creative writing but you’d prefer an upfront payment for your words, then ghostwriting is the job for you! Here’s how it works: an author hires you to help them write their story. It could (and usually is) a memoir or an autobiography which the author doesn't have the time or skills to write themselves. Fiction authors also sometimes use ghostwriters to help them write sequels and satisfy popular demands. 

Ghostwriters are freelancers, so you can start by getting some freelance writing gigs. As a beginner, you might start with short-form projects like articles, white papers, website content. Here are some resources, complete with tips from experienced professionals, that might be helpful:

• How to Start Freelance Writing ( Read here )
• How to Become a Ghostwriter ( Read here )
• How Much Do Ghostwriters Make? ( Read here )

👩🏻‍💼 Entry level positions: editorial assistant

💰 Potential beginner’s earning: $25,000-$30,000 per year or $800-$1,000 per book

Writing is actually not all there is to creative writing jobs — if you really love stories and are always finding ways to make a story better, then editing is a suitable profession for you. There are many types of editors: some, like development editors, work more on the plot and theme of the book, and others, like copy editors,  specialize on its language and style . 

Editorial assistant jobs are the common first steps to this career path. Entry-level positions are quite competitive in publishing, so you’ll likely need a relevant degree (English Literature, MFA, etc.) to get the job. 

Freelancing, as always, is an option, but it can be quite difficult to get clients if you start without any editing experience. Oftentimes, editors start working in-house and later transition to freelance . 

Below are some more resources for you if you want to pursue this career path:

• How to Become an Editor: A Guide for Beginners ( Read here )
• Copyediting Certificates: Do You Need One and Where to Get It? ( Read here )
• Editor Salary: Can Your Skills Pay the Bills? ( Read here )
• Working in Publishing: An Insider's Guide ( Read here )

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3. Proofreader

👨🏼‍💼 Entry level positions: freelance proofreader

💰 Potential beginner’s earning: $20-$30 per hour or $550-$650 per book 

Proofreading comes after editing — the proofreader reads the manuscript one final time, after all the revisions are made, to see if any spelling and grammatical errors are missed out. They’re incredibly crucial to the production of a spotless book, so there’s never a shortage of proofreading work opportunities . 

This task is often done on a freelance basis, either by full-time freelancers or by editors who want to take on side jobs. You can specialize in proofreading alone, though most professionals will combine editing and proofreading crafts for better income. As a beginner, opportunities for short-form projects will often be more accessible — stay open-minded about taking them up, but also do some proofreading training to prepare for more exciting gigs. 

We’ve also got some resources for this topic for you to check out:

• How to Become a Proofreader: The Ultimate Beginner’s Guide ( Read here )
• How to Choose Your Proofreading Rates ( Read here )

There’s more to journalism than just breaking news on CNN, which means there’s plenty of space for the creative writer in you to flourish in this industry! Let’s take a look at a couple of options you can consider. 

4. Columnist 

👩🏽‍💼 Entry level positions: fellowships, junior writer/columnist, freelance writer

💰 Potential beginner’s earning: $25,000-$35,000 per year or $100-$300 per piece 

If you like creative nonfiction , you probably have already considered becoming a columnist. In fact, you can even be a books columnist! Job options range from book-specific sites like Electric Literature or Literary Hub, to prestigious newspapers like The Guardian or The New Yorker. But that’s not necessarily the only thing you can write about! You can become a columnist in just about any topic, from social issues to entertainment, as long as you’re interested in the niche. 

Look out for fellowships and junior writing jobs in newspapers and magazines and get ready to apply! A degree in relevant subjects like Journalism or English Literature is a great advantage, though your ability to follow up on leads, conduct thorough research, and keep up with the latest trends in a certain niche will be carefully assessed. You can also be a contributing writer first to forge a relationship with the editors before going after a full-time position. 

👨🏻‍💼 Entry level positions: junior writer, freelance writer

There’s a fine line between a critic and a columnist: critics are usually more academically inclined, and they often work more on the arts than columnists. Columnists cover social issues, sports, entertainment in their more general sense, while critics while home in on a particular piece of art, literature, theatre, or movie to offer expert assessment of it. 

Similar to the columnists, you can begin with junior writing positions and freelance gigs, in which you build up a writing portfolio of relevant work . Ideally, critics will be more savvy to the technicalities of whatever subject you critique — be it filmography or literature. In other words, formal training like a bachelor’s degree is a good launch pad. 

6. News journalist 

👩🏼‍💼 Entry level positions: staff writer/journalist

💰 Potential beginner’s earning: $30,000-$35,000 per year 

Writing news articles is different from the writing column pieces: a journalist must maintain an impartial voice and be succinct. Moreover, you’re always looking out for the latest story, whether on social media or on the street (which is where your love for creative writing can come in). 

The most common way to get into news journalism is to get a salaried position. You can also apply to internships as well, and there are compensated ones to look out for. What you will need is a degree and some journalist training so that you can use shorthand, know what makes a good story, and know what sources to chase, among other things. 

7. Investigative journalist 

👨🏽‍💼 Entry level positions: staff writer/journalist

And what if you’re a fan of true crime ? You might find yourself drawn to investigative journalism! You can chase the tail of anything under the sun, from kidnappings to factory production, from local to international events, so long as there’s an uncovered story there. The topic will often be assigned to you by an editor, and you’ll be given some time to collect information and write the article. It’s a slower pace than daily news, but it’s thrilling nonetheless. 

Similar to the news path, you’ll likely start off with an internship or a junior writing position. With this job opportunity, you can build a portfolio that demonstrates your ability to peel back the layers of the onion to reveal new insights to a matter. Again, a degree and training in journalism are essential. 

Copywriting

Copywriting is writing to sell a product or service, and it could be anything from newsletter emails to slogans to even commercial scripts! There’s definitely a creative element to it, as you’re always looking for a unique and memorable way to capture the attention of consumers. And since it's so rooted in consumption culture, copywriting is definitely a writing career that's in demand!

Below are several types of copywriting jobs you can go into. 

8. Technical copywriter

👩🏻‍💼 Entry level positions: technical writer, freelance writer

💰 Potential beginner’s earning: $32,000-$38,000 per year 

A technical writer works on instructional materials for manuals, white papers, and other informative pieces of writing. A technical copywriter combines that level of specialty with marketing tactics, thereby focusing on promoting products and services that are a bit more, well, technical. Think electronic companies, software developers, repair and maintenance services. 

Ideally, you’d have some education or experience in technical sectors (i.e. IT, engineering, finance). That way, you won’t take too much time to familiarize yourself with the jargon, and employers are more likely to hire you. You can also begin with technical writing, if you don’t mind working on material that’s a bit less creative. 

9. Advertising copywriter

👨🏼‍💼 Entry level positions: junior copywriter, communications copywriter

For a more creative writing job, you can go for advertising. This often involves a lot of brainstorming with the creative team of your agency to come up with advertisement campaigns that will leave a mark. When working on this you can write all kinds of content, from slogans to image copies to web content. 

Having a bachelor’s degree in marketing or an essay-based discipline is usually beneficial if you’re looking for this kind of job. You can work for a big brand, which will constantly be needing new content, or you can work for a marketing agency, tailoring your work to every client. 

10. PR copywriter

👩🏽‍💼 Entry level positions: junior copywriter

Public relations (PR) is, simply put, the art of building a good reputation, whether that’s for an individual or a brand. You’ll work on press releases, report and presentation writing, material for internal and external communications to present your client’s motivation and direction. 

For this kind of job, the precision of your language and your ability to stay up to date with the competitors will be important. A degree in communications or business administration are a plus point. And as is often the case in most writing jobs, the ability to find the human story behind everything will be your best tool. 

Content Marketing

Nowadays, traditional marketing on TV, billboards, and posters are only a part of the industry, the other is all about online content. And with so many things zooming about on the Internet, every company will be looking for the most creative person to help them stand out. Which means you get plenty of opportunities to be imaginative, working on website content, blog posts, social media posts, and even videos.

