miral tamil movie review behindwoods

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A husband tries to save his family from mysterious occurrences that are happening around them A husband tries to save his family from mysterious occurrences that are happening around them A husband tries to save his family from mysterious occurrences that are happening around them

• M. Sakthivel
• Kaavya Arivumani
• Naren Balaji
• 4 User reviews

• Police inspector

• Rama's Mother

• Rama's Father

• (as Bharath)

• All cast & crew
• Production, box office & more at IMDbPro

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User reviews 4

• endrumanbudannaga
• Dec 17, 2022
• How long is Miral? Powered by Alexa
• November 11, 2022 (India)
• Axess Film Factory
• See more company credits at IMDbPro

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• Runtime 1 hour 55 minutes

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Miral Review: This Slasher Thriller Struggles To Do Full Justice To Its Genre

Director : M Sakthivel

Cast : Vani Bhojan, Bharath Srinivasan, KS Ravikumar

Miral has all the markings of a slasher thriller. The film opens with a superbly staged nightmare its lead wakes up from. Rama (Vani Bhojan), Hari (Bharath) and their young son hit the road in the wee hours, blasting Dhee and Arivu’s ‘Enjoy Enjaami’ in full volume in their car. But a work call stops their joyride — Hari steps out and a masked intruder takes him out with a hit. M Sakthivel uses the car’s rearview mirror to tactfully evoke suspense. But when the same nightmare unfolds as a terrifying reality later on, the makers struggle to make anything out of it. 

Rama and Hari are a young couple who might seem like they have everything — a beautiful home, a sensitive son and romance. But not everything is as it seems. Rama, who is riddled with traumatic anxiety and ominous visions, lives a disturbed life. We realise something is deeply wrong in the household when Hari — a picture of an ideal husband — instructs his 10-year-old (Sai) to take care of his mother when he is away. To make things right, the family sets off to Rama’s hometown to make a pilgrimage to their village temple. And on their way back home is where the film actually begins. The car stops. Intruders intrude and the slashing unfolds. But does the strike leave behind any mark?

Up until this point, Sakthivel holds the cards close to his chest, careful not to let us in on anything. When they reach Rama’s hometown, we are told that the couple eloped and married outside caste and against blessings. But we never see the couple in love. It is a romance that is already established when we watch their story unfold, just like every other detail. And similarly, when Sai happens upon the same mask that haunts Rama in her nightmares, we aren’t told why. And the dots, in fact, are never connected. While this technique is often an accompaniment with the genre, the excruciating guessing game in Miral comes off as shoddy writing. When Hari (a robust Bharath) lets out a scream asking “Ennada nadakudhu inga (what in the world is happening)” at one point in the film, it hits close to home. And by the time the makers try to switch its genre a few minutes before its ending, we are left exhausted and the reveal ends up having hardly any effect at all. 

But to its credit, the film accommodates some striking imagery for all its trappings of a mediocre slasher film. The mirror, pulp horror’s favourite prop, gets a superb sidetrack of its own in Miral . Imagine a village without any mirrors. Rama’s village swears by one unflinching belief and that is — no mirrors in the household. So, the only mirrors that we do see are the tiny mirrors in the car, in which most of the horror show unfolds. But such rich visual symbolisms are unfortunately lost in a movie in which the objects in the mirror are “smarter” than they appear.

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Last Updated : 13 Nov, 2022 05:57 AM

