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Maaveeran review: Rollercoaster of action, fantasy and social commentary

Maaveeran, directed by Madonne Ashwin and starring Sivakarthikeyan in the lead, sheds light on a pressing social issue in our society — the controversial practice of relocating slum dwellers to supposed development zones. The film uncovers the intricate web of corruption and deceit behind this process. Sathya (Sivakarthikeyan), a struggling artist who makes ends meet by drawing cartoons portraying the local hero 'Maaveeran,' finds himself compelled to leave his home behind with his family and relocate to a seemingly promising high-rise in the city. However, chaos ensues as the poorly constructed apartment begins to crumble, causing numerous injuries to the residents.

Amidst this turmoil, Sathya starts hearing voices in his head, declaring him the true 'Maaveeran' who must ensure the safety of his people after an accident. Madonna Ashwin effectively combines elements of fantasy, comedy, action, and timely social commentary that fascinates audiences, keeping them engaged throughout.

Tamil cinema seems to be undergoing a slight shift towards fantasy films where the heroes are portrayed as individuals who assist the vulnerable using superheroic abilities. A recent example of this trend is the movie 'Veeran.' In this regard, Sivakarthikeyan delivers a seamless performance, effortlessly portraying a character who undergoes a remarkable transformation from naivety to unwavering confidence. His portrayal is highly convincing, capturing the essence of a vulnerable individual evolving into a stronger, more self-assured version of himself. While transitioning to the second half, the film tends to prolong its storyline. Given the predictable nature of the plot, there are numerous scenes that may appear unnecessary to the audience. The time dedicated to building up to the climax feels excessively drawn out.

'Veeran' Review: A lightning bolt of entertainment strikes Tamil cinema

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Regarding the actors' performances, the entire cast deserves commendation. Saritha, who portrays Sivakarthikeyan's mother, effortlessly embodies the role of a strong yet caring mother. Yogi Babu's inclusion in the film is an absolute delight, and his comedic chemistry with Sivakarthikeyan is truly entertaining. Nila and Minister Jayakodi, portrayed by Aditi Shankar and Mysskin respectively, have also left audiences awestruck with their remarkable performances.

All in all, Maaveeran is an immensely captivating and enjoyable film, which can arguably be seen as Sivakarthikeyan's comeback in Tamil cinema. While the ending may come across as somewhat cliché, it doesn't significantly impact the overall viewing experience, albeit to a certain extent. The director has skillfully presented the central themes with remarkable finesse, effortlessly ensuring that every aspect of the movie feels organic and seamlessly falls into place.

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Maaveeran movie review: Sivakarthikeyan’s superhero film is good but predictable

Maaveeran movie review: sivakarthikeyan-starrer shares its soul with director madonne ashwin's debut film mandela, which bagged him a national award..

It’s always fascinating to see how the same idea manifests in completely different films, more so when both are made by the same director. Madonne Ashwin’s sophomore film, Maaveeran, shares its soul with his debut Mandela, which bagged two National Awards in 2022. In Mandela, a political satire, a commoner in a remote Tamil Nadu village suddenly becomes the VIP, when two warring political parties realise his vote will decide the winner of the local election. The vote becomes his superpower. He first starts abusing his newfound influence and eventually realises its purpose. Now, replace the vote with a voice that warns the hero about every upcoming danger, and you get Maaveeran (Superhero). While Mandela is a realistic rural drama that explores the idea of an individual’s fight against the system, Maaveeran does the same as a superhero origin story. However, while Mandela had a lot going for it, Maaveeran turns out to be basic with respect to its story. Madonne Ashwin has settled for a straightforward film with the idea that could have been so much more than Maaveeran.

It is not to say the film is underwhelming, but just like the film’s hero, it hesitates to live up to its potential. The film takes a long time to set up things, and it gets excruciating to see Sathya ( Sivakarthikeyan ), a coward, getting beaten up and shamed repeatedly. A comic artiste, Sathya sells himself short by letting someone use his sketches for a Tamil paper. He doesn’t have it in him to demand money or an opportunity from the one exploiting him. Nila (Aditi Shankar), the sub-editor of the paper, ends up standing up for Sathya and gets him a job. Meanwhile, Sathya and others living in a slum are made to relocate to a multi-storey apartment as part of the government scheme. Things get worse when things in the apartment start falling apart, literally. The subpar construction makes the apartment unlivable but people are left with no option. While Sathya’s mother keeps revolting against the contractor, the son keeps telling her to ‘adjust’. He instead uses all his troubles to create content for his comic Maaveeran, a superhero who solves all the problems of the oppressed. But when he realises even his mom considers him unfit to live a respectful life, Sathya tries to take his life. Though he fails in doing this as well, he sustains an injury to his head, and he starts hearing a voice (Vijay Sethupathi).

The whole first half of the film is spent on this set-up, which is tiring. Though the execution is brilliant and Yogi Babu keeps you entertained, those are not enough to make up for its predictability. On top of that, Sathya is completely unlikable (not Sivakarthikeyan’s performance, mind you). Ashwin keeps making us wait for his hero to finally attain basic human dignity and a spine, but the wait is interminable. Though he is a stand-in for the collective cowardice of society, it is frustrating to see him not get redemption till the very end. Maybe, it’s human nature to hate someone that reminds us of our shortcomings, so it is hard to travel with this unlikable hero.

What stands out in Maaveeran is those few great ideas that are explored in the action sequences. On top of that, the ingenious interaction between Sathya and the voice. It is hilarious to see someone fight and wrestle with his own thoughts. I can’t imagine what the script of Maaveeran will look like. It would be messy, but fascinating. When you think about it, there are two scripts at play here. One that’s happening to Sathya and the one the voice narrates to him. Though the outcome of each scene is the same, both narratives are different. A big shoutout to Madonne Ashwin to conceive such a complex idea. When you think about it, Sathya is not breaking the fourth wall, like Fleabag for instance. Yet, there’s something meta going on here. The voice could be Sathya’s subconscious or a superpower or the collective voice of the audience, who badly want him to hit back. Despite all such brilliance that’s realised towards the end of the film, in retrospect, the excruciating wait one has to endure to get there does leave a bit of a bad aftertaste.

Maaveeran director: Madonne Ashwin

Maaveeran cast: Sivakarthikeyan, Mysskin, Aditi Shankar, Saritha, Sunil, Yogi Babu

Maaveeran Indian Express rating: 3 stars

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Maaveeran Movie Review: Unique premise and useful politics make this a winning entertainer

Rating: ( 3.5 / 5)

Among the very many thoughts I had while watching the layered Maaveeran concerned the relationship between creators and the characters they create. What must it feel like to be puppets of a creator, robbed of free will and forced by invisible hands? Is the general population, in a sense, robbed of such free will by local gods—politicians—who make everyone do their bidding? In Maaveeran , the protagonist, Sathya (Sivakarthikeyan), is guided by an ‘inner voice’ (inspired by Stranger Than Fiction?) into performing great deeds he would much rather not. At one point, he asks aloud in frustration—at writer-director Madonne Ashwin?—why this ‘inner voice’ won’t have him singing songs and enjoying life. These are such fascinating moments in this smart film that shows that ‘commercial entertainment’ doesn’t need to come at the cost of an inventive premise or its sincere exploration.