11. Social media manager 

👨🏻‍💼 Entry level positions: assistant/junior/freelance social media specialist

💰 Potential beginner’s earning: $20-$30 per hour or $30,000-$35,000 per year 

With our evermore online world, social media-related jobs definitely is a writing career that's in demand. So many things can happen on social media — you might very well go viral overnight! The challenge is getting there. As a social media manager, you get to be the voice of the company, interacting with customers in a friendly, casual way, while also learning their habits and preferences so that you and others on your team can better engage with them. 

This is a relatively hands-on job, so experience running a public social media account is the best thing you can have on your CV. A degree in communications can be beneficial, though many job postings don’t require anything specific.

12. Blogger

👩🏼‍💼 Entry level positions: blogger, freelance writer

💰 Potential beginner’s earning: $0.10-$0.15 per word

Blogging is probably something you’re familiar with as a writer — but do you know it can earn you a good penny? By focusing on a specific subject (it can be books , technology, fashion, the freelance life, etc.), you can attract companies who are looking to strengthen their brand awareness and will sponsor you. It’ll take time to build an attractive platform, but it’s definitely possible. 

Beyond that, you can write for others as well. There are plenty of websites that promote creative writing jobs all over, so you can sift through them for the suitable ones. No degree requirements for this job, just your skill with a (proverbial) quill! 

13. Content creator 

👨🏽‍💼 Entry level positions: content marketer

💰 Potential beginner’s earning: $27,000-$34,000 per year 

If you’re happy to do a bit of everything, then apply to become a content creator. You’ll also get to collaborate with a team to come up with an overall strategy in this position.

You can work for all kinds of companies in this career. A bachelor’s degree in Marketing, English, Communications are highly relevant, though adjacent, essay-based subjects tend to do the job, too. Brushing up on search engine optimization (SEO) is also wise. 

Pop culture, the latest rumors and gossip, interesting observations served on a pretty platter — if any of that sounds interesting to you, you can jump into the media industry. Here are some job options if you want to take this route. 

14. Screenwriter

👩🏻‍💼 Entry level positions: assistant/associate writer

💰 Potential beginner’s earning: $20-$30 per hour or $9,000-$15,000 per project 

Everyone of us has probably at one point or another thought about entering the film and TV industry, and that career goal is definitely achievable, if you know where to look. A lot of people start with assistant positions to learn the ropes and get an opportunity to work on bigger productions. If you prefer to write from the get-go, you can go for lower-budget projects. 

To get one of the assistant positions and put yourself out there, touch up on craft skills like plotting, story structures , character-building to be prepared. No qualifications are specified in most cases. 

15. Broadcast journalist 

👨🏼‍💼 Entry level positions: staff writer

We’ve covered written news — now comes broadcast news. From televised reports to radio sessions, you can be the writer behind the words that reporters or presenters read out. It’s a fast-paced job that deals with the latest real-life stories, which can be incredibly rewarding, even if it’s not explicitly creative. 

Many broadcast journalists work project by project (unless it’s periodical news), almost like a freelancer. You’ll still need to have all the skills necessary to put together a good news story, so some journalist training will be beneficial. 

16. Podcaster 

👩🏻‍💼 Entry level positions: assistant/associate writer or producer 

💰 Potential beginner’s earning: $18-$25 per hour, or $26,000-$32,000 per year 

Along the same lines as a broadcast journalist is the job of a podcaster. This is a bit more topical than journalism, and you can really home into certain fields and explore it in depth. Another special thing about podcasters is they usually host the shows, too! So if you’re confident about your voice, and about interviewing others, there’s no reason not to try this out. 

As with screenwriting, the route to get into this sector can be a little bit challenging, since it’s often a case of catching an opportunity from the right people at the right time. Which is why assistant jobs are a strong start. 

And finally, we arrive at the section that hopeful writers often dream about more than anything else. Getting your book out in the world is not easy, it requires not just time and effort but also finances, if only to keep you afloat while completing the manuscript. That said, it’s possible to do it on the side with another full-time job, as is the case for most published writers. 

The cool thing about this career is that you are your own boss — i.e. there are no entry level positions. You are an author the day you call yourself one. 

17. Short story writer

Short stories are charming in their own right, and with the booming literary magazine sphere , there’s no shortage of space to get your words out there into the world. Publishing an anthology with a publisher is also an option but it’s harder — you often need to have an established career first. 

In any case, most magazines aim to have enough funds to pay their contributors. Small ones can pay $15-$20 per story, bigger ones $100-$200. You can also enter writing contests to win higher prizes .

18. Novelist 

Being a novelist comes with the difficulty of having the time and finances to write a full draft before you can propose it to publishers, or even publish it yourself. It’s a long commitment, and it doesn’t guarantee a payoff. If it does get printed, a book deal can get you an advance in the $5,000-$15,000 range. If you self-publish, what you get depends on how well you market your books — emphasis on the plural noun!

That said, it’s not impossible. We’ve got a whole post on how to become a novelist here if you want some pointers from famous writers like Anne Lamott and Zadie Smith! Read it here .

19. Nonfiction author 

Who says creative writing jobs have to be all about fiction? Creative nonfiction is a growing field that’s always welcoming new stories. From memoirs and biographies to true crime, from self-help to essay collections, you can focus on many different topics with this option. 

The nice thing about it all is that unlike fiction writers, you can pitch your book to publishers before you complete a whole manuscript for nonfiction titles, meaning you can be guaranteed some kind of results before you start writing. The advance amount is similar to that for novels.

And last but not least, you can become a poet! Poets tell stories with rhythm and rich imagery, and not just on paper but also with their voice. Performing poetry is one of the special advantages that comes with this form of writing. Not only does it let you and the audience experience in a new way, it’s also a great opportunity to grow as an artist. 

On top of that, you can also dabble in other industries (advertising, music producers…) as a lyricist. As it’s a gig-based employment, you probably want to diversify your work portfolio to make sure there’s always something you can work on. The rates are usually similar to that of a ghostwriter.

And voila, that’s the end to our master list of creative writing jobs! Hopefully, there’s something to help you passion live on among this many options.

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How to Get Accepted by a Writing Mentorship Program

Today’s post is by writer, editor, and book coach Julie Artz ( @julieartz ).

As college tuition, including MFA programs, skyrockets and author income remains low enough that it rarely allows an author to leave their day job, more and more writers are looking for low-cost and no-cost ways to learn about the publishing industry and the craft of writing. Mentorship programs have become a popular way to gain knowledge and exposure, but as their popularity has risen, the competition has gotten tougher as well.

I was a Pitch Wars mentor for years, and a mentee myself in 2015. I also helped found my local Society for Children’s Book Writers and Illustrators (SCBWI) chapter’s mentorship program. So I’m both a big fan of mentorship and an experienced mentor. And although there’s no silver bullet that will guarantee your spot in a mentorship program, there are lots of things you can do to improve your chances.

Why writers benefit from mentorship

When talking with my coaching and editing clients, I often describe the writing journey as a multi-level pyramid. If you’re just getting started, you’re focused on the foundations of the craft. What is a scene? How do I structure my story? How do I build characters that come alive on the page? That’s the base of the pyramid.

Once you’ve mastered that, the next layer of the pyramid dives into the finer points of point of view, conveying emotion, and writing snappy dialogue that builds character. Only by the third layer of this pyramid do you get into using figurative language to convey theme, using rhythm to create both musicality and tension, and keeping pacing tight.

It’s likely to take more than one manuscript (or at least more than one revision pass) to move from the base level of the pyramid to its peak. And you’ve got to get to the peak before you’re ready to consider querying agents or submitting to publishers.

But a mentor can help you make the climb more quickly and efficiently by homing in on your specific needs and taking the time to understand the heart of your story.

Even once you’re ready to query, publishing can be a lonely and rejection-filled process. But having an experienced writer to guide you can reduce stress and help you navigate tricky situations with more knowledge and confidence. While professional writing organizations, writing conferences, and online webinars or courses can be a great way to gather information, one-on-one feedback will take that foundational knowledge and build upon it to take you to the next level in your writing journey. And the community that is built around these programs is worth more than any Agent Showcase could ever be.

Choose your mentor program wisely

Choosing the program that’s right for you and your work is vital to success. Not only does the program need to accept the genre, age category, and form you write, but it also needs to take place at a time of year when you have time to devote to revision.

