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The 31 Literary Devices You Must Know

General Education

Need to analyze The Scarlet Letter or To Kill a Mockingbird for English class, but fumbling for the right vocabulary and concepts for literary devices? You've come to the right place. To successfully interpret and analyze literary texts, you'll first need to have a solid foundation in literary terms and their definitions.

In this article, we'll help you get familiar with most commonly used literary devices in prose and poetry. We'll give you a clear definition of each of the terms we discuss along with examples of literary elements and the context in which they most often appear (comedic writing, drama, or other).

Before we get to the list of literary devices, however, we have a quick refresher on what literary devices are and how understanding them will help you analyze works of literature.

What Are Literary Devices and Why Should You Know Them?

Literary devices are techniques that writers use to create a special and pointed effect in their writing, to convey information, or to help readers understand their writing on a deeper level.

Often, literary devices are used in writing for emphasis or clarity. Authors will also use literary devices to get readers to connect more strongly with either a story as a whole or specific characters or themes.

So why is it important to know different literary devices and terms? Aside from helping you get good grades on your literary analysis homework, there are several benefits to knowing the techniques authors commonly use.

Being able to identify when different literary techniques are being used helps you understand the motivation behind the author's choices. For example, being able to identify symbols in a story can help you figure out why the author might have chosen to insert these focal points and what these might suggest in regard to her attitude toward certain characters, plot points, and events.

In addition, being able to identify literary devices can make a written work's overall meaning or purpose clearer to you. For instance, let's say you're planning to read (or re-read) The Lion, the Witch, and the Wardrobe by C.S. Lewis. By knowing that this particular book is a religious allegory with references to Christ (represented by the character Aslan) and Judas (represented by Edmund), it will be clearer to you why Lewis uses certain language to describe certain characters and why certain events happen the way they do.

Finally, literary techniques are important to know because they make texts more interesting and more fun to read. If you were to read a novel without knowing any literary devices, chances are you wouldn't be able to detect many of the layers of meaning interwoven into the story via different techniques.

Now that we've gone over why you should spend some time learning literary devices, let's take a look at some of the most important literary elements to know.

List of Literary Devices: 31 Literary Terms You Should Know

Below is a list of literary devices, most of which you'll often come across in both prose and poetry. We explain what each literary term is and give you an example of how it's used. This literary elements list is arranged in alphabetical order.

An allegory is a story that is used to represent a more general message about real-life (historical) issues and/or events. It is typically an entire book, novel, play, etc.

Example: George Orwell's dystopian book Animal Farm is an allegory for the events preceding the Russian Revolution and the Stalinist era in early 20th century Russia. In the story, animals on a farm practice animalism, which is essentially communism. Many characters correspond to actual historical figures: Old Major represents both the founder of communism Karl Marx and the Russian communist leader Vladimir Lenin; the farmer, Mr. Jones, is the Russian Czar; the boar Napoleon stands for Joseph Stalin; and the pig Snowball represents Leon Trotsky.

Alliteration

Alliteration is a series of words or phrases that all (or almost all) start with the same sound. These sounds are typically consonants to give more stress to that syllable. You'll often come across alliteration in poetry, titles of books and poems ( Jane Austen is a fan of this device, for example—just look at Pride and Prejudice and Sense and Sensibility ), and tongue twisters.

Example: "Peter Piper picked a peck of pickled peppers." In this tongue twister, the "p" sound is repeated at the beginning of all major words.

Allusion is when an author makes an indirect reference to a figure, place, event, or idea originating from outside the text. Many allusions make reference to previous works of literature or art.

Example: "Stop acting so smart—it's not like you're Einstein or something." This is an allusion to the famous real-life theoretical physicist Albert Einstein.

Anachronism

An anachronism occurs when there is an (intentional) error in the chronology or timeline of a text. This could be a character who appears in a different time period than when he actually lived, or a technology that appears before it was invented. Anachronisms are often used for comedic effect.

Example: A Renaissance king who says, "That's dope, dude!" would be an anachronism, since this type of language is very modern and not actually from the Renaissance period.

Anaphora is when a word or phrase is repeated at the beginning of multiple sentences throughout a piece of writing. It's used to emphasize the repeated phrase and evoke strong feelings in the audience.

Example: A famous example of anaphora is Winston Churchill's "We Shall Fight on the Beaches" speech. Throughout this speech, he repeats the phrase "we shall fight" while listing numerous places where the British army will continue battling during WWII. He did this to rally both troops and the British people and to give them confidence that they would still win the war.

Anthropomorphism

An anthropomorphism occurs when something nonhuman, such as an animal, place, or inanimate object, behaves in a human-like way.

Example: Children's cartoons have many examples of anthropomorphism. For example, Mickey and Minnie Mouse can speak, wear clothes, sing, dance, drive cars, etc. Real mice can't do any of these things, but the two mouse characters behave much more like humans than mice.

Asyndeton is when the writer leaves out conjunctions (such as "and," "or," "but," and "for") in a group of words or phrases so that the meaning of the phrase or sentence is emphasized. It is often used for speeches since sentences containing asyndeton can have a powerful, memorable rhythm.

Example: Abraham Lincoln ends the Gettysburg Address with the phrase "...and that government of the people, by the people, for the people shall not perish from the Earth." By leaving out certain conjunctions, he ends the speech on a more powerful, melodic note.

Colloquialism

Colloquialism is the use of informal language and slang. It's often used by authors to lend a sense of realism to their characters and dialogue. Forms of colloquialism include words, phrases, and contractions that aren't real words (such as "gonna" and "ain't").

Example: "Hey, what's up, man?" This piece of dialogue is an example of a colloquialism, since it uses common everyday words and phrases, namely "what's up" and "man."

An epigraph is when an author inserts a famous quotation, poem, song, or other short passage or text at the beginning of a larger text (e.g., a book, chapter, etc.). An epigraph is typically written by a different writer (with credit given) and used as a way to introduce overarching themes or messages in the work. Some pieces of literature, such as Herman Melville's 1851 novel Moby-Dick , incorporate multiple epigraphs throughout.

Example: At the beginning of Ernest Hemingway's book The Sun Also Rises is an epigraph that consists of a quotation from poet Gertrude Stein, which reads, "You are all a lost generation," and a passage from the Bible.

Epistrophe is similar to anaphora, but in this case, the repeated word or phrase appears at the end of successive statements. Like anaphora, it is used to evoke an emotional response from the audience.

Example: In Lyndon B. Johnson's speech, "The American Promise," he repeats the word "problem" in a use of epistrophe: "There is no Negro problem. There is no Southern problem. There is no Northern problem. There is only an American problem."

A euphemism is when a more mild or indirect word or expression is used in place of another word or phrase that is considered harsh, blunt, vulgar, or unpleasant.

Example: "I'm so sorry, but he didn't make it." The phrase "didn't make it" is a more polite and less blunt way of saying that someone has died.

A flashback is an interruption in a narrative that depicts events that have already occurred, either before the present time or before the time at which the narration takes place. This device is often used to give the reader more background information and details about specific characters, events, plot points, and so on.

Example: Most of the novel Wuthering Heights by Emily Brontë is a flashback from the point of view of the housekeeper, Nelly Dean, as she engages in a conversation with a visitor named Lockwood. In this story, Nelly narrates Catherine Earnshaw's and Heathcliff's childhoods, the pair's budding romance, and their tragic demise.

Foreshadowing

Foreshadowing is when an author indirectly hints at—through things such as dialogue, description, or characters' actions—what's to come later on in the story. This device is often used to introduce tension to a narrative.

Example: Say you're reading a fictionalized account of Amelia Earhart. Before she embarks on her (what we know to be unfortunate) plane ride, a friend says to her, "Be safe. Wouldn't want you getting lost—or worse." This line would be an example of foreshadowing because it implies that something bad ("or worse") will happen to Earhart.

Hyperbole is an exaggerated statement that's not meant to be taken literally by the reader. It is often used for comedic effect and/or emphasis.

Example: "I'm so hungry I could eat a horse." The speaker will not literally eat an entire horse (and most likely couldn't ), but this hyperbole emphasizes how starved the speaker feels.

Imagery is when an author describes a scene, thing, or idea so that it appeals to our senses (taste, smell, sight, touch, or hearing). This device is often used to help the reader clearly visualize parts of the story by creating a strong mental picture.

Example: Here's an example of imagery taken from William Wordsworth's famous poem "I Wandered Lonely as a Cloud":

When all at once I saw a crowd, A host of golden Daffodils; Beside the Lake, beneath the trees, Fluttering and dancing in the breeze.

Irony is when a statement is used to express an opposite meaning than the one literally expressed by it. There are three types of irony in literature:

• Verbal irony: When someone says something but means the opposite (similar to sarcasm).
• Situational irony: When something happens that's the opposite of what was expected or intended to happen.
• Dramatic irony: When the audience is aware of the true intentions or outcomes, while the characters are not . As a result, certain actions and/or events take on different meanings for the audience than they do for the characters involved.
• Verbal irony: One example of this type of irony can be found in Edgar Allan Poe's "The Cask of Amontillado." In this short story, a man named Montresor plans to get revenge on another man named Fortunato. As they toast, Montresor says, "And I, Fortunato—I drink to your long life." This statement is ironic because we the readers already know by this point that Montresor plans to kill Fortunato.
• Situational irony: A girl wakes up late for school and quickly rushes to get there. As soon as she arrives, though, she realizes that it's Saturday and there is no school.
• Dramatic irony: In William Shakespeare's Romeo and Juliet , Romeo commits suicide in order to be with Juliet; however, the audience (unlike poor Romeo) knows that Juliet is not actually dead—just asleep.

Juxtaposition

Juxtaposition is the comparing and contrasting of two or more different (usually opposite) ideas, characters, objects, etc. This literary device is often used to help create a clearer picture of the characteristics of one object or idea by comparing it with those of another.

Example: One of the most famous literary examples of juxtaposition is the opening passage from Charles Dickens' novel A Tale of Two Cities :

"It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair …"

Malapropism

Malapropism happens when an incorrect word is used in place of a word that has a similar sound. This misuse of the word typically results in a statement that is both nonsensical and humorous; as a result, this device is commonly used in comedic writing.

Example: "I just can't wait to dance the flamingo!" Here, a character has accidentally called the flamenco (a type of dance) the flamingo (an animal).

Metaphor/Simile

Metaphors are when ideas, actions, or objects are described in non-literal terms. In short, it's when an author compares one thing to another. The two things being described usually share something in common but are unalike in all other respects.

A simile is a type of metaphor in which an object, idea, character, action, etc., is compared to another thing using the words "as" or "like."

Both metaphors and similes are often used in writing for clarity or emphasis.

