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Personal statement advice: art and design

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What art and design tutors are looking for

The underlying message is that tutors want to know about you, your practice, your inspirations, and your aspirations, and for your personal statement to act as written accompaniment to your portfolio and performance at interview.

How to make your art and design statement stand out

Admissions tutors prefer to read personal statements that don't stick to a predictable formula – here are a few tactics to ensure yours packs a punch.

• Focus on the course: Martin Conreen, design admissions tutor at Goldsmiths, University of London, urges applicants for design courses 'not to over mention art' but to stay focused on design. He also feels some applicants waste too much space on non-relevant factors like their sporting achievements.
• Your influences: Martin adds he wants to hear who your influences are, why they inspire you, and 'how their work has resonance with your own, or with your own ideas'.
• Examples of what inspires you: David Baldry, fine art course leader at University Campus Suffolk, echoes this: 'Tell us what inspires you. We want to know what contemporary art interests you, so talk about key artists or an exhibition that made an impression on you. We want to know how you respond to the world creatively, so talk about your experiences or projects you’ve developed independently. Also, edit it so it sounds punchy'.
• Demonstrate your artistic ambitions: Alison Jones, fine art admissions tutor at Goldsmiths, is looking for 'interesting individuals who have a passion for art and a commitment to developing themselves as artists. Therefore, your personal statement should demonstrate an understanding of your own work, focusing on what is unique about your practice'.
• Be original: starting your statement with a well-known quote – such as 'fashion is not something that exists in dresses only' – is inadvisable. 189 applicants quoted that exact Coco Chanel snippet last year, so it really won't make you stand out from the crowd.

It's all summed up nicely by Arts University Bournemouth whose advice is:

'Be focused on the field you're applying for (no scattergun approach), name artists or designers you admire, think contemporary, reflect on exhibitions or galleries or events you've visited, and don't think "I'll tell them at the interview" – put it in the statement!'

Find out more about studying art and design, including entry requirements, why you should study it, and possible careers it could lead on to.  

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Unique & Better Art Foundation Personal Statement Example

Table of Contents

When considering a career in the arts, it’s essential to have a well-crafted personal statement to show off your talent and passion. A strong personal statement can set you apart from other applicants and increase your chances of acceptance into your coveted art school. Creating a personal statement that stands out takes time and effort. But a well-written art foundation personal statement example can help organize your thoughts and get you on the right track.

This article will list practical tips to help you write a compelling personal statement and provide an example for inspiration.

What Is an Art Foundation Personal Statement?

An art foundation personal statement is a writing sample that demonstrates your creative and intellectual potential in the field of visual arts. Other personal statements focus on extracurricular experiences or academic achievements. But an art foundation personal statement highlights your aptitude for making and responding to artwork.

Besides showcasing your critical thinking skills and artistic inclinations, a successful statement reflects your interest in the particular program to which you are applying. As such, it is important to research each school’s curriculum before beginning work on your essay.

How to Write a Great Art Foundation Personal Statement

When writing an art foundation personal statement , be sure to keep the following in mind:

• Start by introducing yourself and your art practice. Write a brief description of your artistic inspirations.
• Outline why you’re interested in studying art foundation . Explain what you hope to gain from it and how it will help you achieve your artistic goals.
• Demonstrate your creative skills . Explain how they have developed over time through specific examples of past artwork or projects related to the art foundation studies field.
• Discuss any significant achievements or awards you may have earned related to your art practice. Mention any other noteworthy experiences or encounters that have influenced your work as an artist/designer.
• Finish with a strong statement about why you believe that an art foundation course is the right next step for you. Stress all of the reasons why attending this particular program is essential for achieving your future artistic aspirations.

Art Foundation Personal Statement Example

Here’s an art foundation personal statement example to use as inspiration when writing one for your own. This example has been generated by the amazing AI-powered Hey INK tool.

Art and Design Personal Statement Example

As long as I can remember, art has been a critical part of my life. From the crayon drawings that adorned our refrigerator to the elaborate paintings and sculptures that lined our home, art was always around me. It wasn’t until high school that I was first introduced to design principles. I had the first formal art class, where I truly began to appreciate creation in all its forms.

Since then, I’ve made it a point not just to consume but also to create artwork myself. Whether it’s through painting portraits or composing music compositions, photography or film-making, apparel design or architecture—I love diving into any creative endeavor headfirst. What excites me most about these mediums is how they’re constantly evolving and provide seemingly infinite possibilities for exploration.

One of the things that initially drew me towards studying graphic design specifically is how this field marries creativity with functionality. There’s something so inherently gratifying about solving problems through visual communication. To be able to take something from an idea in my mind and see it manifested physically on paper (or screen) is incredibly fulfilling. And being surrounded by like-minded people who share this passion makes San Francisco State feel like a home away from home.

With my background and passion for art, I feel well-equipped to study Fine Arts at the university level. Moreover, I believe that my skill set goes beyond mere artistic talent. I am confident that I possess key qualities such as creativity, dedication, and perseverance – qualities that are essential for any successful artist or designer.

A strong Art Foundation personal statement is the key to cracking your dream university. Those brave few who succeeded in getting into the prestigious institution of their choice have one thing in common: a stellar personal statement. Use the tips in this post and the personal statement example to write a compelling statement that secures a position in a competitive institution.

Abir Ghenaiet

Abir is a data analyst and researcher. Among her interests are artificial intelligence, machine learning, and natural language processing. As a humanitarian and educator, she actively supports women in tech and promotes diversity.

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29 September 2023

6 minutes read

Artist Statement of Purpose Examples: Crafting Your Fine Art Personal Statement

Dirghayu Kaushik

When it comes to pursuing a career in fine art, a well-crafted artist statement of purpose can be your ticket to success. Whether you’re applying for an MFA, BFA, or a position in the art world, your personal statement holds the key to showcasing your passion, creativity, and dedication.

In this comprehensive guide, we will dive deep into artist statement of purpose examples, helping you understand how to articulate your love for art effectively and create a compelling personal statement.

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• The Importance of a Personal Statement

Your personal statement, often interchangeably referred to as a statement of purpose (SOP), is your opportunity to tell your unique story as an artist. It allows admissions committees or potential employers to get to know you beyond your portfolio or resume.

Your personal statement should convey your artistic journey, influences, experiences, and future aspirations. It’s a chance to make a lasting impression and demonstrate why you are a perfect fit for your chosen fine art program or career in the art world.

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• Crafting a Captivating Introduction

Personal Statement

Your personal statement should begin with a captivating introduction that immediately grabs the reader’s attention. Think of it as the opening scene in a captivating movie. Here’s an example:

“Art has always been my muse, guiding my life’s path towards creative expression. From the moment I held a paintbrush, I knew that art was more than just colors on a canvas; it was a form of storytelling, a means to connect with the world and express the deepest facets of my being.”

Expressing Your Love for Fine Art

Your introduction should convey your deep-seated love for fine art. You can talk about when and how your passion for art first ignited. Maybe it was a childhood memory of visiting an art museum, or perhaps you had an inspiring art teacher who encouraged your creativity. Sharing this personal connection with art can draw readers into your narrative.

Defining Your Artistic Identity

In the introduction, you should also touch upon what makes your artistic identity unique. What sets you apart as an artist? Do you have a signature style, technique, or theme that defines your work? This is the time to provide a glimpse into what makes your art special.

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• Sharing Concrete Examples of Your Work and Experiences

Statement Examples

Once you’ve captured your reader’s attention with a compelling introduction, it’s time to delve into the heart of your personal statement by sharing concrete examples of your work and experiences. This section should showcase your artistic journey and demonstrate your dedication to your craft.

Highlighting Artistic Milestones

In this section, you can mention significant milestones in your artistic journey. These could include exhibitions, awards, or collaborations that have shaped your development as an artist. For instance:

“Over the years, I have had the privilege of showcasing my work in prestigious galleries and museums, such as the Tate Modern in London. These opportunities not only exposed my art to a wider audience but also pushed me to constantly evolve as an artist.”

By highlighting these achievements, you demonstrate your commitment to your art and your ability to thrive in the competitive art world.

Discussing Artistic Influences

Artists are often inspired by the work of others. Share the artists or artworks that have influenced your creative process. You might mention famous painters, sculptors, or contemporary artists whose work resonates with you. Explaining how these influences have shaped your artistic perspective can provide insight into your unique approach to art.

Detailing Your Educational Background

If you’ve pursued formal education in fine art, whether it’s an undergraduate degree, a BFA, or an MFA, this is the place to discuss it. Talk about your academic journey, the courses that had a profound impact on you, and any mentors who guided your artistic growth. Be sure to convey how your education has contributed to your development as an artist.

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• Exploring Specific Interests and Influences

Art and Design Personal Statement

Art is a vast and diverse field, and this section allows you to explore your specific interests and influences in greater detail. Whether you’re passionate about painting, sculpture, graphic design, or any other art form, here’s where you can delve into the heart of your creative focus.

Passion for a Specific Art Form

Share your deep-seated passion for your chosen art form. Explain why you are drawn to it and how it allows you to express yourself. For example:

“My fascination with seascapes and the fragility of nature has been a recurring theme in my work. It’s a subject that allows me to explore the vastness and immensity of the natural world while conveying its fragility.”

Artistic Inspirations

Discuss the artists or movements that have had a profound impact on your work within your chosen art form. Whether it’s the abstract expressionism of Jackson Pollock or the precision of Renaissance art, detailing these influences adds depth to your personal statement.

Your Creative Process

Take the reader on a journey through your creative process. How do you approach your work? Do you start with sketches, embrace spontaneity, or meticulously plan each piece? Sharing your process can provide insight into your artistic mindset.

• Articulating Your Goals and Aspirations

Fine Art Personal Statement

Your personal statement should not only reflect on your past but also look to the future. What are your artistic goals and aspirations? Where do you see yourself in the art world? This section allows you to articulate your vision and ambition as an artist.

Short-Term Goals

Discuss your immediate goals within the art world. Whether it’s participating in specific exhibitions, collaborating with fellow artists, or mastering a new technique, these short-term objectives reveal your drive and commitment.

Long-Term Aspirations

Take a broader view and share your long-term aspirations. Do you dream of curating your own gallery, teaching art to the next generation, or becoming an internationally recognized artist? Expressing these ambitions paints a vivid picture of your future in the art world.

Why This Program or Career?

If you’re applying to a specific program, be it an MFA or a job opportunity, explain why it’s the perfect fit for your artistic journey. Mention how the program’s curriculum, faculty, or mission align with your goals.

• Tailoring Your Statement for MFA and BFA Applications

MFA and BFA

Depending on whether you’re applying for a Master of Fine Arts (MFA) or a Bachelor of Fine Arts (BFA) program, there are specific elements to emphasize in your personal statement.

MFA Program Emphasis

For MFA applicants, emphasize your commitment to furthering your craft and the advanced level of artistry you bring to the table. Discuss your readiness for the intensive program and your eagerness to engage in critical discourse with fellow artists.

“Enrolling in the MFA program at [University Name] is a natural step in my journey to become a professional artist. I am ready to immerse myself in a community of dedicated artists, engage in rigorous critiques, and push the boundaries of my creative practice.”

BFA Program Emphasis

Similarly, BFA applicants should convey their passion and readiness to embark on their educational journey. Highlight your enthusiasm for learning and your willingness to explore various aspects of fine art.

“I am eager to embark on the BFA program, where I can continue to refine my graphic design and photography skills. This program’s focus on nurturing emerging artists aligns perfectly with my goals of honing my craft and exploring new artistic horizons.”

• Showcasing Your Love for Art History

Art History

For those with a passion for art history, your personal statement should reflect your deep love for the subject and your desire to explore its intricacies.

Unearthing Art Historical Insights

Share your favorite periods, artists, or art movements within the scope of art history. Discuss why you find these aspects particularly fascinating and how they have influenced your perspective.

“Art history has been my guiding light in understanding the evolution of artistic expression. I am particularly captivated by the Romantic period and its emphasis on emotion, individualism, and nature, as seen in the works of artists like Caspar David Friedrich.”

Academic Pursuits

If you’re applying for graduate studies in art history, discuss your academic interests and the areas of art history you wish to explore further. Mention any research projects, papers, or presentations that showcase your dedication to the field.

“ During my undergraduate studies, I delved into the complexities of American art history. My thesis on the impact of Abstract Expressionism on post-war American society was a testament to my commitment to scholarly pursuits in this field .”

• Conclusion: Crafting Your Artistic Narrative

Crafting a compelling artist statement of purpose is an art form in itself. By drawing inspiration from these examples and infusing your personal experiences, you can create a statement that reflects your passion for fine art.

Remember, your personal statement is your opportunity to shine and convey why you are a perfect fit for your chosen fine art program or career in the art world.

In closing, let your personal statement be a testament to your love for art and your unwavering commitment to the world of creativity. Use it as a canvas to paint your story, one brushstroke at a time, and let your passion shine through every word. Your artistic journey begins with your statement of purpose, so make it a masterpiece.

With this comprehensive guide, you now have the tools and inspiration to craft a personal statement that leaves a lasting impression and sets you on a path toward success in the world of fine art. Embrace your creativity, share your story, and let your love for art guide you on this incredible artistic journey.

What should I include in my artist statement of purpose?

Your statement should cover your artistic journey, influences, experiences, and future aspirations. Use concrete examples to illustrate your passion for fine art.

How long should my personal statement be?

Aim for a concise statement, typically around 500-800 words. Be sure to follow any specific word limit guidelines provided by the institution or program.

Can I use samples of my work in my statement?

Absolutely! Including images or descriptions of your work can add depth to your statement and showcase your artistic abilities.

Should I mention specific artists or artworks that inspire me?