Here is an alphabetical list of popular mentorship programs for writers and when their applications typically open:

• Author Mentor Match – AMM provides mentorship for middle grade, young adult, and select adult projects and typically opens to submissions in January each year.
• Association of Writers & Writing Programs (AWP) – AWP’s Writer to Writer mentorship program is a members-only mentorship program. Applications are typically due by January each year.
• Latinx In Publishing – Applications for this mentorship program open in the fall and pair an unpublished/unagented Latinx writer with a published mentor.
• The Society for Children’s Book Writers and Illustrators (SCBWI) – Many SCBWI chapters offer mentorship programs for fiction and nonfiction children’s books. There is typically a fee for the mentorship, though prices vary by program.
• We Need Diverse Books (WNDB) – WNDB’s mentorship program selects mentees from traditionally underrepresented communities. Applications will open in fall of 2021 for the 2022 program.
• Women’s Fiction Writers Association (WFWA) – WFWA’s twice annual mentorship program opens in the fall for those writing women’s fiction.
• WriteMentor – WriteMentor provides a monthly paid mentorship service, but also provides a free summer program that opens to applicants April 15-16, 2021.

I’m sure there are other great national mentorship programs I’ve missed (let us know in the comments!), and there are many local options as well, so check in with the writing organizations and libraries in your area.

Have realistic expectations of mentorship programs

Mentorship programs have recently led to several glamorous success stories, but the best way to find success in a mentorship program is to enter with realistic expectations. Many of the writers who are selected have been writing for years, are not submitting a first draft, and would have gone on to find publishing success even if they hadn’t participated in a mentorship program. If you’re working on your first novel, don’t expect a fast train to the New York Times Best Sellers list. Remember that writing pyramid? You can’t race straight to the top without mastering each step along the way.

That doesn’t mean there’s no point in applying if you’re a beginner. On the contrary, having a professional on your team going over your manuscript and providing an edit letter similar to what an eventual agent or editor will provide gives you invaluable experience. But it’s not going to turn your rough draft into a bestseller in one round of edits. What it will do is teach you skills you can apply to additional rounds of revision and future manuscripts. And if the mentorship program has any sort of agent showcase, it can get your work in front of industry professionals. If you are selected, focus on learning everything you can from the experience.

And if you’re not? There are lots of opportunities for finding critique partners and new writing friends during the Twitter chats and forums some of these mentorship programs provide. So even if you aren’t chosen, you might find a new critique partner. And that’s huge, especially during a pandemic when in-person writing events are few and far between.

Revise before you apply to a mentor program

Although learning how to revise deeply is one of the great benefits of participating in a mentorship program, do as much as you possibly can before you submit your manuscript for consideration. That means looking at plot, character arcs, tension, and pacing. If you have finished a complete draft but have a list of things you know need to be fixed, fix them before you submit if you possibly can. That will clear the low-hanging fruit and let your eventual mentor focus on the deeper issues.

One of the biggest mistakes I see in my submission inbox, especially in the speculative genres, is information dump. I don’t need to know every last detail of your mythical world to select you as my mentee, but I do need to get to know your main character enough to follow them through the whole story. If you’re not sure how to approach this issue in your writing, Susan DeFreitas’s Backstory and Exposition: 4 Key Tactics on this blog will help.

Find a beta reader to help

Sure, a mentor can provide that first set of eyes, but if you’ve already had readers, you’ll be able to get even more out of the mentorship experience. And if you already know the competition for mentors is stiff, why not put your best work forward? Beta readers or critique partners can catch plot holes, naming inconsistencies, revision artifacts, and other confusing places that your eyes might miss since you’ve read the manuscript so many times.

Do that final buff and polish

Once you have that crucial beta feedback, take another pass through the manuscript. Fix as much as you can. Sandra Wendel’s guest post on The Difference Between Line Editing, Copy Editing, and Proofreading is a great checklist. Yes, you ought to do at least a line edit before you submit. That’s not to say your manuscript will be rejected if there’s a typo, but anything you can do to make it easier to read will make it more appealing to mentors going through their slush pile.

Bonus points if you take the time to read your manuscript aloud. This is one of the best secret weapons for weeding out awkward or wordy phrases, repeated words, and unnatural sounding dialogue.

Maintain a professional presence on social media

I am not going to tell you that you have to have 10,000 followers on Twitter to get a mentor or that you can’t make a fart joke for fear of not getting selected. But I will say that I always check a prospective mentee’s profile to make sure that they aren’t being harmful or abusive online. It’s also a great way to gauge whether we’ll be a good personality fit, which is a crucial part of a successful mentor-mentee relationship. I mentor middle grade, so the well-timed fart joke is totally on-brand for me. But other mentors may feel differently.

Do your homework on mentors

While we’re talking about social media, do your research on the mentors you’re applying to work with. Do they like speculative fiction or do they only want contemporary? Do they have particular content they prefer not to mentor? Are they strong in areas where you particularly need help?

In addition to researching potential mentors, learning to read submission guidelines is a great skill to cultivate. Over fifteen percent of the writers who submitted to #TeamUnicornMojo (myself and my super-star co-mentor Jessica Vitalis ) in Pitch Wars 2020 were writing in genres clearly outside our wish list. For example, we love historical fiction, but if there’s no magic, we’re not going to pick you no matter how beautiful the manuscript is. Because we write and mentor fantasy. Historical fantasy? Bring it! Straight historical? There are other mentors who are a much better fit. Mentors provide their wish list not only to convey preferences but to let writers know the genres they’re best equipped to mentor. Sneaking a portal fantasy into a mentor’s inbox by calling it “fantasy adventure” will not help your cause.

And make sure your manuscript is in standard manuscript format (unless the mentorship’s submission guidelines specify otherwise). Standard manuscript format is:

• 12-point serif font (Times New Roman or similar)
• double spaced
• first line indent
• 1” page margins
• page break after each chapter
• space down 2-3 lines before each chapter title
• no first line indent on first line of new chapter or scene (this can be confusing, so grab a book and look at the first line of the chapter to see what I mean!)
• page number, manuscript title, and your name in the header or footer of each page

Finally, ensure your word count falls in the publishing industry’s general guidelines. Agent Jennifer Laughran wrote the definitive post at Wordcount Dracula . If you’re 1,000 words over or under, don’t sweat it. If you’ve got a 200,000-word middle grade, consider a deep edit before you submit.

Parting advice

In truth, these recommendations hold true whether you’re applying for an MFA program, hoping to secure a writing-related grant, or applying for a mentorship program. These good habits will serve you well no matter where you are in your writing journey. But if you’re really hoping to find a mentor in 2021, best get revising now so you’re ready when the submission windows open. Best of luck finding a mentor—they really can change your writing life.

Did I leave your favorite mentorship program off my list? Let us know in the comments.

Julie Artz has spent the past decade helping writers like you slay their doubt demons and get their novels and memoirs reader-ready. She’s worked with both award-winning and newer authors across the publishing spectrum from Big Five to small and university presses to indie and hybrid. She is an Author Accelerator-certified Founding Book Coach, a sought-after speaker and writing instructor, and a regular contributor to Jane Friedman, Writers Helping Writers, and more. Subscribe to Julie’s weekly newsletter, Wyrd Words Weekly , or learn more at julieartz.com .

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You’ve mentioned several valuable tips, especially to have a complete revised draft. In the past few years, I’ve submitted to writing mentorships and been fortunate to have two. The latest one is with Las Musas (lasmusasbooks.com) which is a selection-based mentorship program for traditionally unpublished Latinx kidlit writers and illustrators. My advice is to submit, be persistent, and keep moving forward.

Great article and resources, thank you!

I love #RevPit! ( https://reviseresub.com/ ) It just closed submissions for this year so it won’t come around until next year, but the Twitter leadup is absolutely one of the friendliest and most encouraging places for a writer on the Webs. The mentors are freelance editors, and they do market their services a little, but honestly not much, and many offer deals for anyone who submits to them and/or to RevPit and mentees whose fulls they request. (Submitting and winning are free.)

[…] Mentors are valuable for beginning writers. Julie Artz explains how to get into mentorship programs for writers. […]

Thank you for the practical tips and especially the list of mentorship programs– I knew about a few of them but others weren’t on my radar and definitely should be.