"What light through yonder window breaks? It is the east, and Juliet is the sun." In this line from Romeo and Juliet , Romeo compares Juliet to the sun. However, because Romeo doesn't use the words "as" or "like," it is not a simile—just a metaphor.

"She is as vicious as a lion." Since this statement uses the word "as" to make a comparison between "she" and "a lion," it is a simile.

A metonym is when a related word or phrase is substituted for the actual thing to which it's referring. This device is usually used for poetic or rhetorical effect .

Example: "The pen is mightier than the sword." This statement, which was coined by Edward Bulwer-Lytton in 1839, contains two examples of metonymy: "the pen" refers to "the written word," and "the sword" refers to "military force/violence."

Mood is the general feeling the writer wants the audience to have. The writer can achieve this through description, setting, dialogue, and word choice .

Example: Here's a passage from J.R.R. Tolkien's The Hobbit: "It had a perfectly round door like a porthole, painted green, with a shiny yellow brass knob in the exact middle. The door opened on to a tube-shaped hall like a tunnel: a very comfortable tunnel without smoke, with panelled walls, and floors tiled and carpeted, provided with polished chairs, and lots and lots of pegs for hats and coats -- the hobbit was fond of visitors." In this passage, Tolkien uses detailed description to set create a cozy, comforting mood. From the writing, you can see that the hobbit's home is well-cared for and designed to provide comfort.

Onomatopoeia

Onomatopoeia is a word (or group of words) that represents a sound and actually resembles or imitates the sound it stands for. It is often used for dramatic, realistic, or poetic effect.

Examples: Buzz, boom, chirp, creak, sizzle, zoom, etc.

An oxymoron is a combination of two words that, together, express a contradictory meaning. This device is often used for emphasis, for humor, to create tension, or to illustrate a paradox (see next entry for more information on paradoxes).

Examples: Deafening silence, organized chaos, cruelly kind, insanely logical, etc.

A paradox is a statement that appears illogical or self-contradictory but, upon investigation, might actually be true or plausible.

Note that a paradox is different from an oxymoron: a paradox is an entire phrase or sentence, whereas an oxymoron is a combination of just two words.

Example: Here's a famous paradoxical sentence: "This statement is false." If the statement is true, then it isn't actually false (as it suggests). But if it's false, then the statement is true! Thus, this statement is a paradox because it is both true and false at the same time.

Personification

Personification is when a nonhuman figure or other abstract concept or element is described as having human-like qualities or characteristics. (Unlike anthropomorphism where non-human figures become human-like characters, with personification, the object/figure is simply described as being human-like.) Personification is used to help the reader create a clearer mental picture of the scene or object being described.

Example: "The wind moaned, beckoning me to come outside." In this example, the wind—a nonhuman element—is being described as if it is human (it "moans" and "beckons").

Repetition is when a word or phrase is written multiple times, usually for the purpose of emphasis. It is often used in poetry (for purposes of rhythm as well).

Example: When Lin-Manuel Miranda, who wrote the score for the hit musical Hamilton, gave his speech at the 2016 Tony's, he recited a poem he'd written that included the following line:

And love is love is love is love is love is love is love is love cannot be killed or swept aside.

Satire is genre of writing that criticizes something , such as a person, behavior, belief, government, or society. Satire often employs irony, humor, and hyperbole to make its point.

Example: The Onion is a satirical newspaper and digital media company. It uses satire to parody common news features such as opinion columns, editorial cartoons, and click bait headlines.

A type of monologue that's often used in dramas, a soliloquy is when a character speaks aloud to himself (and to the audience), thereby revealing his inner thoughts and feelings.

Example: In Romeo and Juliet , Juliet's speech on the balcony that begins with, "O Romeo, Romeo! Wherefore art thou Romeo?" is a soliloquy, as she is speaking aloud to herself (remember that she doesn't realize Romeo's there listening!).

Symbolism refers to the use of an object, figure, event, situation, or other idea in a written work to represent something else— typically a broader message or deeper meaning that differs from its literal meaning.

The things used for symbolism are called "symbols," and they'll often appear multiple times throughout a text, sometimes changing in meaning as the plot progresses.

Example: In F. Scott Fitzgerald's 1925 novel The Great Gatsby , the green light that sits across from Gatsby's mansion symbolizes Gatsby's hopes and dreams .

A synecdoche is a literary device in which part of something is used to represent the whole, or vice versa. It's similar to a metonym (see above); however, a metonym doesn't have to represent the whole—just something associated with the word used.

Example: "Help me out, I need some hands!" In this case, "hands" is being used to refer to people (the whole human, essentially).

While mood is what the audience is supposed to feel, tone is the writer or narrator's attitude towards a subject . A good writer will always want the audience to feel the mood they're trying to evoke, but the audience may not always agree with the narrator's tone, especially if the narrator is an unsympathetic character or has viewpoints that differ from those of the reader.

Example: In an essay disdaining Americans and some of the sites they visit as tourists, Rudyard Kipling begins with the line, "Today I am in the Yellowstone Park, and I wish I were dead." If you enjoy Yellowstone and/or national parks, you may not agree with the author's tone in this piece.

How to Identify and Analyze Literary Devices: 4 Tips

In order to fully interpret pieces of literature, you have to understand a lot about literary devices in the texts you read. Here are our top tips for identifying and analyzing different literary techniques:

Tip 1: Read Closely and Carefully

First off, you'll need to make sure that you're reading very carefully. Resist the temptation to skim or skip any sections of the text. If you do this, you might miss some literary devices being used and, as a result, will be unable to accurately interpret the text.

If there are any passages in the work that make you feel especially emotional, curious, intrigued, or just plain interested, check that area again for any literary devices at play.

It's also a good idea to reread any parts you thought were confusing or that you didn't totally understand on a first read-through. Doing this ensures that you have a solid grasp of the passage (and text as a whole) and will be able to analyze it appropriately.

Tip 2: Memorize Common Literary Terms

You won't be able to identify literary elements in texts if you don't know what they are or how they're used, so spend some time memorizing the literary elements list above. Knowing these (and how they look in writing) will allow you to more easily pinpoint these techniques in various types of written works.

Tip 3: Know the Author's Intended Audience

Knowing what kind of audience an author intended her work to have can help you figure out what types of literary devices might be at play.

For example, if you were trying to analyze a children's book, you'd want to be on the lookout for child-appropriate devices, such as repetition and alliteration.

Tip 4: Take Notes and Bookmark Key Passages and Pages

This is one of the most important tips to know, especially if you're reading and analyzing works for English class. As you read, take notes on the work in a notebook or on a computer. Write down any passages, paragraphs, conversations, descriptions, etc., that jump out at you or that contain a literary device you were able to identify.

You can also take notes directly in the book, if possible (but don't do this if you're borrowing a book from the library!). I recommend circling keywords and important phrases, as well as starring interesting or particularly effective passages and paragraphs.

Lastly, use sticky notes or post-its to bookmark pages that are interesting to you or that have some kind of notable literary device. This will help you go back to them later should you need to revisit some of what you've found for a paper you plan to write.

What's Next?

Looking for more in-depth explorations and examples of literary devices? Join us as we delve into imagery , personification , rhetorical devices , tone words and mood , and different points of view in literature, as well as some more poetry-specific terms like assonance and iambic pentameter .

Reading The Great Gatsby for class or even just for fun? Then you'll definitely want to check out our expert guides on the biggest themes in this classic book, from love and relationships to money and materialism .

Got questions about Arthur Miller's The Crucible ? Read our in-depth articles to learn about the most important themes in this play and get a complete rundown of all the characters .

For more information on your favorite works of literature, take a look at our collection of high-quality book guides and our guide to the 9 literary elements that appear in every story !

These recommendations are based solely on our knowledge and experience. If you purchase an item through one of our links, PrepScholar may receive a commission.

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Hannah received her MA in Japanese Studies from the University of Michigan and holds a bachelor's degree from the University of Southern California. From 2013 to 2015, she taught English in Japan via the JET Program. She is passionate about education, writing, and travel.

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11 Creative Writing Techniques

Learn how to add pizzazz to any type of writing.

The articles below show you how to use creative writing tools in fiction or non-fiction. Each article features a series of examples so it becomes easier to apply the technique.

List of creative writing techniques

Click the links below to go to a specific section:

Personification

Show don’t tell

Repetition in writing

Contrast in writing

The rule of three in writing

Parallelism

1. Metaphors

Learn how to use metaphors and get inspired by these examples …

Learn how to use metaphors >>

Metaphor examples >>

Get inspired by over 10 simile examples by various authors …

Simile examples >>

3. Analogies

Get inspired by these analogy examples …

Analogy examples >>

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Get inspired by these imagery examples …

Imagery examples >>

5. Personification

Learn how to use personification to make your writing sparkle …

Personification examples >>

6. Show don’t tell

Get inspired by these examples of “show, don’t tell” …

Show don’t tell examples >>

7. Repetition in writing

Get inspired by these examples of word repetition …

Examples of repetition in writing >>

8. Contrast in writing

Discover how to use contrast in your writing …

Examples of contrast in writing >>

9. The rule of 3 in writing

Get inspired by these examples of the rule of 3 …

The rule of 3 in writing >>

10. Parallelism in writing

Get inspired by these examples of the parallelism …

Parallelism examples >>

11. Switch the point of view (POV)

Discover how to switch the point of view …

Point of view examples >>

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What Is Creative Writing? (Ultimate Guide + 20 Examples)

Creative writing begins with a blank page and the courage to fill it with the stories only you can tell.

I face this intimidating blank page daily–and I have for the better part of 20+ years.

In this guide, you’ll learn all the ins and outs of creative writing with tons of examples.

What Is Creative Writing (Long Description)?

Creative Writing is the art of using words to express ideas and emotions in imaginative ways. It encompasses various forms including novels, poetry, and plays, focusing on narrative craft, character development, and the use of literary tropes.

Table of Contents

Let’s expand on that definition a bit.

Creative writing is an art form that transcends traditional literature boundaries.

It includes professional, journalistic, academic, and technical writing. This type of writing emphasizes narrative craft, character development, and literary tropes. It also explores poetry and poetics traditions.

In essence, creative writing lets you express ideas and emotions uniquely and imaginatively.

It’s about the freedom to invent worlds, characters, and stories. These creations evoke a spectrum of emotions in readers.

Creative writing covers fiction, poetry, and everything in between.

It allows writers to express inner thoughts and feelings. Often, it reflects human experiences through a fabricated lens.

Types of Creative Writing

There are many types of creative writing that we need to explain.

Some of the most common types:

• Short stories
• Screenplays
• Flash fiction
• Creative Nonfiction

Short Stories (The Brief Escape)

Short stories are like narrative treasures.