Yes, mentioning artists or artworks that have influenced you can provide insight into your artistic perspective and passion.

How important is the artist statement in the application process?

Your personal statement is a crucial component of your application. It allows admissions committees to understand your unique voice, passion, and suitability for their program.

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Table of Contents

• • The Importance of a Personal Statement
• • Crafting a Captivating Introduction
• • Sharing Concrete Examples of Your Work and Experiences
• • Exploring Specific Interests and Influences
• • Articulating Your Goals and Aspirations
• • Tailoring Your Statement for MFA and BFA Applications
• • Showcasing Your Love for Art History
• • Conclusion: Crafting Your Artistic Narrative

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Crafting Artistic Statements: 10 Powerful Examples & Guide

If you’ve been dreading writing your artist statement, you’re not alone. Although you love working on your artwork , coming up with an artist statement isn’t always easy.

But don’t fear! I’ll share some examples of famous artist statements here. Plus, I’ll walk you through how to write your own artist statement, what to include, and what to skip. 

So, let’s get started!

10 Excellent Artist Statement Examples

Here are ten great artist statement examples you can use for inspiration! Looking at good artist statements can help you decide what to include in your own. But don’t feel like you should copy a sample artist statement – remember to make it unique and personal! 

1. Wassily Kandinsky

“I let myself go. I thought little of the houses and trees, but applied color stripes and spots to the canvas… Within me sounded the memory of the early evening in Moscow – before my eyes were the strong, color-saturated scale of the Munich light and atmosphere, which thundered deeply in the shadows.”

2. Gustav Klimt

“I have never painted a self-portrait. I am less interested in myself as a subject for a painting than I am in other people, above all women… There is nothing special about me. I am a painter who paints day after day from morning to night… Whoever wants to know something about me… ought to look carefully at my pictures.”

3. Mark Rothko

“I’m not interested in relationships of color or form or anything else. I’m interested only in expressing basic human emotions – tragedy, ecstasy, doom, and so on – and the fact that lots of people break down and cry when confronted with my pictures shows that I communicate those basic human emotions… The people who weep before my pictures are having the same religion I had when I painted them.”

4. Edvard Munch

“I was walking along a path with two friends – the sun was setting – suddenly the sky turned blood red – I paused, feeling exhausted, and leaned on the fence – there were blood and tongues of fire above the blue-black fjord and the city – my friends walked on, and I stood there trembling with anxiety – and I sensed an infinite scream passing through nature.”

5. Pablo Picasso

“I have never made trials or experiments. Whenever I had something to say, I have said it in the manner in which it needed to be said… I can hardly understand the importance given to the word “research” in connection with the modern painting. In my opinion to search means nothing in painting. To find is the thing.”

6. Jackson Pollock

“I want to express my feelings rather than illustrate them. It doesn’t matter how the paint is put on, as long as something is said. On the floor, I am more at ease. I feel nearer, more part of the painting, since this way I can walk around it, work from the four sides and literally be in the painting. When I’m painting, I’m not aware of what I’m doing. It’s only after a get-acquainted period that I see what I’ve been about. I’ve no fears about making changes for the painting has a life of its own.”

7. Nancy McIntyre

“What do I want to say with my art? Celebrate the human, the marks people make on the world. Treasure the local, the small-scale, the eccentric, the ordinary: whatever is made out of caring. Respect what people have built for themselves. Find the beauty in some battered old porch or cluttered, human-scale storefront, while it still stands.”

8. Duane Keiser

“My subject matter tends to be those fragmentary passages that reside within the mundane – the in-between spaces of our lives that we see but often do not notice. For me, these paintings are about the pleasure of seeing; of being cognizant of the world around me, and pushing to find an alchemy between the paint, my subject, and the moment. I view each piece as being part of a single, ongoing work.”

9. Charlene Fuhrman-Schulz

“My subject matter is nature, whether it is a traditional landscape or a bird and flower painting. I use traditional materials, ink, and brush on rice paper, to capture movement and life — making the brush dance and the ink sing. Everything is captured in the spontaneous dance and movement of the brush as it meets the rice paper. There is no going back and correcting when painting with ink and rice paper.”

10. Georgia O’Keeffe 

“I have but one desire as a painter – that is to paint what I see, as I see it, in my own way, without regard for the desires or taste of the professional dealer or the professional collector. I attribute what little success I have to this fact. I wouldn’t turn out stuff for order, and I couldn’t. It would stifle any creative ability I possess.”

What is an Artist Statement?

Every artist needs to write an artist statement at some point. But, what is it exactly?

An artist statement gives insight into the artist’s process and creative decisions. It can also explain the themes, ideas, and vision of the artist. You can think of it as an initial introduction to yourself and your work to give a great first impression!

Artist statements officially date back to the 1990s . But while they haven’t been around a long time, artists have always tried to define and explain their work. 

These statements can vary in length from a few sentences to a page or more. Each statement will differ, but you want yours to be memorable and easy to understand.

Most importantly, it should help people to understand your work.

Artist statements are used for many reasons. You may use yours when applying for grants, submitting a portfolio, or for PR and press mentions.  It can also appear on your website. 

So, it’s an essential document you’ll need to create. It’s key to growing your following and building a successful career as an artist. 

Writing an artist statement can also help you to get clear on your overall vision and values. You might need to spend some time reflecting on what your art means to you.

And yes, it does mean you’ll have to put down the paintbrush briefly. But with these tips, you’ll know exactly how to write your artist statement. 

Once it’s written, you can use the same statement again and again. If your artwork evolves over time, you may want to update it slightly. But you’ll have already done the hard work researching, planning, and writing it.

How to Write an Artist Statement

Writing an artist statement sounds daunting, but it doesn’t have to be difficult. 

Here are my simple steps for crafting an engaging and effective artist statement! These tips will take you from a bland statement to an amazing artist’s mission statement.

Use simple language

Don’t overcomplicate your statement or use very academic language. That can put people off reading it. Your statement must be powerful and accessible to everyone.

Use active voice and 1st person perspective

I always recommend using the active voice as it comes across as more confident and powerful. Avoid wishy-washy phrases like:

• I want to … in my work

Instead, switch it to active voice. Instantly, you’ll have a more interesting and captivating statement. 

Using 1st person perspective also ensures that your statement is clear and direct. 

Keep it short and sweet

You want to grab the reader’s attention and hold their interest. Avoid an artist statement that is several paragraphs (or pages!) long. A short artist statement is more powerful. So, it should be concise and to the point, without any filler. 

Condense what you want to say down into as little as possible without losing the meaning. Your artist statement should be short enough to quote! 

Ask yourself questions

Your statement allows you to provide a greater understanding of your creative choices. It can give a window into your thought process, so people can take more from your art.

But you need to ensure you include this information in your statement. Otherwise, you’re missing an opportunity. 

One effective method is to think about what people might want to know from you. What questions do you get asked in interviews?

Here are a few questions you could ask yourself:

• What do you want to achieve with your art?
• How do you create your artwork?
• What type of artist am I?
• How does the process, medium, or technique affect the work?
• What does the reader need to know to understand your artwork?
• What emotions do you want to invoke in the reader?
• Who has influenced you in your artistic career, and particularly in this work?
• Who or what are you addressing in this artwork?
• What else do you want your audience to know?
• How does this work relate to your other works?
• What is your art philosophy?
• How does your artwork fit into the history of art?

Don’t worry – you don’t have to answer all these questions in your statement. You can decide which ones make sense. Remember that short and sweet is better than long and dry – you want to get people interested in you!

Once you’ve identified what people want to know about you and your art, you can consider your responses. 

Do your research

A great way to get inspiration for your artist statement is by looking at other examples. You can read up on how the old masters or contemporary artists describe their work. 

Doing some research will help you understand how to structure your statement. It can also give you food for thought to delve deeper into the meanings of your artwork, too! 

If you’re still struggling, there are artist statement templates you can use to get you started. A template will help you build your statement’s structure so that you can concentrate on the details. 

Step away and come back later to edit

It’s easy to get caught up in the details and overthink something as important as an artist’s statement. This document is meaningful and may provoke lots of thoughts or emotions. 

If you find yourself writing and editing, again and again, take some time to step away. Any piece of writing benefits from a fresh eye. When you work on something for a long time, it’s easy to miss any minor details or mistakes.

I always recommend coming back another day to read through and make any final changes. 

The Wrap Up

Writing your artist statement doesn’t have to be a painstaking process. Now, you’ve had a look at some great artist statements. With these simple tips, you’re all set to craft your own statement now! 

Let me know if you have any questions in the comments below. Go ahead and share your artist statement once you’ve written it, too! 

Follow me on Pinterest for more tips, guides, and tutorials for creative professionals! 

Outmane is the founder of Proactive Creative. He is an artist/designer.

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Art degree personal statement example (1b) with advice

From an early age I have always had a strong interest in art, and have been involved with it in some form all through my life. In year nine I realised that it was something that I might like to pursue as a career, I started taking it more seriously. The Chase's art department encouraged me very well and helped me develop my art skills

I am currently studying Art at A-level and have had my work exhibited in a gallery and in local industry buildings as part of the 'Art in the Workplace' scheme which is organised by my college. The piece of my artwork which was displayed, and used in a business's workplace was a painting inspired by an Art Department trip to Italy. In my spare time, I enjoy running my own comedy website with my friends, which has enabled me to learn good organisational skills. Aside from art, I enjoy playing basketball with other students from my college every Wednesday afternoon. I have found this to be a welcome break from normal study, allowing me to exercise at the same time as relieving stress

My present interest in art is more graphic/typography based, although I do enjoy all areas of art. I have been designing graphics on my computers from a young age and have work published in national magazines. Not all the graphical work I do is computer based, I enjoy using traditional mediums in a clean graphical way, as I find it more satisfying working on a larger scale and producing something more"real". My current course has helped me "branch out" more; I have experimented in many disciplines successfully producing paintings, pastels and drawings, which I had never really developed fully before

I have had two part-time jobs involving computer related work, in which I have been able to bring art influences into. When working for Retail Futures, an e-commerce company based in Malvern, I designed their corporate image, and websites for clients such as Coalport and Parcel Force. More recently I have taken another job with a more technical slant, for another e-commerce firm, eplexus. I still do design work, in which I have designed websites and images for"Highwaycode.com", and Anglo Digital a successful venture capitalist firm. Alongside my practical experience, I am also studying Computing at my current college, which aids me to learn the fundamentals of computer usage and programming, an area that I am interested in

Whilst in the lower sixth, I was asked to help with an activity arranged by Shell Oil which was aimed at capturing the interest of pupils around the age of ten and eleven by involving them in scientific activities. Throughout the day I acted as a teacher for year six pupils from various junior schools. Working in a group, we had to demonstrate the building of a 'balloon boat' and then supervise the children whilst they attempted to build their own. This helped me to use my communication skills in explaining the theory behind building the boat to young people who had possibly not yet encountered that stage or type of science

Throughout my time at both school and college, I have been involved in a number of activities, and have also made an effort to maintain a good balance between this and my academic work. Being involved in and having the ability to give something back to my college has always been important to me, and it is something that I am keen to continue at College. My passion is art and I look forward to further developing my ability at foundation and degree level.

Comments on the statement:

It's an ok statement, BUTBUTBUT every art college I have went to have said "NEVER start with "from an early age" because we get it in 70% of applications and it's cliche" So try and be original

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Fine Art Personal Statement Examples

• 1 Personal Statement Example Links
• 2 Career Opportunities
• 3 UK Admission Requirements
• 4 UK Earnings Potential For Fine Artists
• 5 Similar Courses in UK
• 6 UK Curriculum
• 7 Alumni Network

Personal Statement Example Links

• Personal Statement Example 1
• Personal Statement Example 2
• Personal Statement Example 3
• Personal Statement Example 4

Are you considering a career in Fine Art? Whether you’re looking to pursue a degree in Fine Art or just want to explore the subject as a hobby, writing a personal statement is a great way to get started. A personal statement can help you stand out from the competition and give you an edge when applying for a course.

This article will provide some examples of personal statements for Fine Art courses, as well as a course overview.

Personal Statement Examples

When writing a personal statement for a Fine Art course, it’s important to focus on your passion and enthusiasm for the subject. Here are some examples of personal statements that could be used for Fine Art courses:

“I have always been passionate about art and I believe that studying Fine Art will help me to develop my creative skills and express my ideas in a unique way. I am excited to explore the different techniques and styles of art, as well as the history and theory behind them. I am confident that I will be able to use my creativity to create inspiring works of art.”

“I have always been fascinated by the beauty of art and I am excited to explore the different mediums and techniques used in Fine Art. I am particularly interested in exploring the relationship between art and culture, and I am confident that I will be able to use this knowledge to create meaningful works of art.”

music industry, which could include record label management, music publishing, artist management, concert production, or music marketing and promotions. Their roles may involve negotiating contracts, promoting artists or music releases, organizing events, or managing financial and legal matters.

Career Opportunities

A degree in Fine Art can open the door to a wide range of career opportunities. Art graduates can pursue a career in the creative arts, such as painting, sculpture, drawing, photography, filmmaking, and multimedia. They can also pursue careers in the performing arts, such as theater, dance, music, and comedy.

Art graduates can also pursue a career in the commercial art industry, such as graphic design, illustration, animation, and advertising. They can also find work in the fashion industry, such as designing clothing, accessories, and jewelry.

In addition, art graduates can pursue a career in the museum and gallery sector, such as curating, conserving, and exhibiting artwork. They can also pursue a career in the art education sector, such as teaching art in schools, universities, and art centers.

Finally, art graduates can pursue a career in the art market, such as dealing, appraising, and auctioning artwork. They can also pursue a career in the art publishing sector, such as writing, editing, and publishing books about art.