What Jobs Can You Get With an MFA in Creative Writing?

Author: Shannon Bowring Updated: January 31, 2023

So you took the plunge, endured the emotional upheavals and tough criticism of your writing, and took on student loan debt you’ll be paying off for years. Congratulations! You now have an MFA in Creative Writing. But what jobs can you get with your MFA in Creative Writing ?

How much can you expect to earn?

According to ZipRecruiter , as of December 2021, the average annual pay in the United States for a Creative Writing MFA is $73,613 per year. If this number seems optimistic, even unrealistic, it’s because it is. A deeper plunge into the report shows that annual salaries for writers actually range from $11,500 to $259,000. That’s a hell of a difference. We can only assume that the Big Bestselling Writers have claimed that top spot, while the rest of us aspiring authors are likely hovering far closer to that $11k range.

In other words, and I’m sure this is no surprise to anyone reading this, the majority of writers are grossly underpaid.

But I’m here to tell you not to lose hope. There are many ways, other than selling book s, to leverage that Creative Writing MFA to make a comfortable, if not lucrative, career as a writer .

If you’re a traditionalist

  Many writers go into teaching after earning their MFA in Creative Writing, often at the university level. The usual trajectory is to begin as an adjunct and then work one’s way up through the ranks to professor* , which ideally comes with a sweet corner office lined with leatherbound books. Typically, you need to have published at least one book to land the coveted position of teaching others how to write in a college or university.

If you want to teach, but not in a university

There are plenty of other ways to teach the craft of writing. If you’d like to work with writers but not within the world of traditional academia, consider offering your expertise as a writing coach, tutor, or adult education teacher. There are thousands of writers out there looking for someone to share what they’ve learned about the craft of writing and the business side of becoming an author. Seek out (or create) local and/or online venues where you can share what you have learned through your own experience. Having an MFA attached to your name will help writers feel you can be trusted to know what you are talking about.

If you are an online guru

Opportunities for good writers are continually expanding and evolving online. Countless websites and businesses are always on the lookout for talented content writers, copywriters, copyeditors, grant writers, and technical writers. (One good source for these remote jobs is Remote.co .) Having an MFA in Creative Writing can help give you an edge in this competitive market. One advantage of these jobs is that they are often flexible and part-time, which is great for those looking to keep their writing muscles fresh without making a lifelong commitment.

If you are That Person always correcting other people’s grammar

The world will always need quality editors and proofreaders . This career path can take many forms—you could work for a literary magazine , publishing house, or newspaper, or try your hand as a freelancer. Editing others’ work keeps your own writing skills sharp, with the added bonus of potentially bringing in big bucks: Depending on genre and level of editing, a freelance editor can earn anywhere from $36-$70 per hour. Sign me up!

If you are a rebel

You have an MFA in Creative Writing, so think creatively . Get involved with your local writing community and run writing workshops (a quick online search can guide you on how much you should expect to charge, depending on your format and attendance). Have a guest house on a beautiful piece of property you don’t mind renting out? Start a writing retreat or writing residency to give fellow writers a place to disconnect from their busy lives and work on their novels, poems, and essays. For an additional fee, you might also offer these writers one-on-one coaching or editing services.

A Creative Writing MFA isn’t a guarantee—but it is an opportunity

As an aspiring author , you must find a way to apply your skills as a writer and make them work for you . Many authors I know have shaped successful, happy lives for themselves by doing a variety of the jobs listed above, often more than one at the same time. The post-MFA life does not come with a guarantee of monetary wealth—but if you get creative and do the work, it is possible to create a writing life that is spiritually, artistically, and emotionally fulfilling. And isn’t that what real success is all about, anyway?

Though, honestly, I wouldn’t mind earning $259,000 a year.

*With the effects of the pandemic, and the slow but steady shift away from brick-and-mortar classrooms, this route of teaching in a traditional university seems to be getting more difficult. That said, the world needs great writing teachers, so if this is the path you want to take, please be intrepid and find a way to do so. You are the unsung heroes; teach away, teach away.

Recommended reading

Here at Aspiring Author , we love recommending bestsellers and fawning over hot new releases. On this real time recommended reading list, you will find a list of top rated books on the publishing industry, craft, and other books to help you elevate your writing career.

The Elements of Style Workbook: Writing Strategies with Grammar Book (Writing Workbook Featuring New Lessons on Writing with Style)

Several Short Sentences About Writing

The Associated Press Stylebook: 2024-2026

And, Scene!

About The Author

Shannon Bowring

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21+ Places to Find Creative Writing Jobs (That Pay!) In 2024

by Victoria Peel-Yates

on May 27, 2024

In 2019, I was a newbie freelance writer with no qualifications, no experience, and no idea how to find creative writing jobs. 

Fast-forward three years, and I’m a full-time writer at a marketing agency and a Smart Blogger freelancer on the side.

So I can tell you it is possible to find creative writing jobs and start a lucrative side hustle or full-time business — even without experience or qualifications. 

This post will round up the 22 best places to land your first paid writing gig. 

Many of these platforms have helped me find work, and they can do the same for you.

What Types of Jobs Can You Find in Creative Writing?

Creative writing is a broad term that covers a range of writing types and jobs, including:

• Content marketing
• Copywriting
• Freelance writing online
• Self-publishing
• Ghostwriting
• Video game writing
• Screenwriting
• Greeting card writing

For most of these, all you need is hard work, confidence, and a pinch of luck – no prior work experience or degree required! 

21+ Places to Find Creative Writing Jobs

Whether you’re looking for a remote writing job, aspiring to be a screenplay writer, or dreaming of life as a creative copywriter, you’ll find something on this list. 

Upwork is where many freelance writers land their first gigs, and there are even some success stories . Here, you’ll find technical writing , short story writing — and everything in between. 

Clients looking for freelance writers post job listings here, and pay rates vary. To access these opportunities, sign up for an Upwork account, download the app, complete your profile, and submit proposals. If selected, the lister will contact you. 

2. Blogging Pro

Blogging Pro is a job board that posts creative writing opportunities from around the internet. You’ll find pretty much any type of writing work on here, such as ongoing contract positions and one-off freelance jobs. 

Posters pay a hefty $199 to list their job, so you’re more likely to find high-quality jobs here. Each listing contains the job description and a link to the job poster’s website.

3. FlexJobs

FlexJobs is a global platform listing a variety of online and remote jobs. It’s an excellent place to look if you want to specialize in a specific niche , such as food, finance, or health. 

Pay rates vary depending on the job. To apply, first register as a member, then choose your subscription option for full access to job postings — prices start at $9.95 per week. 

4. ProBlogger

ProBlogger has a special place in my heart, as it’s where I landed my first-ever freelance gig, writing for a coaching website that paid me $100 per article. It’s an online job board where people look for everything from content writers for big data analysis to YouTube video script writers.

Pay rates and application processes vary depending on the job poster. To apply, you’ll need to register as a member. 

IWriter is an online marketplace that connects freelance writers with businesses that need them. Here’s how it works. 

Clients request an article on a specific topic, and the platform assigns a writer to create it. Writers earn 65% of the price of the article, with a sliding scale depending on the quality of the work. You receive an additional 5% if the requester asks explicitly for you.

To apply, go to the “Write Content” section, fill out the application form, and answer two writing prompts. Once approved, IWriter will assign you to content requests.

6. Freelancer

Freelancer is another marketplace that connects businesses with freelance writers. Categories include SEO, finance, ghostwriting, brochure writing, gaming, review writing, legal , and more.

Rates depend on the client and project. To apply, simply create a profile, browse job posts, and submit your bid.

Contena is a membership platform that provides training and resources for freelance writers, but their USP is their job board. Now, Contena rounds up some of the best-paid gigs from around the internet, and it’s common to see jobs that pay $3,000-$5,000 per month. 

The Contena job board has a bit of everything, including: 

• SEO blog posts
• Content manager roles
• Non-fiction books
• Video games

Membership starts at $40 per month.

8. Craigslist

Craigslist is a classifieds website that began in New York in 1995 and now serves over 700 cities in 70 countries. 