Director: Madonne Ashwin

Cast: Sivakarthikeyan, Mysskin, Aditi Shankar, Sunil, Vijay Sethupathi

Unfortunately for the film’s protagonist, Sathya, Maaveeran isn’t about its central character finding love, dancing about, and capping everything off with a marriage. The film, in fact, begins with a cliched story (presented in animated black-and-white visuals) of a brave man rescuing a princess—but as the heroine Nila (Aditi Shankar) tells Sathya a while into the film, no one wants to read such a generic story… an advice that results in Sathya using his comic strip to channel real issues he observes from the vantage point of his Makkal Maaligai housing board unit.

The film asks the fascinating question of whether he’s a coward for channelling his social consciousness only into his art form. Maaveeran , likeably, doesn’t get sanctimonious in these portions and retains a wonderful sense of humour (an enjoyable aspect in the director’s first film, Mandela , as well). The hero of that film, Yogi Babu, is a riot here too—and here too, he is presented with much dignity. Even in his absence, the film has many laugh-out-loud moments, like when the ‘predictive voice-over’ guides Sathya in a fight and suddenly gets descriptive about his valour being admired by a woman from the audience. An exasperated Sathya exclaims, “Romba mukkiyam!” and it’s impossible not to laugh at what feels like meta-commentary of many films that often get side-tracked by the need to pander to forced elements like a love angle.

But  this  film doesn’t make that mistake or get too carried away by the Sathya-Nila relationship. Nila remains in the periphery, while a more fundamental woman character is Sathya’s mum (an excellent Saritha). Not reducing her to a wailing mother without an opinion is one of many admirable writing choices in this film. Where another mother might prioritise the safety of her son over all else (how many times have we heard them scream, " Unakku edhukku da idhelaam ?", Sathya’s mother is furious that he  won’t  risk his safety in the pursuit of justice. It also gives you a hint of what her relationship with her late husband (Sathya’s father) must have been founded on. Occasionally, she takes it to extremes (like a casual brutal comment about Sathya) but given that this woman has a proper character arc which sees her make a transformation in the opposite direction to Sathya, I didn’t mind these small exaggerations at all.

Like Madonne Ashwin’s first film, Mandela , this one too speaks of corrupt politicians and their all-consuming intent to preserve and wield power. The chief villains are a Housing and Urban Development Minister, MN Jeyakodi (Mysskin, who seems to bring alive Sathya’s caricatures) and his assistant (Sunil, with such screen presence). The former is likened to the god of death, Yama, with some framing (horns from a portrait seeming like they are a part of Jeyakodi’s head) too adding to this idea. The film speaks of the importance of standing up to injustice, no matter the odds, no matter the consequences.  “Yamane thavaru seidhaalum thatti ketpen ”.  It’s a film that makes such an idealistic appeal to our conscience. The evil minister might be a horrible adversary for a slum-dwelling, poor cartoonist to take on, but as the heroine says, “ Amaichar naalum manushan dhaane? ”

The cowardice-to-courage transition is a staple of hero-emergence films that many stars have built their careers on. Sivakarthikeyan is terrific here—the humour, yes, but also the unique fight sequences that must not have been easy to perform at all. In presenting this coward-to-fighter transformation, I liked that the film isn’t about fighting prowess or outwardly strength. It’s about the inner switch of resistance getting turned on, a switch that will likely cost you everything but give you the sort of joy that few people will encounter in a lifetime. Nila speaks of this when she underplays the fear of death by saying it comes for everyone anyway. Maaveeran excels in these spaces without seeming indulgent or losing out on easy entertainment. This must have been a delicate balance to maintain.

There’s just so much to chew on and discuss, which is usually a sign of a good film. In Maaveeran , you might not be wrong in interpreting everything after the hospital ‘death’ sequence as a fantasy. At the centre is the beautiful idea of a man who’s even afraid to commit suicide turning into a man who becomes capable of self-sacrifice for the benefit of strangers. As for the ‘mind-voice’ itself, you can process it as a ‘super-power’—or as I did, a dramatisation of our conscience, the inner voice so stifled by all the noise. Perhaps that’s why there’s something about deafness at the end.

Sure, the villains needed to be fleshed out a bit more, and I’d have liked to learn more about that deliciously strange friendship between the characters played by Mysskin and Sunil. Sunil’s character, especially, seems to possess a lot of unrealised promise. As for Mysskin, my most favourite moment from the film is when Mysskin’s Jeyakodi, towards the end, draws a parallel between Sathya’s condition and his own life. But yes, the film does feel a bit stretched and it does feel like some ideas play out better in the head than when they actually happen—like that underwater-anchor scene or that extended building-collapse-rescue scene. The music (by Bharath Sankar) helps though, making the quirky subject matter quite accessible, without ever selling out too easily.

It's a time in our cinema when talented filmmakers like Madonne Ashwin are showing that they are unafraid of punching up. This film asks questions of slum resettlement policies and how they are executed, while not losing sight of being an accessible entertainer. It’s a hard task really, and the film slips in phases, but there’s so much to like—including how the voice-overs are never allowed to get tedious or monotonous—that I have no hesitation forgiving it for the lapses.

Walking out of the film, I heard a few refer to the film as a superhero subject. Even if I didn’t necessarily process it so, it’s easy to see the temptation. In an era of great intellectual confusion—when all sides seem at once right and wrong—being able to listen to your conscience, your inner voice,  is , I suppose, a superpower. For this reason, superhero fatigue or not, Maaveeran is a ‘superhero’ I didn’t mind at all.

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Maaveeran Review: Sivakarthikeyan’s non-heroic act is brilliant in this solid entertainer

Director madonne ashwin’s 'maaveeran', starring sivakarthikeyan and mysskin, is a clever take on superhero films. the social commentary, sivakarthikeyan’s performance and dialogues are a huge plus, says our review..

Listen to Story

• Maaveeran released in theatres on July 14.
• Sivakarthikeyan, Mysskin and Aditi Shankar play lead roles.
• The film is directed by Madonne Ashwin.

Release Date: 14 Jul, 2023

Madonne Ashwin made his debut as a filmmaker with Yogi Babu-starrer, 'Mandela'. The film is a political satire with a solid screenplay. His second film, 'Maaveeran', is cut from the same cloth and stars Sivakarthikeyan, who is on his track to be the next big superstar in the Tamil film industry. Let’s find out how the film fared.

'Maaveeran' begins with a comic strip series where a hero (Maaveeran) saves a princess (Ilavarasi in Tamil) from a crumbling building. The Madonne Ashwin directorial's one-liner is just this. Sathya (Sivakarthikeyan) is a comic strip artist living in a slum. The local body minister Jayakodi (Mysskin) constructed a housing board and made the people living in the slum relocate. However, the apartment is poorly constructed, flouting all possible rules.

Meanwhile, Sathya meets with an accident and hallucinates. How does Sathya, a man who is a coward and doesn’t believe in confronting any problem in life, help the people and himself?