UK Admission Requirements

In order to be accepted into a university course in Fine Art, applicants must typically have achieved a minimum of 5 GCSEs at grade 4 or above, including Maths and English. Additionally, applicants must usually have achieved a minimum of two A-Levels at grade C or above, or a Level 3 Diploma in Art and Design.

The entry criteria for a Fine Art course may vary depending on the university and the type of course. For example, some universities may require applicants to have achieved a minimum of two A-Levels at grade B or above, or a Level 3 Diploma in Art and Design with a Merit or Distinction.

In comparison to other courses, the entry criteria for a Fine Art course is quite similar to other art and design courses. However, some universities may also require applicants to have a portfolio of work to demonstrate their artistic ability.

UK Earnings Potential For Fine Artists

The average earnings for someone with a degree in Fine Art will vary depending on the type of job they pursue. Those who pursue a career in the arts, such as working in galleries, museums, or as a freelance artist, may not earn a high salary. However, many artists are able to supplement their income through teaching, grants, and other sources.

In the UK, the average salary for a professional artist is £19,000 per year, according to the Office for National Statistics. This figure is likely to be lower for those who are just starting out in their careers.

In terms of trends in the job market, there has been an increase in the number of jobs in the creative industries in recent years. This has been driven by the growth of digital media and the increasing demand for creative professionals. As a result, there are likely to be more opportunities for those with a degree in Fine Art in the future.

Similar Courses in UK

Other university courses related to Fine Art include Art History, Visual Arts, and Photography.

Art History is the study of the history and development of art, from its beginnings to the present day. Visual Arts is a broad field of study that includes drawing, painting, sculpture, printmaking, photography, and other forms of visual expression.

Photography is the practice of creating still or moving images by recording light or other electromagnetic radiation, either electronically by means of an image sensor, or chemically by means of a light-sensitive material such as photographic film.

The key differences between Fine Art and these other courses are the focus of study. Fine Art focuses on the practice of creating art, while Art History focuses on the history and development of art. Visual Arts focuses on the broad field of visual expression and Photography focuses on the practice of creating still or moving images.

UK Curriculum

The key topics and modules covered in a Fine Art course in the UK Curriculum typically include:

• Art History: Students will gain an understanding of the history of art, including the development of different styles, movements, and techniques.
• Studio Practise: Students will develop their own creative practise through studio-based activities, such as drawing, painting, sculpture, photography, printmaking, and digital media.
• Critical and Contextual Studies: Students will gain an understanding of the wider context of art, including the study of contemporary art, art theory, and critical analysis.
• Professional Practise: Students will develop their understanding of the professional art world, including the business of art, marketing, and curation.
• Practical Work: Students will have the opportunity to engage in practical work, such as creating artworks, visiting galleries, and participating in exhibitions.

Alumni Network

One notable alumni from the University of Fine Art course is the artist and sculptor, David Smith. After graduating from the university, Smith went on to become one of the most influential sculptors of the 20th century. His works are often characterized by their abstract forms and use of industrial materials such as steel and aluminum.

He was part of the Abstract Expressionist movement and was a major influence on the development of modern sculpture. Smith’s works can be found in major museums around the world, including the Museum of Modern Art in New York.

The University of Fine Art offers a variety of alumni events and networking opportunities. These include the Alumni Networking Reception, which is held annually, and the David Smith Alumni Lecture Series, which is held every other year.

The university also offers an Alumni Mentoring Programme, which pairs current students with alumni who have experience in the field. This program allows students to gain valuable insight and advice from alumni who have gone on to successful careers in the arts.

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4 Tips for Writing a Good Artist Statement

Writing an artist statement can be a daunting task. The prospect of composing a concise summary of your art practice to help others understand your work is understandably intimidating. However, having a clear, direct artist statement is essential, particularly on applications for grants, art schools, open-call exhibitions, residencies, and other career-advancing opportunities.

While some artists use this text to exercise their creative writing skills or to stretch their philosophical muscles, others take the opposite route, employing staid, generic formulas to guide their writing. However you go about it, it’s important to set forth a statement that can be easily understood and does your work justice. To help, we spoke to two writing experts on steps you can take to develop a strong artist statement.

1. Map out your ideas

Often, artists are instructed to write a three-paragraph statement that begins with a broad overview of their ideas, then gives an explanation of their materials, and ends with a description of their personal philosophies. While there is nothing wrong with giving a formal description of your art, discussing your material choices, or offering context you deem important to your practice, a formulaic artist statement will not help you stand out from the competition.

“So many artist statements sound the same,” warns Jennifer Liese, director of the Rhode Island School of Design’s Center for Arts & Language, and editor of Social Medium: Artists Writing, 2000–2015 . “My top tip would be to not follow a model or formula.” Instead, try brainstorming specific content that will help your audience—be it a viewer, juror, or critic—understand your work better.

If you’re not working from a traditional artist statement formula, however, getting started can be tricky. Instead of jumping straight into writing, Jeff Edwards, a writing instructor at the School of Visual Arts, recommends organizing your ideas before you begin. One way to do this is by jotting down keywords and concepts on index cards and spreading them out on a table, or  by using a large sheet of drawing paper to create a diagram of what you’re planning to write about. Some subjects to get you started include your artistic influences, your process, the formal qualities of your work, an origin story, or a quote that connects to your work.

Similarly, Liese recommends giving yourself prompts to help yourself start writing. Some of her favorites to give students include “Write down five questions you would want an interviewer to ask you” and “Create a family tree of your artistic influences.”

2. Start with free writing

Next, you can start free writing—getting your ideas on paper continuously, without fretting over things like grammar and style. When you begin, you might feel stuck or insecure about your ideas, but try to resist these impulses. “Don’t sit down and just expect to have the perfect sentences and prose come out,” Liese advises. If your artist statement needs to be around 200 words long (as some applications require), try writing three times that amount; you can cut it down later. The more you write, the more likely you are to raise pertinent questions and connections in your work.

If you have difficulty jumping into the writing process, try setting a timer for 15 minutes. The pressure of the clock may help you forgo anxieties that are holding you back, and can force you to work through the initial ideas that come to mind.

Another great way to start free writing is to use a prompt; Liese often starts writing workshops by asking participants to describe a memory that aligns with their work. One of her students, an artist who creates rooftop planters, found a connection between her art and the blueberry bush she would tend to outside of her childhood home. Another artist remembered the influential experience of seeing Laurie Anderson ’s O’Superman (1981) as a child. This prompt encourages you to re-enter a moment when you first had a spark of discovery or inspiration; from there, you can work towards communicating that idea to your reader. “We all have this kind of authentic knowledge of who we are and how that comes into the work,” Liese says. “So when you share that with someone, they’re often very grateful to have heard from you.”

3. Edit your piece

Free writing can often leave you with a long or messy draft; it’s extremely important that you put as much energy into editing as you do writing. This process may seem intimidating, but Liese assures that “learning how to revise your own prose is accessible.” A good place to start is by reading up on some simple editing techniques; Liese recommends learning about the Paramedic Method , which helps people focus on editing one part of a sentence at a time.

In similar fashion, Edwards advises that you focus on removing cliches, art jargon, pointless repetitions, and irrelevant tangents. “When you first go back to edit it down, you’ll find yourself eliminating a lot of material that seemed important initially, but is actually superfluous,” he says. “Deciding what to cut can be painful at first, but it always improves the writing.”

In addition to revising your own writing, ask someone who knows your work well to take a look at your statement. If you’re not in an academic setting where you can ask a professor or writing advisor to read over your writing, try swapping statements with a fellow artist. When you’re requesting feedback from someone, Liese recommends asking them “What isn’t working?” as well as “What is working?” Asking these questions can help isolate the parts of your statement that are working, and those that aren’t.

4. Write another draft

When you break the process of writing an artist statement into small steps—brainstorming, free writing, and editing—the task becomes less daunting. But, as Liese explains, “the benefits of writing a single artist statement are limiting.” If you tell yourself that the statement you’re working on is going to be the sole, definitive statement for all of your art, you may well send yourself into an existential crisis.

Instead, it’s best to acknowledge that artist statements are ephemeral texts; while the statement you write today may perfectly capture your artwork now, it may not work next week or next year. To help free yourself of the “single artist statement” mentality, Liese suggests putting a date on your statement and returning to it regularly; your artist statement should be a living document that you’re consistently working on. In addition, Edwards suggests having multiple versions of your statement that can fit different parameters, like length and specificity to different bodies of work.

However, no matter the version you’re working on, your writing skills, or the level of frustration you’re experiencing, it’s important to remember the benefits of an artist statement. As Edwards says, “Committing your ideas to paper helps you understand your artistic practice on a deeper level, and allows you to explain it to others more effectively.”

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How to write an artist statement

I like to think of the artist statement as the wedding toast of the art world. If you wing it, suddenly you’re on the spot in front of a crowd of expectant faces, trying to put into words a relationship (between you and your art) that you’ve always felt intuitively. We’ve all seen those toasts. They don’t go well.

But if you put time and energy into crafting your message beforehand, you’ll actually add to that crowd’s understanding of the significance of this event (your art) and help them feel all the feels more deeply.

I’ve been wrestling with my own artist statements for as long as I’ve been making art. And I must confess, it’s never a task I look upon with glee. This, despite the fact that I write about art for a living. But reading other people’s statements has taught me a lot about what works and what doesn’t, and how to reverse-engineer a killer toast: a clear, concise and compelling artist statement.

— Artist and writer Sarah Hotchkiss

First things first: What is an artist statement?

In the interest of clarity, let’s define “artist statement,” since I’ve already needlessly complicated things by introducing a wedding metaphor into the mix.

An artist statement is a not-too-long series of sentences that describe what you make and why you make it. It’s a stand-in for you, the artist, talking to someone about your work in a way that adds to their experience of viewing that work.

Here are a few things an artist statement is not: a manifesto, an art history lecture, a story about discovering art, short fiction, self-psychoanalysis, a string of adjectives, a grand theory of everything you’ve ever made, or a list of your career accomplishments.

You’ll be called upon to submit artist statements when you apply for residencies, grants, and sometimes, exhibition opportunities. I wrote my first substantial one when I applied to MFA programs. And here’s the secret: even though they can be hard to write, they’re immensely useful. It truly helps me understand my own practice to sit down every few months and translate this nonverbal solitary thing I spend countless hours on into words for a specific audience.

If you’re reading this guide and it’s not the night before an important application is due, you’re already in good shape. Artist statements take time, but they don’t have to be torture. If you can get into the habit of stepping back, evaluating your work, and writing a few sentences about it, you won’t have to start from scratch when you’re down to the wire.

The brainstorming phase

All that said, sitting down and writing clear, concise, and compelling sentences about your art is daunting. So don’t start with sentences. Ease your way into it with a writing exercise that feels exciting, or generative, or natural to you. A few suggestions:

Gather your art in one digital or physical space and really look at it. It’s possible you’ve been working on such a micro level you haven’t taken a macro view in a while. What commonalities and differences do you see? Think holistically about a specific body of art.

Write out a list of adjectives that describe your work. Use both visual and tonal descriptors. Be specific and avoid art jargon. If your art follows in the footsteps of minimalism, could you describe it as quiet? Or rhythmic? Is your work funny, raunchy, messy?

Record yourself describing your art to a friend, family member, or fellow artist. Chances are you’re making statements about your work all the time. Have a studio visit coming up? Record the conversation (with the other person’s permission), transcribe the audio, and mine it for pertinent details.

Think about the emotions and reactions you want your audience to come away with. An artist’s intent may have little bearing on an audience’s interpretation, but an artist statement is one of the few places you get to nudge that audience towards your desired result. Do they learn something from your art or make new connections between disparate subjects? Are you trying to make people feel agitated, joyful, incensed?

Write a casual letter to your best friend about what you’ve been up to in the studio. “Dear Laurie, today I spent five hours papier-mâché-ing a cardboard version of a hamster toy. It came out looking like a first-grader’s craft project, but that’s what I was going for. I think it’ll make you laugh.”

Jeopardy your practice. What are the questions you hope to answer in your work?

Artist statement basics

Suddenly, you have a bunch of words describing your art. Now you get to pick the best ones to fulfill the very basic elements of an artist statement: what, why, and (possibly) how.

What. Make sure to state what medium you work in (paintings, sculptures, installation, non-narrative video, durational performance, etc.). It’s amazing how many statements don’t include that basic fact.

Why. Try not to overthink this one. Look back at your brainstorms and your casual conversations. You make this work because you’re excited about it. What, exactly, are you excited about? Be confident: Your art shouldn’t “hope” or “try” to do something to the viewer, it should just do it. Here is where you can also bring up, without going too far into the art historical weeds, your influences and inspirations.

How. If you have a truly unique process that’s important to understand—or one that images can’t accurately convey—briefly describe how you make your work. (Please note: Collage is not a unique process and there’s no inventive way to describe it as such, even if you use the word “juxtapose.”)

Beyond fulfilling these basic “what, why, and how” requirements, an artist statement can be relayed in whatever tone and sentence structure feels best to you. (I encourage the use of full sentences, as fragments sound flighty.)

That’s it! Really!

Red flags, bad practices, and other traps to avoid

In my many years of reading artist statements (and gallery press releases), I’ve developed an ever-growing list of banned words and phrases. While these ways of writing may sound fancy, they’re actually empty. And using them makes a piece of writing look lazy and nonspecific. Artist statements are particularly susceptible to these traps because we write what we think people want to hear instead of what’s actually true to our work.

Your artist statement should feel like it’s written by you, the artist—not by a critical theorist or an art history professor or a dealer or a curator. The people reading it are looking for an enriched experience of your work and proof that you’ve put some thought into what you’re making. They want to hear your voice—not that of some formulaic art-jargon robot.

