Mirroring Change: Literature and Social Transformation
International Seminar
3rd & 4th October 2024
Organized by
Research and Cultural Forum (RCF)
Department of English
Pondicherry University
Puducherry-605014
Host Department : The Department of English at Pondicherry University has been an important educational destination for research scholars and students, ever since it commenced functioning in 1986. Over the years, the department has produced innumerable PhD and M. Phil scholars, in addition to a large number of postgraduate students. The faculty of the department with their different specializations and academic interests are at the forefront of innovative teaching and advanced research varying from contemporary literary, cultural and language studies to theoretical explorations. The department also runs a Post Graduate Diploma in Professional Communication in English, an add-on program, in much demand among students and employees.
Furthermore, the department has also sought to enhance the language and communication skills of students from across the University through Functional
English and other communication-oriented courses. Another hallmark of the department is the Research and Cultural Forum (RCF) which acts as an avenue for scholars and students to showcase their research work and creative abilities. The department has also been at the forefront of organizing seminars, workshops and faculty development programs.
About Research and Cultural Forum (RCF):
Conceived thirty-five years ago as Research and Journal Alert Forum (RJAF) at the Department of English, Pondicherry University, RCF is a platform for research scholars and students of the department to discuss their research findings in various areas related to literature and culture and also present their creative talents. Run exclusively by the research scholars of the department, under the guidance of the faculty members and the support of MA students the forum hosts invited talks, workshops and interactive sessions by experts of national and international repute in the emerging areas of English Studies. The forum was recently renamed Research and Cultural Forum to integrate the department's research and cultural outputs. Now, it proudly undertakes the mission of bringing together and highlighting the role of literature in social transformation through this two-day International Seminar.
About the Seminar:
A Two-Day International Seminar has been planned by the Department of English on the 3rd & 4th of October 2024, with the focus area “Mirroring Change: Literature and Social Transformation”.
Literature has been able to predict, analyze, and critique social, economic and political change for a long time. This, in turn, has contributed to understanding social and political transformation through a medium that has been conventionally seen to be largely imaginative and fictional. While Orwell’s cautionary tale, 1984 predicted the effects of totalitarian regimes and surveillance, Harriet Beecher’s Uncle Tom’s Cabin “helped lay the groundwork for the American Civil War” (Kaufman, 2006: 18). If Steinbeck’s The Grapes of Wrath brought into full view the travails of America during the Great Depression, Munshi Premchand’s Godaan brutally exposed poverty and the evils of the zamindari system in India. Literature has thus been constantly in sync with the changing silhouettes of society.
The conference aims to explore how literature has closely interacted with and mirrored the intricate matrix of the social and political milieu. This interaction has resulted in innumerable texts that have reflected these significant changes and helped us understand an ever-changing world. The wide gamut of social, political, economic, cultural, sociological and anthropological change has prompted the writer to ask questions, show up the mirror and sometimes even offer prescriptions for ills, thus making literature a vehicle for social transformation. The conference aims to investigate and explore the significant role that literature has played in reflecting these changes, therefore acting as truth-seeker, sentinel, chronicler, and critic, all rolled into one.
The conference aims to explore the interchange between literature and social transformation across varied arenas and can include, but is not restricted, to the following areas:
• Political upheaval and social movements
• Caste, class and hierarchy
• Reigns, regimes and democracy
• Marxism and literature
• Changing dimensions of gender
• Queer narratives
• Geographies, borders and migration
• Indigenous literatures
• Anthropocene, Ecocriticism and Ecofeminism
• Dalit literature and social justice
• Technology and literature
• Popular culture and subcultures
• Medical imperialism and illness narratives
Registration Fee:
Faculty Members: Rs. 2000
Research Scholars: Rs. 1000
PG Students: Rs. 500
Co-authors are required to pay individually.
UG students (participation only): Rs 200
Abstracts can be uploaded through the Google form link
below on or before 30th August 2024.
Registration Link: https://forms.gle/CA78DHY86yfQtzhW9
Your queries may be addressed to rcfseminar202 4 @gmail.com
Important Dates:
Last date for sending abstracts: 30th August 2024
Confirmation of acceptance will be communicated by: 2nd September 2024
Complete papers are to be sent by: 27th September 2024
Travel and Accommodation:
We hope that you will be able to take care of your travel and accommodation. However, accommodation will be arranged for outstation paper presenters if intimated in advance.