They are compact but impactful, telling a full story within a limited word count. These tales often focus on a single character or a crucial moment.

Short stories are known for their brevity.

They deliver emotion and insight in a concise yet powerful package. This format is ideal for exploring diverse genres, themes, and characters. It leaves a lasting impression on readers.

Example: Emma discovers an old photo of her smiling grandmother. It’s a rarity. Through flashbacks, Emma learns about her grandmother’s wartime love story. She comes to understand her grandmother’s resilience and the value of joy.

Novels (The Long Journey)

Novels are extensive explorations of character, plot, and setting.

They span thousands of words, giving writers the space to create entire worlds. Novels can weave complex stories across various themes and timelines.

The length of a novel allows for deep narrative and character development.

Readers get an immersive experience.

Example: Across the Divide tells of two siblings separated in childhood. They grow up in different cultures. Their reunion highlights the strength of family bonds, despite distance and differences.

Poetry (The Soul’s Language)

Poetry expresses ideas and emotions through rhythm, sound, and word beauty.

It distills emotions and thoughts into verses. Poetry often uses metaphors, similes, and figurative language to reach the reader’s heart and mind.

Poetry ranges from structured forms, like sonnets, to free verse.

The latter breaks away from traditional formats for more expressive thought.

Example: Whispers of Dawn is a poem collection capturing morning’s quiet moments. “First Light” personifies dawn as a painter. It brings colors of hope and renewal to the world.

Plays (The Dramatic Dialogue)

Plays are meant for performance. They bring characters and conflicts to life through dialogue and action.

This format uniquely explores human relationships and societal issues.

Playwrights face the challenge of conveying setting, emotion, and plot through dialogue and directions.

Example: Echoes of Tomorrow is set in a dystopian future. Memories can be bought and sold. It follows siblings on a quest to retrieve their stolen memories. They learn the cost of living in a world where the past has a price.

Screenplays (Cinema’s Blueprint)

Screenplays outline narratives for films and TV shows.

They require an understanding of visual storytelling, pacing, and dialogue. Screenplays must fit film production constraints.

Example: The Last Light is a screenplay for a sci-fi film. Humanity’s survivors on a dying Earth seek a new planet. The story focuses on spacecraft Argo’s crew as they face mission challenges and internal dynamics.

Memoirs (The Personal Journey)

Memoirs provide insight into an author’s life, focusing on personal experiences and emotional journeys.

They differ from autobiographies by concentrating on specific themes or events.

Memoirs invite readers into the author’s world.

They share lessons learned and hardships overcome.

Example: Under the Mango Tree is a memoir by Maria Gomez. It shares her childhood memories in rural Colombia. The mango tree in their yard symbolizes home, growth, and nostalgia. Maria reflects on her journey to a new life in America.

Flash Fiction (The Quick Twist)

Flash fiction tells stories in under 1,000 words.

It’s about crafting compelling narratives concisely. Each word in flash fiction must count, often leading to a twist.

This format captures life’s vivid moments, delivering quick, impactful insights.

Example: The Last Message features an astronaut’s final Earth message as her spacecraft drifts away. In 500 words, it explores isolation, hope, and the desire to connect against all odds.

Creative Nonfiction (The Factual Tale)

Creative nonfiction combines factual accuracy with creative storytelling.

This genre covers real events, people, and places with a twist. It uses descriptive language and narrative arcs to make true stories engaging.

Creative nonfiction includes biographies, essays, and travelogues.

Example: Echoes of Everest follows the author’s Mount Everest climb. It mixes factual details with personal reflections and the history of past climbers. The narrative captures the climb’s beauty and challenges, offering an immersive experience.

Fantasy (The World Beyond)

Fantasy transports readers to magical and mythical worlds.

It explores themes like good vs. evil and heroism in unreal settings. Fantasy requires careful world-building to create believable yet fantastic realms.

Example: The Crystal of Azmar tells of a young girl destined to save her world from darkness. She learns she’s the last sorceress in a forgotten lineage. Her journey involves mastering powers, forming alliances, and uncovering ancient kingdom myths.

Science Fiction (The Future Imagined)

Science fiction delves into futuristic and scientific themes.

It questions the impact of advancements on society and individuals.

Science fiction ranges from speculative to hard sci-fi, focusing on plausible futures.

Example: When the Stars Whisper is set in a future where humanity communicates with distant galaxies. It centers on a scientist who finds an alien message. This discovery prompts a deep look at humanity’s universe role and interstellar communication.

Watch this great video that explores the question, “What is creative writing?” and “How to get started?”:

What Are the 5 Cs of Creative Writing?

The 5 Cs of creative writing are fundamental pillars.

They guide writers to produce compelling and impactful work. These principles—Clarity, Coherence, Conciseness, Creativity, and Consistency—help craft stories that engage and entertain.

They also resonate deeply with readers. Let’s explore each of these critical components.

Clarity makes your writing understandable and accessible.

It involves choosing the right words and constructing clear sentences. Your narrative should be easy to follow.

In creative writing, clarity means conveying complex ideas in a digestible and enjoyable way.

Coherence ensures your writing flows logically.

It’s crucial for maintaining the reader’s interest. Characters should develop believably, and plots should progress logically. This makes the narrative feel cohesive.

Conciseness

Conciseness is about expressing ideas succinctly.

It’s being economical with words and avoiding redundancy. This principle helps maintain pace and tension, engaging readers throughout the story.

Creativity is the heart of creative writing.

It allows writers to invent new worlds and create memorable characters. Creativity involves originality and imagination. It’s seeing the world in unique ways and sharing that vision.

Consistency

Consistency maintains a uniform tone, style, and voice.

It means being faithful to the world you’ve created. Characters should act true to their development. This builds trust with readers, making your story immersive and believable.

Is Creative Writing Easy?

Creative writing is both rewarding and challenging.

Crafting stories from your imagination involves more than just words on a page. It requires discipline and a deep understanding of language and narrative structure.

Exploring complex characters and themes is also key.

Refining and revising your work is crucial for developing your voice.

The ease of creative writing varies. Some find the freedom of expression liberating.

Others struggle with writer’s block or plot development challenges. However, practice and feedback make creative writing more fulfilling.

What Does a Creative Writer Do?

A creative writer weaves narratives that entertain, enlighten, and inspire.

Writers explore both the world they create and the emotions they wish to evoke. Their tasks are diverse, involving more than just writing.

Creative writers develop ideas, research, and plan their stories.

They create characters and outline plots with attention to detail. Drafting and revising their work is a significant part of their process. They strive for the 5 Cs of compelling writing.

Writers engage with the literary community, seeking feedback and participating in workshops.

They may navigate the publishing world with agents and editors.

Creative writers are storytellers, craftsmen, and artists. They bring narratives to life, enriching our lives and expanding our imaginations.

How to Get Started With Creative Writing?

Embarking on a creative writing journey can feel like standing at the edge of a vast and mysterious forest.

The path is not always clear, but the adventure is calling.

Here’s how to take your first steps into the world of creative writing:

• Find a time of day when your mind is most alert and creative.
• Create a comfortable writing space free from distractions.
• Use prompts to spark your imagination. They can be as simple as a word, a phrase, or an image.
• Try writing for 15-20 minutes on a prompt without editing yourself. Let the ideas flow freely.
• Reading is fuel for your writing. Explore various genres and styles.
• Pay attention to how your favorite authors construct their sentences, develop characters, and build their worlds.
• Don’t pressure yourself to write a novel right away. Begin with short stories or poems.
• Small projects can help you hone your skills and boost your confidence.
• Look for writing groups in your area or online. These communities offer support, feedback, and motivation.
• Participating in workshops or classes can also provide valuable insights into your writing.
• Understand that your first draft is just the beginning. Revising your work is where the real magic happens.
• Be open to feedback and willing to rework your pieces.
• Carry a notebook or digital recorder to jot down ideas, observations, and snippets of conversations.
• These notes can be gold mines for future writing projects.

Final Thoughts: What Is Creative Writing?

Creative writing is an invitation to explore the unknown, to give voice to the silenced, and to celebrate the human spirit in all its forms.

Check out these creative writing tools (that I highly recommend):

Read This Next:

• What Is a Prompt in Writing? (Ultimate Guide + 200 Examples)
• What Is A Personal Account In Writing? (47 Examples)
• How To Write A Fantasy Short Story (Ultimate Guide + Examples)
• How To Write A Fantasy Romance Novel [21 Tips + Examples)

28 Common Literary Devices to Know

Whether you’re improving your writing skills or studying for a big English exam, literary devices are important to know. But there are dozens of them, in addition to literary elements and techniques, and things can get more confusing than a simile embedded within a metaphor! 

To help you become a pro at identifying literary devices, we provide this guide to some of the most common ones. We include a one-stop glossary with literary device meanings, along with examples to illustrate how they’re used.

Here’s a tip: Want to make sure your writing shines? Grammarly can check your spelling and save you from grammar and punctuation mistakes. It even proofreads your text, so your work is extra polished wherever you write.

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What are literary devices? 

“Literary device” is a broad term for all the techniques, styles, and strategies an author uses to enhance their writing. With millennia of literature in hundreds of different languages, humankind has amassed quite a few of these writing devices, which continue to evolve.

Literary devices can entail general elements that come back again and again in a work of literature, as well as the specific and precise treatment of words only used once. Really, a literary device is anything that can take boring or flavorless writing and turn it into rich, engaging prose! 

>>Read More:  What Type of Writer Are You?

Literary devices vs. literary elements vs. literary techniques

There are a few competing terms when discussing literary devices, so let’s set the record straight. Literary elements and literary techniques are both types of literary devices. 

Literary elements are “big-picture” literary devices that extend throughout the entire work, such as setting, theme, mood, and allegory . 

Literary techniques are the literary devices that deal with individual words and sentences, such as euphemisms and alliteration .

How to identify literary devices when you’re reading

You don’t necessarily need to understand literary devices to enjoy a  good book . Certain devices like personification, onomatopoeia, and anthropomorphism are still entertaining to read, even if you don’t know them by their proper name. 

However, identifying literary devices enables you to reflect on the artistry of a piece of writing and understand the author’s motives. The more literary devices you recognize, the more you comprehend the writing as a whole. Recognizing literary devices helps you notice nuances and piece together a greater meaning that you otherwise might have missed. 

To identify literary devices when reading, it’s best to familiarize yourself with as many as you can. Your first step is to know what to look for, and from there it just takes practice by reading different works and styles. With some experience, you’ll start to spot literary devices instinctively without disrupting your enjoyment or focus while reading. 

How to use literary devices in your writing

To use literary devices in your own writing, you first need to recognize them “in the wild.” Read the list below so you know what you’re looking for, and then pay extra attention when you’re reading. See how literary devices are used in the hands of expert writers. 