So, some things to avoid:

Extreme binaries. Is your work really “examining the strangeness of both interior and exterior spaces?” Is it “both casual and formal?” “Light and dark?” (Similarly, ask yourself, is your work truly “blurring the boundaries between text and subtext?”)

Lazy clichés. Only you make your artwork—so shouldn’t the words you use to describe it be unique and specific as well? If you find yourself using certain words as crutches, or as highfalutin stand-ins for hard-to-articulate ideas, I highly recommend creating your own “banned words” list and keeping it somewhere handy. Then, go back to your brainstorm notes and pick out words or phrases that feel concise, fresh, and truly related to your work.

“International Art English.” Chances are you’ve seen it, read it, and felt unsettled by it in press releases, wall labels, and other people’s artist statements. This muddled and imprecise language seeks to elevate what it describes through nonspecific word choices, invented “spaces” (the space of the real, the space of the dialectical), and complicated grammatical structures. For an in-depth analysis of this phenomenon, propagated most intensely by the art world announcement email service e-flux, please see this fantastic article in Triple Canopy .

False range. Does your practice “range from drawing to sculpture to video to artist books” or do you simply make “drawings, sculptures, videos, and artist books?” False range is a rampant and completely accepted form of writing these days, but the discerning reader will notice it and judge you for it. A false range creates a continuum between one thing and another when there is no actual continuum. Yes, your palette can “range from blues to reds” (color is a spectrum). But your influences cannot include “everything from Wanda Sykes’ stand-up to Tamagotchi pets to tinsel” (there is no middle point between Tamagotchi and tinsel).

Theory. My extremely wise friend and colleague Bean Gilsdorf, longtime art world advice-giver, says this best: “Art theory only has a place in an artist statement if it has a direct bearing on your day-to-day studio practice. Otherwise, skip it.”

You have a draft, now what?

You’ve brainstormed, you’ve answered the what and the why. You’ve avoided all of the above. But chances are you still have a lot of extra baggage in that statement, or it’s not striking quite the right tone, or you feel like it could be more fun to read. Now you get to edit, revise, tweak, trim, and whip that statement into shape.

Read your statement out loud. Trust me, this works. As you read, ask yourself: Is it accurate? Is it descriptive? Is it compelling? Is it me ? Could this statement just as easily be applied to someone else’s work? Make sure it’s specific to what you make—and provides a sense of who you are to the reader.

Look at your art while you reread. Remember, your artist statement should be current . You don’t need to sum up a wide-ranging practice from the beginning of your baby artist days to the present moment. It should reflect whatever images you’re providing alongside it. Put another way, your artist statement shouldn’t be so aspirational that you talk about making room-sized installations while your images are a few small-scale watercolors.

Work it into submission. Read aloud, edit. Read aloud, edit. Take a break (a day, a week), come back to it, read it aloud and ask the above questions again. Remember that this doesn’t have to represent your work forever and ever. Like the U.S. Constitution, an artist statement is a living document. You can update it as often as you like.

Shorter is better. Being economical with words proves you know what you’re doing, that you’re confident in your work, and that you don’t have to couch it in elaborate language to legitimize it. Your statement should be somewhere between 100 and 300 words in length. (This is an example of true range.)

Consider your audience

The tone that you strike in an artist statement for a local group show should probably be different from an artist statement you write for a $100,000 grant opportunity. Every time you start reworking your statement, remember to ask yourself who or what this particular piece of text is for. Write a basic statement that can serve as the foundation for all future artist statements, but make sure you revisit and reevaluate for each application, exhibition, and request.

In order to truly know how your artist statement will be received, and if it’s doing the work you want it to do, you need to have other people read it. I recommend finding a diverse audience of art friends and non-art friends, family, and mentors. This statement should be as legible as possible. Tell them to be brutally honest with you and listen to what they say.

Have a writer friend read your statement for typos. Have someone else read it for typos. Triple-check for typos!

And most importantly, give the people you ask for feedback enough time to read your statement and reply to you. Do not do this: “Hiiiii, this is due in an hour can you look it over for me pls thx bye!”

In summary…

As those who exercise say: no pain, no gain. Statements are hard to write, but they’re good for you. They can help someone gain a deeper understanding of your art, feel more connected to that art and, ultimately, value it. They can make or break an application. And they can help you put words to your practice, giving you the language to understand just what you’re doing and why it’s amazing.

Sarah Hotchkiss

Sarah Hotchkiss is an artist and writer in San Francisco. Since 2015, she’s been the visual arts editor for KQED, the Bay Area’s NPR and PBS affiliate, covering the local visual arts and film scene in online articles. Before wading into the earnest waters of public media, she worked as the communications director for the venerable San Francisco arts nonprofit Southern Exposure. And before that she wrote condition reports in a warehouse that stored Indiana Jones -level amounts of art. She holds an M.F.A. from California College of the Arts and a B.A. from Brown University. In addition to her own studio practice, she watches a lot of science fiction, which she reviews in a semi-regular publication called Sci-Fi Sundays .

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How to Write an Artist Statement

Last Updated: March 15, 2024 Approved

This article was co-authored by Claire Wentzel . Claire Wentzel is an award-winning Artist and Strategic Creative Consultant. Her business, Red Rose Studios, is based in Las Vegas, Nevada, where she also serves on the Clark County Public Art Committee. With over 20 years of experience, she specializes in mixed media participatory art, brand messaging, and building organizational culture. She earned her BA in Fine Art with Distinction from the University of Colorado-Boulder and completed a painting residency at the International School of Painting, Drawing, and Sculpture. Her chalk mural work has been featured in EdHat and I Madonnari Italian Street Painting Festival advertising. wikiHow marks an article as reader-approved once it receives enough positive feedback. This article has 18 testimonials from our readers, earning it our reader-approved status. This article has been viewed 510,150 times.

A clear and intelligent artist’s statement will make you stand out from the crowd and will show people that you are a thoughtful and deliberate artist. Writing your statement can be a difficult process, but it is also an enormously valuable exercise as it can help you to achieve a greater understanding of yourself as an artist. Here is a helpful guide to steer you in the right direction.

Thinking It Through

• Ask yourself what you're doing. What does your art express? What makes your art unique?
• Ask yourself why you're doing it. What motivates you to create art? What emotions or ideas are you trying to convey? What does your art mean to you?
• Ask yourself how you're doing it. What do you draw inspiration from? What tools and materials do you use?
• Know that your artist statement will evolve over time as your work evolves and your own understanding of it changes as people respond to it.

• Jot down a key idea that informs your work in the center of a blank page. Then spend 15 minutes writing down any words, phrases, feelings, techniques etc. related to that idea.
• Free writing is another technique that can help get the creative juices going. Spend 5-10 minutes writing whatever pops into your head when you think about your art. You'll be amazed at what you come up with.

Piecing It Together

• Your statement should answer the most commonly asked questions about your art, not overwhelm readers with irrelevant facts and minute details. It's good to articulate your goal, but try to leave space for people to have the experience of your work with their own personal baggage.
• Brevity and efficiency of language are key. A good statement will leave your readers wanting more.

• Write in simple, straightforward, everyday language.
• Make "I" statements rather than "you" statements. Talk about what your art does for you, not what it's supposed to do for the viewers.
• Know your audience but remember that simpler is always better in this situation.

Applying the Finishing Touches

• Make sure your readers get it, that they understand what you want them to understand. When they don't, or you have to explain yourself, do a rewrite and eliminate the confusion.
• Keep in mind that you alone are the authority for what is true about your work, but feedback on clarity, tone and technical matters such as spelling and punctuation never hurts.

Sample Artist Statement

Community Q&A

• Avoid comparing yourself to other artists. It can seem presumptuous and you may not come out of the comparison favorably. Let the critic's decide who you're like. Thanks Helpful 1 Not Helpful 0
• Not all artists can write well. If you're in that category, think seriously about hiring a professional writer or editor, preferably one with an art background, to help you convey what you want your statement to convey in language that ordinary everyday people can understand. Thanks Helpful 1 Not Helpful 0

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Expert Interview

Thanks for reading our article! If you'd like to learn more about becoming an artist, check out our in-depth interview with Claire Wentzel .

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• ↑ http://www.artbusiness.com/artstate.html

About This Article

If you need to write an artist statement, start with a personal description of why you decided to make your art, including your goals for your career as an artist. Then, talk a bit about your decision-making process behind your art, like your themes, materials, and techniques. Next, include some background about your current works of art, and talk about how they relate or differ from your previous works. Remember to limit your statement to 1-2 paragraphs, since it's supposed to be a brief introduction to your work. For advice on planning out your statement and exploring your personal story, read on! Did this summary help you? Yes No

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10 Inspiring Examples and Expert Tips for Crafting A Powerful Artist Statement

Make your art speak volumes with this complete guide to crafting an artist statement, whether your medium is clay, paint, digital, or something in between.

Movies have trailers, books have blurbs and creative professionals have artist statements. An artist statement is a written explanation of an artist’s work, which can include their artistic process, influences and intentions. Artists use artist statements as a way to communicate their creative vision to the world. 

An effective artist’s statement is a communication tool between the artist and the audience, helping foster a deeper understanding of their work. The audience of an artist statement are usually viewers, curators and art critics.

Each artist statement is unique, yet some are strong and others fall short of addressing viewers’ pressing questions. Keep reading this article to learn how to write an outstanding artist statement and see how 10 other creatives from various disciplines have approached theirs. 

The Components of a Successful Artist Statement

A successful artist statement encompasses one or several components that give a glimpse into what the artist’s work is all about.

Personal connection

Striking a personal connection in an artist’s statement can be important because it allows viewers to establish an emotional or intellectual bond with the artist and their work. This personal touch can help viewers relate to the artist on a deeper level, fostering empathy and creating a stronger connection between the audience and the artwork.

How much personal information you include comes down to you, your audience, and whether it feels relevant to the body of work you are creating. It is better to err on the side of professionalism than to share about yourself in a way that doesn’t feel authentic. 

Medium of expression and techniques

Detailing the techniques utilized in the creation process can showcase the artist’s technical expertise and mastery of their craft. This can be particularly important for potential buyers, collectors, or curators who consider an artist’s technical proficiency when evaluating their work.

Themes and inspirations

Themes and inspirations help provide context for the artwork, allowing viewers to understand the underlying concepts and ideas explored by the artist. By sharing these influences, artists offer viewers a frame of reference to interpret their work and connect with the artistic narrative more deeply. 

Goals and intentions

When artists express their goals and intentions in their artist statement, it offers insights into the artist’s intended message, emotions, or concepts, helping viewers navigate the artwork’s layers of meaning. This insight fosters an appreciation of the artist’s intentions and enhances the viewer’s overall experience.

Ultimately, every artist statement is unique, and not all will include all four elements introduced here. The right combination depends on the conventions of your chosen medium and the ambitions you have for your work. 

For instance, artists hoping to receive grants or apply for artist residencies may choose to include more technical details and schooling, while artists seeking creative partnerships may provide a more abstract statement, such as the first artist in our list of examples, Yayoi Kusama.

10 Powerful Artist Statement Examples

Draw inspiration from real artist statements across multidisciplinary specialities from sculpture to mixed media and beyond. 

Example 1: Visual artist Yayoi Kusama

Artist statement:.

“My art originates from hallucinations only I can see. I translate the hallucinations and obsessional images that plague me into sculptures and paintings.”

What makes it effective:

This statement comes from Kusama, a famous Japanese artist known as “the princess of polka dots” who has voluntarily lived in a psychiatric hospital for the last four decades. Her artist statement is a glance into the mind of a “mad genius” artist. Kusama’s mental state being a part of her creative process adds another layer to her colorful avant-garde creations, many of which center around the theme of infinity. 

Example 2: Sculptor Antony Gormley

“I’m interested in the raw material of sculpture, the material that it is made from: the lived body. I’m interested in the body not as an image but as a place. It’s from that body that we have all our sensorial relations with the world. All our metaphors, of which sculpture is one, come from that basis.”

British sculptor Sir Antony Mark David Gormley positions the body as a physical place, comparing the physical body to clay. By doing this, the artist provides a frame of reference with which he views the world. Those drawn to metaphors and parallels would be enticed to view Gormley’s work after reading such a statement.

Example 3: Photographer Annie Leibovitz

“I don’t have two lives. This is one life, and the personal pictures and the assignment work are all part of it. Photography has always been a passion of mine, and I have been fortunate enough to pursue it as a career. My approach to photography has always been spontaneous. I’m interested in the moment, not the time it took to get there.”

In her artist statement, one of the most famous photographers in the world humbly makes her work more approachable. Notice how she doesn’t mention that she holds a BFA from the San Francisco Art Institute, but focuses instead on her passion and unrehearsed nature of her portraits, making the craft feel attainable to all.

Example 4: Painter Gerhard Richter

“For me, art is the restoration of order. It may discuss all sorts of terrible things, but there must be satisfaction at the end. A little bit of hunger, but also satisfaction.”

German visual artist Gerhard Richter dedicates his artist statement to what topics art should cover, as well as the emotional outcome art should evoke in the viewer. This sentiment provides a point of connection for others who are looking to get the same “hunger, but also satisfaction” out of their artistic experience.

Example 5: Mixed Media Artist Wangechi Mutu

“My work is a collection of a variety of resources, a collection of experiences. It’s about understanding history, understanding the power of history, the power of power, the power of beauty, the power of transformation, and the power of purpose.”

The artistic statement of Kenyan-born American visual artist Wangechi Mutu tackles power and hints at inequity, the tension between which is a major theme Mutu often broaches across media. The multitude of sources and narratives hint at a retelling of history, creating a sense of intrigue in the viewer and leaving them wanting more. 