Working lunch and local hospitality will be provided.
Chief Patron :
Prof. K.Tharanikkarasu, Honourable Vice-Chancellor (i/c), Pondicherry University
Prof. Clement S Lourdes, Director, Culture & Cultural Relations
Prof. Rajneesh Bhutani, Registrar (i/c)
Prof. D. Lazar, Finance Officer (i/c)
Chairperson : Prof. Clement S Lourdes, Dean, School of Humanities
Convener : Dr. T Marx, Prof & Head, Department of English
Faculty Coordinator: Dr. Harpreet Kaur Vohra, Associate Professor
Coordinators: Drishya K, Steward C.
Members:
Prof. Binu Zachariah
Prof. K. Reshmi
Prof. Lakhimai Mili
Dr. Aiswarya S. Babu
Dr. Vidya Sarveswaran
Dr. S. Visaka Devi
Address for Communication:
Steward C.
Research Scholars
Department of English
Pondicherry University
Puducherry-605014
8589825788, 8270410154
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In July 2017, I wrote an article about toplessness for Vogue Italia. The director, actor, and political activist Lina Esco had emerged from the world of show business to question public nudity laws in the United States with 2014’s Free the Nipple . Her film took on a life of its own and, thanks to the endorsement from the likes of Miley Cyrus, Cara Delevingne, and Willow Smith, eventually developed into a whole political movement, particularly on social media where the hashtag #FreeTheNipple spread at lightning speed. The same year as that piece, actor Alyssa Milano tweeted “me too” and encouraged others who had been sexually assaulted to do the same, building on the movement activist Tarana Burke had created more than a decade earlier. The rest is history.
In that Vogue article, I chatted with designer Alessandro Michele about a shared memory of our favorite topless beaches of our youth. Anywhere in Italy where water appeared—be it the hard-partying Riviera Romagnola, the traditionally chic Amalfi coast and Sorrento peninsula, the vertiginous cliffs and inlets of Italy’s continuation of the French Côte d’Azur or the towering volcanic rocks of Sicily’s mythological Riviera dei Ciclopi—one was bound to find bodies of all shapes and forms, naturally topless.
In the ’90s, growing up in Italy, naked breasts were everywhere and nobody thought anything about it. “When we look at our childhood photos we recognize those imperfect breasts and those bodies, each with their own story. I think of the ‘un-beauty’ of that time and feel it is actually the ultimate beauty,” Michele told me.
Indeed, I felt the same way. My relationship with toplessness was part of a very democratic cultural status quo. If every woman on the beaches of the Mediterranean—from the sexy girls tanning on the shoreline to the grandmothers eating spaghetti al pomodoro out of Tupperware containers under sun umbrellas—bore equally naked body parts, then somehow we were all on the same team. No hierarchies were established. In general, there was very little naked breast censorship. Free nipples appeared on magazine covers at newsstands, whether tabloids or art and fashion magazines. Breasts were so naturally part of the national conversation and aesthetic that Ilona Staller (also known as Cicciolina) and Moana Pozzi, two porn stars, cofounded a political party called the Love Party. I have a clear memory of my neighbor hanging their party’s banner out his window, featuring a topless Cicciolina winking.
A lot has changed since those days, but also since that initial 2017 piece. There’s been a feminist revolution, a transformation of women’s fashion and gender politics, the absurd overturning of Harvey Weinstein’s 2020 rape conviction in New York, the intensely disturbing overturning of Roe v Wade and the current political battle over reproductive rights radiating from America and far beyond. One way or another, the female body is very much the site of political battles as much as it is of style and fashion tastes. And maybe for this reason naked breasts seem to populate runways and street style a lot more than they do beaches—it’s likely that being naked at a dinner party leaves more of a permanent mark than being naked on a glamorous shore. Naked “dressing” seems to be much more popular than naked “being.” It’s no coincidence that this year Saint Laurent, Chloé, Ferragamo, Tom Ford, Gucci, Ludovic de Saint Sernin, and Valentino all paid homage to sheer dressing in their collections, with lacy dresses, see-through tops, sheer silk hosiery fabric, and close-fitting silk dresses. The majority of Anthony Vaccarello’s fall 2024 collection was mostly transparent. And even off the runway, guests at the Saint Laurent show matched the mood. Olivia Wilde appeared in a stunning see-through dark bodysuit, Georgia May Jagger wore a sheer black halter top, Ebony Riley wore a breathtaking V-neck, and Elsa Hosk went for translucent polka dots.