It’s a great way to connect with local businesses looking for writers in your area — but exercise caution and vet any opportunities carefully before applying, as the platform is notorious for scams (more on this later!).

9. Freelance Writing Jobs

Freelance Writing Jobs gathers opportunities from around the web and posts them daily. Listers can also post a job for 30 days by paying $30. 

Categories of writing opportunities include: 

• Content and copywriting
• Grant writing
• Technical writing
• Miscellaneous

Rates depend on the job posting but can range anywhere from $25 to $150 per day. Each listing takes you to the client’s website, so the application process depends on their requirements.

10. Freelance Writers Den

Freelance Writers Den is a membership website providing resources and training to help freelance writers launch or uplevel their careers .

Membership costs $40 per month, which gives you access to the website’s curated list of publications, websites, and blogs looking to hire content writers.

11. Constant Content

Constant Content is a “write-to-play” marketplace where writers pre-write articles on topics of their choice, then clients browse and buy them.

Job posters generally pay .10 cents per word per article, and the writer receives 65% of the total fee.

To apply, fill in the sign-up form, take a quiz, and submit your first article.

12. Scripted

Scripted is also a marketplace, offering jobs across a broad array of content types, including: 

• Press releases
• Product descriptions
• Newsletters
• Transcriptions
• Social media posts
• Video scripts

Writers set their own rates, meaning you have more control over your income. In addition, Scripted encourages writers to apply based on subject matter expertise and develop long-term relationships with agencies and clients. 

Once your application is approved, you can bid on opportunities, attract clients with your profile and portfolio, or accept jobs instantly through their SmartMatch system.

13. Online Writing Jobs

Online Writing Jobs is another platform that connects companies with US-based writers. Clients request projects, and writers submit their proposals. There are even opportunities to work on multiple-month projects for consistent income. 

Sectors include:

• Travel. 

Pay ranges from $15 to $50 per article. To get started, complete the writer application form, then submit your writing sample, W9 tax form, and proof of US residency. 

14. Mediabistro

Mediabistro is a job board specifically for media professionals —including creative writers! 

Writing jobs include:

• Proofreading
• Social media management. 

Rates depend on the client. To apply, sign up for membership for $14.99 per month. You’ll get access to courses, webinars, and Freelance Connect, their service that connects freelancers with editors, agencies, and media companies.

15. Writers Work

Writers Work’s mission is to help you launch your freelance writing career. They gather writing jobs from their partners at job agencies to offer content writing jobs, including blogging, copywriting, and social media. Writers Work’s dashboards and writing tools help you manage your work, deadlines, and clients. 

Rates range from $20 to $65 per hour. Sign up with a one-time payment of $94 or a monthly fee of $15. Complete your profile and portfolio , and start receiving relevant job matches on your dashboard. 

16. All Freelance Writing

All Freelance Writing is an online job board that also provides resources for building your freelance writing career. You’ll find opportunities from around the web, with topics as varied as cigars, disability law, and finance, as well as calls for submissions from online publications like Bustle and Greatist.

Rates range from $1-$750 per article. To apply, fill out the online form and attach your resumé and cover letter.

Medium is a blogging platform where writers can publish their content and earn money through the Partner Program . One writer earned $16,685.50 for a single story!

To be eligible for the Partner Program, you must be in one of the countries listed on the Medium website. If you are, create a Medium account, write at least one post, and gain 100 followers. Then, submit your bank account and taxpayer information, put articles behind a paywall, and publish at least once every six months to stay active.

Pay depends on how many people read your member-only stories, how long they spend reading them, and how many people you refer to Medium. Pro tip: If you refer someone, you get half their monthly membership fee!

18. American Writers and Artists Institute

The American Writers and Artists Institute specializes in direct response copywriting . It provides training courses on building your direct response copywriting business and access to their job board , WritersWanted. 

You’ll find all kinds of content and copywriting jobs, including health, graphic design, B2B, and more. To apply, join Writers Wanted for $49 per month. 

19. LinkedIn

On LinkedIn , you can browse job postings and connect with business professionals around the world who might just need a writer like you.

Set up a job alert to be notified when opportunities matching your criteria are published. You can also generate inbound leads by regularly posting great content and building your online presence.

Indeed is a global job platform where you’ll find all kinds of remote and in-person writing jobs.

Rates depend on the position and employer. To apply, sign up for an Indeed account, search for job listings by job type, location, or salary, and submit your application. 

21. Gotham Ghostwriters

Gotham Ghostwriters specialize in, well, ghostwriting jobs. Here you’ll find clients who need writers for: 

• Thought leadership articles
• Screenplays, and more.

To apply, fill out your online application form, and you’ll receive opportunities that align with your skills and expertise. To bid on one, submit your proposal, and the client will select the writer who aligns most closely with their requirements. 

22. ISA Writing Gigs

ISA Writing Gigs is a platform specifically for screenwriters. They list opportunities for everything from low-budget dramas to dark comedies. Most don’t state pay, but market rates apply.

Become an ISA Connect member for $10 per month to submit applications. You’ll also gain access to resources that will help you hone your craft and build your career.

How Much Can Creative Writers Earn?

How much you can earn as a creative writer depends on your writing skills and experience level, but it’s safe to say you can make a decent living as a writer.

Estimates vary, but the average salary for a freelance writer seems to be around $50-$70,000:

• Salary.com places it at $53,286 (range: $39,277-$66,770) 
• Recruiter.com estimates $78,680 (range: $35,880 to $133,460)
• Zippia puts it at $73,095 (range: $46,000-$114,000)

Since many creative writing jobs are remote, there are no geographical limits to how much you can earn. So, for example, if you live in India, there’s nothing to stop you from taking a freelance writing gig with a company based in the US or UK.

BEWARE OF SCAMS: Red Flags To Look Out For

Like most things online, there’s a degree of risk involved in looking for creative writing work, as some people are out to hoodwink unsuspecting would-be writers. 

With time, you’ll get better at spotting scams and be able to avoid them. But when you’re starting out, be aware of these red flags. 

Spam or Fake Job Postings

Some people out there might want to take your work without paying you for it. If you’re not sure about an opportunity, look for one or more of the following in a job post:

• Spelling mistakes and typos
• A lack of detail about the work, rates, company, or payment
• Email addresses that don’t match the company name
• Opportunities that seem too good to be true

Now I could be wrong, and it might be legit, but this post on Upwork checks a lot of those boxes. Plus, the payment is unverified, the user created their account the previous day, and it’s only received 10-15 proposals (quality jobs usually get dozens of applicants).

Charging Fees to Work for Them

Let’s be clear: clients should pay you , not the other way around. If a job listing asks you to pay to submit your work or sign up for a subscription fee, run away fast.

The only exception to this rule is reputable membership platforms — like the ones mentioned above — that provide value and help you build your career.

Dirt Cheap Pay Rates

Honestly, this is why I personally don’t use sites like Upwork or Fiverr. It’s hard to find gigs that pay decent rates on these platforms. Just look at this example I found on ProBlogger where the job poster offers $20-$25 per 1,000 word article. That’s only .02 cents per word!

Slow or Late Payment

Reputable platforms state their pay cycles on the website — if you don’t see that info, it’s a red flag. 

When dealing with a private client, make sure you agree on payment terms in advance, ideally in writing. A best practice is to request 50% payment upfront and 50% upon delivery. 

You Don’t Get a Say in What You Write

One of my first gigs was with a content mill that paid poorly and assigned me topics I knew nothing about and had zero interest in. 

Needless to say — I only lasted a month. 

So, focus on writing what you know about and have at least a passing interest in if you want to be a successful freelance writer.

You’re Swimming in a Sea of Creative Writing Jobs — Get Fishing

Three years ago, I never imagined I would be one of those people writing about how they became a successful freelance writer — let alone on a platform like Smart Blogger with an audience of millions. 

Yet here we are. 

Start today, and in a few months from now, you might be writing one, too — even if you don’t have a creative writing degree or relevant work experience. 

So what are you waiting for? Cast your net, and get fishing for your first creative writing job.