Example 6: Visual artist Ai Weiwei

“In normal circumstances, I know it’s undesirable for an artist to be labeled a political activist or dissident. But I’ve overcome that barrier. The struggle is worthwhile if it provides new ways to communicate with people and society.”

What makes it effective: 

By calling himself a dissident, Weiei is appealing to others who want to challenge the status quo or feel that they don’t fit into society. In this way, Weiwei’s artist statement seeks to make a connection with other socially conscious viewers through the greater goal of promoting expression and communication.

Example 7: Visual Artist Andy Warhol  

“I just paint things I always thought were beautiful, things you use every day and never think about.”

Warhol’s artistic statement is as iconic as his art, giving the viewers an appreciation of everyday objects by portraying them in a new light. His artist statement invites people to look at their ordinary lives anew.

Example 8: Painter Pablo Picasso  

“I have never made trials or experiments. Whenever I had something to say, I have said it in the manner in which it needed to be said…I can hardly understand the importance given to the word “research” in connection with modern painting. In my opinion, searching means nothing in painting. To find is the thing.”

Picasso’s artistic statement provides a strong point of view about his method, which steers away from research and toward creative discovery. As a world renowned painter, it makes sense that he doesn’t spend time validating his methods to the audience.

Example 9: Sculptor Richard Long

“In the nature of things: Art about mobility, lightness and freedom. Simple creative acts of walking and marking about place, locality, time, distance and measurement. Works using raw materials and my human scale in the reality of landscapes.”

Known for his natural landscape installations, British artist Richard Long provides a surprisingly poetic artist statement that acts as a reflection of his creative style. 

Example 10: Painter Edward Hopper

“It’s to paint directly on the canvas without any funny business, as it were, and I use almost pure turpentine to start with, adding oil as I go along until the medium becomes pure oil. I use as little oil as I can possibly help, and that’s my method.”

Edward Hopper focuses entirely on describing his unique method in his artist statement, drawing attention to the unorthodox method of oil painting that is entirely his own.

Expert Tips for Crafting Your Own Artist Statement

It’s true that each artist’s statement is unique to the person behind the craft. However, following these basic guidelines will ensure that your artist statement is working hard for you by captivating the audience. An effective artist statement fulfills the purpose the artist intends, such as sparking intrigue, instilling confidence in their expertise, or creating a personal connection with the viewer.

Be authentic and personal

Let your unique voice and perspective shine through, allowing viewers to connect with your work on a deeper level. Share your personal experiences, emotions, and inspirations that drive your creative process. This authenticity enables viewers to not only appreciate the visual aspects of your work but also to engage with the underlying stories, concepts, and ideas that make your art truly remarkable.

Keep it concise and clear

Don’t forget to keep your statement concise and clear, avoiding unnecessary jargon or confusing language. The goal is to communicate your ideas in a straightforward way, allowing your message to resonate with your audience. Avoid overloading your statement with excessive details or tangents that may distract from your main points. Instead, focus on conveying the essence of your artistic vision and intentions. 

Connect with your audience

To enhance the connection with your audience, go beyond mere description and strive to connect with them on both emotional and intellectual levels through your artist statement. Create a bridge between your own journey and the viewer’s experiences, allowing them to relate and empathize with your work on a deeper, emotional level. By inviting the audience to actively engage with your artwork and its deeper meanings, you create a dynamic relationship that goes beyond the surface, fostering a profound and lasting impact.

Edit and revise regularly

Regularly editing and revising your artist statement is essential to refine its clarity and impact, ensuring that it accurately reflects your artistic vision. Treat your statement as a living document that evolves alongside your artistic practice. By regularly editing and revising your artist statement, you can align it with your evolving artistic practice and ensure that it remains a powerful tool for conveying your artistic vision to others.

Seek feedback from peers

Lastly, seek feedback from peers and fellow artists to gain fresh perspectives and refine your statement further. Their insights can help you strengthen your message and create a more compelling artist statement.

With these tools and inspirations at your disposal, you’re well-equipped to craft an outstanding artist statement that effectively communicates your creative vision to the world. 

If you’re still feeling stuck, think about what you would want to know about an artist you admire, and start there.

As the examples in this article illustrate, a strong artist statement plays a crucial role in fostering a deeper understanding of an artist’s work and establishing a connection with the audience. By striking a personal connection, detailing the medium and techniques used, sharing themes and inspirations, and expressing goals and intentions, artists can provide context, invite exploration, and enhance the viewer’s overall experience. 

Now that you’ve explored powerful artist statement examples and gained expert tips, it’s time to put them into practice. Remember that each artist statement is unique, so find the right combination of elements that align with your chosen medium and artistic ambitions. Embrace the process and let your artistic voice shine through.

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The Complete Guide to Writing an Artist Statement

Whether it’s a single piece of art or your whole body of work, an artist statement can provide clarity and context to your purposes and processes. A good artist statement can have the power to sway how an audience distinguishes your work. Providing insight on your choice of mediums or the themes you’re aiming to convey can give viewers a deeper understanding and appreciation of your creative intentions.

In this complete guide to writing an artist statement, we will discuss the importance of an artist statement for your art career and provide tips for writing an artist statement . We will also share examples of excellent artist statements and explain what makes them so powerful.

What is an Artist Statement?

Simply put, an artist statement is a description of your work in your own words. It is an explanation of why you do what you do and how you made what you created. You can have an artist statement for each piece of art you create. You can also have an artist statement that represents your entire body of work. An artist statement explains your creative process, including your motivations, inspirations behind, mission, and methods. It should include your choice of mediums and use of tools and techniques.

A well-written artist statement can have the power to break a tie in an art competition, an artist grant application, or secure your spot in a coveted artist residency program. Think of your artist statement as a caption in a broadcast program, similar to what you would include on a social media post. An artist statement , like a caption, aims to improve engagement by giving the visual image desired context and relevance. It will likely appear alongside your work at a gallery, exhibition, art fair display or on a press release of your show. 

Artist Statement vs. Artist Bio

An artist statement is not your life story, a manifesto, or a list of your accomplishments. It is also not an artist biography . An artist biography is a summary of the significant events of your life that lead up to your art career. Unlike an artist statement, an artist bio can be written in the third person. It will include when and where you were born and where you are now based.

An artist bio can talk about how you first became interested in art and where you studied. It can discuss your education, degrees, formal art training, or apprenticeship programs you participated in. Essentially, an artist bio connects the impact your life history has on your artwork and talks about your concepts, philosophies, inspirations, and influences.

An artist statement is typically required when you join an art competition, submit your portfolio to a gallery or museum; it may also be used in press releases. Your artist biography, on the other hand, can be used on your website or your profile on a gallery site. It may also be used in articles, interviews, or exhibition catalogs.

Because an artist bio is the account of your life as an artist, it should remain relatively the same throughout your art career. Artist statements, on the other hand, are more flexible and may change depending on its purpose. It may be changed or tweaked from time to time to stay relevant with any status or developmental changes in your work.

Why You Need an Artist Statement in 2021

From portfolio websites to artists galleries, arts professionals benefit from artist statements in more ways than one. Whether you’re applying for residencies or art collectives, submitting your portfolio to a gallery, or participating in a competition, your artist statement will help you stand-out. Decision-makers will want to learn more about your process. When someone becomes familiar with you, they may search the internet to see what others are saying about your work.

Up-and-coming contemporary artists and performance artists alike use the online platforms to reach more audiences and spread their artistic messages. It’s where people may see your work for the first time and learn about you as a talented visual artist. So without realizing it, your personal brand already exists online – especially if you are active on social media or have a website for your work. And while people are free to form their own opinions about your art, remember that you are the best person to represent and describe your work.

Writing an artist statement is how you can take control of your narrative. We live in a digital era where most things, even art, are first experienced on the internet. And unfortunately, seeing art on a screen can often make it impossible to determine the true nature of the piece.

If they are seeing your art online or a photograph, they will want to know your medium and methods. A still image of a performance art piece may be mistaken for photography while a picture of a sculpture may look like a painting. A hyperrealistic art piece may be so accurate and detailed that it is thought to be a photograph of a real person or object. And without the right description, it may go unnoticed that you have used mixed media or used a highly unique method that sets you apart.

Without proper context, an audience, whether online or in-person, can view your art and become confused, be misled, or often make their assumptions about your message or intention behind your work. And while you have little control over how people interpret your work, the goal of your artist statement is to tell your story in your own words and sway readers in the right direction.

The Components of an Artist Statement

Artist statements vary in length, tone, and purpose. However, all effective artist statements have some qualities in common. They answer the “how,” the “what,” and the “why.”

Medium, materials, and methods – Describing the medium and the materials you use to answer the “how.” How do you create your art? Do you use acrylic, oil paint, or charcoal? Do you use metals, wood, stone, or recycled materials? Do you take your photography work using old film cameras and develop them in your darkroom? Or like everyone, a digital camera?

Subject matter – Sometimes subject matters aren’t always obvious. And often, visual artists would prefer not to put labels on their work to let their audience interpret the work for themselves. However, you can describe your subject matter without directly saying it is. Instead, you can answer the “what” by saying it’s an abstract painting, a landscape, or your interpretation of an everyday object.

Relationship between your concept and materials – Talk about your influences and how they manifest in your work. This is your opportunity to differentiate your work from art that is similar to yours and answer the “why.” Explain why you do what you do and what you hope to achieve. What are your intentions? What message do you hope to convey?  

Tips for Writing an Artist Statement

Feeling the pressure of being both artist and writer? Connecting with your audience by explaining your visual art through written words can be a challenge. However, it doesn’t have to be a painful process. Here are some tips on how to help your audience understand your art and gain insight into your process:

Write in the first person – While some may argue that the third person sounds more professional, the goal of your artist statement is to communicate your work effectively. And the best way to do that is by using your own words, active voice, and first-person language to connect with your audience. When crafting your artist statement, imagine you’re having a conversation with the reader; use “I” and “me.” Allow the reader to see your work through your eyes. The problem with writing in the third person is that it may detach you from the reader and make it seem like someone else is describing your motivations.

Use your voice – Using your voice is different from writing in the first person. Your voice refers to your writing personality. Your style may be humorous, witty, technical, or heartfelt. When writing your artist statement, use your unique perspectives and experiences. And while many artists have inspired your work, try not to copy other people’s words to describe art that is similar to yours.

Consider your audience – While it’s important to stay true to your voice, different situations call for different artist statements. A basic artist statement will suffice if it accompanies your artwork on your website. However, if the artist’s statement is for a grant opportunity, you may need to change your tone slightly to focus more on your goal, purpose, and/or techniques.

Write different versions – It is wise art practice to create different versions of your artist statement. This will save you the time of shortening and lengthening your statement depending on the situation. So before you write your artist statement, know your audience.

Because artist’s statements are used for different purposes, they can vary in length. An artist’s statement accompanying a single piece of work can be a few sentences or a short paragraph long. Generally, an artist statement should only be between 100-200 words because shorter statements are better for the average attention span.

On the other hand, an artist statement submitted with your portfolio for review by jurors on a grant committee or graduate art program may require a detailed description of your concept and processes. Therefore, they can be longer if the intended purpose for the artist statement requires a more comprehensive explanation of your work.

Answer the right questions – An effective artist statement answers the “how,” the “what,” and the “why. Think about all the questions you would typically have if you were looking at a piece of art. Interview yourself. What would a prospective buyer, grant-giving organization, or art competition judge want to know about your work?

Use accessible language – Overly technical language and art jargon can be intimidating for the average reader. And while an art expert or a scholar who may understand complex art terms may be reading your artist statement, using fanciful words may come off as pretentious. Instead, use clear, accessible vocabulary that will enlighten your audience rather than confuse them.

Read your statement aloud – When you read your artist statement out loud, does it sound like you or someone else? Remember that your artist statement should sound natural coming from you, after all, they are your words and your voice.

Read your artist statement to a fellow visual artist, a teacher, a mentor, or even an art critic. Sometimes it’s best to seek the opinion of an unbiased third party who has no formal art background. Ask them to point out any inconsistencies, grammarly errors, or confusing comparisons.  

Excellent Examples of Artist Statements

To get inspiration when it’s time to write about your work, read sample artist statements from reliable art resources, art news, artist books, related articles, and art business publications. The best artist statements have a few elements in common. They are short personal narratives that give the reader insight into the art-making process and deeper meaning of the art. They are also written in the writer’s unique voice. Here are some of our favorite artist statements:

We start with an artist statement by Henri Matisse:

“ I don’t paint things; I paint only the differences between things… I do not literally paint that table, but the emotion it produces upon me. What I dream of is an art of balance, of purity and serenity devoid of troubling or depressing subject matter – a soothing, calming influence on the mind, rather like a good armchair which provides relaxation from physical fatigue. ”

– Henri Matisse

Henri Matisse wrote this artist statement for his painting Harmony in Red (1908), considered to be Matisse’s masterpiece by many critics and art historians. While this statement is over a hundred years old, it shows that a well-written artist statement stands the test of time and secures itself in art history.

Here is another artist statement that we love:

“ Getting outside is good for the soul. Through my artwork, I try to bring the outside in. While I make no attempt to portray actual plants or animals, I do want my creations to look like they could have lived or grown somewhere. Living with beautiful objects that pay tribute to the natural world reminds us to slow down and helps us reconnect with nature. ”

– Alison Sigethy

Alison Sigethy is an artist who makes environmentally themed sculptures out of glass. In her artist statement, she explains beautifully where she draws inspiration from when creating kinetic water features and nature-inspired glass art.