When you’re ready to experiment with literary devices yourself, the most important tip is to use them naturally. Too many literary devices stacked upon each other is distracting, so it’s best to use them only sparingly and at the most impactful moments—like a musical cymbal crash! (See what we did there?)

Oftentimes, novice writers will shoehorn literary devices into their writing to make them seem like better authors. The truth is, misusing literary devices stands out more than using them correctly. Wait for a moment when a literary device can occur organically instead of forcing them where they don’t belong. 

>>Read More: Creative Writing 101: Everything You Need to Get Started

28 different literary devices and their meanings

Allegories are narratives that represent something else entirely, like a historical event or significant ideology, to illustrate a deeper meaning. Sometimes the stories are entirely fabricated and only loosely tied to their source, but sometimes the individual characters act as fictional stand-ins for real-life historical figures. 

Examples: George Orwell’s Animal Farm , an allegory about the Russian Revolution of 1917, is one of the most famous allegories ever written; a more modern example is the animated film Zootopia , an allegory about the prejudices of modern society.  

Alliteration  

Alliteration is the literary technique of using a sequence of words that begin with the same letter or sound for a poetic or whimsical effect.  

Examples: Many of Stan Lee’s iconic comic book characters have alliterative names: Peter Parker, Matthew Murdock, Reed Richards, and Bruce Banner. 

An allusion is an indirect reference to another figure, event, place, or work of art that exists outside the story. Allusions are made to famous subjects so that they don’t need explanation—the reader should already understand the reference. 

Example: The title of Haruki Murakami’s novel 1Q84 is itself an allusion to George Orwell’s novel 1984 . The Japanese word for the number nine is pronounced the same as the English letter Q . 

Amplification 

Amplification is the technique of embellishing a simple sentence with more details to increase its significance. 

Example: “A person who has good thoughts cannot ever be ugly. You can have a wonky nose and a crooked mouth and a double chin and stick-out teeth, but if you have good thoughts it will shine out of your face like sunbeams and you will always look lovely.” —Roald Dahl, The Twits

An anagram is a word puzzle where the author rearranges the letters in a word or phrase to make a new word or phrase. 

Example: In Silence of the Lambs , the antagonist Hannibal Lector tried to trick the FBI by naming the suspect Louis Friend, which the protagonist realized was an anagram for “iron sulfide,” the technical term for fool’s gold. 

An analogy compares one thing to something else to help explain a similarity that might not be easy to see. 

Example: In The Dragons of Eden, Carl Sagan compares the universe’s entire history with a single Earth year to better demonstrate the context of when major events occurred; i.e., the Earth formed on September 9, humans first appeared at 10:30 p.m. on December 31. 

Anthropomorphism

Anthropomorphism is when non-human things like animals or objects act human, exhibiting traits such as speech, thoughts, complex emotions, and sometimes even wearing clothes and standing upright. 

Example: While most fairy tales feature animals that act like humans, the Beauty and the Beast films anthropomorphize household objects: talking clocks, singing teapots, and more.

Antithesis places two contrasting and polarized sentiments next to each other in order to accent both. 

Example: “One small step for man, one giant leap for mankind.” —Neil Armstrong 

The literary technique of chiasmus takes two parallel clauses and inverts the word order of one to create a greater meaning. 

Example: “Ask not what your country can do for you, ask what you can do for your country.” —John F. Kennedy (adapted from Khalil Gibran)

Colloquialism

Colloquialism is using casual and informal speech, including slang, in formal writing to make dialogue seem more realistic and authentic. It often incorporates respelling words and adding apostrophes to communicate the pronunciation. 

Example: “How you doin’?” asked Friends character Joey Tribbiani. 

Circumlocution

Circumlocution is when the writer deliberately uses excessive words and overcomplicated sentence structures to intentionally convolute their meaning. In other words, it means to write lengthily and confusingly on purpose.

Example: In Shrek the Third , Pinocchio uses circumlocution to avoid giving an honest answer to the Prince’s question.  

An epigraph is an independent, pre-existing quotation that introduces a piece of work, typically with some thematic or symbolic relevance.

Example: “He who makes a beast of himself gets rid of the pain of being a man,” a quote by Samuel Johnson, is the epigraph that opens Hunter S. Thompson’s Fear and Loathing in Las Vegas , a novel that deals largely with substance abuse and escapism. 

A euphemism is a soft and inoffensive word or phrase that replaces a harsh, unpleasant, or hurtful one for the sake of sympathy or civility. 

Example: Euphemisms like “passed away” and “downsizing” are quite common in everyday speech, but a good example in literature comes from Harry Potter , where the wizarding community refers to the villain Voldemort as “He-Who-Must-Not-Be-Named” in fear of invoking him. 

Foreshadowing

Foreshadowing is the technique of hinting at future events in a story using subtle parallels, usually to generate more suspense or engage the reader’s curiosity. 

Example: In The Empire Strikes Back, Luke Skywalker’s vision of himself wearing Darth Vader’s mask foreshadows the later revelation that Vader is in fact Luke’s father.  

Hyperbole is using exaggeration to add more power to what you’re saying, often to an unrealistic or unlikely degree. 

Example: “I had to wait in the station for ten days—an eternity.” —Joseph Conrad, Heart of Darkness

Imagery refers to writing that invokes the reader’s senses with descriptive  word choice to create a more vivid and realistic recreation of the scene in their mind.

Example: “The barn was very large. It was very old. It smelled of hay and it smelled of manure. It smelled of the perspiration of tired horses and the wonderful sweet breath of patient cows. It often had a sort of peaceful smell­ as though nothing bad could happen ever again in the world.” —E. B. White, Charlotte’s Web  

Similar to an analogy, a  metaphor is a figure of speech that compares two different things to show their similarities by insisting that they’re the same. 

“All the world’s a stage,

And all the men and women merely players;

They have their exits and their entrances,

And one man in his time plays many parts. . .”

—William Shakespeare, As You Like It

A story’s mood is the emotional response the author is targeting. A writer sets the mood not just with the plot and characters, but also with tone and the aspects they choose to describe. 

Example: In the horror novel Dracula by Bram Stoker, the literary mood of vampires is scary and ominous, but in the comedic film What We Do In Shadows , the literary mood of vampires is friendly and light-hearted. 

A motif is a recurring element in a story that holds some symbolic or conceptual meaning. It’s closely related to theme , but motifs are specific objects or events, while themes are abstract ideas. 

Example: In Shakespeare’s Macbeth , Lady Macbeth’s obsession with washing her hands is a motif that symbolizes her guilt.  

Onomatopoeia

Fancy literary term onomatopoeia refers to words that represent sounds, with pronunciations similar to those sounds. 

Example: The word “buzz” as in “a buzzing bee” is actually pronounced like the noise a bee makes. 

An oxymoron combines two contradictory words to give them a deeper and more poetic meaning. 

Example: “Parting is such sweet sorrow.” —William Shakespeare, Romeo and Juliet

Similar to an oxymoron, a paradox combines two contradictory ideas in a way that, although illogical, still seems to make sense. 

Example: “I know only one thing, and that is I know nothing.” —Socrates in Plato’s Apology  

Personification

Personification is when an author attributes human characteristics metaphorically to nonhuman things like the weather or inanimate objects. Personification is strictly figurative, whereas anthropomorphism posits that those things really do act like humans. 

Example: “ The heart wants what it wants—or else it does not care . . .” —Emily Dickinson

Portmanteau

Portmanteau is the literary device of joining two words together to form a new word with a hybrid meaning. 

Example: Words like “blog” (web + log), “paratrooper” (parachute + trooper), “motel” (motor + hotel), and “telethon” (telephone + marathon) are all portmanteaus in common English. 

Puns are a type of  comedic wordplay that involve  homophones (different words that are pronounced the same) or two separate meanings of the same word. 

Example: “Time flies like an arrow. Fruit flies like a banana.” —Groucho Marx

Satire is a style of writing that uses parody and exaggeration to criticize the faults of society or human nature. 

Example: The works of Jonathan Swift ( Gulliver’s Travels ) and Mark Twain ( The Adventures of Huckleberry Finn) are well known for being satirical . A more modern example is the TV show South Park , which often satirizes society by addressing current events. 

Like metaphors, similes also compare two different things to point out their similarities. However,  the difference between similes and metaphors is that similes use the words “like” or “as” to soften the connection and explicitly show it’s just a comparison. 

Example: “Time has not stood still. It has washed over me, washed me away, as if I’m nothing more than a woman of sand, left by a careless child too near the water.” —Margaret Atwood, The Handmaid’s Tale

Closely related to motifs, symbolism is when objects, characters, actions, or other recurring elements in a story take on another, more profound meaning and/or represent an abstract concept. 

Example: In J. R. R. Tolkien’s Lord of the Rings trilogy (and The Hobbit ), it is said the ring of Sauron symbolizes evil, corruption, and greed, which everyday people, symbolized by Frodo, must strive to resist. 

Tone refers to the language and word choice an author uses with their subject matter, like a playful tone when describing children playing, or a hostile tone when describing the emergence of a villain. If you’re confused about  tone vs. mood , tone refers mostly to individual aspects and details, while mood refers to the emotional attitude of the entire piece of work. 

Example: Told in the first person, J. D. Salinger’s Catcher in the Rye uses the angsty and sardonic tone of its teenage protagonist to depict the character’s mindset, including slang and curse words.

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31 Stylistic Devices for Creative Writers

Today’s guest post is by Rose Scott:

Without figurative language , writing would be plain and shallow. The more stylistic devices you know, the more unique your writing can be. If writing is your passion, you probably already know a dozen or so stylistic devices, but I’m betting there are a few on this list you’ve never heard of.

Take a look at this comprehensive list of stylistic devices and see if any might work in your current WIP (work in progress). Of course, you want to be reasonable and not go overboard with forced prose. But I’m sure you can find great places to utilize these wonderful literary techniques.

1. Adnomination

Repetition of words with the same root. The difference lies in one sound or letter. A nice euphony can be achieved by using this poetic device.

Examples: “Nobody loves no one.” (Chris Isaak). Someone, somewhere, wants something.

2. Allegory

Representation of ideas through a certain form (character, event, etc.). Allegory can convey hidden meanings through symbolic figures, actions, and imagery.

Example: Animal Farm by George Orwell is all about the Russian Revolution. And characters stand for working and upper classes, military forces, and political leaders.

3. Alliteration

The repeated sound of the first consonant in a series of words, or the repetition of the same sounds of the same kind at the beginning of words or in stressed syllables of a phrase.

Examples: A lazy lying lion. Peter picked a peck of pickled peppers. Sally sells seashells by the seashore.

4. Allusion

Reference to a myth, character, literary work, work of art, or an event.