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44 Fellowships for Creative Writers in Any Career Stage

If you’re a writer looking for a unique opportunity to grow as an artist, this large list of Fellowships for Creative Writers has something for you! It includes opportunities all over the world – including the Scandinavian countries, Germany, India, France, and Italy, as well as fellowships that let you design your own international travel itinerary. Each fellowship offers a funded opportunity to fledgling, mid-career, or established writers. If one sounds exciting to you, make sure to bookmark it to your ProFellow account!

Another way to grow your career as a writer is to go to graduate school, and you can discover over 500 programs that fund their graduate students by downloading  ProFellow’s FREE Directory of Fully Funded Graduate Programs and Full Funding Awards.

American Academy in Berlin Prize

The Academy welcomes applications from emerging and established scholars, writers, and professionals who wish to engage in independent study in Berlin. Approximately 24 Berlin Prizes have been conferred annually. Past recipients have included historians, economists, poets and novelists, journalists, legal scholars, anthropologists, musicologists, and public policy experts, among others. Fellowships are typically awarded for an academic semester or, on occasion, for an entire academic year. Bosch Fellowships in Public Policy may be awarded for shorter stays of 6-8 weeks. Benefits include round-trip airfare, partial board, a $5,000 monthly stipend, and accommodations at the Academy’s lakeside Hans Arnhold Center in the Berlin-Wannsee district. Fellowships are restricted to individuals based permanently in the U.S.

American Institute of Indian Studies Senior Performing and Creative Arts Fellowships

AIIS Senior Performing and Creative Arts Fellowships are available to accomplished practitioners of the performing arts of India and creative artists who demonstrate that studying in India would enhance their skills, develop their capabilities to teach or perform in the U.S., enhance American involvement with India’s artistic traditions or strengthen their links with peers in India. Awards will normally be for periods of up to four months, although proposals for periods of up to nine months can be considered.

American Library in Paris Visiting Fellowship

The Visiting Fellowship offers writers and researchers an opportunity to pursue a creative project in Paris for a month or longer while participating actively in the life of the American Library. Fellowship applicants should be working on a book project, fiction or nonfiction, or a feature-length documentary film. The fellowship includes a stipend of $5,000 to cover travel, accommodation, and other expenses. The Library offers networking opportunities and the fellowship is open to English speakers of any nationality.

Artist Trust Fellowship

Artist Trust Fellowships are designed to recognize artistic achievement, dedication to an artistic discipline, and potential for further professional development. 8 grants at $10,000 each will be awarded in Music, Media, Literary, and Craft disciplines are awarded in even-numbered years, and Emerging Fields & Cross-Disciplinary, Performing Visual, and Traditional & Folk Arts in odd-numbered years. Applicants must be practicing artists, age 18 or older by the application deadline date, a generative artist, and a resident of Washington State at the time of application and when the award is granted.

Bard Fiction Prize

The Bard Fiction Prize was created to inspire and assist fledgling fiction writers to strive for their artistic goals and offer a vibrant, creative atmosphere in an academic setting. Each year one fellowship is awarded to a promising, emerging American writer. In addition to a $30,000 stipend, the winning Fellow receives an appointment as writer in residence at Bard College for one semester, without the expectation that he or she teach traditional courses. Fellows must give at least one public lecture during their fellowship. Candidates must be US citizens with a published book or novel.

Beckmann Emerging Artist Fellowship Program

The Beckmann Emerging Artist Fellowship Program awards fellowships each year to qualified and talented artists in music, dance, theatre, literature, media, and/or the visual arts. Artists will receive a monetary award of $3,500 to purchase supplies and cover other costs as they develop their projects. Professional development and growth opportunities will also be provided throughout the 1-year fellowship. The fellowship program seeks to introduce and provide experiences, connections, and relationships with professional arts institutions and professional artists in central Indiana. Artists must have 1-3 years of experience in their field.

Biography Fellowship

Boehm media fellowship.

The Boehm Media Fellowships provide journalists, storytellers, authors, bloggers, writers, editors, filmmakers, and other media experts at the helm of social innovation with a major focus on poverty alleviation the opportunity to participate as Delegates to the Opportunity Collaboration. This fellowship aims to grow networking opportunities for fellows, enrich knowledge and skills, encourage innovation, and create social impact through media. The fellowship includes a 5-night stay in Ixtapa, Mexico, a $3,200 tuition scholarship, and all meals; financial need is the primary consideration for the fellowship.

Camargo Core Program

The Camargo Foundation, located in Cassis, France, is a residential center offering programs in the Arts and Humanities. It offers time and space in a contemplative environment to think, create, and connect. Applications from all countries, nationalities, and career levels are welcome. Scholars & Thinkers (including professionals and practitioners in creative fields such as curators, critics, urban planners, independent scholars, etc.) should be connected to the Arts and Humanities working on French and Francophone cultures, including but not limited to cross-cultural studies that engage the cultures and influences of the Mediterranean region. Artists, in all disciplines, are the primary creators of a new work/project. Roundtrip transportation and a stipend of 1,000 USD per month are available.

Charles Wallace India Trust Writer Fellowships

CWIT enables Indians in the early to mid stages of their careers to spend time in the UK, helping them to achieve artistic, academic, and professional ambitions and to broaden their international contacts. There are ten fellowships to enable academics, writers, and translators to spend 2-3 months at specified host universities, devoting themselves to their own work and interacting with colleagues. Applicants should be Indian citizens living in India, aged between 25 and 45 (there is no upper age limit for translator fellowships), and have completed postgraduate studies and/or have at least 5 years of professional or academic experience. Please consult university websites for application deadlines.

Children’s Writers-in-Residence Program

The Associates of the Boston Public Library sponsors a Children’s Writer-in-Residence program annually. The program is intended to provide an emerging children’s writer with the financial support and office space needed to complete one literary work for children or young adults. The Children’s Writer-in-Residence receives a $20,000 stipend and office space at the BPL’s Central Library in Copley Square. He or she must work a minimum of 19 hours per week at the BPL during the nine-month residency (September – May). Projects eligible for this program are fiction, non-fiction, a script, or poetry, intended for children or young adults.

Creative Capital Awards

Creative Capital is the only national grantmaking organization with an open application process that supports individual artists across all disciplines. Creative Capital makes a multi-year commitment to its grantees, providing them with tailored financial and advisory support to enable their project’s success while building their capacity to sustain their careers. Our grants are valued at up to $90,000. For each project, we offer up to $50,000 in award monies (direct funding) and an additional suite of career development services valued at $40,000. Applicants must be over 25 and have at least 5 years of work experience.

Creative Community Fellow

The Creative Community Fellows program is for leaders working at the intersection of culture and community. All Fellows enter the program with an idea for a cultural project that responds to a problem they want to solve in their communities. The program consists of a 6-month online course starting with a 1-week residence in a breathtaking, farmhouse-style estate in Vermont. Eligible applicants are cultural entrepreneurs igniting change through arts and culture in their community. Tuition, including room and board, is completely underwritten for all Fellows. Fellows are only responsible for their travel costs to any in-person events.

Define American Immigrant Creative Fellowship

Emerging writer fellowships, fulbright/national geographic digital storytelling fellowship.

The Fulbright/National Geographic Digital Storytelling Fellowship is a new component of the Fulbright U.S. Student Program that provides opportunities for U.S. citizens to participate in an academic year of overseas travel and digital storytelling in up to three countries on a globally significant social or environmental topic. In addition to receiving Fulbright benefits (for travel, stipend, health, etc.), Fellows will receive instruction in digital storytelling techniques and will be paired with one or more National Geographic editors. Applicants may submit proposals for grants to 1-3 foreign countries.

George A. and Eliza Gardner Howard Foundation Fellowships

Howard fellowships support early mid-career artists and scholars to pursue proposed projects of their choosing. Support is particularly intended to augment paid sabbatical leaves. In the case of independent artists or scholars, or those without paid leaves, the Howard Fellowship would enable them to devote a substantial block of time to the proposed project. Fellowships are for $35,000 and are open to any applicant who can legally live and work in the U.S. The 2020 fellowships support projects in the fields of Fiction, Poetry, Playwriting, and also Theatre Studies.