Published : 13 Nov 2022 05:57 AM Last Updated : 13 Nov 2022 05:57 AM

மிரள்: திரை விமர்சனம்

குடும்பத்துடன் சுற்றுலா செல்லும்போது, முகமுடி அணிந்த நபரால் கணவர் கொல்லப்படுவதாகக் கனவு காண்கிறார், கட்டிடப் பொறியாளர் ஹரியின் (பரத்) மனைவி ரமா (வாணி போஜன்). அக்கனவுக்குப் பின் நிம்மதி இழந்து தவிக்கும் மனைவியைத் தேற்ற, சொந்த ஊருக்கு அழைத்துச் செல்கிறார் ஹரி. அங்கு குலதெய்வக் கோயிலில் வழிபாடு முடித்து ஊருக்குக் கிளம்புகிறார்கள். ஆள் அரவமற்ற சாலையில் கார்வரும்போது, ரமா கனவில் கண்டகாட்சிகள் அரங்கேறத் தொடங்குகின்றன. மனைவியையும் மகனையும் காப்பாற்ற ஹரி நடத்தும் போராட்டமும் அவர்களைக் கொல்லத் துடிக்கும் முகமுடி மனிதனின் நோக்கமும் என்ன என்பதுதான் கதை.

ஹாலிவுட் திகில் பட வகையில் ‘ஸ்லாஷர் த்ரில்லர்’கள் (Slasher thriller) மினிமம் கியாரண்டி வசூலுக்குப் புகழ்பெற்றவை. காரணம், நிமிடத்துக்கு நிமிடம் பயமுறுத்தும் விதமாகக் காட்சிகளை அமைத்திருப்பார்கள். அதேபோல், அடையாளம் தெரியாத கொலைகாரன் அல்லது சைக்கோவால் துரத்தப்படும் முதன்மைக் கதாபாத்திரங்கள், உயிரைக் காத்துகொள்ள ஓடும் ஓட்டத்தில், தங்களைப்பொருத்திக்கொள்ளும் பார்வையாளர்களின் உளவியல் அட்டகாசமாக வேலை செய்யும். தமிழில் இப்படி சில படங்கள் வந்திருந்தாலும், நேர்த்தியான ‘ஸ்லாஷர் த்ரில்ல’ரைக் கொடுத்திருக்கிறார் அறிமுக இயக்குநர் எம்.சக்திவேல்.

இதுவரையில் பரத் நடித்து வந்திருக்கும் படங்களை முற்றாக மறக்கடிக்கச் செய்து, இதில் மனைவிக்காக நிற்கும் காதல் கணவராக, ஒரு கதாபாத்திரமாக உணர வைத்து விடுகிறார். அவ்வகையில் பரத்துக்குச் சிறந்த ‘கம் பேக்’ படமாக அமைந்துவிட்டது. தனது வலிகளைப் புதைத்து வைத்துக்கொண்டு காத்திருக்கும் மனைவியாக, வாணி போஜனும் சிறந்த நடிப்பைக் கொடுத்திருக்கிறார்.

‘நடுவுல கொஞ்சம் பக்கத்த காணோம்’ ராஜ்குமார் நல்ல நடிகர் என்றபோதும், பரத்தின் நண்பர் பாத்திரத்துக்கு சுத்தமாகப் பொருந்தவில்லை. கதையில் முக்கியத்துவம் கொண்ட அவரது பாலியல் இச்சை, அழுத்தம் திருத்தமாக நிறுவப்படவில்லை. இதனால் முக்கிய திருப்பங்கள், சிறந்த திகில் நாடகமாக அமைந்தபோதிலும் அவை உப்புச் சப்பில்லாமல் நீர்த்துப் போகின்றன. கே.எஸ்.ரவிகுமார் கதாபாத்திரம் கூறும் விளக்கங்கள் தர்க்கத்துக்கு வெளியே நிற்கும் அபத்தங்கள்.

இரண்டாம் பாதியில் மலிந்திருக்கும் சிக்கல்கள் அனைத்தையும் இருளும் பளீர் ஒளியும் இணையும் நேர்கோட்டில் துலங்கும் ஒளிப்பதிவைக் கொடுத்துள்ள சுரேஷ் பாலா,கதை நகரும் உள்ளரங்கு, வெளிப்புறம் ஆகிய 2 களங்களிலும் நம்பகமான கலை இயக்கத்தைச் சாத்தியமாக்கி இருக்கும் மணிகண்டன் சீனிவாசன், கதாபாத்திரங்களின் உணர்வு நிலைகளைக் கடத்தும் இசையை வழங்கியுள்ள பிரசாத் எஸ்.என்., சிக்கலானத் திருப்பங்களைக் கொண்ட திரைக்கதையை குழப்பமில்லாத படத்தொகுப்பு மூலம் உள்வாங்க செய்யும் கலைவாணன்.ஆர் ஆகியோரின் தொழில்நுட்பப் பங்களிப்பே படத்தைத் தாங்கிப்பிடிக்கிறது.