Example: I feel like I’m going down the rabbit hole (an allusion to Alice’s Adventures in Wonderland by Lewis Carroll).

5. Anaphora

Word repetition at the beginnings of sentences in order to give emphasis to them.

Example: “Let freedom ring from the mighty mountains of New York. Let freedom ring from the heightening Alleghenies of Pennsylvania. Let freedom ring from the snow-capped Rockies of Colorado. Let freedom ring from the curvaceous slopes of California.” (Martin Luther King)

Opposite: Epiphora. Word repetition at the end of sentences.

Example: “And that government of the people, by the people, for the people, shall not perish from the earth.” (Abraham Lincoln)

6. Antithesis

Emphasizing contrast between two things or fictional characters.

Example: “Love is an ideal thing, marriage a real thing; a confusion of the real with the ideal never goes unpunished.” (Johann Wolfgang von Goethe)

7. Apostrophe

Directed speech to someone who is not present or to an object.

Example: “Work on, my medicine, work! Thus credulous fools are caught.” (William Shakespeare)

8. Assonance

Repetition of vowels in order to create internal rhyming.

Example: “Hear the mellow wedding bells.” (Edgar Allan Poe)

Related: Consonance. Repetition of consonants.

9. Cataphora

Mentioning of the person or object further in the discourse.

Examples: I met him yesterday, your boyfriend who was wearing the cool hat. If you want some, here’s some cheese. After he had received his orders, the soldier left the barracks.

Arranging text in such a manner that tension gradually ascends.

Example. He was a not bad listener, a good speaker and an amazing performer.

Opposite: Anticlimax. Tension descends.

11. Charactonym (or Speaking Name)

Giving fictional characters names that describe them.

Example: Scrooge, Snow White.

12. Ellipsis

Word or phrase omission.

Example: I speak lots of languages, but you only speak two (languages).

13. Euphemism

Replacing offensive or combinations of words with lighter equivalents.

Example: Visually challenged (blind); meet one’s maker (die)

Opposite: Dysphemism . Replacing a neutral word with a harsher word.

14. Epigram

Memorable and brief saying, usually satirical.

Example: “For most of history, Anonymous was a woman.” (Virginia Woolf)

15. Hyperbole

Exaggeration of the statement.

Example: If I’ve told you once, I’ve told you a thousand times.

Opposite: Litotes. Understatement.

Asking a question and answering it right away.

Example: Are you going to leave now? I don’t think so.

There are three types of irony:

• Verbal (Antiphrasis) – using words to express something different from their literal meaning for ironic effect (”I’m so excited to burn the midnight oil and write my academic paper all week long”).
• Situational – result differs from the expectation (Bruce Robertson, a character of Filth, is a policeman. Nonetheless, he does drugs, resorts to violence and abuse, and so on).
• Dramatic – situation is understandable for the audience but not the fictional character/actor (audience sees that the fictional characters/actors will be killed now, though the characters don’t expect it).

Describing people/objects by enumerating their traits.

Example: Lock, stock, and barrel (gun); heart and soul (entirety)

18. Metalepsis

Referencing one thing through the means of another thing, which is related to the first one.

Example: “Stop judging people so strictly—you live in a glass house too.” (A hint at the proverb: people who live in glass houses should not throw stones.)

19. Metaphor

Comparing two different things that have some characteristics in common.

Example: “Love is clockworks and cold steel.” (U2)

20. Metonymy

Giving a thing another name that is associated with it.

Example: The heir to the crown was Richard. (the crown stands for authority)

21. Onomatopoeia

Imitating sounds in writing.

Example: oink, ticktock, tweet tweet

22. Oxymoron

Combining contradictory traits.

Example: Living dead; terribly good; real magic

23. Parallelism

Arranging a sentence in such a manner that it has parallel structure.

Example: “Tell me and I forget. Teach me and I may remember. Involve me and I will learn.” (Benjamin Franklin)

Opposite: Chiasmus . An inverted parallelism.

Examples: “To stop, too fearful, and too faint to go.” (Oliver Goldsmith); “My job is not to represent Washington to you but to represent you to Washington.” (Barack Obama)

24. Parenthesis

Interrupting a sentence by inserting extra information enclosed in brackets, commas, or dashes.

Example: Our family (my mother, sister, and grandfather) had a barbeque this past weekend.

25. Personification

Attributing human characteristics to nonhumans.

Example: Practically all animals in fairy tales act like human beings. They speak and have traits that are typical of people.

A kind of wordplay. Here are a few types of puns:

• Antanaclasis – repetition of the same word or phrase, but with a different meaning (“Cats like Felix like Felix.”—“Felix” catfood slogan).
• Malapropism – usage of the incorrect word instead of the word with a similar sound (“optical delusion” instead of “optical illusion”).
• Paradox – self-contradictory fact; however, it can be partially true (“I can resist anything but temptation.”—Oscar Wilde).
• Paraprosdokian – arranging a sentence in such a manner so the last part is unexpected (You’re never too old to learn something stupid).
• Polyptoton – repetition of the words with the same root (“The things you  own  end up  owning  you.”—Chuck Palahniuk).

27. Rhetorical question

Questioning without expecting the answer.

Example: Why not? Are you kidding me?

Direct comparison.

Example: “Your heart is like an ocean, mysterious and dark.” (Bob Dylan)

29. Synecdoche

Generalization or specification based on a definite part/trait of the object.

Example: He just got new wheels. (car)

30. Tautology

Saying the same thing twice in different ways.

Example: first priority; I personally; repeat again

31. Zeugma (or Syllepsis)

Applying a word to a few other words in the sentence in order to give different meaning.

Example: Give neither counsel nor salt till you are asked for it.

Quite a huge list, right? With all these stylistic devices, your writing can potentially be so much more attractive. If you find it difficult to memorize them all, here’s what I recommend you do: make flashcards. Write a stylistic device on one side of the flashcard and its meaning on the other side, then work on memorizing a few a day. Voila! Enjoy your learning and writing.

Feature photo by Heather Wilson Smith

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13 Comments

great post! thanks Rose, for a super stellar list of dynamic devices! i’ve saved the list for future and fair-constant reference. there’s always something good on this blog! Merry Christmas everyone!!

Oh man, it’s like Christmas has come early. I love posts like this – and I’ll both share it *and* copy it to my desktop ha!

Items I didn’t know about but immediately fell in love with: adnomination, anaphora, hypophora (I hadn’t realised, but I do this all of the time, which now seems pretty annoying!), and zeugma. Thank you once again!

Glad you enjoyed this post! Have a happy Christmas!

Thanks much for you “31 Stylistic Devices … …” I was in the process of writing a transcript when I sort of stumbled across the need to correctly define a scenario.

I did a quick surf, directly asking for what I wanted, this popped up. I scanned your list and had the “Eureka!” moment. “METAPHOR!”

It’s really great of you also sharing without obligation. We do a lot of that in our realm of things.

Okay! Thanks again! Please, have a great weekend!

P.S. For you Ms. Lakin. Thanks for making this site available! Please, have a great weekend, as well!

Thanks for the kind words! Glad you are getting some benefit from the blog’s content!

Do you have a list of stylised paragraphs? Not just the main 4 (descriptive, narrative, expository, and persuasive), but other types of paragraphs that apply rhetorical ornaments and devices.

Forgot to say thank you for this lovely and informative post.

Wow this post has boost my understanding of the analysing the prose techniques in a book. Thank u very much

I greatly appreciate the time and effort you put into constructing this list. I especially enjoy how you introduced me to unfamiliar and complex stylistic devices. I will attempt to incorporate these techniques in my future writing. Synecdoche is a wonderful device that I have not heard of before, I’ll have to steal it :P. Is there any way I can contact you? I would love to have a nerdy conversation about English!

Sincerely, Jenny Wales

It was interesting when you talked about how parallelism arranges sentences so their structure is parallel to each other. I’ve been wanting to find some poetry online to help me sort through my emotions from a loved one’s death last month. Thanks for teaching me these writing devices to look out for so I can understand the poems as effectively as possible.

Hi Rose I like your terms and I am using it on my writing my thesis on stylistics.

Actually, there are 32 stylistic devices in your list, since there are two no. 17.

Thankyou so much for the compilation.It was quite helpful to me while writing my work of literature especially since english isnt my first language.Its simply priceless

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Last updated on Feb 14, 2023

10 Types of Creative Writing (with Examples You’ll Love)

About the author.

Reedsy's editorial team is a diverse group of industry experts devoted to helping authors write and publish beautiful books.

About Savannah Cordova

Savannah is a senior editor with Reedsy and a published writer whose work has appeared on Slate, Kirkus, and BookTrib. Her short fiction has appeared in the Owl Canyon Press anthology, "No Bars and a Dead Battery". 

About Rebecca van Laer

Rebecca van Laer is a writer, editor, and the author of two books, including the novella How to Adjust to the Dark. Her work has been featured in literary magazines such as AGNI, Breadcrumbs, and TriQuarterly.

A lot falls under the term ‘creative writing’: poetry, short fiction, plays, novels, personal essays, and songs, to name just a few. By virtue of the creativity that characterizes it, creative writing is an extremely versatile art. So instead of defining what creative writing is , it may be easier to understand what it does by looking at examples that demonstrate the sheer range of styles and genres under its vast umbrella.

To that end, we’ve collected a non-exhaustive list of works across multiple formats that have inspired the writers here at Reedsy. With 20 different works to explore, we hope they will inspire you, too. 

People have been writing creatively for almost as long as we have been able to hold pens. Just think of long-form epic poems like The Odyssey or, later, the Cantar de Mio Cid — some of the earliest recorded writings of their kind. 

Poetry is also a great place to start if you want to dip your own pen into the inkwell of creative writing. It can be as short or long as you want (you don’t have to write an epic of Homeric proportions), encourages you to build your observation skills, and often speaks from a single point of view . 

Here are a few examples:

“Ozymandias” by Percy Bysshe Shelley

Nothing beside remains. Round the decay Of that colossal Wreck, boundless and bare The lone and level sands stretch far away.

This classic poem by Romantic poet Percy Shelley (also known as Mary Shelley’s husband) is all about legacy. What do we leave behind? How will we be remembered? The great king Ozymandias built himself a massive statue, proclaiming his might, but the irony is that his statue doesn’t survive the ravages of time. By framing this poem as told to him by a “traveller from an antique land,” Shelley effectively turns this into a story. Along with the careful use of juxtaposition to create irony, this poem accomplishes a lot in just a few lines. 

“Trying to Raise the Dead” by Dorianne Laux

 A direction. An object. My love, it needs a place to rest. Say anything. I’m listening. I’m ready to believe. Even lies, I don’t care.