Hedgebrook Writers in Residence

The Writers in Residence Program is Hedgebrook’s core program, supporting the fully-funded residencies of approximately 80 writers at the retreat each year. Hedgebrook is on Whidbey Island, about thirty-five miles northwest of Seattle. Situated on 48 acres of forest and meadow facing Puget Sound, with a view of Mount Rainier, the retreat hosts writers from all over the world for residencies of two to four weeks, at no cost to the writer. This residency is open to women writers in all genres! Four writers reside at a time, each housed in a handcrafted cottage.

Hodder Fellowship

The Hodder Fellowship will be given to writers and non-literary artists of exceptional promise to pursue independent projects at Princeton University during the academic year. Potential Hodder Fellows are writers, composers, choreographers, visual artists, performance artists, or other kinds of artists or humanists who have “much more than ordinary intellectual and literary gifts”; they are selected more “for promise than for performance.” Given the strength of the applicant pool, most successful Fellows have published a first book or have similar achievements in their own field. Provides a stipend of $88K. Open to all citizenships.

Hodson Trust-John Carter Brown Fellowship

The Hodson-Brown Fellowship supports work by academics, independent scholars, and writers working on significant projects relating to the literature, history, culture, or art of the Americas before 1830. Candidates with a U.S. history topic are strongly encouraged to concentrate on the period prior to 1801. The fellowship is also open to filmmakers, novelists, creative and performing artists, and others working on projects that draw on this period of history. The fellowship award supports two months of research and two months of writing. The stipend is $5,000 per month for a total of $20,000, plus housing and university privileges.

Inevitable Foundation Accelerate Fellowship

The Accelerate Fellowship is a year-long program that gives mid-level disabled screenwriters $40,000 in funding, bespoke mentorship, industry connections, and the community they need to become industry-leading creators. Ongoing writing workshops and check-ins with the Inevitable team allow Fellows to sharpen their writing and pitching skills. The Accelerate Fellowship is a 12-month program, focused half on writing skills and half on business skills. The Fellowship is for individuals that self-identify as disabled, currently pursuing a career in screenwriting.

LIFT–Early Career Support for Native Artists

The LIFT–Early Career Support for Native Artists program provides one-year awards for early-career Native artists to develop and realize new projects. Fellows’ work should aim to uplift communities and advance positive social change. Eligible applicants must be individual Native artists working in dance/choreography, fiction/poetry writing, film/video, multi-disciplinary arts, music, performance art, theater and screenplay writing, traditional arts, or 2D/3D visual arts. LIFT awards up to $10,000 for a proposed project with $2,500 earmarked for the artist’s benefit and well-being. Up to 20 artists will be selected to receive LIFT awards.

Logan Nonfiction Fellowship

Fellowships of 5-10 weeks for nonfiction reporters and writers working on important social, political, health, environmental, human rights, and justice topics. Logan Nonfiction fellows at the Carey Institute are provided with all the necessary tools to complete their critical work. Lodging, workspace, sophisticated technological support (including Wi-Fi, a state-of-the-art screening room and dedicated space, equipment, and software for video, film, and radio editing), and meals are provided. Professional journalists and writers of all nationalities are invited to apply but knowledge of the English language is required.

Just Buffalo Literary Center Poetry Fellowship

John simon guggenheim memorial foundation fellowships.

Often characterized as “mid-career” awards, Guggenheim Fellowships are intended for men and women who have already demonstrated exceptional capacity for productive scholarship or creative ability in the arts. Guggenheim Fellowships are granted to selected individuals for 6-12 months. No special conditions attach to them, and Fellows may spend their grant funds in any manner they deem necessary to their work. Open to citizens and permanent residents of the United States and Canada.

Kresge Artist Fellowship

Kresge Arts in Detroit provides significant financial support for Kresge Artist Fellowships annually, each consisting of a $25,000 award and professional practice opportunities for emerging and established metropolitan Detroit artists in the dance/music, film/theatre, literary arts, and visual arts. The Kresge Artist Fellowships are given to artists whose commitment to artistic achievement, in contemporary or traditional forms, is evident in the quality of their work. Fellowship applications are accepted by artists who are currently legal residents of the metropolitan Detroit tri-county area (Macomb, Oakland, or Wayne counties) in Michigan.

MacColl Johnson Fellowships

The Robert and Margaret MacColl Johnson Fellowship Fund provides up to three $25,000 artist fellowships each year, rotating among composers, writers, and visual artists on a three-year cycle. In all three disciplines, the fellowships will be awarded to emerging and mid-career Rhode Island artists whose work demonstrates creativity, rigorous dedication and consistent artistic practice, and significant artistic merit. The financial support provided by the fellowships enables artists to concentrate time on the creative process, focus on personal and professional development, expand their body of work, and explore new directions.

MacDowell Colony Fellowship

The MacDowell Colony is the nation’s leading artist colony located in Peterborough, New Hampshire. Each year about 300 Fellowships, or residencies, are awarded to artists in seven disciplines: architecture, film/video arts, interdisciplinary arts, literature, music composition, theatre, and visual arts. A Fellowship consists of exclusive use of a private studio, accommodations, and three prepared meals a day for two weeks to two months. MacDowell encourages applications from emerging and established artists representing the widest possible range of perspectives and demographics. Enrolled students are ineligible.

Maine Artist Fellowship

Maine Artist Fellowships are awarded annually to recognize artistic excellence and advance the careers of Maine artists. Fellowships are merit-based awards that are informed by the applicant’s work as documented through materials included in the application. Artists in literary, performing, traditional and visual arts, as well as film and crafts, are invited to apply. Applicants must currently reside in Maine and be 25 years of age or over at the time of the application deadline. The award is for $5,000 and can be used at the artist’s discretion to cover living expenses or project costs.

Matthew Power Literary Reporting Award

A grant of $12,500 will be awarded to support the work of a promising early-career nonfiction writer on a story that uncovers truths about the human condition. Offered for the first time in 2015, the Award has been endowed by individuals and organizations touched by the life and work of Matthew Power, a wide-roving and award-winning journalist who sought to live and share the experience of the individuals and places on which he was reporting. Winners will have access to New York University’s libraries and the Institute’s facilities, including workspace (as available).

NEA Literature Fellowships: Creative Writing

The NEA Literature Fellowships program offers $25,000 grants in prose (fiction and creative nonfiction) and poetry to published creative writers that enable recipients to set aside time for writing, research, travel, and general career advancement. The program operates on a two-year cycle with fellowships in prose and poetry available in alternating years. Only citizens or permanent residents of the United States are eligible to apply. Candidates must meet the fellowship’s publication requirements.

New York Foundation for the Arts (NYFA) Fellowship

Artists’ Fellowships are $8,000 cash awards made to individual originating artists living and working in the state of New York for unrestricted use. Grants are awarded in 15 artistic disciplines, with applications accepted in five categories each year. To be eligible for an NYFA Fellowship, applicants must be a resident of New York State for at least two years prior to the application deadline and cannot be enrolled in a degree program of any kind.

PEN America Emerging Voices Fellowship

The Emerging Voices Fellowship provides a virtual 5-month immersive mentorship program for early-career writers from communities that are traditionally underrepresented in the publishing world. The program is committed to cultivating the careers of Black writers and serves writers who identify as Indigenous, persons of color, LGBTQ+, immigrants, writers with disabilities, and those living outside of urban centers. Applicants do not need to be U.S. permanent residents and/or citizens but must be residing in the United States at the time of applying for, and during the duration of, the fellowship. Applicants cannot be a recipient of an advanced degree in fiction, creative nonfiction, or poetry.   You can find information here .

Princeton Arts Fellowships

Princeton Arts Fellowships will be awarded to artists whose achievements have been recognized as demonstrating extraordinary promise in any area of artistic practice and teaching. Applicants should be early-career poets, novelists, choreographers, playwrights, designers, performers, directors, filmmakers, composers, and performance artists. Princeton Arts Fellows spend two consecutive academic years (September 1-July 1) at Princeton University and formal teaching is expected. An $88,000-a-year stipend is provided. One need not be a U.S. citizen to apply.