குறைகளை மீறித் துலங்கும் முதன்மைக் கதாபாத்திரங்கள், தொழில்நுட்ப பங்களிப்பு ஆகியவற்றுடன் மிரளவைக்கும் முயற்சியில் நேர்த்தியான திரை அனுபவம் தருகிறது ‘மிரள்’.

அன்பு வாசகர்களே....

இந்த ஊரடங்கு காலத்தில் வீட்டை விட்டு வெளியே வராமல் நமக்கு நாமே சமூக விலகல் ( Social Distancing) செய்து கொள்வோம். செய்தி ஊடகங்களின் வழியே உலகுடன் தொடர்பில் இருப்போம். பொதுவெளியில் இருந்து தனிமைப்படுத்திக் கொண்டு கரோனா பரவலைத் தடுப்பதில் நம் பங்கை முழுமையாக இந்த சமூகத்துக்கு அளிப்போம்.

CoVid-19 கரோனா தடுப்பு / விழிப்புணர்வு கையேடு - இலவசமாக டவுன்லோடு செய்து பயன்பெறுங்கள்!

- வாசகர்கள் நலனில் அக்கறையுடன் இந்து தமிழ் திசை

தவறவிடாதீர்!

•   மம்முட்டி - ஜோதிகா நடிக்கும் ‘காதல் தி கோர்’ ஃபர்ஸ்ட் லுக் வெளியீடு
•   “முடிவை உங்களிடமே விட்டு விடுகிறேன்... ‘இரவின் நிழல்’ பாருங்கள்” - பார்த்திபன் விளக்கம் 
•   “சூரியனுக்கு அருகில் இருப்பது போல்...” - ரஜினியின் பாராட்டை சிலாகித்த பிரதீப் ரங்கநாதன்
•   வீட்டில் நடந்த திருட்டு குறித்து அவதூறு பரப்பினால் நடவடிக்கை: நடிகை பார்வதி நாயர்

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Miral Movie Review (2022)

Bharath and vani bhojan's miral tamil movie review by galatta - directed by m. sakthivel.

Miral Movie Cast & Crew

Director M. Sakthivel's Miral produced under the Axess Film Factory stars Bharath and Vani Bhojan in the lead roles and has been released in theatres today. Miral is a slasher thriller and had an intense, dark, and gritty trailer released sometime back, which was well-received by fans. Has the film lived up to the expectations? Well, here we go.

When Rama (Vani Bhojan) starts having a mental breakdown after having some dreams, her husband Hari (Bharath) decides to take her to their family temple hoping to make things better. But, can they survive the series of mysterious encounters on their own? 

SCREENPLAY, DIALOGUES, AND DIRECTION

The screenplay of Miral written by M. Sakthivel is a riveting thriller that will keep the audience hooked to their seats with its elements. It has been a long time since such a film has been written and when finally made, it hits the mark. It is carefully thought out and framed in order to bring the maximum amount of potential out of it. It definitely is not perfect (which movie is?) but that isn't something that will make the audience want to rip the hair right off of their heads. 

Since dialogues come under screenplay, it contributes to what was written. The dialogue in Miral helps move the story forward as there is not much that is unnecessary that will make the audience scratch their heads. Almost everything that is being conveyed is for the audience to understand what is going on and to keep up with all the mystery that takes place on the screen.   With M. Sakthivel making his debut as a director with Miral, he knew exactly what he needed to do given the fact that he wrote the film. He knew what the end result had to look like and it definitely appears as if he gave it his all to achieve that. He executed the screenplay in a direction as well as he could and it shows. Miral certainly does not look like a movie made by a debutant director and kudos to him for that. 