Madonne Ashwin is a solid filmmaker in recent times. In fact, 'Maaveeran' is easily one of the best-made films of this year so far. 'Maaveeran' is a term used for someone who emerges as a hero of the masses. Now, this is a done-to-death storyline, but the treatment that Ashwin has given this screenplay is brilliant. Throughout the film, the high moments come at frequent intervals and keep you glued to the seats.

It is also interesting to see the hero play a coward as opposed to a man with superhero powers. And who better than Sivakarthikeyan to portray the role nonchalantly? Sathya is flawed in every possible way. His mom (Saritha) is courageous, but he instructs her to adjust in life and not revolt. All he wants is for his mother and sister to lead a peaceful life without any confrontation. But, what happens when your everyday life is a struggle?

For example, take the sequence where the housing board engineer misbehaves with Sathya’s sister (Monisha) in their house. As a brother, Sathya is fuming with anger, but when he tries to confront him, he is worried about what would happen if he’s not there. And then his fear took over. The layers in Sivakarthikeyan’s character make the role more enjoyable.

Madonne Ashwin’s strength lies in how he incorporates social commentary with humour. It worked the best in 'Maaveeran', thanks to Sivakarthikeyan and Yogi Babu’s rollicking performances, which leaves you in splits.

Maaveeran, in the last act, could be a little formulaic with predictable heroic elements. But the final payoff does work to a larger extent. Sivakarthikeyan, as a feared comic artist, is exceptional in this role. Be it the humour or when he goes through the transformation, you root for him throughout. Before the release, the makers revealed that Vijay Sethupathi had given voice-over in the film. Sivakarthikeyan’s Sathya reacts in life after hearing the voice in his head. And Ashwin’s cleverness in using the voice-over added a new dimension to the commercial entertainer.

Aditi Shankar plays Nila, a sub-editor, in the film. She just acts as a template heroine, who motivates the hero when he is low on confidence. Mysskin’s corrupt politician act is enjoyable as well, and so does Sunil’s performance. After Sivakarthikeyan, it was Yogi Babu who stole the show.

'Maaveeran' is a film that has closure for every single conflict. Every conflict is resolved and given proper justification, which makes it more enjoyable. Dialogues are an asset in the film and when they make you think, while making you laugh, it’s when you understand the intelligence of the filmmaker. Music by Bharath Sankar is a huge plus for 'Maaveeran'.

'Maaveeran' is yet another solid entertainer that makes you enjoy and retrospect. It brings forth prevailing issues, such as corruption, poverty and petty politics. But, it is also a character study of how people will have to revolt for their basic rights.

3.5 out of 5 stars for Maaveeran. Published By: K Janani Published On: Jul 14, 2023 --- ENDS --- ALSO READ | Sivakarthikeyan at 'Maaveeran' event: I take responsibility when my films fail

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Maaveeran Reviews

A mostly well-rounded entertainer, with a really charismatic and completely committed lead actor, an important social touch and a fresh spin on the typical mass hero thing. It’s too long, but still cracking.

Full Review | Original Score: 7/10 | Aug 30, 2023

Sivakarthikeyan the star becomes a director’s tool in Madonne Ashwin’s brilliantly-written and executed action-comedy/political drama/superhero vehicle.

Full Review | Aug 25, 2023

A stylish blend of wit and mass...

Full Review | Jul 20, 2023

Despite losing some of its punch, the film remains engaging till the end.

Full Review | Original Score: 3/5 | Jul 20, 2023

Even if you’ve already predicted the pattern the film is going to follow, there is still a freshness in the way a zero transforms into a hero.

Maaveeran is an entertaining and often-amusing spin on the superhero genre. The movie's occasionally substandard visual effects are transcended by the engaging story and watchable performances. Sivakarthikeyan carries the movie with winning charm.

Full Review | Jul 15, 2023

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Maaveeran Movie Review: A Gripping Tamil Political Action Thriller

Maaveeran Movie Review: Maaveeran is a well-crafted film that successfully combines entertainment with a powerful message.

Maaveeran Movie Review: Sivakarthikeyan delivers an outstanding performance as Sathya, seamlessly transitioning from a meek artist to a fearless crusader. His portrayal of the internal struggle and transformation is commendable, evoking both empathy and admiration from the audience. Aditi Shankar shines as Sathya’s love interest, bringing depth and charm to her character. Their on-screen chemistry adds a touch of romance amidst the intense narrative.

Maaveeran Movie Review Rating: ⭐⭐⭐⭐ | 4/5

Maaveeran Movie Cast: Sivakarthikeyan, Aditi Shankar, Saritha, Mysskin, Yogi Babu

Maaveeran Movie Director: Madonne Ashwin

Maaveeran Movie Plot: After suffering a head injury, Sathya, a shy cartoonist for a newspaper, starts hearing a voice that narrates his life as an epic story of bravery. The voice urges him to confront Jeyakodi, a corrupt politician, and embark on a heroic journey.

Maaveeran Movie Review

Maaveeran is a gripping Tamil film that takes the audience on an exciting journey of courage, determination, and justice. Directed by a talented team led by renowned filmmaker Mysskin, the movie showcases the exceptional acting skills of Sivakarthikeyan, Aditi Shankar, and a stellar cast. With its unique blend of drama, action, and social commentary, “Maaveeran” captivates viewers from start to finish.

The story revolves around Sathya, a timid newspaper cartoonist played convincingly by Sivakarthikeyan. After a head injury, Sathya starts hearing a mysterious voice narrating his life as an epic tale of heroism, urging him to take on Jeyakodi, a corrupt politician portrayed brilliantly by Mysskin. This twist sets the stage for an engaging battle between good and evil, with Sathya being the unexpected hero.

Sivakarthikeyan delivers an outstanding performance as Sathya, seamlessly transitioning from a meek artist to a fearless crusader. His portrayal of the internal struggle and transformation is commendable, evoking both empathy and admiration from the audience. Aditi Shankar shines as Sathya’s love interest, bringing depth and charm to her character. Their on-screen chemistry adds a touch of romance amidst the intense narrative.

The supporting cast also delivers exceptional performances. Saritha, portraying Sathya’s mother, brings warmth and emotional depth to the story. Monisha Blessy as Sathya’s sister and Yogi Babu as his friend provide moments of levity and camaraderie, lightening the mood amidst the tension. Sunil, as the police officer, showcases his versatility and adds an element of suspense to the plot.

Director Mysskin’s vision is evident throughout the film, as he deftly weaves together various elements to create a thought-provoking narrative. The film not only entertains but also addresses important social issues, highlighting the consequences of corruption and the power of individual courage to bring about change. Mysskin’s storytelling techniques, combined with strong dialogue and captivating visuals, keep the audience engaged and invested in the story.

The film’s technical aspects, including cinematography, editing, and sound design, contribute to its overall impact. The action sequences are well choreographed and visually appealing, enhancing the adrenaline-pumping moments. The music and background score effectively heighten the emotional impact of key scenes, complementing the narrative beautifully.

Maaveeran is a well-crafted film that successfully combines entertainment with a powerful message. It reminds us of the potential within each individual to rise above their limitations and fight against injustice. The film’s strong performances, engaging storyline, and social relevance make it a must-watch for Tamil cinema enthusiasts.