Project Involve Fellowship

Each year, 30 filmmakers from diverse backgrounds work in Los Angeles for nine months to hone skills, form creative partnerships, create short films and gain industry access needed to succeed as working artists through the Project Involve Fellowship. Fellows develop and produced six original short films, from pitch through premiere. Film Independent provides script consultation, mentorship, equipment, and casting and post-production services. In addition to a cash production grant, filmmakers are provided with resources for raising additional funds. Writers, directors, producers, cinematographers, editors, animators, executives, programmers, and critics from underrepresented communities are invited to apply.

Ruth Lilly and Dorothy Sargent Rosenberg Fellowships

Five Ruth Lilly and Dorothy Sargent Rosenberg Poetry Fellowships in the amount of $27,000 each will be awarded to young poets in the U.S. through a national competition sponsored by the Poetry Foundation, publisher of Poetry magazine. Established in 1989 by the Indianapolis philanthropist Ruth Lilly, the fellowships are intended to encourage the further study and writing of poetry. Applicants must be U.S. citizens between 21 – 31 years of age at the time of application.

Sesame Street Writers’ Room

Sesame Street Writers’ Room is a brand new fellowship opportunity from the creators of Sesame Street seeking fresh new writing talent from underrepresented racial backgrounds. In the intensive six-week program to be held at Sesame Workshop’s New York City office, participants will meet weekly with industry writers, producers, agents, and executives, and are expected to complete at least one script.  The two participants whose scripts show the most promise will be offered creative development deals and mentored by Sesame Workshop executives. “Sesame Street Writers’ Room” is open to writers 21 and older.

Steinbeck Fellows Program

The Steinbeck Fellowship Program is a one-year fellowship for emerging writers of any age and background to pursue a significant writing project while in residence at SJSU. The fellowship provides a stipend of $15,000, the opportunity to interact with other writers, faculty, and graduate students, and share work in progress by giving a public reading once each semester during the fellowship. Residency in the San José, CA area is required. The fellowship is for creative writers, including fiction, drama, creative nonfiction, and biography. Applications in poetry will not be accepted.

Wallace Stegner Fellowship

The Wallace Stegner Fellowship at Stanford University provides 10 two-year professional fellowships annually: 5 fellowships in fiction writing and 5 fellowships in poetry writing. Fellows meet weekly in a 3-hour class with teachers, but do not need to meet any curricular demands except for attending workshops. The Fellowship does not offer a degree. Candidates must demonstrate the quality of their creative work, their willingness to develop their skills, and their capacity to expand their expertise. Fellowships include a $50,000 living stipend annually and Stanford University pays educational costs and medical health insurance.

Winston Churchill McNeish Writer’s Fellowships (NZ)

The Winston Churchill McNeish Writer’s Fellowship is offered every two years to New Zealand writers. The fellowships are awarded to young and/or emerging writers to travel overseas to experience immersion in other cultures. Projects may or may not have a research component to them. Ideal applicants are emerging writers or journalists aged between 25 and 40 years old who have a track record of publications and propose to travel to non-English speaking, developing countries. New Zealanders, either citizens or people normally resident in New Zealand, may apply.

Woodberry Poetry Room Creative Fellowship

Each year, the Creative Fellowship program at the Woodberry Poetry Room invites poets, writers, translators, artists, filmmakers, composers, and scholars of contemporary poetry to propose creative projects that would benefit from the resources available in the Woodberry Poetry Room. The Creative Fellow receives a stipend of $5,000, access to a range of Harvard Library special collections (including the Poetry Room), and in-depth research support from the WPR curatorial staff. The Creative Fellowship is open to US-based and international applicants. Applications to conduct a collaborative project with one or more artists are permitted.

Writeability Fellowship Program

The Writeability Fellowship support emerging writers with disability with tailored professional development support such as manuscript assessments, curated programs of workshops, and/or mentoring. Writeability aims to remove some of the barriers that have traditionally prevented people with disability from connecting with writing and publishing. It provides tools and information to support people with disability who want to tell their own stories in their own way. Writeability is for anyone who experiences barriers as a result of their particular impairment or condition.

Writing as Activism Fellowship

The Writing as Activism Fellowship reimagines the role of writers in NYC, offering tools and support to produce literary work that centers activism on community and social justice issues. The fellowship will offer a six-month immersive workshop experience for six New York City-based writer-activists committed to uplifting the voices of those most marginalized in the city through writing. The program will culminate with individual and collective work brought to the public and the launch of a cohort of writers ready to mobilize their creativity in activist spaces. Fellows are awarded an honorarium.

Writing for Justice Fellowship

PEN America’s Writing for Justice Fellowship will commission six writers—emerging or established—to create written works of lasting merit that illuminate critical issues related to mass incarceration and catalyze public debate. Proposed projects may include—but are not limited to—fictional stories; works of literary or long-form journalism; theatrical, television, or film scripts; memoirs; poetry collections; or multimedia projects. Fellows will receive an honorarium of between $5,000-$8,000, based on the scope of the project.

If you are interested in finding more fellowships for creative writers, sign up for the ProFellow database, which includes more than 2,400 funded professional development opportunities and graduates school opportunities.

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Related Posts:

• Applying for Creative Writing Fellowships: 3 Questions with Writer Leah Griesmann
• 10 Artist Residencies and Artist Fellowships to Pursue in 2023
• 10 Poetry Fellowships for the Next Amanda Gorman
• 12 Fellowships and Grants for Emerging Writers
• 12 Creative Arts Residencies for Writers, Dancers, Musicians and Visual Artists

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Lecturer in Creative Writing

University of glasgow - school of critical studies.

The School of Critical Studies seeks to appoint a Lecturer in Creative Writing.

The postholder will make a substantial and positive contribution to the strategic direction of the School/College through leading and contributing to research of an international standard, to high quality teaching at both undergraduate and postgraduate levels, in securing research funding, and in offering academic administration within the School and College of Arts and Humanities.

Applications are invited from candidates with an appropriate record of academic achievement in creative writing. We are looking for a candidate who will complement our existing strengths across teaching and research.

The Creative Writing team sits within the English Literature subject area, alongside the School’s other subject areas of English Language, Scottish Literature and Theology and Religious Studies. In its research, the School fosters excellent connections with collaborators across Glasgow and beyond, and Creative Writing colleagues work actively and impactfully with local partners towards public engagement with their research. The post is part of our plan to expand Creative Writing in terms of both teaching and research, and the successful applicant will be a central part of that development.

We especially welcome applications from candidates with a Scottish Credit and Qualification Framework level 12 (PhD) in creative writing or a related discipline, with an established reputation in research through an impressive publication profile, and significant experience teaching and supervising within the subject area in higher education.

This post is full time and open ended.

Visit our website for further information on the University of Glasgow’s School of Critical Studies: https://www.gla.ac.uk/schools/critical/

Informal Enquiries should be directed to the Head of Subject for English Literature and Creative Writing Professor Stephen Burn, [email protected]

For more information and to apply online:

https://my.corehr.com/pls/uogrecruit/erq_jobspec_version_4.jobspec?p_id=155029            

Closing date: 18 th October 2024

The University of Glasgow has a responsibility to ensure that all employees are eligible to live and work in the UK.  If you require a Skilled Worker visa to work in the UK, you will be required to meet the eligibility requirements of the visa route to be assigned a Certificate of Sponsorship.  

For Appointment at Grade 7- Please note that this post may be eligible to be sponsored under the Skilled Worker visa route if tradeable points can be used under the Skilled Worker visa rules. For more information please visit:  https://www.gov.uk/skilled-worker-visa   We believe that we can only reach our full potential through the talents of all. Equality, diversity and inclusion are at the heart of our values. Applications are particularly welcome from across our communities and in particular people from the Black, Asian and Minority Ethnic (BAME) community, and other protected characteristics who are under-represented within the University. Read more on how the University promotes and embeds all aspects of equality and diversity within our community https://www.gla.ac.uk/myglasgow/humanresources/equalitydiversity/ . 

We endorse the principles of Athena Swan https://www.gla.ac.uk/myglasgow/humanresources/equalitydiversity/athenaswan/  and hold bronze, silver and gold awards across the University. 

We are investing in our organisation, and we will invest in you too. Please visit our website https://www.gla.ac.uk/explore/jobs/  for more information. The University of Glasgow, charity number SC004401.

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