Here is another compelling artist statement from Charlene Fuhrman-Schulz:

“ My subject matter is nature, whether it is a traditional landscape or a bird and flower painting. I use traditional materials, ink and brush on rice paper, to capture movement and life — making the brush dance and the ink sing. Everything is captured in the spontaneous dance and movement of the brush as it meets the rice paper. There is no going back and correcting when painting with ink and rice paper. This love of spontaneous Chinese painting has provided a unique segue for my exploration of more abstract techniques of Oriental painting such as “Splashing Ink” or “PoMo”.  These techniques entail pouring color and creating an image from the abstract through the use of traditional brush work. At this point my work ranges from the very traditional to abstract and a blending of the two. ”

– Charlene Fuhrman-Schulz

Charlene Fuhrman-Schulz is a sumi-é artist who began Chinese Brush painting in 1989. We love her artist statement because it gets straight to the point and describes her medium, techniques, and intentions.

Take a look at Georgia O’Keefe’s artist statement for Jimson Weed/White Flower No. 1 (1932):

“ When you take a flower in your hand and really look at it, it’s your world for the moment. I want to give that world to someone else… Nobody really sees a flower – really – it is so small – we haven’t time – and to see takes time… So I said to myself – I’ll paint what I see – what the flower is to me but I’ll paint it big and they will be surprised into taking time to look at it. ”

– Georgia O’Keeffe

Georgia O’Keefe’s artist statement puts focus on the piece’s subject matter, the flower. She talks about her motivations for painting it.

And finally, here is an artist statement from an old master:

“ The pre-homoeroticized body forms both my field of action and the basis of my conceptual taxonomy. My sculptures explore both the flux of transfixable signifiers and their complimentary anecdotal formations. My choice of Carrara marble as a medium creates a dialectic between proto-Classical conceptions of idealized form and later Humanistic naturalism. Each figure’s physical struggle is simultaneously inoperative and adjectival. ”

– Michelangelo Buonarroti

In this excellent example of an artist statement, Michelangelo, one of the greatest artists of the Italian Renaissance, talks about The Rebellious Slave , a marble sculpture piece from 1513. What makes Michelangelo’s artist statement so effective is that it answers the “how,” the “what,” and the “why” of the masterpiece sculpture.  

Your artist statement is a useful tool for explaining your creative process and allows you to steer your narrative in the right direction rather than leave it open to misinterpretation and confusion. While you may dismiss writing an artist statement to allow your visual work a chance to speak without verbal cues, remember that artist statements are necessary if you want to grow as an artist and gain the attention of audiences and potential patrons and buyers.

Whether you’re in New York City or Los Angeles, somewhere in Europe or Latin America, applying for national or international residency programs, or a hardworking emerging artist finding your niche in the artistic community, an artist statement is your ticket to the art world.

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Writing Your Artist Statement

Writing your artist statement is a rite of passage.

Your artist statement will be requested by everyone from gallery dealers to show promoters to curators to art writers, bloggers, and podcasters. But what exactly   is  an artist statement?

In truth, there is no strict definition, and  there are no precise guidelines for an artist statement.  I know it would be a lot easier if there were a standard statement format, but there isn’t.

But I've got your back. I've developed this comprehensive guide to help you write your statement.

[🎧   Prefer to listen?  Listen here .  ]

What is an artist statement?

Ask 100 people in the art community what they want in an artist statement and you’ll get 100 different answers. Here’s my definition:

An artist statement is a written document that guides viewers to a better understanding of your artwork.

My biases, reflected in that definition and the rest of this article, come from my  background  as an art historian and museum curator and educator, as well as more than two decades working with artists.

You will never convince me that art speaks for itself. For as long as it's been around, art (perhaps yours) has been written about, scrutinized, and categorized by those I mentioned earlier: arts writers, critics, gallery dealers, and curators. You might occasionally like what others say about your art, but more than likely you will wish you had found the words for yourself in the first place.

You can do more than simply react to what others say about your art.  The right language can put you in  control .

Communicating effectively about your art begins with your artist statement because, again:  An artist statement is a written document that guides viewers to a better understanding of your artwork.

You have to make sense of your art before you can share your message in other formats or through  social media  channels. This is accomplished through the  process  of writing your artist statement. And it  is  a process.

Why you need an artist statement.

The pensive and deliberate process of writing your artist statement can be a boon to your promotional efforts. Once you take the time to become intimately acquainted with your work and learn to articulate your ideas more clearly, you’ll find many uses for the language in all of your promotional materials. More about that coming up.

Writing your statement is the first step in marketing your art.

Contrary to what you may think, the establishment isn’t asking for an artist statement to torture you. They’re asking because they want to know about your art. They want to hear how you describe it.

You don't write an artist statement just because   someone asked for you to submit one .

You write an artist statement because you are  in charge  of your art career.

Your statement is the backbone of your marketing because it’s all about your art. It’s your chance to guide the perception of your work. It makes little sense to hang a show , send out a press release, or apply for a grant before you develop a meaningful statement.

Why should viewers spend time trying to connect with your art if you haven’t spent time trying to understand it for yourself?

[🎧  Prefer to listen? Listen here . ]

This isn't going to be easy.

It’s difficult to stand back from your art and think about it objectively, much less articulate what comes from your soul.

I get it. It’s a challenge to put into words what you have expressed visually. The process from which it evolves is complicated and words describing it rarely flow easily.

But you have to keep trying.

You wouldn’t expect your art to improve if you didn’t put in the hours. Language skills are no different. You have to put in the hours. To work on the words. But the effort will be worth it because your artist statement is an opportunity that should not be wasted. It’s free. It costs nothing except time to communicate these ideas to your viewers.

A good starting point for your statement would be journaling about your art. This is a process I walk artists through in my programs.

I understand that you would much rather be making art than talking or writing about it. Know that you are not alone. Many, many artists are in the same situation, but that’s no excuse to neglect writing your statement.

Don’t miss this opportunity to clarify your thoughts—for yourself and for others.

I won't lie and tell you this is going to be easy, and you shouldn't believe anyone who says otherwise. You must ( must! ) make time to write your statement. It will not be any good if you don’t work at it. 

Don’t expect to get it right immediately. You’re too close to your work to uncover a deeper meaning without a lot of effort, but you’ll be rewarded for that hard work.

It’s important to collect your thoughts (and a lot of words) before you begin to narrow down what you want to say and how you want to say it.

Let me get you started with some journaling prompts.

Use these prompts for writing your artist statement.

Respond to these questions in depth during your journaling time. Get a notebook out and do this the old-fashioned way. When you type into a computer, there's a temptation to self-edit. To make the words perfect.

This is no time for perfection. Allow the words to flow by using pen and paper without editing yourself. Your goal is to collect as many words as possible.

[ An imperfect journaling practice for artists ]

1. What do you want people to see?

What is important to you? What do you want viewers to get about your art? Is it . . .

• Your labor?
• A special material?
• An emotion?
• Color? Line? Texture?

Write in your journal about how you handle this aspect of your work. The words you ultimately select for your statement should be clues that lead viewers  to these discoveries.

For example, declaring “I love color” isn't helpful because, well, who doesn’t love color? I call this lazy language. Show us exactly  how you respond to color and use it to transfer meaning from your head and heart to the viewer.

2. What is a distinguishing characteristic of your art?

A distinguishing characteristic might be one of the items in the list under #1 above or something completely different.

What makes  your art different from artists working along the same lines? Emphasize this quality when you speak and write. Help us to see what makes you an original.

Part of your job, if you haven't already figured this out, is to educate others how to look at your work. Most people haven’t had a visual education. They need to be shown, through words, what to look for.

3. What do other people find delightful or surprising about your art?

If it captures one person’s attention, it will probably be fascinating to others as well. Listen to  what people say about your art. Their discoveries might shock or confound you, but trying to understand where they’re coming from is part of the communication process.

What are people saying?

You might uncover new language by listening to their insights.

After you've responded to these 3 questions, take a break—a day or two—and write more. See if you can collect enough words for 10 artist statements. Keep writing even if it doesn't make sense to you right now.

The more words you collect, the more you have to choose from for not just your artist statement but for all of your promotional material.

Guidelines for your artist statement.

Here are some tips as you start writing the first draft of your artist statement.

Stick to the body of work you are trying to define.

If you have many different bodies of work, write a statement for each of them. Trying to write a comprehensive statement for diverse works will result in a watered-down attempt.

Do not dredge up past work that is no longer pertinent, but feel free to mention past work that is closely related. This helps us see your progression.

Do not include anything about the teachers and historical figures who influenced you. Whenever you mention someone else, the reader's mind starts wandering and comparing. You want them to stay focused on your art.

Write in the first person .

It is a statement, after all. It comes from your lips (or pen or keyboard). Own the words.

Which brings me to …

Avoid quotes from other sources.

When we first started writing as youths, our English teachers, bless them, taught us how to start an essay with a quote. Then, if you were like me, it became your favorite way to start all of your essays. It was easier to fill the page with someone else's words. More lazy language.

We're no longer in English class.

Use your own words to describe your art. To repeat: Any mention of other names will cause readers’ minds to wander to someone other than you.

Resist including biographical information.

Your biography (which is written in the third person) is not the same as your statement (which is written in the first person). These are two different documents .

Allow your statement to be organic.

This document isn't your life's treatise. You won't be defined by the words you choose forever.

Your artist statement should grow, change, and mature along with your work. Don’t cast it in bronze and consider it done.

While I said this will take a lot of time and won't be easy, don’t labor so much that you think you have the perfect statement and never need to look at it again. You shouldn’t be afraid to change it and make it better.

Keep it short.

Most artist statements don't need to take up anymore space than a couple of paragraphs. Often, a single paragraph will do.

Always, always, always aim for brevity. If you decide to create a statement that is longer than two paragraphs, be sure that every word adds to your message. If not, leave it out.

The Ultimate Test

Think of your statement as a connecting device—something that connects viewers’ experiences with your art.

Above all, your artist statement should compel viewers to look back at your work. This is the ultimate test for a successful statement. Your statement has failed if people read the words you’ve written and then go on to the next artist without being intrigued enough to take another look at your work.

This advice I've given over the years has often been misinterpreted to be that you should be didactic with your language. I urge you to write without telling people (literally) to look at specific aspects of the work. See how Linda Hugues does this in the example below.

Writing a draft of your artist statement.

It was necessary to get thoughts out of your head and onto paper. To collect words. That process was for you.

When you write your statement draft, you are writing for a reader. You cannot and should not try to find a place for all of those words you have collected and, hopefully, will continue to collect.

Don't be so in love with what you wrote that you can't remove it for a bigger impact. Don't worry! You didn't waste your time. You might be able to use scraps you cut for other purposes, like social media posts. 

This is where I leave you to write your draft.

I can't tell you to write this sentence first and then that one next. You're on your own to mold your words into impactful paragraphs. The onus is on you to select the most pertinent thoughts and present them to the reader as succinctly as possible.

Remember, at this point you are not committing the U.S. Constitution to ink. Heck, you aren't even committing to these words for yourself. You are writing what author Ann Lamott calls a shitty first draft .

Remember, it's a process. Allow the ugly phases.

If you want your words to improve, you will write and rewrite the same thoughts. This is sometimes difficult, which is why, again, you must allow time between writing and editing.

Once you have pulled everything together in paragraph form, you can begin to hone your draft.

Editing your artist statement.

My first rule of thumb for editing is to put aside your draft for a day or two before looking at it again. You need a little space between the writing and revisions.

There are 5 things to look out for when editing your artist statement.

1. Don’t say your art is  unique .

Just. Don't. Do. It.

“Unique” doesn’t mean anything and, I'm sorry to say, odds are that your work isn’t unique in the clearest definition of the word. All art is informed by work that came before and anyone who knows art history can point to an artist who did it first place.

But your work does have  qualities  that make it yours rather than someone else’s. Instead of using the word “unique,” describe your work in a way that makes the reader  think it’s unique. These are the distinguishing characteristics I mentioned in the prompts above.

While this Facebook Live was recorded in 2017 when we were still Art Biz Coach, the information is still solid. I think you'll understand the editing process if you watch. 

2. Remove the phrases that many artists default to.

I see these phrases in so many statements that they put me straight to sleep. They are more lazy language. Do  not use any version of these in your statement.

• I am excited by . . .
• I’ve always been an artist / I have always made art
• I have to  make art
• My work is about the human condition

I could go into detail on each one of these and tell you why they send up red flags for me, but the bottom line is that the words usually following these phrases are, and I'm being kind here, far less than interesting.

3. Beware of redundancy.

Say it one way and move on.

Don’t  drag it out  and duplicate the same meaning in a new sentence. Don’t make me be redundant by going any further with this warning.

4. Get rid of the lists.

One of the things I see in artist statements that makes me want to take a delete key to them is the overuse of adjectives. Lists of descriptors are a rampant virus in artist statements. Get rid of them!

If you have more than 3 or 4 commas in your statement, dig deep to see what can be eliminated.

5. Reduce the number of personal pronouns.

Yes, you\'re writing in the first person, but you don’t need all of those I/me/my/mine/myself  words in there. Really! I challenge you to get rid of most of them.

After you’ve cleaned up these 5 things, give yourself a little more time and step away from what you’ve written. When you return to the document, look it over and (here’s a ninja move) read it out loud.

Does it make sense when you read it out loud? Are these words you would speak naturally? It is a statement, after all. Reading your draft aloud will help you uncover any odd passages.

Facebook Live from 2018, when we were still Art Biz Coach, shows how I go about editing an artist statement. The process is the same today as it was then.

Example of a good artist statement.

Awhile back, I worked with artist Linda Hugues on her statement. The words and ideas are wholly hers. It was my job to help her massage the message. I think it stands up even after the passing of a few years.