Poetry is cherished for its ability to evoke strong emotions from the reader using very few words which is exactly what Dorianne Laux does in “ Trying to Raise the Dead .” With vivid imagery that underscores the painful yearning of the narrator, she transports us to a private nighttime scene as the narrator sneaks away from a party to pray to someone they’ve lost. We ache for their loss and how badly they want their lost loved one to acknowledge them in some way. It’s truly a masterclass on how writing can be used to portray emotions. 

If you find yourself inspired to try out some poetry — and maybe even get it published — check out these poetry layouts that can elevate your verse!

Song Lyrics

Poetry’s closely related cousin, song lyrics are another great way to flex your creative writing muscles. You not only have to find the perfect rhyme scheme but also match it to the rhythm of the music. This can be a great challenge for an experienced poet or the musically inclined. 

To see how music can add something extra to your poetry, check out these two examples:

“Hallelujah” by Leonard Cohen

 You say I took the name in vain I don't even know the name But if I did, well, really, what's it to ya? There's a blaze of light in every word It doesn't matter which you heard The holy or the broken Hallelujah 

Metaphors are commonplace in almost every kind of creative writing, but will often take center stage in shorter works like poetry and songs. At the slightest mention, they invite the listener to bring their emotional or cultural experience to the piece, allowing the writer to express more with fewer words while also giving it a deeper meaning. If a whole song is couched in metaphor, you might even be able to find multiple meanings to it, like in Leonard Cohen’s “ Hallelujah .” While Cohen’s Biblical references create a song that, on the surface, seems like it’s about a struggle with religion, the ambiguity of the lyrics has allowed it to be seen as a song about a complicated romantic relationship. 

“I Will Follow You into the Dark” by Death Cab for Cutie

 ​​If Heaven and Hell decide that they both are satisfied Illuminate the no's on their vacancy signs If there's no one beside you when your soul embarks Then I'll follow you into the dark

You can think of song lyrics as poetry set to music. They manage to do many of the same things their literary counterparts do — including tugging on your heartstrings. Death Cab for Cutie’s incredibly popular indie rock ballad is about the singer’s deep devotion to his lover. While some might find the song a bit too dark and macabre, its melancholy tune and poignant lyrics remind us that love can endure beyond death.

Plays and Screenplays

From the short form of poetry, we move into the world of drama — also known as the play. This form is as old as the poem, stretching back to the works of ancient Greek playwrights like Sophocles, who adapted the myths of their day into dramatic form. The stage play (and the more modern screenplay) gives the words on the page a literal human voice, bringing life to a story and its characters entirely through dialogue. 

Interested to see what that looks like? Take a look at these examples:

All My Sons by Arthur Miller

“I know you're no worse than most men but I thought you were better. I never saw you as a man. I saw you as my father.” 

Arthur Miller acts as a bridge between the classic and the new, creating 20th century tragedies that take place in living rooms and backyard instead of royal courts, so we had to include his breakout hit on this list. Set in the backyard of an all-American family in the summer of 1946, this tragedy manages to communicate family tensions in an unimaginable scale, building up to an intense climax reminiscent of classical drama. 

💡 Read more about Arthur Miller and classical influences in our breakdown of Freytag’s pyramid . 

“Everything is Fine” by Michael Schur ( The Good Place )

“Well, then this system sucks. What...one in a million gets to live in paradise and everyone else is tortured for eternity? Come on! I mean, I wasn't freaking Gandhi, but I was okay. I was a medium person. I should get to spend eternity in a medium place! Like Cincinnati. Everyone who wasn't perfect but wasn't terrible should get to spend eternity in Cincinnati.” 

A screenplay, especially a TV pilot, is like a mini-play, but with the extra job of convincing an audience that they want to watch a hundred more episodes of the show. Blending moral philosophy with comedy, The Good Place is a fun hang-out show set in the afterlife that asks some big questions about what it means to be good. 

It follows Eleanor Shellstrop, an incredibly imperfect woman from Arizona who wakes up in ‘The Good Place’ and realizes that there’s been a cosmic mixup. Determined not to lose her place in paradise, she recruits her “soulmate,” a former ethics professor, to teach her philosophy with the hope that she can learn to be a good person and keep up her charade of being an upstanding citizen. The pilot does a superb job of setting up the stakes, the story, and the characters, while smuggling in deep philosophical ideas.

Personal essays

Our first foray into nonfiction on this list is the personal essay. As its name suggests, these stories are in some way autobiographical — concerned with the author’s life and experiences. But don’t be fooled by the realistic component. These essays can take any shape or form, from comics to diary entries to recipes and anything else you can imagine. Typically zeroing in on a single issue, they allow you to explore your life and prove that the personal can be universal.

Here are a couple of fantastic examples:

“On Selling Your First Novel After 11 Years” by Min Jin Lee (Literary Hub)

There was so much to learn and practice, but I began to see the prose in verse and the verse in prose. Patterns surfaced in poems, stories, and plays. There was music in sentences and paragraphs. I could hear the silences in a sentence. All this schooling was like getting x-ray vision and animal-like hearing. 

This deeply honest personal essay by Pachinko author Min Jin Lee is an account of her eleven-year struggle to publish her first novel . Like all good writing, it is intensely focused on personal emotional details. While grounded in the specifics of the author's personal journey, it embodies an experience that is absolutely universal: that of difficulty and adversity met by eventual success. 

“A Cyclist on the English Landscape” by Roff Smith (New York Times)

These images, though, aren’t meant to be about me. They’re meant to represent a cyclist on the landscape, anybody — you, perhaps. 

Roff Smith’s gorgeous photo essay for the NYT is a testament to the power of creatively combining visuals with text. Here, photographs of Smith atop a bike are far from simply ornamental. They’re integral to the ruminative mood of the essay, as essential as the writing. Though Smith places his work at the crosscurrents of various aesthetic influences (such as the painter Edward Hopper), what stands out the most in this taciturn, thoughtful piece of writing is his use of the second person to address the reader directly. Suddenly, the writer steps out of the body of the essay and makes eye contact with the reader. The reader is now part of the story as a second character, finally entering the picture.

Short Fiction

The short story is the happy medium of fiction writing. These bite-sized narratives can be devoured in a single sitting and still leave you reeling. Sometimes viewed as a stepping stone to novel writing, that couldn’t be further from the truth. Short story writing is an art all its own. The limited length means every word counts and there’s no better way to see that than with these two examples:

“An MFA Story” by Paul Dalla Rosa (Electric Literature)

At Starbucks, I remembered a reading Zhen had given, a reading organized by the program’s faculty. I had not wanted to go but did. In the bar, he read, "I wrote this in a Starbucks in Shanghai. On the bank of the Huangpu." It wasn’t an aside or introduction. It was two lines of the poem. I was in a Starbucks and I wasn’t writing any poems. I wasn’t writing anything. 

This short story is a delightfully metafictional tale about the struggles of being a writer in New York. From paying the bills to facing criticism in a writing workshop and envying more productive writers, Paul Dalla Rosa’s story is a clever satire of the tribulations involved in the writing profession, and all the contradictions embodied by systemic creativity (as famously laid out in Mark McGurl’s The Program Era ). What’s more, this story is an excellent example of something that often happens in creative writing: a writer casting light on the private thoughts or moments of doubt we don’t admit to or openly talk about. 

“Flowering Walrus” by Scott Skinner (Reedsy)

I tell him they’d been there a month at least, and he looks concerned. He has my tongue on a tissue paper and is gripping its sides with his pointer and thumb. My tongue has never spent much time outside of my mouth, and I imagine it as a walrus basking in the rays of the dental light. My walrus is not well. 

A winner of Reedsy’s weekly Prompts writing contest, ‘ Flowering Walrus ’ is a story that balances the trivial and the serious well. In the pauses between its excellent, natural dialogue , the story manages to scatter the fear and sadness of bad medical news, as the protagonist hides his worries from his wife and daughter. Rich in subtext, these silences grow and resonate with the readers.

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Perhaps the thing that first comes to mind when talking about creative writing, novels are a form of fiction that many people know and love but writers sometimes find intimidating. The good news is that novels are nothing but one word put after another, like any other piece of writing, but expanded and put into a flowing narrative. Piece of cake, right?

To get an idea of the format’s breadth of scope, take a look at these two (very different) satirical novels: 

Convenience Store Woman by Sayaka Murata

I wished I was back in the convenience store where I was valued as a working member of staff and things weren’t as complicated as this. Once we donned our uniforms, we were all equals regardless of gender, age, or nationality — all simply store workers. 

Keiko, a thirty-six-year-old convenience store employee, finds comfort and happiness in the strict, uneventful routine of the shop’s daily operations. A funny, satirical, but simultaneously unnerving examination of the social structures we take for granted, Sayaka Murata’s Convenience Store Woman is deeply original and lingers with the reader long after they’ve put it down.

Erasure by Percival Everett

The hard, gritty truth of the matter is that I hardly ever think about race. Those times when I did think about it a lot I did so because of my guilt for not thinking about it.  

Erasure is a truly accomplished satire of the publishing industry’s tendency to essentialize African American authors and their writing. Everett’s protagonist is a writer whose work doesn’t fit with what publishers expect from him — work that describes the “African American experience” — so he writes a parody novel about life in the ghetto. The publishers go crazy for it and, to the protagonist’s horror, it becomes the next big thing. This sophisticated novel is both ironic and tender, leaving its readers with much food for thought.

Creative Nonfiction

Creative nonfiction is pretty broad: it applies to anything that does not claim to be fictional (although the rise of autofiction has definitely blurred the boundaries between fiction and nonfiction). It encompasses everything from personal essays and memoirs to humor writing, and they range in length from blog posts to full-length books. The defining characteristic of this massive genre is that it takes the world or the author’s experience and turns it into a narrative that a reader can follow along with.

Here, we want to focus on novel-length works that dig deep into their respective topics. While very different, these two examples truly show the breadth and depth of possibility of creative nonfiction:

Men We Reaped by Jesmyn Ward

Men’s bodies litter my family history. The pain of the women they left behind pulls them from the beyond, makes them appear as ghosts. In death, they transcend the circumstances of this place that I love and hate all at once and become supernatural. 

Writer Jesmyn Ward recounts the deaths of five men from her rural Mississippi community in as many years. In her award-winning memoir , she delves into the lives of the friends and family she lost and tries to find some sense among the tragedy. Working backwards across five years, she questions why this had to happen over and over again, and slowly unveils the long history of racism and poverty that rules rural Black communities. Moving and emotionally raw, Men We Reaped is an indictment of a cruel system and the story of a woman's grief and rage as she tries to navigate it.

Cork Dork by Bianca Bosker

He believed that wine could reshape someone’s life. That’s why he preferred buying bottles to splurging on sweaters. Sweaters were things. Bottles of wine, said Morgan, “are ways that my humanity will be changed.” 