Also read: Ishq-E-Nadaan Movie Review: A Heartfelt Tale of Love and Healing

Overall, Maaveeran is a thrilling and inspiring cinematic experience that leaves a lasting impression. It showcases the talent of its cast and crew and delivers a message that resonates long after the credits roll. With its blend of action, drama, and social commentary, this film is a testament to the power of storytelling and its ability to entertain, educate, and inspire.

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Maaveeran Review - Cracker of a Commercial Entertainer!

PUBLISHED DATE : 14/Jul/2023

Maaveeran is a fantasy action drama starring Sivakarthikeyan, Aditi Shankar and Mysskin in the lead roles.

Premise : Sivakarthikeyan and the rest of the people in his area are shifted to a high-rise apartment in the name of Government scheme. Turns out it is a scam as the building is poorly constructed to loot money. The livelihood of the poor goes for a toss and the situation demands a ‘Maaveeran’.

Writing/ Direction:

The starting point of the movie where the poor people are made to vacate their native in the name of welfare is a familiar one. But we have not really seen a story in detail about what happens to the people after accepting the offer. Hence the story becomes fresh and fortunately the development is done exceptionally well. The apartment in which most of the movie takes place is beautifully established at the beginning by covering many aspects of various families living there, quickly without wasting time. Soon after the payoffs are done which takes the story forward, the pace never drops till the interval, as the unique selling point which is the voice-over the hero alone hears is also introduced within 45 minutes into the movie. Director has cleverly described the world the story is going to revolve and has smartly played with it. Thoroughly entertaining with so many lively comedies, the conflict is also strong and the fantasy element offers aplenty. The whistle-worthy mass moments are so naturally incorporated with the script which even a general movie-goer would be excited to see. The scenes between the hero and the villain are also done right, with a mix of seriousness and quirkiness at the same time. The film is nowhere preachy, but the underlying message is crystal clear. Characters are superbly designed, in a way we would be in sync with them at any given time. There are times the film slipped, especially in the second half. The momentum falls when the second half starts, certain places are flat, but thankfully it is only till a point. However there could have been some trimming when the story stays still until that mega plot-point arrives. The climax could have definitely been better, it tries for a dramatic finish. The ending is solid, but the sequence that leads to it lacks finesse.

Performances :

Knockout performance from Sivakarthikeyan, a character which every actor would be delighted to play, is the rise of a common man to a hero, which will easily and instantly connect with everyone. No nonsense romantic scenes for Aditi Shankar, she plays a role which is valuable to the story. Mysskin’s character is well designed, he is outrightly bad which is boring but there are some interesting layers to his life which make his presence interesting. Telugu actor Sunil plays the villain’s pawn, an important role and he has played it neatly knowing its strength. In-form Yogi Babu is always a joy to watch, full marks for his timing comedies and counter punches along with the apt story situations.

Technicalities :

Bharath Sankar’s songs are not great, but not bad at the same time. However they shine along with the visuals, the choreography of the opening kuthu number is terrific and hands down SK’s best till date. He wins big with the background score by showing so much variety. With a solid theme in hand, he didn’t just stick to it but went with different tunes for every fight scene. Excellence in cinematography, wide range of shots and the cameraman cracks all the angles perfectly. The DI quality overall and lighting of the night shots are first class. Many sharp cuts but the film could have been scissored a bit in the second half as the story didn’t really require so much time to convey its point. Topical stunt choreography, such a great team effort makes way for some gripping action blocks.

Cracker of an entertainer that is packaged with theatre moments throughout but never goes out of the story. Second half could have been crisper, yet a paisa-vasool flick with many interesting elements.

Maaveeran - Clear Winner!

Rating - 3.5/ 5

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Home » entertainment » Maaveeran Movie Review: A Heroic Showdown – Does it Ou …

Maaveeran Movie Review: A Heroic Showdown – Does it Outshine Minnal Murali?

Maaveeran Movie Review – Maaveeran takes the audience on an enthralling journey into the world of a superhero, packed with action, comedy, and thrilling encounters. The story revolves around the charismatic art director of a news channel who finds himself embroiled in a face-off against a formidable politician. What makes this tale intriguing is the protagonist’s inherent politeness and gentleness, which prove to be obstacles when confronted with challenging situations. Scroll down to read the full Maaveeran Review here and know if this is for you or not.

Overall Rating: 4/5 (★★★★☆)

First Honest Tamil Review of Maaveeran Movie Led By Sivakarthikeyan

The screenplay is well-crafted, balancing high-octane action sequences and rib-tickling comedic moments. The witty dialogues and well-timed humor inject light-heartedness into the narrative, ensuring an enjoyable cinematic experience.

Maaveeran film showcases impressive cinematography, effectively capturing the thrilling moments and enhancing the overall impact of the action sequences. The visuals are visually stunning and complement the storyline. And, share this Maaveeran Tamil Movie Review with your friend who is a big fan of Sivakarthikeyan’s style and acting.

Overall, Maaveeran is an entertaining superhero film that blends action, comedy, and thrills with finesse. It showcases Sivakarthikeyan’s versatility as an actor and delivers a satisfying cinematic experience. With its engaging storyline, captivating performances, and well-executed action sequences, Maaveeran is a must-watch for fans of the genre and those seeking a delightful and engaging movie experience. Read the first honest Maaveeran Movie Review on Beyoungistan without any spoiler or climax reveal.