In some strange way, it feels as if the trends of the ’90s have swapped seats with those of today. When, in 1993, a 19-year-old Kate Moss wore her (now iconic) transparent, bronze-hued Liza Bruce lamé slip dress to Elite Model Agency’s Look of the Year Awards in London, I remember seeing her picture everywhere and feeling in awe of her daring and grace. I loved her simple sexy style, with her otherworldly smile, the hair tied back in a bun. That very slip has remained in the collective unconscious for decades, populating thousands of internet pages, but in remembering that night Moss admitted that the nude look was totally unintentional: “I had no idea why everyone was so excited—in the darkness of Corinne [Day’s] Soho flat, the dress was not see-through!” That’s to say that nude dressing was usually mostly casual and not intellectualized in the context of a larger movement.
But today nudity feels loaded in different ways. In April, actor and author Julia Fox appeared in Los Angeles in a flesh-colored bra that featured hairy hyper-realist prints of breasts and nipples, and matching panties with a print of a sewn-up vagina and the words “closed” on it, as a form of feminist performance art. Breasts , an exhibition curated by Carolina Pasti, recently opened as part of the 60th Venice Biennale at Palazzo Franchetti and showcases works that span from painting and sculpture to photography and film, reflecting on themes of motherhood, empowerment, sexuality, body image, and illness. The show features work by Cindy Sherman, Robert Mapplethorpe, Louise Bourgeois, and an incredible painting by Bernardino Del Signoraccio of Madonna dell’Umiltà, circa 1460-1540. “It was fundamental for me to include a Madonna Lactans from a historical perspective. In this intimate representation, the Virgin reveals one breast while nurturing the child, the organic gesture emphasizing the profound bond between mother and child,” Pasti said when we spoke.
Through her portrayal of breasts, she delves into the delicate balance of strength and vulnerability within the female form. I spoke to Pasti about my recent musings on naked breasts, which she shared in a deep way. I asked her whether she too noticed a disparity between nudity on beaches as opposed to the one on streets and runways, and she agreed. Her main concern today is around censorship. To Pasti, social media is still far too rigid around breast exposure and she plans to discuss this issue through a podcast that she will be launching in September, together with other topics such as motherhood, breastfeeding, sexuality, and breast cancer awareness.
With summer at the door, it was my turn to see just how much of the new reread on transparency would apply to beach life. In the last few years, I noticed those beaches Michele and I reminisced about have grown more conservative and, despite being the daughter of unrepentant nudists and having a long track record of militant topless bathing, I myself have felt a bit more shy lately. Perhaps a woman in her 40s with two children is simply less prone to taking her top off, but my memories of youth are populated by visions of bare-chested mothers surveilling the coasts and shouting after their kids in the water. So when did we stop? And why? When did Michele’s era of “un-beauty” end?
In order to get back in touch with my own naked breasts I decided to revisit the nudist beaches of my youth to see what had changed. On a warm day in May, I researched some local topless beaches around Rome and asked a friend to come with me. Two moms, plus our four children, two girls and two boys of the same ages. “Let’s make an experiment of this and see what happens,” I proposed.
The kids all yawned, but my friend was up for it. These days to go topless, especially on urban beaches, you must visit properties that have an unspoken nudist tradition. One of these in Rome is the natural reserve beach at Capocotta, south of Ostia, but I felt a bit unsure revisiting those sands. In my memory, the Roman nudist beaches often equated to encounters with promiscuous strangers behind the dunes. I didn’t want to expose the kids, so, being that I am now a wise adult, I went ahead and picked a compromise. I found a nude-friendly beach on the banks of the Farfa River, in the rolling Sabina hills.
We piled into my friend’s car and drove out. The kids were all whining about the experiment. “We don’t want to see naked mums!” they complained. “Can’t you just lie and say you went to a nudist beach?”