In this work of immersive journalism , Bianca Bosker leaves behind her life as a tech journalist to explore the world of wine. Becoming a “cork dork” takes her everywhere from New York’s most refined restaurants to science labs while she learns what it takes to be a sommelier and a true wine obsessive. This funny and entertaining trip through the past and present of wine-making and tasting is sure to leave you better informed and wishing you, too, could leave your life behind for one devoted to wine. 

Illustrated Narratives (Comics, graphic novels)

Once relegated to the “funny pages”, the past forty years of comics history have proven it to be a serious medium. Comics have transformed from the early days of Jack Kirby’s superheroes into a medium where almost every genre is represented. Humorous one-shots in the Sunday papers stand alongside illustrated memoirs, horror, fantasy, and just about anything else you can imagine. This type of visual storytelling lets the writer and artist get creative with perspective, tone, and so much more. For two very different, though equally entertaining, examples, check these out:

Calvin & Hobbes by Bill Watterson

"Life is like topography, Hobbes. There are summits of happiness and success, flat stretches of boring routine and valleys of frustration and failure." 

This beloved comic strip follows Calvin, a rambunctious six-year-old boy, and his stuffed tiger/imaginary friend, Hobbes. They get into all kinds of hijinks at school and at home, and muse on the world in the way only a six-year-old and an anthropomorphic tiger can. As laugh-out-loud funny as it is, Calvin & Hobbes ’ popularity persists as much for its whimsy as its use of humor to comment on life, childhood, adulthood, and everything in between. 

From Hell by Alan Moore and Eddie Campbell 

"I shall tell you where we are. We're in the most extreme and utter region of the human mind. A dim, subconscious underworld. A radiant abyss where men meet themselves. Hell, Netley. We're in Hell." 

Comics aren't just the realm of superheroes and one-joke strips, as Alan Moore proves in this serialized graphic novel released between 1989 and 1998. A meticulously researched alternative history of Victorian London’s Ripper killings, this macabre story pulls no punches. Fact and fiction blend into a world where the Royal Family is involved in a dark conspiracy and Freemasons lurk on the sidelines. It’s a surreal mad-cap adventure that’s unsettling in the best way possible. 

Video Games and RPGs

Probably the least expected entry on this list, we thought that video games and RPGs also deserved a mention — and some well-earned recognition for the intricate storytelling that goes into creating them. 

Essentially gamified adventure stories, without attention to plot, characters, and a narrative arc, these games would lose a lot of their charm, so let’s look at two examples where the creative writing really shines through: 

80 Days by inkle studios

"It was a triumph of invention over nature, and will almost certainly disappear into the dust once more in the next fifty years." 

Named Time Magazine ’s game of the year in 2014, this narrative adventure is based on Around the World in 80 Days by Jules Verne. The player is cast as the novel’s narrator, Passpartout, and tasked with circumnavigating the globe in service of their employer, Phileas Fogg. Set in an alternate steampunk Victorian era, the game uses its globe-trotting to comment on the colonialist fantasies inherent in the original novel and its time period. On a storytelling level, the choose-your-own-adventure style means no two players’ journeys will be the same. This innovative approach to a classic novel shows the potential of video games as a storytelling medium, truly making the player part of the story. 

What Remains of Edith Finch by Giant Sparrow

"If we lived forever, maybe we'd have time to understand things. But as it is, I think the best we can do is try to open our eyes, and appreciate how strange and brief all of this is." 

This video game casts the player as 17-year-old Edith Finch. Returning to her family’s home on an island in the Pacific northwest, Edith explores the vast house and tries to figure out why she’s the only one of her family left alive. The story of each family member is revealed as you make your way through the house, slowly unpacking the tragic fate of the Finches. Eerie and immersive, this first-person exploration game uses the medium to tell a series of truly unique tales. 

Fun and breezy on the surface, humor is often recognized as one of the trickiest forms of creative writing. After all, while you can see the artistic value in a piece of prose that you don’t necessarily enjoy, if a joke isn’t funny, you could say that it’s objectively failed.

With that said, it’s far from an impossible task, and many have succeeded in bringing smiles to their readers’ faces through their writing. Here are two examples:

‘How You Hope Your Extended Family Will React When You Explain Your Job to Them’ by Mike Lacher (McSweeney’s Internet Tendency)

“Is it true you don’t have desks?” your grandmother will ask. You will nod again and crack open a can of Country Time Lemonade. “My stars,” she will say, “it must be so wonderful to not have a traditional office and instead share a bistro-esque coworking space.” 

Satire and parody make up a whole subgenre of creative writing, and websites like McSweeney’s Internet Tendency and The Onion consistently hit the mark with their parodies of magazine publishing and news media. This particular example finds humor in the divide between traditional family expectations and contemporary, ‘trendy’ work cultures. Playing on the inherent silliness of today’s tech-forward middle-class jobs, this witty piece imagines a scenario where the writer’s family fully understands what they do — and are enthralled to hear more. “‘Now is it true,’ your uncle will whisper, ‘that you’ve got a potential investment from one of the founders of I Can Haz Cheezburger?’”

‘Not a Foodie’ by Hilary Fitzgerald Campbell (Electric Literature)

I’m not a foodie, I never have been, and I know, in my heart, I never will be. 

Highlighting what she sees as an unbearable social obsession with food , in this comic Hilary Fitzgerald Campbell takes a hilarious stand against the importance of food. From the writer’s courageous thesis (“I think there are more exciting things to talk about, and focus on in life, than what’s for dinner”) to the amusing appearance of family members and the narrator’s partner, ‘Not a Foodie’ demonstrates that even a seemingly mundane pet peeve can be approached creatively — and even reveal something profound about life.

We hope this list inspires you with your own writing. If there’s one thing you take away from this post, let it be that there is no limit to what you can write about or how you can write about it. 

In the next part of this guide, we'll drill down into the fascinating world of creative nonfiction.

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Elements of Creative Writing

(3 reviews)

J.D. Schraffenberger, University of Northern Iowa

Rachel Morgan, University of Northern Iowa

Grant Tracey, University of Northern Iowa

Copyright Year: 2023

ISBN 13: 9780915996179

Publisher: University of Northern Iowa

Language: English

Formats Available

Conditions of use.

Learn more about reviews.

Reviewed by Colin Rafferty, Professor, University of Mary Washington on 8/2/24

Fantastically thorough. By using three different authors, one for each genre of creative writing, the textbook allows for a wider diversity of thought and theory on writing as a whole, while still providing a solid grounding in the basics of each... read more

Comprehensiveness rating: 5 see less

Fantastically thorough. By using three different authors, one for each genre of creative writing, the textbook allows for a wider diversity of thought and theory on writing as a whole, while still providing a solid grounding in the basics of each genre. The included links to referred texts also builds in an automatic, OER-based anthology for students. Terms are not only defined clearly, but also their utility is explained--here's what assonance can actually do in a poem, rather than simply "it's repeated vowel sounds,"

Content Accuracy rating: 5

Calling the content "accurate" requires a suspension of the notion that art and writing aren't subjective; instead, it might be more useful to judge the content on the potential usefulness to students, in which case it' s quite accurate. Reading this, I often found myself nodding in agreement with the authors' suggestions for considering published work and discussing workshop material, and their prompts for generating creative writing feel full of potential. It's as error-free, if not more so, than most OER textbooks (which is to say: a few typos here and there) and a surprising number of trade publications. It's not unbiased, per se--after all, these are literary magazine editors writing the textbook and often explaining what it is about a given piece of writing that they find (or do not find) engaging and admirable--but unbiased isn't necessarily a quantity one looks for in creative writing textbooks.

Relevance/Longevity rating: 4

The thing about creative writing is that they keep making more of it, so eventually the anthology elements of this textbook will be less "look what's getting published these days" and more "look what was getting published back then," but the structure of the textbook should allow for substitution and replacement (that said, if UNI pulls funding for NAR, as too many universities are doing these days, then the bigger concern is about the archive vanishing). The more rhetorical elements of the textbook are solid, and should be useful to students and faculty for a long time.

Clarity rating: 5

Very clear, straightforward prose, and perhaps more importantly, there's a sense of each author that emerges in each section, demonstrating to students that writing, especially creative writing, comes from a person. As noted above, any technical jargon is not only explained, but also discussed, meaning that how and why one might use any particular literary technique are emphasized over simply rote memorization of terms.

Consistency rating: 4

It's consistent within each section, but the voice and approach change with each genre. This is a strength, not a weakness, and allows the textbook to avoid the one-size-fits-all approach of single-author creative writing textbooks. There are different "try this" exercises for each genre that strike me as calibrated to impress the facets of that particular genre on the student.

Modularity rating: 5

The three-part structure of the book allows teachers to start wherever they like, genre-wise. While the internal structure of each section does build upon and refer back to earlier chapters, that seems more like an advantage than a disadvantage. Honestly, there's probably enough flexibility built into the textbook that even the callbacks could be glossed over quickly enough in the classroom.

Organization/Structure/Flow rating: 5

Chapters within each genre section build upon each other, starting with basics and developing the complexity and different elements of that genre. The textbook's overall organization allows some flexibility in terms of starting with fiction, poetry, or nonfiction.

Interface rating: 4

Easy to navigate. I particularly like the way that links for the anthology work in the nonfiction section (clearly appearing at the side of the text in addition to within it) and would like to see that consistently applied throughout.

Grammatical Errors rating: 5

A few typos here and there, but you know what else generally has a few typos here and there? Expensive physical textbooks.

Cultural Relevance rating: 5

The anthology covers a diverse array of authors and cultural identities, and the textbook authors are not only conscious of their importance but also discuss how those identities affect decisions that the authors might have made, even on a formal level. If you find an underrepresented group missing, it should be easy enough to supplement this textbook with a poem/essay/story.

Very excited to use this in my Intro to CW classes--unlike other OERs that I've used for the field, this one feels like it could compete with the physical textbooks head-to-head. Other textbooks have felt more like a trade-off between content and cost.

Reviewed by Jeanne Cosmos, Adjunct Faculty, Massachusetts Bay Community College on 7/7/24

Direct language and concrete examples & Case Studies. read more

Direct language and concrete examples & Case Studies.

References to literature and writers- on track.

Relevance/Longevity rating: 5

On point for support to assist writers and creative process.

Direct language and easy to read.

First person to third person. Too informal in many areas of the text.

Units are readily accessible.

Process of creative writing and prompts- scaffold areas of learning for students.

Interface rating: 5

No issues found.

The book is accurate in this regard.

Cultural Relevance rating: 4

Always could be revised and better.