Tamil Movie Maaveeran Release Date | Cast | Director | Budget

Runtime: 2h 25m

Release Date: 14 July 2023

Cast: Sivakarthikeyan, Aditi Shankar, Sunil, Yogi Babu

Writer & Director: Madonne Ashwin

Budget: 35 Cr

Expected Maaveeran 1st Day Collection: 5-7 cr

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• KGF TAMIL MOVIE REVIEW
• KIDAARI MOVIE REVIEW
• KIRUMI MOVIE REVIEW
• KO 2 MOVIE REVIEW
• KO MOVIE REVIEW
• KOCHADAIIYAAN 3D MOVIE REVIEW
• KOCHADAIIYAAN MOVIE REVIEW
• KODI MOVIE REVIEW
• KODITTA IDANGALAI NIRAPPUGA MOVIE REVIEW
• KODIVEERAN MOVIE REVIEW
• KODIYIL ORUVAN REVIEW
• KOLA KOLAYA MUNDHIRIKA MOVIE REVIEW
• KOLAIGARAN MOVIE REVIEW
• KOLAMAAVU KOKILA MOVIE REVIEW
• KOMBAN MOVIE REVIEW
• KOOGLE KUTTAPPA REVIEW
• KOOTATHIL ORUTHAN MOVIE REVIEW
• KRISHNAVENI PANJAALAI MOVIE REVIEW
• KUDIARASU MOVIE REVIEW
• KUDIMAHAAN REVIEW
• KULIR 100 MOVIE REVIEW
• KULLANARI KOOTAM MOVIE REVIEW
• KUMKI MOVIE REVIEW
• KUNGUMA POOVUM KONJUM PURAAVUM MOVIE REVIEW
• KURANGU BOMMAI MOVIE REVIEW
• KURUKSHETRAM MOVIE REVIEW
• KURUTHI AATTAM REVIEW
• KUTHIRAIVAAL REVIEW
• KUTTI PULI MOVIE REVIEW
• KUTTRAM 23 MOVIE REVIEW
• KUTTRAM KADITHAL MOVIE REVIEW
• KUTTRAME THANDANAI MOVIE REVIEW
• KUTTY MOVIE REVIEW
• KUTTY PISSASU MOVIE REVIEW
• KUTTY STORY REVIEW
• KUTTY STORY TAMIL REVIEW
• LAABAM REVIEW
• LAABAM TAMIL REVIEW
• LAADAM MOVIE REVIEW
• LAKSHMI MOVIE REVIEW
• LATHTHI REVIEW
• LEELAI MOVIE REVIEW
• LENS MOVIE REVIEW
• LIFT REVIEW
• LINGAA MOVIE REVIEW
• LKG MOVIE REVIEW
• LKG TAMIL MOVIE REVIEW
• LOCKUP REVIEW
• LOCKUP TAMIL REVIEW
• LOVE TODAY REVIEW
• MAA MOVIE REVIEW
• MAALAI NERATHU MAYAKKAM MOVIE REVIEW
• MAALAI POZHUDHIN MAYAKATHILAEY MOVIE REVIEW
• MAAMANITHAN REVIEW
• MAAN KARATE MOVIE REVIEW
• MAANAADU REVIEW
• MAANAGARAM MOVIE REVIEW
• MAANJA VELU MOVIE REVIEW
• MAARA REVIEW
• MAARA TAMIL REVIEW
• MAARI 2 MOVIE REVIEW
• MAARI MOVIE REVIEW
• MAASI MOVIE REVIEW
• MAATHI YOSI MOVIE REVIEW
• MAATTRRAAN MOVIE REVIEW
• MAATTUTHAVANI MOVIE REVIEW
• MAAVEERAN KITTU MOVIE REVIEW
• MAAYAVAN MOVIE REVIEW
• MADHA YAANAI KOOTTAM MOVIE REVIEW
• MADHARASAPATTINAM MOVIE REVIEW
• MADHUBANA KADAI MOVIE REVIEW
• MADRAS MOVIE REVIEW
• MADURAI TO THENI MOVIE REVIEW
• MADURAVEERAN MOVIE REVIEW
• MAFIA MOVIE REVIEW
• MAFIA TAMIL MOVIE REVIEW
• MAGALIR MATTUM MOVIE REVIEW
• MAGAMUNI MOVIE REVIEW
• MAGAMUNI TAMIL MOVIE REVIEW
• MAGANE EN MARUMAGANE MOVIE REVIEW
• MAGIZHCHI MOVIE REVIEW
• MAHESH MOVIE REVIEW
• MAI MOVIE REVIEW
• MALAI MALAI MOVIE REVIEW
• MALAYAN MOVIE REVIEW
• MALINI 22 PALAYAMKOTTAI MOVIE REVIEW
• MAMANGAM TAMIL MOVIE REVIEW
• MANAM KOTHI PARAVAI MOVIE REVIEW
• MANDELA REVIEW
• MANDELA TAMIL REVIEW
• MANDHIRA PUNNAGAI MOVIE REVIEW
• MANITHAN MOVIE REVIEW
• MANJA PAI MOVIE REVIEW
• MANJAL VEYIL MOVIE REVIEW
• MANKATHA MOVIE REVIEW
• MANMADHAN AMBU MOVIE REVIEW
• MANMATHA LEELAI REVIEW
• MANNAR VAGAIYARA MOVIE REVIEW
• MANNARU MOVIE REVIEW
• MAPLA SINGAM MOVIE REVIEW
• MAPPILLAI MOVIE REVIEW
• MARAGATHA NAANAYAM MOVIE REVIEW
• MARANTHEN MANNITHEN MOVIE REVIEW
• MARINA MOVIE REVIEW
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• MARUDHU MOVIE REVIEW
• MARUPADIYUM ORU KADHAL MOVIE REVIEW
• MARYAN MOVIE REVIEW
• MASALA PADAM MOVIE REVIEW
• MASANI MOVIE REVIEW
• MASILAMANI MOVIE REVIEW
• MASSU ENGIRA MASILAMANI MOVIE REVIEW
• MASTER ENGLISH REVIEW
• MASTER TAMIL REVIEW
• MATHAPOO MOVIE REVIEW
• MATHIL MEL POONAI MOVIE REVIEW
• MATHIYA CHENNAI MOVIE REVIEW
• MAYA MOVIE REVIEW
• MAYAKKAM ENNA MOVIE REVIEW
• MAYANDI KUDUMBATHAR MOVIE REVIEW
• MAYANGINEN THAYANGINEN MOVIE REVIEW
• MAYILU MOVIE REVIEW
• MAZHAIKALAM MOVIE REVIEW
• MEAGHAMANN MOVIE REVIEW
• MEDHAI MOVIE REVIEW
• MEEN KUZHAMBUM MANN PAANAIYUM MOVIE REVIEW
• MEENDUM ORU KADHAL KADHAI MOVIE REVIEW
• MEERAVUDAN KRISHNA MOVIE REVIEW
• MEESAYA MURUKKU MOVIE REVIEW
• MEGHA MOVIE REVIEW
• MEHANDI CIRCUS MOVIE REVIEW
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• MERCURY MOVIE REVIEW
• MERKU THODARCHI MALAI MOVIE REVIEW
• MERSAL MOVIE REVIEW
• METRO MOVIE REVIEW
• MEYAADHA MAAN MOVIE REVIEW
• MICHAEL REVIEW
• MILAKA MOVIE REVIEW
• MIRAL REVIEW
• MIRATTAL MOVIE REVIEW
• MIRUTHAN MOVIE REVIEW
• MISS INDIA REVIEW
• MODHI VILAYADU MOVIE REVIEW
• MONSTER MOVIE REVIEW
• MOODAR KOODAM MOVIE REVIEW
• MOOKUTHI AMMAN REVIEW
• MOOKUTHI AMMAN TAMIL REVIEW