Note that Linda's statement is longer than a paragraph or two, but that it isn't redundant. Every word contributes to an understanding of her painting.

I paint sun-drenched cityscapes of Florida and Europe because I love the blend of architecture, history, and lifestyle in these favorite locations. My works are studies of the character and energy of each city told through a carefully balanced construction of the elements of urban landscape. Rearranging and enhancing these elements allows me to satisfy my search for beauty and order. To that structure, I add the passersby, who bring the scene to life and contribute their own story. Viewing the activity from a comfortable distance I tend to wonder, “Who are they? What are they thinking about? What will their day be like?”  My figures suggest answers to these questions through their posture and movement. The steps of my painting process allow me to concentrate on one aspect of design at a time. Beginning with my photos of the scene and my memories of how I felt at that moment, I rearrange the elements, focusing on shape, contrast, and repetition to strengthen the composition. Before putting brush to canvas I make small sketches in oil paint and ink to try out different value and color ideas. When I start on the full-sized canvas I use large brushes and big strokes, working to capture the emotion of the scene. Then I add in more detail, revising until I feel the work reflects my original vision. Ultimately, I want my paintings to be a love poem to the city and evoke the joy of that sunlit moment.

Notice how Linda has given us clues for looking at her work: sun-drenched, architecture, passersby, story.

How and where to repurpose your artist statement.

Linda's statement above could easily be broken up in to two different pieces of text: one about subject matter (the first two paragraphs) and the other about technique (the last two paragraphs). That relates to the final point I want to share.

Once you have a statement you're proud of, it will sustain you. Use your artist statement in the following situations.

• On your website. This is obvious. But here's something that might not be so obvious: Make sure people can look at the art that the words are describing—that they can see words and images side by side. Remember that the ultimate test for a successful artist statement is that your words compel people to look at the art. I understand that some website templates make this difficult, so please note it's just a preference, not a mandate.
• In your artist introduction . The second sentence of your artist introduction is a whole lot easier after you write a meaningful statement.
• On a gallery label. Your artist statement can serve as an introduction to your exhibition. [ Pointers on wall labels for your art exhibition   ]
• As the framework for a section of your grant application.

• In a  brochure . By all means use it in your brochure, but there's no need to add the words “Artist Statement” as a headline. Most people have no idea what an artist statement is, so you can leave off those two words in marketing pieces intended for the general public.
• In a catalog. A catalog , even when self-published, is an excellent marketing tool. It's also an opportunity for you to curate your body of work—recognizing the strengths and identifying common threads among the individual pieces. You artist statement, of course, belongs with those works in print.
• In your email signature block. Pull out your best sentence to use below your sign-off and name in your emails. Don't forget to include a link to your website.

A Final Word about Your Artist Statement

As I said way back in the beginning of this article, these guidelines reflect my biases. There are no hard and fast rules .

Regardless of what you read here, follow any guidelines for your artist statement that you’re given when entering an exhibition or applying for an opportunity. Always follow directions and you should be okay.

I hope this has clarified any questions you might have had about your statement. Remember, writing your artist statement isn't easy. It's a process—a necessary process.

🎧  Listen to the podcast: Guidelines for Writing Your Artist Statement .

• Alyson Stanfield
• February 15, 2022

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Charlie Kirk once pushed a 'secular worldview.' Now he's fighting to make America Christian again.

Six years ago, Charlie Kirk, a right-wing provocateur who founded the conservative activist group Turning Point USA, strongly criticized the evangelical political movement he now helps lead.

Kirk, known then primarily for his work mobilizing college-age Republicans, described Jesus as welcoming and tolerant and denounced Christians’ “sanctimonious approach” to homosexuality and other issues. He argued politics should be advanced through a “secular worldview” and slammed attempts by the evangelical right, beginning in the 1970s, to “impose” their version of morality “through government policy.”

“We do have a separation of church and state,” Kirk told the conservative commentator Dave Rubin in 2018 , “and we should support that.”

Kirk, now 30, has since reversed his position. It’s a transformation that, according to political and religious scholars, embodies and reinforces a growing embrace of Christian nationalist thinking within the Republican Party in the era of Donald Trump.

“There is no separation of church and state,” Kirk said on his podcast in 2022. “It’s a fabrication. It’s a fiction. It’s not in the Constitution. It’s made up by secular humanists .”

Today, Kirk and Turning Point are dominant forces in the Republican Party and MAGA movement, working directly with the Trump campaign on voter outreach while reaching millions of listeners through Kirk’s daily radio show and podcast. Along the way, Kirk has become one of the nation’s most prominent voices calling on Christians to view conservative political activism as central to Jesus’ calling for their lives.

Kirk routinely rails against what he calls the “ LGBTQ agenda ,” which he claims is harming children. He has invoked the Seven Mountains Mandate, a philosophy increasingly popular among Trump supporters that calls on conservative Christians to claim positions of power in seven key mountains of society, including government, media, business and education. And he promotes Trump as crucial to restoring Christian morality in America.

“I worship a God that defeats evil,” Kirk said last week while introducing the former president at a rally hosted by Turning Point and the Trump campaign at an Arizona megachurch. “And we worship a God that wins in the end.”

By appealing to conservative Christians’ fears of shifting cultural norms around LGBTQ acceptance, and by portraying the election as part of a spiritual struggle, Kirk and Turning Point are banking that they can drive evangelical turnout to secure Trump victories in key swing states. But extremism experts warn that this framing — the idea Trump is on a mission from God to restore Christian righteousness in America — could lead followers to take radical action if he doesn’t prevail in November.

“There’s this growing sense that American politics are so broken,” said Paul Matzko, a historian of American conservatism, “that there’s a decreasing willingness to imagine the other side being allowed to exercise power without doing it in apocalyptic terms, which fuels things like the insurrection on Jan. 6.”

Kirk, whose organization bused supporters to Washington, D.C., on Jan. 6, 2021, to rally Congress to reject the presidential election outcome, declined to be interviewed. Andrew Kolvet, a Turning Point USA spokesperson, said Kirk has never advocated for violence.

“Charlie wants to save America with words, persuasion, courage and common sense,” Kolvet said. “The left is desperate to conjure up some Christian boogeyman that simply doesn’t exist. We’re telling churches: Either get involved and have a say in the direction of your country or you’ll leave a void that someone else who doesn’t share your values will fill.”

Kirk grew up attending church in the Chicago suburbs and identified as an evangelical when he founded Turning Point at the age of 18 in 2012 to promote the libertarian values of “free markets and limited government.” Kirk referred to the Bible in his 2016 manifesto , “Time for a Turning Point,” but argued publicly that — much like a plumber or an electrician — it was not his job as a political activist to proselytize his faith.

“You don’t want to be too offsetting and off-putting,” he said in 2018.

Kolvet said Kirk started to become more serious about his faith six years ago, after traveling to Israel to witness the U.S. embassy move to Jerusalem during the Trump administration. But Kirk’s views on the role of religion in politics really began to shift in 2020 , Kolvet said, after churches were forced to close to slow the spread of Covid, which Kirk and others depicted as an attempt by a tyrannical government to control Christians.

A year earlier, Kirk says he’d begun meeting with California megachurch pastor Rob McCoy , who helped convince him that America was a Christian nation whose founding documents were derived from the Bible. (Although some Founding Fathers wrote of the importance of religion in maintaining a virtuous society, historians dispute the notion that America was established as an explicitly Christian nation.)

In 2021, Kirk and McCoy created TPUSA Faith, a division of Turning Point USA, to mobilize conservative Christians to advance their vision.

“Charlie was just like, ‘Listen, we’re going to rally the churches and tell them that it’s OK to have political opinions about transgender surgeries for minors, about keeping your churches open during Covid and registering voters,’” Kolvet said.

Kirk’s political and spiritual metamorphosis was followed by a surge in donations and media attention that helped turn him into a leading GOP power broker — credited in February with helping push out Ronna McDaniel as Republican National Committee chairwoman, which further tightened Trump’s grip on the party.

Matzko, a recent fellow at the Cato Institute, a libertarian think tank, said Kirk has aligned himself with a once-fringe strand of apocalyptic political theology popularized by a network of Pentecostal and charismatic Christian influencers in recent decades. With the Seven Mountains Mandate as a key organizing principle, ambassadors of this movement — sometimes referred to as the New Apostolic Reformation — present politics as a spiritual clash between good and evil and Trump as a generational leader ordained by God to save America from the forces of darkness.

“He’s pitching his message to people who do believe that we’re in the end-times, and that if we don’t seize the Seven Mountains of cultural influence, then the other side, the satanic side, will,” Matzko said. “That sense of threat, that sense of anxiety, it just drips from his comments.”

In 2021, soon after launching TPUSA Faith, Kirk told a church congregation in Washington state that it was time for Christians “to rise and stand.” He then quoted a Bible passage from the book of Luke often cited by Seven Mountains adherents to make the case that Christians are meant to rule over society until Jesus returns: “The Bible says very clearly,” Kirk said, “to ‘Occupy until I come.’”

After this article was published, Turning Point issued a statement to NBC News distancing Kirk from the worldview.

“Charlie probably couldn’t tell you what the seven mountains are,” Kolvet said. “Charlie speaks at churches that are focused on those ideas, and others that wouldn’t even know what you are talking about. Charlie loves the Lord and scripture, and he wants to play a small role in saving America.”

Nevertheless, Kirk has closely aligned himself with leading figures promoting the Seven Mountains worldview, including Lance Wallnau, a self-identified prophet who coined and popularized the concept two decades ago. Kirk has appeared on “ FlashPoint ,” a national TV program that’s won viewers with a blend of pro-Trump political commentary and prophetic messages about God’s divine plans for America. And he has partnered with Sean Feucht, a Christian musician who’s been hosting political worship rallies at all 50 state Capitols to promote the idea of a Christian America.

“We want God writing the laws of the land,” Feucht said at a TPUSA Faith-sponsored event outside the Wisconsin statehouse last year. “Guilty as charged.”

This mindset, which can be traced to the Moral Majority movement of the 1970s and ’80s that Kirk once condemned , has helped fuel recent GOP initiatives chipping away at church-state separation. That includes the Alabama Supreme Court’s decision imperiling women’s access to in vitro fertilization, and a wave of state bills to display the Ten Commandments in classrooms, place religious chaplains in public schools and require students to learn from the Bible. Trump has also sought to court pastors and voters who believe America was meant for Christian rule, promising if elected to restore evangelical power in government and to begin screening immigrants based on their faith and rejecting any who “don’t like our religion.”

With more than 30 full-time staff members, according to the group’s website, TPUSA Faith has worked to create a nationwide network of churches to wage political and spiritual warfare against Democrats by mobilizing pastors and registering Christian conservative voters to restore “traditional biblical values in our nation.” 

Kirk often paints political opponents as evil. The “woke” left, he told an estimated 1,100 church leaders gathered last year for the TPUSA Faith Pastors’ Summit in Nashville, Tennessee, has tried to silence conservative Christians.

“They want a passive church,” Kirk warned , before alluding to the passivity of churches in Nazi Germany. “They want an obedient church.”

Matthew Boedy, a rhetoric professor at the University of North Georgia and a Turning Point USA critic who’s writing a book about Kirk’s adoption of the Seven Mountains Mandate, said he views Kirk’s political and religious transformation as more of a symptom, rather than a cause, of the Republican Party’s embrace of these ideas.

“What Charlie’s doing is not new,” Boedy said. “He’s repeating phrases and lines and themes that have been around for a long time, but he’s telling it to groups of people that either have not heard it before or are not as familiar with it, and he’s translating it into more populistic language that a new generation can understand.”

Kirk’s message is resonating with voters who believe Christian values are under attack and that Trump will protect them.

Dana Morrison-Miller, 62, a two-time Trump voter from Phoenix, was in the audience at the Trump rally hosted by Kirk and Turning Point last week in Arizona. She told NBC News she believes unsubstantiated claims the 2020 election was stolen. Among her sources of information, Morrison-Miller said, are Kirk’s podcast and Elijah Streams , an online program where self-identified prophets and apostles preach about the Seven Mountains and the spiritual struggle to put Trump back in the White House.

Asked if she has confidence in the 2024 vote, Morrison-Miller said: “The only confidence I have is in God and then all of these people that are rising up and just saying enough.”

“It’s in God’s hands,” she added, “and America, if we will humble ourselves and pray and seek God’s face and turn from our selfish, wicked ways, I believe God will hear and heal this land.” 

Miles Smith IV, a history professor at the conservative Hillsdale College in Michigan, described the undercurrent of Kirk’s effort as an attempt to reach “folk Christians” — those who may not be deeply religious, but identify as Christian culturally and feel under attack in a secular society. These voters, Smith said, are more motivated by right-wing populism’s nationalist and anti-elitist framing than strict adherence to religious doctrine.

“I think that maybe someone like Charlie Kirk has kind of decided that Christianity is the best way” to advance a populist agenda, Smith said. “I don’t think that people wake up and say, ‘Oh, well, [I’m] Christian now, that’s why I’m going to be populist.’ I think they are populist, and maybe they use Christianity as a buttress for it.”

Unlike Trump, however, who has promised to empower evangelicals but isn’t particularly steeped in their culture — having famously mispronounced a book of the Bible as “ Two Corinthians ” — Matzko said Kirk speaks the language. When Kirk talks about the need for Christians to view the presidential election as part of a spiritual struggle to save “Western civilization,” he often cites scripture to support his argument.

“He really understands these things,” Matzko said. “His rhetoric reminds me of someone who buys it.”

In a February interview with Wallnau, the Seven Mountains evangelist, Kirk announced what he called “Project 81,” an initiative to rally church leaders in swing states to push evangelical support for Trump above 81% — the key, Kirk said, to GOP victory in November.