Bharath has done a great job in this thriller and it is something one cannot look past. It is promising, intense, and very convincing which adds to his ability as an actor. He does not disappoint and completely sells his performance with the script that he has got and the material he has at his disposal to work with.

Vani Bhojan, just like Bharath, gives it her all. She is not just another character in a film that is just there as a necessity of a female element. She plays a crucial role and is definitely a character that helps the story move forward - so when it comes to that, she nailed it. Her performance seems natural and one may even be able to connect with it. That is how well she has done. 

The cinematography is on point. Suresh Bala was able to capture the essence required and was able to project that on the screen wonderfully. Being a thriller, it is usually easy to create suspense in a closed space. But, Bala showed off his capabilities as a cinematographer by creating room for eerie uneasiness even in vast open spaces with his framing and use of lighting. This is something that can surely not be ignored as almost every frame is carefully orchestrated. 

Music composer Prasad S N did a magnificent job with the background score. It keeps the audience hooked and on their feet, and his captivating BGMs only add to the mystery and thrilling ride of the film. It is used carefully in order to heighten the suspense, intensify the emotions that are being felt, and capture the weight of the moment.

Miral is an edge-of-the-seat thriller that embarks on a wonderful journey to give the audience an experience that is fresh and respective of the genre with no unnecessary detours.

Verdict: A racy, heart-pounding thriller that is bound to have the audience hooked right from the very beginning.

Galatta Rating: ( 2.75 /5.0 )

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• What is the release date of 'Miral'? Release date of Bharath and Vani Bhojan starrer 'Miral' is 2022-11-11.
• Who are the actors in 'Miral'? 'Miral' star cast includes Bharath, Vani Bhojan and K.S. Ravikumar.
• Who is the director of 'Miral'? 'Miral' is directed by M. Sakthivel.
• Who is the producer of 'Miral'? 'Miral' is produced by G.Dilli Babu.
• What is Genre of 'Miral'? 'Miral' belongs to 'Thriller' genre.
• In Which Languages is 'Miral' releasing? 'Miral' is releasing in Tamil.

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Miral ( U/A ) 11/Nov/2022 Horror, Drama 1hr 55mins

Critics: 5 Panel: 0 User: 62

Overall: 3.8 from 67 users

Synopsis/Plot : Rama is going through a mental breakdown and her husband Hari, an architect, is taking care of her. Rama`s parent asked the couple to visit their family temple in Polachi to make things better for them. On their way they encounter a weird stranger with a mask on his face who starts damaging their car. Will they escape him?

Director : M Shakthivel

Music Director : Prasad S N

Cast More Cast & Crew (5)

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Photo Gallery View all photos (5)

Critics Review

Opportunity misfired.

Content-wise it is in the length of a short film, to stretch it out to a feature, screenplay requires plenty of interesting elements to engage and that is absolutely missing here. (more)

Source: Ashwin Ram, MovieCrow

Tries to threaten but fails due to mediocre writing

Miral is not very sound technically but provides what's needed to a meagre extent. Overall, Miral scares us in parts but doesn't threaten or keeps on the edge of our seats. (more)

Source: Logesh Balachandran,, Times Of India

A racy, heart-pounding thriller that is bound to have the audience hooked right from the very beginning.

Miral is an edge-of-the-seat thriller that embarks on a wonderful journey to give the audience an experience that is fresh and respective of the genre with no unnecessary detours. (more)

Source: Galatta, galatta.com

Miral is a watchable thriller with supernatural elements and a social message.