• MOONDRU PER MOONDRU KADHAL MOVIE REVIEW
• MOONE MOONU VARTHAI MOVIE REVIEW
• MOSCOWIN KAVERI MOVIE REVIEW
• MOTTA SHIVA KETTA SHIVA MOVIE REVIEW
• MR CHANDRAMOULI MOVIE REVIEW
• MR.LOCAL MOVIE REVIEW
• MR.LOCAL TAMIL MOVIE REVIEW
• MS DHONI MOVIE REVIEW
• MUDHAL NEE MUDIVUM NEE REVIEW
• MUDHAL NEE MUDIVUM NEE TAMIL REVIEW
• MUDINJA IVANA PUDI MOVIE REVIEW
• MUGAMOODI MOVIE REVIEW
• MUNDASUPATTI MOVIE REVIEW
• MUNDHINAM PARTHENEY MOVIE REVIEW
• MUPPARIMANAM MOVIE REVIEW
• MUPPOZHUDHUM UN KARPANAIGAL MOVIE REVIEW
• MURATTU KAALAI MOVIE REVIEW
• MUTHINA KATHIRIKA MOVIE REVIEW
• MUTHUKKU MUTHAGA MOVIE REVIEW
• MUTTHIRAI MOVIE REVIEW
• MYNA MOVIE REVIEW
• NAACHIYAAR MOVIE REVIEW
• NAADODIGAL 2 MOVIE REVIEW
• NAADODIGAL 2 TAMIL MOVIE REVIEW
• NAADODIGAL MOVIE REVIEW
• NAAI KUTTY MOVIE REVIEW
• NAAI SEKAR REVIEW
• NAAIGAL JAAKIRATHAI MOVIE REVIEW
• NAALU POLISUM NALLA IRUNTHA OORUM MOVIE REVIEW
• NAAN AVAN ILLAI 2 MOVIE REVIEW
• NAAN EE MOVIE REVIEW
• NAAN KADAVUL MOVIE REVIEW
• NAAN MAHAAN ALLA MOVIE REVIEW
• NAAN MOVIE REVIEW
• NAAN RAJAVAGA POGIREN MOVIE REVIEW
• NAAN SIGAPPU MANITHAN MOVIE REVIEW
• NAAN SIRITHAAL MOVIE REVIEW
• NAAN SIRITHAAL TAMIL MOVIE REVIEW
• NAAN THAN BALA MOVIE REVIEW
• NAANAYAM MOVIE REVIEW
• NAANE VARUVEN REVIEW
• NAANGA ROMBA BUSY REVIEW
• NAANUM ROWDY DHAAN MOVIE REVIEW
• NADIGAIYAR THILAGAM MOVIE REVIEW
• NADUNISI NAAYGAL MOVIE REVIEW
• NADUNISI NAAYGAL REVIEW
• NADUVAN REVIEW
• NADUVULA KONJAM PAKKATHA KAANOM MOVIE REVIEW
• NAGARAJA CHOZHAN MA MLA MOVIE REVIEW
• NAGARAM MOVIE REVIEW
• NAIYAANDI MOVIE REVIEW
• NALANUM NANDHINIYUM MOVIE REVIEW
• NAMADHU MOVIE REVIEW
• NAMBIAR MOVIE REVIEW
• NAMMA VEETTU PILLAI MOVIE REVIEW
• NAMMA VEETTU PILLAI TAMIL MOVIE REVIEW
• NANBAN MOVIE REVIEW
• NANBARGAL KAVANATHIRKU MOVIE REVIEW
• NANBENDA MOVIE REVIEW
• NANDALALA MOVIE REVIEW
• NANDHA NANDHITHA MOVIE REVIEW
• NANDHI MOVIE REVIEW
• NANJUPURAM MOVIE REVIEW
• NANKAM PIRAI 3D MOVIE REVIEW
• NATCHATHIRAM NAGARGIRATHU REVIEW
• NATPE THUNAI MOVIE REVIEW
• NATPE THUNAI TAMIL MOVIE REVIEW
• NAVARASA REVIEW
• NAVARASA TAMIL REVIEW
• NAVEENA SARASWATHI SABATHAM MOVIE REVIEW
• NAYAGI MOVIE REVIEW
• NEDUNCHALAI MOVIE REVIEW
• NEE ENGE EN ANBEY MOVIE REVIEW
• NEERPARAVAI MOVIE REVIEW
• NEETHAANE EN PONVASANTHAM MOVIE REVIEW
• NEEYUM NAANUM MOVIE REVIEW
• NENJAM MARAPPATHILLAI REVIEW
• NENJAM MARAPPATHILLAI TAMIL REVIEW
• NENJAMUNDU NERMAIYUNDU ODU RAJA MOVIE REVIEW
• NENJAMUNDU NERMAIYUNDU ODU RAJA TAMIL MOVIE REVIEW
• NENJIL THUNIVIRUNDHAL MOVIE REVIEW
• NENJUKU NEEDHI REVIEW
• NER ETHIR MOVIE REVIEW
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• NERKONDA PAARVAI MOVIE REVIEW
• NERKONDA PAARVAI TAMIL MOVIE REVIEW
• NERUNGI VA MUTHAMIDATHE MOVIE REVIEW
• NERUPPU DA MOVIE REVIEW
• NESI MOVIE REVIEW
• NETRIKANN REVIEW
• NETRIKANN TAMIL REVIEW
• NETRU INDRU NAALAI REVIEW
• NEWTONIN MOONDRAM VIDHI MOVIE REVIEW
• NGK MOVIE REVIEW
• NGK TAMIL MOVIE REVIEW
• NIBUNAN MOVIE REVIEW
• NIL GAVANI SELLATHE MOVIE REVIEW
• NIMIR MOVIE REVIEW
• NIMIRNDHU NIL MOVIE REVIEW
• NINAITHALE INIKKUM MOVIE REVIEW
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• NISABDHAM MOVIE REVIEW
• NITHAM ORU VAANAM REVIEW
• NOTA MOVIE REVIEW
• NOTA TAMIL MOVIE REVIEW
• NUGAM MOVIE REVIEW
• O KADHAL KANMANI MOVIE REVIEW
• OCHAYEE MOVIE REVIEW
• OH BABY TAMIL MOVIE REVIEW
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• OH MY DOG REVIEW
• OH MY KADAVULE MOVIE REVIEW
• OH MY KADAVULE TAMIL MOVIE REVIEW
• OLIYUM OLIYUM MOVIE REVIEW
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• ONAYUM AATUKUTTIYUM MOVIE REVIEW
• ONBATHULA GURU MOVIE REVIEW
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• ORANGE MITTAI MOVIE REVIEW
• ORR IRAVU MOVIE REVIEW
• ORU KADHAI SOLLATUMA MOVIE REVIEW
• ORU KAL ORU KANNADI MOVIE REVIEW
• ORU KANNIYUM MOONU KALAVAANIGALUM MOVIE REVIEW
• ORU KIDAYIN KARUNAI MANU MOVIE REVIEW
• ORU KUPPAI KATHAI MOVIE REVIEW
• ORU MELLIYA KODU MOVIE REVIEW
• ORU NAAL IRAVIL MOVIE REVIEW
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• ORU NALLA NAAL PAATHU SOLREN MOVIE REVIEW
• ORU OORLA RENDU RAJA MOVIE REVIEW
• ORU PAKKA KATHAI REVIEW
• ORU PAKKA KATHAI TAMIL REVIEW
• OTHTHA SERUPPU SIZE 7 MOVIE REVIEW
• OTHTHA SERUPPU SIZE 7 TAMIL MOVIE REVIEW
• PA. PAANDI MOVIE REVIEW
• PAAGAN MOVIE REVIEW
• PAAMBHU SATTAI MOVIE REVIEW