Speaking at an Arizona megachurch in March, Kirk primed his followers for the possibility their efforts could fall short. If that happens, Kirk told them they needed to be ready to continue the fight, which he described later in his remarks as “a spiritual war first and foremost.”

“There are demons that are at work,” Kirk said. “The mantra for all of us should be … ‘Lord use me. How can you use me for your purpose to advance the kingdom of God here on Earth.’ And so it’s a full-court press now until November.”

During his conversation with Rubin back in 2018, Kirk warned that the approach to politics and religion he now embraces increased the odds of Republican defeat.

Regular voters, Kirk said, “don’t want to have to live the way some Christian in Alabama” wants them to live.

“When we start to say we should support this law because it’s the Christian thing to do,” he said, “that has turned people off for the last 30 years.”

Mike Hixenbaugh is a senior investigative reporter for NBC News, based in Maryland, and author of "They Came for the Schools." 

Allan Smith is a political reporter for NBC News.

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Art personal statement example 1.

Art has always been a massive part of my life. I remember my first painting and I remember how I wished I had more time to make it better. Even as a child I strived for the best from my work.

I prefer Fine Art to anything else, as fine art to me has more potential in it to embrace the artists’ emotions and can contain more depth and concept than any other media. More specifically, I am fascinated by expressionism.

Being honest, after I left college, I suffered from depression and anxiety. This set me back a bit, and made me rethink the whole University situation. Whether I really wanted it? Whether I really needed it? After two of getting better, I realised: yes, it is what I need, and most definitely what I want. Being a little bit older than I was, and being a whole lot more committed, I know my mind is in a better place than it was two years ago. It’s given me time to think about what I really want to do with my life, what I want out of it and what I want to give back.

Art has helped me in the healing process of myself. When I paint or draw something, only I know it’s true meaning. It’s like a secret between me and the canvas and no one is ever going to find out. I like that about art. You can be yourself, and it doesn’t judge you. Instead it takes everything positive you have and amplifies it, making you and your soul infinitely beautiful.

When I found out that I could express myself and vent through something so simple as art, I researched into it, how I could get involved, how I could help others the way I wish someone had helped me earlier in my life? Then I found it; art therapy. That is my ultimate goal in life. To be able to help someone who needs my help. To be qualified and experienced and confident enough to help a stranger, through the means that I found so helpful and rewarding. But in the mean time, I would like to study art and an academic course to feed my love of learning, and by the end of it, applying for a teaching course and qualify as an art teacher.

During the two years from leaving College to now, I have had a few jobs here and there, giving me experience in the real world, only making me realise that I need to be surrounded by people with a similar mind to mine. However, the experience I did pick up has been most useful and rewarding.

I worked voluntarily for Care UK for a few months, where I gained a lot of organisational skills, and a business frame of mind. I gave excellent customer service and had clients ringing back to thank me personally. This made the idea of me helping people amplify in my mind, as it felt good to; firstly, have such nice feedback; but secondly, to know I helped someone out and made their day that little bit easier.

I was commissioned to do a painting in Miami, Christmas 2011. And have been working on smaller projects ever since. I have a lot of ideas I would like to have the ability to carry out. My home space isn’t big enough to fulfil all my artistic needs, so I have started channelling my creativity into graphic art. I love the range you can get with just a button, but nothing beats getting your hands dirty and having everything you’ve worked on mapped out in front of you.

In my spare time, I like to read, a lot. I read a lot of thriller, crime and horror books. I go to art galleries and museums as often as I can, viewing new exhibits and local art. I enjoy playing the keyboard, writing poems and sketching.

I also like to learn during my spare time. I have completed an introduction to philosophy course on the website ‘Coursera’ with the University of Edinburgh; I am very interested in the way the mind works, the way normal and abnormal humans think. This sometimes comes across in my art work, but is something I would like to evolve further as I work out my true style and what kind of an artist I truly am. The study of an academic subject, along with art will push me further into my hopeful career of art therapy and how the two intertwine.

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This personal statement was written by rosieclay for application in 2000.

rosieclay's Comments

Erm, basically, I took 30 minutes in writing it. But I was so passionate about writing it, it just all came out. I think there's a time to write it, instead of trying to drip feed your self into something.

This personal statement is unrated

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Introducing Apple Intelligence, the personal intelligence system that puts powerful generative models at the core of iPhone, iPad, and Mac

New Capabilities for Understanding and Creating Language

Image Playground Makes Communication and Self‑Expression Even More Fun

Genmoji Creation to Fit Any Moment

New Features in Photos Give Users More Control

Siri Enters a New Era

A New Standard for Privacy in AI

ChatGPT Gets Integrated Across Apple Platforms

Text of this article

June 10, 2024

PRESS RELEASE

Setting a new standard for privacy in AI, Apple Intelligence understands personal context to deliver intelligence that is helpful and relevant

CUPERTINO, CALIFORNIA Apple today introduced Apple Intelligence , the personal intelligence system for iPhone, iPad, and Mac that combines the power of generative models with personal context to deliver intelligence that’s incredibly useful and relevant. Apple Intelligence is deeply integrated into iOS 18, iPadOS 18, and macOS Sequoia. It harnesses the power of Apple silicon to understand and create language and images, take action across apps, and draw from personal context to simplify and accelerate everyday tasks. With Private Cloud Compute, Apple sets a new standard for privacy in AI, with the ability to flex and scale computational capacity between on-device processing and larger, server-based models that run on dedicated Apple silicon servers.

“We’re thrilled to introduce a new chapter in Apple innovation. Apple Intelligence will transform what users can do with our products — and what our products can do for our users,” said Tim Cook, Apple’s CEO. “Our unique approach combines generative AI with a user’s personal context to deliver truly helpful intelligence. And it can access that information in a completely private and secure way to help users do the things that matter most to them. This is AI as only Apple can deliver it, and we can’t wait for users to experience what it can do.”

Apple Intelligence unlocks new ways for users to enhance their writing and communicate more effectively. With brand-new systemwide Writing Tools built into iOS 18, iPadOS 18, and macOS Sequoia, users can rewrite, proofread, and summarize text nearly everywhere they write, including Mail, Notes, Pages, and third-party apps.

Whether tidying up class notes, ensuring a blog post reads just right, or making sure an email is perfectly crafted, Writing Tools help users feel more confident in their writing. With Rewrite, Apple Intelligence allows users to choose from different versions of what they have written, adjusting the tone to suit the audience and task at hand. From finessing a cover letter, to adding humor and creativity to a party invitation, Rewrite helps deliver the right words to meet the occasion. Proofread checks grammar, word choice, and sentence structure while also suggesting edits — along with explanations of the edits — that users can review or quickly accept. With Summarize, users can select text and have it recapped in the form of a digestible paragraph, bulleted key points, a table, or a list.

In Mail, staying on top of emails has never been easier. With Priority Messages, a new section at the top of the inbox shows the most urgent emails, like a same-day dinner invitation or boarding pass. Across a user’s inbox, instead of previewing the first few lines of each email, they can see summaries without needing to open a message. For long threads, users can view pertinent details with just a tap. Smart Reply provides suggestions for a quick response, and will identify questions in an email to ensure everything is answered.

Deep understanding of language also extends to Notifications. Priority Notifications appear at the top of the stack to surface what’s most important, and summaries help users scan long or stacked notifications to show key details right on the Lock Screen, such as when a group chat is particularly active. And to help users stay present in what they’re doing, Reduce Interruptions is a new Focus that surfaces only the notifications that might need immediate attention, like a text about an early pickup from daycare.

In the Notes and Phone apps, users can now record, transcribe, and summarize audio. When a recording is initiated while on a call, participants are automatically notified, and once the call ends, Apple Intelligence generates a summary to help recall key points.

Apple Intelligence powers exciting image creation capabilities to help users communicate and express themselves in new ways. With Image Playground, users can create fun images in seconds, choosing from three styles: Animation, Illustration, or Sketch. Image Playground is easy to use and built right into apps including Messages. It’s also available in a dedicated app, perfect for experimenting with different concepts and styles. All images are created on device, giving users the freedom to experiment with as many images as they want.

With Image Playground, users can choose from a range of concepts from categories like themes, costumes, accessories, and places; type a description to define an image; choose someone from their personal photo library to include in their image; and pick their favorite style.

With the Image Playground experience in Messages, users can quickly create fun images for their friends, and even see personalized suggested concepts related to their conversations. For example, if a user is messaging a group about going hiking, they’ll see suggested concepts related to their friends, their destination, and their activity, making image creation even faster and more relevant.

In Notes, users can access Image Playground through the new Image Wand in the Apple Pencil tool palette, making notes more visually engaging. Rough sketches can be turned into delightful images, and users can even select empty space to create an image using context from the surrounding area. Image Playground is also available in apps like Keynote, Freeform, and Pages, as well as in third-party apps that adopt the new Image Playground API.

Taking emoji to an entirely new level, users can create an original Genmoji to express themselves. By simply typing a description, their Genmoji appears, along with additional options. Users can even create Genmoji of friends and family based on their photos. Just like emoji, Genmoji can be added inline to messages, or shared as a sticker or reaction in a Tapback.

Searching for photos and videos becomes even more convenient with Apple Intelligence. Natural language can be used to search for specific photos, such as “Maya skateboarding in a tie-dye shirt,” or “Katie with stickers on her face.” Search in videos also becomes more powerful with the ability to find specific moments in clips so users can go right to the relevant segment. Additionally, the new Clean Up tool can identify and remove distracting objects in the background of a photo — without accidentally altering the subject.

With Memories, users can create the story they want to see by simply typing a description. Using language and image understanding, Apple Intelligence will pick out the best photos and videos based on the description, craft a storyline with chapters based on themes identified from the photos, and arrange them into a movie with its own narrative arc. Users will even get song suggestions to match their memory from Apple Music. As with all Apple Intelligence features, user photos and videos are kept private on device and are not shared with Apple or anyone else.

Powered by Apple Intelligence, Siri becomes more deeply integrated into the system experience. With richer language-understanding capabilities, Siri is more natural, more contextually relevant, and more personal, with the ability to simplify and accelerate everyday tasks. It can follow along if users stumble over words and maintain context from one request to the next. Additionally, users can type to Siri, and switch between text and voice to communicate with Siri in whatever way feels right for the moment. Siri also has a brand-new design with an elegant glowing light that wraps around the edge of the screen when Siri is active.

Siri can now give users device support everywhere they go, and answer thousands of questions about how to do something on iPhone, iPad, and Mac. Users can learn everything from how to schedule an email in the Mail app, to how to switch from Light to Dark Mode.

With onscreen awareness, Siri will be able to understand and take action with users’ content in more apps over time. For example, if a friend texts a user their new address in Messages, the receiver can say, “Add this address to his contact card.”

With Apple Intelligence, Siri will be able to take hundreds of new actions in and across Apple and third-party apps. For example, a user could say, “Bring up that article about cicadas from my Reading List,” or “Send the photos from the barbecue on Saturday to Malia,” and Siri will take care of it.

Siri will be able to deliver intelligence that’s tailored to the user and their on-device information. For example, a user can say, “Play that podcast that Jamie recommended,” and Siri will locate and play the episode, without the user having to remember whether it was mentioned in a text or an email. Or they could ask, “When is Mom’s flight landing?” and Siri will find the flight details and cross-reference them with real-time flight tracking to give an arrival time.

To be truly helpful, Apple Intelligence relies on understanding deep personal context while also protecting user privacy. A cornerstone of Apple Intelligence is on-device processing, and many of the models that power it run entirely on device. To run more complex requests that require more processing power, Private Cloud Compute extends the privacy and security of Apple devices into the cloud to unlock even more intelligence.

With Private Cloud Compute, Apple Intelligence can flex and scale its computational capacity and draw on larger, server-based models for more complex requests. These models run on servers powered by Apple silicon, providing a foundation that allows Apple to ensure that data is never retained or exposed.

Independent experts can inspect the code that runs on Apple silicon servers to verify privacy, and Private Cloud Compute cryptographically ensures that iPhone, iPad, and Mac do not talk to a server unless its software has been publicly logged for inspection. Apple Intelligence with Private Cloud Compute sets a new standard for privacy in AI, unlocking intelligence users can trust.

Apple is integrating ChatGPT access into experiences within iOS 18, iPadOS 18, and macOS Sequoia, allowing users to access its expertise — as well as its image- and document-understanding capabilities — without needing to jump between tools.

Siri can tap into ChatGPT’s expertise when helpful. Users are asked before any questions are sent to ChatGPT, along with any documents or photos, and Siri then presents the answer directly.

Additionally, ChatGPT will be available in Apple’s systemwide Writing Tools, which help users generate content for anything they are writing about. With Compose, users can also access ChatGPT image tools to generate images in a wide variety of styles to complement what they are writing.

Privacy protections are built in for users who access ChatGPT — their IP addresses are obscured, and OpenAI won’t store requests. ChatGPT’s data-use policies apply for users who choose to connect their account.

ChatGPT will come to iOS 18, iPadOS 18, and macOS Sequoia later this year, powered by GPT-4o. Users can access it for free without creating an account, and ChatGPT subscribers can connect their accounts and access paid features right from these experiences.

Availability

Apple Intelligence is free for users, and will be available in beta as part of iOS 18 , iPadOS 18 , and macOS Sequoia  this fall in U.S. English. Some features, software platforms, and additional languages will come over the course of the next year. Apple Intelligence will be available on iPhone 15 Pro, iPhone 15 Pro Max, and iPad and Mac with M1 and later, with Siri and device language set to U.S. English. For more information, visit apple.com/apple-intelligence .

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Cat Franklin

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