A film under the banner Axess film factory will always create buzz among cinephiles due to their interesting filmography. In this particular venture, the film stalls to capitalize on the expectations bestowed on it yet delivering a decent output. As a whole, the generic narrative of revenge saves th... (more)

Source: Behindwoods, Behindwoods.com

Deceptive supernatural thriller that banks on jump scares

Suresh Bala's cinematography is a major plus with the wide aerial shots of the isolated place and the rotating turbines adding to the intrigue while the closeups of Vani Bhojan and the others experiencing the horror have the desired effect. The rest of the technical aspects are on par. Axess Film ... (more)

Source: Indiaglitz, IndiaGlitz.com

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VIJAYANAND MOVIE REVIEW CLICK TO RATE THE MOVIE

Vijayanand is a Kannada Biopic film written and directed by Rishika Sharma. The film has Nihal Rajput playing the legendary role of popular Indian businessman Dr. Vijay Sankeshwar, while Anant Nag plays as his father. Bharat Bopanna portrays the role of Anand. The film is produced by Anand Sankeshwar.

Being a biopic, the film is weaved around the rise of Vijay Sankeshwar to spotlight through his diligence and perseverance in business arena. It encompasses all the significant events of his life right from his decision to break away from his traditional printing business to a new spectrum of transportation.

Nihal Rajput is befitting for this role as he carries the charisma throughout the film. He is more convincing during the emotional scenes while the rest are performed with ease. Anant Nag as a verbally expressive father is carved out meticulously to meet the demands of the script. Ravi Bopanna and other cast members are stitched together in cohesion.

Frames of Keerthan Poojari is serene in every aspect. It lays foundation for the period setup and enhances the mood of the film. Gopi Sundar shines both in songs as well as in the background score. Music sweeps the audience through its majestic essence every single time. Sharp dialogues lands its morale nature to the audience while all the other come up as explanations rather than a response for a situation. Quite a few time, the fourth wall is broken to convince the audience with the flesh of reality.

The new wave of Kannada cinema is really making a difference among other film industries. Following the success of Kantara, this biopic too holds the potential to make it big. Rishika Sharma has given the audience a cinematic experience of the hardships faced by a common man who wants to go against the grain. There are scenes which threaten us about our existence in this power dominated society which has its own way of functioning.

Vijayanand is an honest attempt by the filmmaker to throw light on the life of Dr. Vijay Sankeshwar. The plot relies heavily on dialogues which acts for the film. Market fight sequence deserves a special mention for its stunt choreography.

The plot loses its steam at the end of first half where a huge conflict was at stake. Though the film was based on actual events, it fails to offer any captivating sequences. Conflicts during the latter part of the film becomes contrived and falls flat with the logical standards set by the same. At the end, the film wants us to believe that perseverance will pay at any given scenario.

VIJAYANAND VIDEO REVIEW

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REVIEW RATING EXPLANATION

பிரேக்கிங் சினிமா செய்திகள், திரை விமர்சனம், பாடல் விமர்சனம், ஃபோட்டோ கேலரி, பாக்ஸ் ஆபிஸ் செய்திகள், ஸ்லைடு ஷோ, போன்ற பல்வேறு சுவாரஸியமான தகவல்களை தமிழில் படிக்க இங்கு கிளிக் செய்யவும்      

VIJAYANAND NEWS STORIES

ஒரு லாரியில் தொடங்கி 4,300 லாரி சாம்ராஜ்ஜியம்..‌ தொழிலதிபரின் நிஜ கதையை தழுவி 'விஜயானந்த்'..

Death threat Controversy - Actor Karunakaran's Official Statement

Vijayanand related news stories.

• Vijayanand Movie Trailer Launch Event Press Meet
• Death threat Controversy - Actor Karunakaran's Official Statement against director and co producer

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VIJAYANAND RELATED LINKS

• V (Tamil) - Videos
• C U Soon (Tamil) - Videos
• Gopi Sundar | India Against Coronavirus: Celebrities Who Joined Everyone In Bringing Back The Light In Our Lives! - Slideshow
• Yaaruda Mahesh Music Review

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