• PAAVA KADHAIGAL REVIEW
• PAAVA KADHAIGAL TAMIL REVIEW
• PAAYUM PULI MOVIE REVIEW
• PACHAI ENGIRA KATHU MOVIE REVIEW
• PADIKATHAVAN MOVIE REVIEW
• PADMAAVAT TAMIL MOVIE REVIEW
• PAIYAA MOVIE REVIEW
• PAKKIRI MOVIE REVIEW
• PALAIVANA CHOLAI MOVIE REVIEW
• PANCHARAAKSHARAM MOVIE REVIEW
• PANCHARAAKSHARAM TAMIL MOVIE REVIEW
• PANDHAYAM MOVIE REVIEW
• PANDI OLI PERUKKI NILAYAM MOVIE REVIEW
• PANDIANADU MOVIE REVIEW
• PANDIGAI MOVIE REVIEW
• PANI THULI MOVIE REVIEW
• PANJAMIRTHAM 25 12 08
• PANNAIYARUM PADMINIYUM MOVIE REVIEW
• PANTHAYAKOZHI MOVIE REVIEW
• PAPANASAM MOVIE REVIEW
• PARADESI MOVIE REVIEW
• PARIS JAYARAJ TAMIL REVIEW
• PARIYERUM PERUMAL MOVIE REVIEW
• PAROLE REVIEW
• PARRIS JEYARAJ REVIEW
• PASANGA 2 MOVIE REVIEW
• PASANGA MOVIE REVIEW
• PATHAYIRAM KODI MOVIE REVIEW
• PATHINAARU MOVIE REVIEW
• PATHU THALA REVIEW
• PATTALAM MOVIE REVIEW
• PATTAMPOOCHI REVIEW
• PATTAS MOVIE REVIEW
• PATTAS TAMIL MOVIE REVIEW
• PATTATHU YAANAI MOVIE REVIEW
• PAYANIGAL GAVANIKKAVUM REVIEW
• PAZHASSI RAJA MOVIE REVIEW
• PEECHAANKAI MOVIE REVIEW
• PEN SINGAM MOVIE REVIEW
• PENCIL MOVIE REVIEW
• PENGUIN REVIEW
• PENGUIN TAMIL REVIEW
• PERAANMAI MOVIE REVIEW
• PERANBU MOVIE REVIEW
• PERUMAAN MOVIE REVIEW
• PERUMAL MOVIE REVIEW
• PETROMAX MOVIE REVIEW
• PETROMAX TAMIL MOVIE REVIEW
• PETTA MOVIE REVIEW
• PETTA TAMIL MOVIE REVIEW
• PICHAIKAARAN MOVIE REVIEW
• PISAASU MOVIE REVIEW
• PIZZA MOVIE REVIEW
• PLAN PANNI PANNANUM REVIEW
• PM NARENDRA MODI MOVIE REVIEW
• PODAA PODI MOVIE REVIEW
• PODHUVAGA EMMANASU THANGAM MOVIE REVIEW
• POI SOLLA POROM MOVIE REVIEW
• POKKIRI RAJA MOVIE REVIEW
• POKKISHAM MOVIE REVIEW
• POLLANGU MOVIE REVIEW
• PONMAALAI POZHUDHU MOVIE REVIEW
• PONMAGAL VANDHAL REVIEW
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• PONNAR SHANKAR MOVIE REVIEW
• PONNIYIN SELVAN PART 1 REVIEW
• PONNIYIN SELVAN PART 2 REVIEW
• POO MOVIE REVIEW
• POOJAI MOVIE REVIEW
• POOVARASAM PEEPEE MOVIE REVIEW
• PORAALI MOVIE REVIEW
• PORIYAALAN MOVIE REVIEW
• PORKKALAM MOVIE REVIEW
• POTHANUR THABAL NILAYAM REVIEW
• POURNAMI NAGAM MOVIE REVIEW
• PRINCE REVIEW
• PSYCHO MOVIE REVIEW
• PSYCHO TAMIL MOVIE REVIEW
• PUGAIPPADAM MOVIE REVIEW
• PUGAZH MOVIE REVIEW
• PULI MOVIE REVIEW
• PULIVAAL MOVIE REVIEW
• PUPPY TAMIL MOVIE MOVIE REVIEW
• PUPPY MOVIE REVIEW
• PURAMPOKKU ENGIRA PODHUVUDAMAI MOVIE REVIEW
• PURIYAATHA PUTHIR MOVIE REVIEW
• PUTHAGAM MOVIE REVIEW
• PUTHAM PUDHU KAALAI REVIEW I II
• PUTHAM PUDHU KAALAI VIDIYAADHAA REVIEW
• PYAAR PREMA KAADHAL MOVIE REVIEW
• QUOTA TAMIL REVIEW
• RA MOVIE REVIEW
• RAAME AANDALUM RAAVANE AANDALUM REVIEW
• RAANGI REVIEW
• RAATCHASI MOVIE REVIEW
• RAATCHASI TAMIL MOVIE REVIEW
• RAAVANAN MOVIE REVIEW
• RADHE SHYAM TAMIL REVIEW
• RAGALAIPURAM MOVIE REVIEW
• RAJA MANDHIRI MOVIE REVIEW
• RAJA RANI MOVIE REVIEW
• RAJADHI RAJA MOVIE REVIEW
• RAJATHANDHIRAM MOVIE REVIEW
• RAJINI MURUGAN MOVIE REVIEW
• RAMAN THEDIYA SEETHAI MOVIE REVIEW
• RAMANUJAN MOVIE REVIEW
• RANGOON MOVIE REVIEW
• RASCALS MOVIE REVIEW
• RATSASAN MOVIE REVIEW
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• RATTHA CHARITHIRAM MOVIE REVIEW
• RATTINAM MOVIE REVIEW
• RAVANA DESAM MOVIE REVIEW
• REKKA MOVIE REVIEW
• REMO MOVIE REVIEW
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• RETTAISUZHI MOVIE REVIEW
• RICHIE MOVIE REVIEW
• ROCKETRY THE NAMBI EFFECT REVIEW
• ROCKY REVIEW
• ROMEO JULIET MOVIE REVIEW
• ROWDY RATHORE MOVIE REVIEW
• ROWTHIRAM MOVIE REVIEW
• RUDHRAMADEVI MOVIE REVIEW
• RUM MOVIE REVIEW
• RUMMY MOVIE REVIEW
• RUN BABY RUN REVIEW
• SAAHO TAMIL MOVIE REVIEW
• SAAMIDA MOVIE REVIEW
• SAAMY 2 TAMIL MOVIE REVIEW
• SAAMY SQUARE MOVIE REVIEW
• SAANI KAAYIDHAM REVIEW
• SAATTAI MOVIE REVIEW
• SABHAAPATHY REVIEW
• SADHURAM 2 MOVIE REVIEW
• SAGUNI MOVIE REVIEW
• SAITHAN MOVIE REVIEW
• SAIVAM MOVIE REVIEW
• SAKALAKALAVALLAVAN MOVIE REVIEW
• SAKKA PODU PODU RAJA MOVIE REVIEW
• SAKKARAKATTI MOVIE REVIEW
• SALIM MOVIE REVIEW
• SAMAR MOVIE REVIEW
• SANDAKOZHI 2 MOVIE REVIEW
• SANDAKOZHI 2 TAMIL MOVIE REVIEW
• SANGATHAMIZHAN MOVIE REVIEW
• SANGATHAMIZHAN TAMIL MOVIE REVIEW
• SANGILI BUNGILI KADHAVA THORAE MOVIE REVIEW
• SANIKIZHAMAI SAYANGALAM 5 MANI MOVIE REVIEW
• SARABHAM MOVIE REVIEW
• SARDAR REVIEW
• SARKAR MOVIE REVIEW
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• SAROJA MOVIE REVIEW
• SARPATTA PARAMBARAI REVIEW