We parked the car and walked across the medieval fairy-tale woods until we reached the path that ran along the river. All around us were huge trees and gigantic leaves. It had rained a lot recently and the vegetation had grown incredibly. We walked past the remains of a Roman road. The colors all around were bright green, the sky almost fluorescent blue. The kids got sidetracked by the presence of frogs. According to the indications, the beach was about a mile up the river. Halfway down the path, we bumped into a couple of young guys in fanny packs. I scanned them for signs of quintessential nudist attitude, but realized I actually had no idea what that was. I asked if we were headed in the right direction to go to “the beach”. They nodded and gave us a sly smile, which I immediately interpreted as a judgment about us as mothers, and more generally about our age, but I was ready to vindicate bare breasts against ageism.
We reached a small pebbled beach, secluded and bordered by a huge trunk that separated it from the path. A group of girls was there, sharing headphones and listening to music. To my dismay they were all wearing the tops and bottoms of their bikinis. One of them was in a full-piece bathing suit and shorts. “See, they are all wearing bathing suits. Please don’t be the weird mums who don’t.”
At this point, it was a matter of principle. My friend and I decided to take our bathing suits off completely, if only for a moment, and jumped into the river. The boys stayed on the beach with full clothes and shoes on, horrified. The girls went in behind us with their bathing suits. “Are you happy now? my son asked. “Did you prove your point?”
I didn’t really know what my point actually was. I think a part of me wanted to feel entitled to those long-gone decades of naturalism. Whether this was an instinct, or as Pasti said, “an act that was simply tied to the individual freedom of each woman”, it was hard to tell. At this point in history, the two things didn’t seem to cancel each other out—in fact, the opposite. Taking off a bathing suit, at least for my generation who never had to fight for it, had unexpectedly turned into a radical move and maybe I wanted to be part of the new discourse. Also, the chances of me going out in a fully sheer top were slim these days, but on the beach it was different. I would always fight for an authentic topless experience.
After our picnic on the river, we left determined to make our way—and without children—to the beaches of Capocotta. In truth, no part of me actually felt very subversive doing something I had been doing my whole life, but it still felt good. Once a free breast, always a free breast.
This article was originally published on British Vogue .
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Citation. Spicer, B. (2020) A literature review of ecotourism in India: policy implications and research gaps. Routes 1(1): 41-50.. Abstract. This essay is an overview of recent research on ecotourism in India, evaluating the social, environmental, political and economic implications of several case studies and highlights the need for re-evaluation of the national policy.
To cite this article: Clement Cabral & Rajib Lochan Dhar (2019): Ecotourism research in India: from an integrative literature review to a future research framework, Journal of Ecotourism, DOI: 10. ...
ecotourism policy and so on. • Thenmala in Kerala is the first planned ecotourism destination in India. development of tourism infrastructure. billion in 2018 and at a 9.4% annual growth rate ...
Financing and self sustainability of eco tourism projects: The development and maintenance of flora and fauna and other elements of purely bio-physical environments such as natural parks, wild life sanctuaries or wet lands must be furnished. 5. Challenge of eco tourism The challenges of eco tourism depend on the travelling public.
Index Terms- Ecotourism, Tourism, Tourism in India, Ecotourism in India, Global ecotourism destinations INTRODUCTION Ecotourism is one of the emerging areas of tourism. 'Ecotourism' is the practice of tourists who visit various tourist destinations protecting the environment. Ecotourism is a sustainable kind of travel that
Related Papers. BL College journal. Exploring Eco-tourism Treasure of North-eastern States of India: A Sustainability Perspective. 2023 • ... The paper is an attempt to know about the challenges and opportunities of eco-tourism in north-easternpart of India with a three-dimensional study. The first part focused on the tourists' point of view ...
Bay of Bengal lies a broader coastal area. India is thus endowed with every land form, mountains, plains, deserts and sea coasts. 3. Ecotourism resources The geographical diversity of India has also given it a wealth of eco-systems which are being protected and preserved. They have also become the major resources for ecotourism.
Ecotourism is considered a sustainable mode of tourism that provides a solution to two major issues: poverty and biodiversity degradation. This study conducts an integrative literature review on ecotourism in the Indian context to understand the various perspectives through critical analysis and identifying gaps for future research.
The current study examines ecotourism as practiced in India by conducting a descriptive literature review of studies published between 1990 and 2019, focusing on ecotourism's conservation and ...
Ecotourism is a subset of the tourism industry that focuses on engaging with the natural world through biotic means. Ecotourism is a form of tourism that emphasises respect for local cultures, personal development, and conservation of natural resources. As a rule, ecotourists visit places where natural beauty and historical significance play ...
Key words: Tourism, GDP, Eco-tourism, Sustainable development INTRODUCTION Tourism in India is very important for the country's progress and development. The World Travel and Tourism Council said that tourism creates about 16.91 lakh crore and 9.2% of India's Gross Domestic Product in the year 2018 and generated 42.673 mllion.
This paper seeks to examine the potentiality of cultural and eco-tourism in the states of N.E India and the steps that need to be taken in order to make the above activity/industry into a sustainable one. Keywords: sustainable eco-tourism, cultural tourism, biodiversity, North East India. W www.witpress.com, ISSN 1743-3541 (on-line) IT ra n ...
Remedial policy interventions for promoting authentic ecotourism in India are suggested in this article based on best practice case studies from Asia that will ensure sustainable management of precious natural and cultural resources through community cooperation and collective action at the local and regional level. ... PAPERS. 27,464. Consumer ...
Sathiyabama(2019) the pape titled eco-tourism in india:issues, challenge and responses reveals that ecotourism promotes economic growth,while conserving the environment of the area by preserving the ecosystem and biodiversity. It promotes the spirit of community participation environmental awareness and social sensitivity.
The Evolution of Ecotourism in India. Ecotourism can be used to walk a fine line between sustainable habitats and income generation. But it needs a robust will on the part of the stakeholders an a whole host of management systems. In this long form essay, Mandip Singh Soin tackles some important issues around the tourism industry in India.
Eco tourism in India. Ecotourism may be described as Environmentally responsible travel and visitation to relatively undisturbed natural areas, in order to enjoy, study and appreciate nature and any accompanying cultural features that promote conservation, have a negative visitation impact and provide for substantial beneficial active ...
Tourism in India is a growing industry, and as per World Tourism Organisation predictions, India will be a leader in using tourism as an employment generator. North-East India must be placed in a strategic position to take advantage of this growth. Tourism being a multisectoral activity can stimulate different sectors of the economy.
876 Words4 Pages. As a concept ecotourism has gained momentum recently in India, but as a way of life Indians has practiced ecotourism since times immemorial by their traditional approach to nature and rich cultural heritage. The immense popularity of ecotourism in India stems from the fact that people are becoming increasingly conscious of the ...
1. Sustainable Tourism: An Imperative for India. Setting the stage by underlining the importance of sustainability in the tourism industry. Discussing the fragile ecosystems, diverse wildlife, and ...
Ecotourism-related businesses can improve the long-term economic prospects of a town. Protected areas and nature conservation provide many benefits to society. Ecotourism in India. India, a country with a diverse landscape, has several tourist attractions that can both relieve tension and revitalize you.
Eco Tourism in India - The site describes the meaning and the purpose of nature friendly eco tourism in India. Ecotourism is the travel to natural areas to appreciate the cultural and natural history of the environment without disturbing the integrity of the ecosystem. There are many things to know about environmental travel tourism in India and about the major eco tour spots such as wildlife ...
There are several segments within tourism; medical tourism, cultural heritage tourism, and eco-tourism, to name a few. India's rich and diverse cultural heritage attracts millions of tourists each year to its monumental attractions led by the Taj. The traditional Indian way of life, simple and calm, appeals in a big way.
Places for Ecotourism in India. I would now like to take you through a number of ecotourism destinations in India that you can explore once you have decided to become an eco-tourist. India is a land with a huge diversity of dry deserts, snow-clad mountains, rainforests and the grasslands which are perfect for ecotourism. 1. Valparai, Tamil Nadu
In 1997, India's Supreme Court issued guidelines intended to prevent sexual harassment in the workplace. Those rules stemmed from the 1992 rape of a social worker, Bhanwari Devi, who tried to ...
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Complete papers are to be sent by: 27th September 2024 Travel and Accommodation: We hope that you will be able to take care of your travel and accommodation. However, accommodation will be arranged for outstation paper presenters if intimated in advance. Working lunch and local hospitality will be provided. Chief Patron:
With 2024's runways awash with see-through silhouettes, Chiara Barzini recalls the topless beach trips of her youth and asks, what does naked dressing really reveal about us?