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• SARVAM THAALA MAYAM MOVIE REVIEW
• SARVAM THAALA MAYAM TAMIL MOVIE REVIEW
• SARVVAM MOVIE REVIEW
• SATHRIYAN MOVIE REVIEW
• SATHURANGA VETTAI MOVIE REVIEW
• SATHURANGAM MOVIE REVIEW
• SATHYA MOVIE REVIEW
• SATTAM ORU IRUTTARAI MOVIE REVIEW
• SATTAPADI KUTTRAM MOVIE REVIEW
• SATTRU MUN KIDAITHA THAGAVAL MOVIE REVIEW
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• SAWAARI MOVIE REVIEW
• SEEDAN MOVIE REVIEW
• SEEMARAJA TAMIL MOVIE REVIEW
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• SELFIE REVIEW
• SEMA MOVIE REVIEW
• SEMA THIMIRU REVIEW
• SEMA THIMIRU TAMIL REVIEW
• SEMBI REVIEW
• SEMMA BOTHA AAGATHA MOVIE REVIEW
• SENGATHU BHOOMIYILE MOVIE REVIEW
• SETHTHUMAAN REVIEW
• SETHUM AAYIRAM PON MOVIE REVIEW
• SETHUPATHI MOVIE REVIEW
• SETTAI MOVIE REVIEW
• SEVAL MOVIE REVIEW
• SEVARKODI MOVIE REVIEW
• SHAKEELA REVIEW
• SHUDDH DESI ROMANCE MOVIE REVIEW
• SI3 MOVIE REVIEW
• SIDDU PLUS TWO MOVIE REVIEW
• SIGAI MOVIE REVIEW
• SIGARAM THODU MOVIE REVIEW
• SILA NERANGALIL SILA MANIDHARGAL REVIEW
• SILA SAMAYANGALIL MOVIE REVIEW
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• SILENCE REVIEW
• SILENCE TAMIL REVIEW
• SILLU KARUPATTI MOVIE REVIEW
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• SILLUNU ORU SANDHIPPU MOVIE REVIEW
• SILUKKUVAARUPATTI SINGAM MOVIE REVIEW
• SIMBA MOVIE REVIEW
• SINDHANAI SEI MOVIE REVIEW
• SINDHU SAMAVELI MOVIE REVIEW
• SINDHUBAADH MOVIE REVIEW I II
• SINGAM 2 MOVIE REVIEW
• SINGAM MOVIE REVIEW
• SINGAM PULI MOVIE REVIEW
• SINGAYIL GURUSHETRAM MOVIE REVIEW
• SIRUTHAI MOVIE REVIEW
• SITA RAMAM REVIEW
• SIVA MANASULA SAKTHI MOVIE REVIEW
• SIVAGIRI MOVIE REVIEW
• SIVAJI 3D MOVIE REVIEW
• SIVALINGA MOVIE REVIEW
• SIVAPPU MANJAL PACHAI MOVIE REVIEW
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• SIVAPPU MOVIE REVIEW
• SIVAPURAM MOVIE REVIEW
• SIXER MOVIE REVIEW
• SIXER TAMIL MOVIE REVIEW
• SKETCH MOVIE REVIEW
• SOLLA SOLLA INIKKUM MOVIE REVIEW
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• SONNA PURIYADHU MOVIE REVIEW
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• SOORARAI POTTRU REVIEW
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• SOORIYANAGARAM MOVIE REVIEW
• SPYDER MOVIE REVIEW
• SRIDHAR MOVIE REVIEW
• SULTHAN REVIEW
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• SUMMA NACHUNU IRUKKU MOVIE REVIEW
• SUNDARAPANDIAN MOVIE REVIEW
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• SUPER DELUXE MOVIE REVIEW
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• SURA MOVIE REVIEW
• SURYA MOVIE REVIEW
• SUTTA KATHAI MOVIE REVIEW
• SUTTU PIDIKKA UTHARAVU MOVIE REVIEW
• SUZHAL MOVIE REVIEW
• SYE RAA TAMIL MOVIE REVIEW
• TAANAKKARAN REVIEW
• TAMILSELVANUM THANIYAR ANJALUM MOVIE REVIEW
• TAMIZH PADAM 2 MOVIE REVIEW
• TAMIZHUKU ENN ONDRAI AZHUTHAVUM MOVIE REVIEW
• TARAMANI MOVIE REVIEW
• TEDDY REVIEW
• TEDDY TAMIL REVIEW
• TENALIRAMAN MOVIE REVIEW
• THA MOVIE REVIEW
• THAAKKA THAAKKA MOVIE REVIEW
• THAANAA SERNDHA KOOTTAM MOVIE REVIEW
• THAANDAVAM MOVIE REVIEW
• THAARAI THAPPATTAI MOVIE REVIEW
• THADAM MOVIE REVIEW
• THADAYARA THAAKKA MOVIE REVIEW
• THAEN TAMIL REVIEW
• THAGARAARU MOVIE REVIEW
• THALAIMURAIGAL MOVIE REVIEW
• THALAIVAA MOVIE REVIEW
• THALAIVII REVIEW
• THALAIVII TAMIL REVIEW
• THAMBI ARJUNA MOVIE REVIEW
• THAMBI KOTTAI MOVIE REVIEW
• THAMBI MOVIE REVIEW
• THAMBI TAMIL MOVIE REVIEW
• THAMBI VETTOTHI SUNDARAM MOVIE REVIEW
• THAMBIKKU INDHA OORU MOVIE REVIEW
• THAMBIKOTTAI MOVIE REVIEW
• THAMIZH PADAM MOVIE REVIEW
• THANGA MEENGAL MOVIE REVIEW
• THANGAMAGAN MOVIE REVIEW
• THANI ORUVAN MOVIE REVIEW
• THE CONJURING 2 MOVIE REVIEW
• THEE MOVIE REVIEW
• THEENI REVIEW
• THEENI TAMIL REVIEW
• THEERAN ADHIGARAM ONDRU MOVIE REVIEW
• THEERATHA VILAYATTU PILLAI MOVIE REVIEW
• THEERPUGAL VIRKAPADUM REVIEW
• THEEYA VELAI SEIYYANUM KUMARU MOVIE REVIEW
• THEGIDI MOVIE REVIEW
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• THENMERKU PARUVAKATRU MOVIE REVIEW
• THERI MOVIE REVIEW
• THILAGAR MOVIE REVIEW
• THILLALANGADI MOVIE REVIEW
• THILLU MULLU MOVIE REVIEW
• THIRU THIRU THURU THURU MOVIE REVIEW
• THIRUCHITRAMBALAM REVIEW
• THIRUDAN POLICE MOVIE REVIEW
• THIRUMANAM ENUM NIKKAH MOVIE REVIEW
• THIRUMANAM MOVIE REVIEW
• THIRUNAAL MOVIE REVIEW
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