Yes. Textbook font is not academic and spacing - also not academic. A bit too primary. Suggest- Times New Roman 12- point font & a space plus - Some of the language and examples too informal and the tone of lst person would be more effective if - direct and not so 'chummy' as author references his personal recollections. Not effective.

Reviewed by Robert Moreira, Lecturer III, University of Texas Rio Grande Valley on 3/21/24

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama. read more

Comprehensiveness rating: 4 see less

Unlike Starkey's CREATIVE WRITING: FOUR GENRES IN BRIEF, this textbook does not include a section on drama.

As far as I can tell, content is accurate, error free and unbiased.

The book is relevant and up-to-date.

The text is clear and easy to understand.

Consistency rating: 5

I would agree that the text is consistent in terms of terminology and framework.

Text is modular, yes, but I would like to see the addition of a section on dramatic writing.

Topics are presented in logical, clear fashion.

Navigation is good.

No grammatical issues that I could see.

Cultural Relevance rating: 3

I'd like to see more diverse creative writing examples.

As I stated above, textbook is good except that it does not include a section on dramatic writing.

Table of Contents

• Introduction
• Chapter One: One Great Way to Write a Short Story
• Chapter Two: Plotting
• Chapter Three: Counterpointed Plotting
• Chapter Four: Show and Tell
• Chapter Five: Characterization and Method Writing
• Chapter Six: Character and Dialouge
• Chapter Seven: Setting, Stillness, and Voice
• Chapter Eight: Point of View
• Chapter Nine: Learning the Unwritten Rules
• Chapter One: A Poetry State of Mind
• Chapter Two: The Architecture of a Poem
• Chapter Three: Sound
• Chapter Four: Inspiration and Risk
• Chapter Five: Endings and Beginnings
• Chapter Six: Figurative Language
• Chapter Seven: Forms, Forms, Forms
• Chapter Eight: Go to the Image
• Chapter Nine: The Difficult Simplicity of Short Poems and Killing Darlings

Creative Nonfiction

• Chapter One: Creative Nonfiction and the Essay
• Chapter Two: Truth and Memory, Truth in Memory
• Chapter Three: Research and History
• Chapter Four: Writing Environments
• Chapter Five: Notes on Style
• Chapter Seven: Imagery and the Senses
• Chapter Eight: Writing the Body
• Chapter Nine: Forms

Back Matter

• Contributors
• North American Review Staff

Ancillary Material

• University of Northern Iowa

About the Book

This free and open access textbook introduces new writers to some basic elements of the craft of creative writing in the genres of fiction, poetry, and creative nonfiction. The authors—Rachel Morgan, Jeremy Schraffenberger, and Grant Tracey—are editors of the North American Review, the oldest and one of the most well-regarded literary magazines in the United States. They’ve selected nearly all of the readings and examples (more than 60) from writing that has appeared in NAR pages over the years. Because they had a hand in publishing these pieces originally, their perspective as editors permeates this book. As such, they hope that even seasoned writers might gain insight into the aesthetics of the magazine as they analyze and discuss some reasons this work is so remarkable—and therefore teachable. This project was supported by NAR staff and funded via the UNI Textbook Equity Mini-Grant Program.

About the Contributors

J.D. Schraffenberger  is a professor of English at the University of Northern Iowa. He is the author of two books of poems,  Saint Joe's Passion  and  The Waxen Poor , and co-author with Martín Espada and Lauren Schmidt of  The Necessary Poetics of Atheism . His other work has appeared in  Best of Brevity ,  Best Creative Nonfiction ,  Notre Dame Review ,  Poetry East ,  Prairie Schooner , and elsewhere.

Rachel Morgan   is an instructor of English at the University of Northern Iowa. She is the author of the chapbook  Honey & Blood , Blood & Honey . Her work is included in the anthology  Fracture: Essays, Poems, and Stories on Fracking in American  and has appeared in the  Journal of American Medical Association ,  Boulevard ,  Prairie Schooner , and elsewhere.

Grant Tracey   author of three novels in the Hayden Fuller Mysteries ; the chapbook  Winsome  featuring cab driver Eddie Sands; and the story collection  Final Stanzas , is fiction editor of the  North American Review  and an English professor at the University of Northern Iowa, where he teaches film, modern drama, and creative writing. Nominated four times for a Pushcart Prize, he has published nearly fifty short stories and three previous collections. He has acted in over forty community theater productions and has published critical work on Samuel Fuller and James Cagney. He lives in Cedar Falls, Iowa.

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Essential Creative Writing Tips and Techniques

Creative writing has no written formula and no immutable laws, you just need a good imagination and good writing skills.

And you’re good to go!

Creative writing presents us with fewer tethers than other forms of writing. This means that we have more liberty when we want to express our imagination artistically.  

With all this freedom, defining and serving creative writing techniques is a bit hard, and some tips are frowned upon as they seem to infringe upon the liberties of some creative writers.

Still, some writers need guidance.

So, I have taken it upon myself to be this guide and dish out much-needed tips and discuss some creative writing techniques.

If you’ve been looking for guidance and insight, here’s a no-frills article full of practical tips on creative writing for you.

What Is Creative Writing?

Creative writing is writing that uses imagination , creativity, and mastery of the art of writing to evoke emotion in a reader.

It could be a fictional story, a nonfiction piece, or movie script, a play, a poem, et cetera. Creative writing oftentimes springs up from experimentation and good, imaginative use of knowledge and ideas.

One of the things that make creative writing different from other forms of writing is the underlying message or theme. Unlike other forms of writing, creative writing sometimes hides a message under the entertaining, saddening, or horrifying part of the written content.

Other archetypal elements of creative writing include creating an emotional connection with the reader (and sometimes evoking a response), having a deliberate point of view, using a narrative structure, and use of imaginative and descriptive language.

What Isn’t Creative Writing?

Whatever lacks the elements I just listed isn’t creative writing. Written pieces such as company reports, statements, and other professional communications aren’t regarded as creative writing.

Similarly, personal documents and communications such as emails, social media content, and personal communications all fit in the non-creative writing category.

In addition to that, research papers and pieces that are in the “Academic Writing” category do not qualify as creative writing.

Most often the type of content that I have listed is devoid of deliberate themes. Often, these types of pieces have goals similar to those prevalent in creative writing, but they’re presented differently.

But—as a reminder to myself or you, the reader—I would like to say that they’re blurred boundaries in some forms of content. For example, we can’t outrightly classify content such as blog posts as creative writing non-creative. Blog content belongs to a broader category that is as flexible as creative writing itself.

Therefore, you would have to analyze the elements of each blog post to see if they fit a particular category.

Forms of Creative Writing

Given the freedom that creative writing gets, it is just right that it takes many forms.

Here are some of the forms of creative writing:

This is one of the most popular forms of creative writing. Novels are also the first thing people think about when it comes to books (apart from academicians who are religiously into textbooks).

Novels are extended fictional works in prose that usually (or always?) come in the form of a story.

Most of them are in the range of 50,000 to 150,000 words, but some are told in less than 50,000 and others extend beyond 150,000.

Pieces that are too short to qualify as novels and too long to qualify as short stories automatically qualify as novellas and novelettes.

Novellas often fall in the range of 10,000-40,000 words, while novelettes generally have a word count of 7,500-19,000 words.

Word count boundaries are usually varied—and they are oftentimes at the discretion of the publisher or competition organizers.

Short Fiction

Short stories as the name suggests are on the other end (the shorter word count end) of the fiction word count spectrum. 

Short stories generally fall between 2,500 and 7,500 words but sometimes extend to 10,000 words.

Unlike novels, short stories tell stories with fewer characters, details, and backstories, among other deficiencies.

Then there are other forms of short fiction told in 1,000 words, and they’re called flash fiction and micro-fiction.

The unrestricted and spontaneous nature of poetry embodies the artistic multifariousness of creative writing.

Poetry is as emotional as it is rebellious—and word counts and rhyming rarely matter for poems, i.e., those in the free verse category.

There are different types of poems such as sonnets, haikus, sestinas, limericks, and free verses.

The spontaneous nature of poetry does connote lawlessness. The thing is, the different types of poetry originated from different cultures around the world and many come with rules.

However, for most of these types of poetry, the rules are adaptable. A few types such as haikus have specific rules on the number of lines or structure.

Plus, just because there aren’t many rules governing the structure, content, and length of poetry it doesn’t mean that you can brush aside the use of perfect grammar, the importance of POV, the need for a theme, and the need to evoke the reader’s emotions.

TV scripts, stage play scripts, and screenplays

This category comprises stage plays and scripts for films, television programs, and other types of video content.

A majority of content in this category has a lot in common with novels and short stories. Although different scripts have different formatting requirements, they carry a message or central theme and try to appeal to their audience’s emotions.

In a way, these scripts depart from the highly descriptive nature of novels and short stories.  There’s much more dialogue in scripts with a bit of stage or scene directions in stage plays screenplays.

Creative Nonfiction

Creative writing doesn’t always have to be works of fiction, some nonfiction also qualifies as creative writing.

Here are some of the works that can be called creative nonfiction:

• Lyric essays
• Autobiographies
• Humor Writing
• Literary Journalism

Tips and Techniques for Creative Writing

1. read widely and learn from other writers.

You can improve by focusing on looking at your writing only. If you want to be a good creative writer, you have to read.

When you read other people’s work, you discover other writing styles and get inspired in the process.

There are lots of reading resources on creative writing out there. You can find books, essays, blog articles, and video content covering different aspects of creative writing.

Some works will comprise fiction and nonfiction pieces (novels, short stories, poetry, lyrical essays. Et cetera) while others seek to cover interviews and personal essays that talk about the authors’ creative processes.

2. Benefit from Your Imagination

A wild imagination represents superiority for creative writers, especially fiction writers.

This is the only time you’re allowed to play god!

By using a crazy imagination you can conceive an exciting story, build a unique world, and come up with convincing, never-imagined-before characters.

Heck! You can even create your own language!

Be as imaginative as you can be, even going into a trance, and create a creative piece using your own rules!

3. Focus on Understanding and Improving Yourself as a Writer

You cannot improve something you don’t fully understand; therefore, you have to understand your strengths and weaknesses as a writer to become a better writer.

I wrote an article on this, explaining some general strengths and weaknesses that writers have.  As a creative writer, you have to identify problem areas such as bad sense of rhythm, dodgy flow, lack of creativity, et cetera.

As a creative writer, there are things you must have in your armory, such as a rich and relevant vocabulary, organized writing, and a unique writing style (which also happens to be the next tip on the list).

4. Develop or Discover a Unique Writing Style

Creative writers are better off seeking inspiration from other creative writers while trying to follow their path.

In short: study other writers, but develop your writing style. Take a look at all the best, and you’ll discover that most of them developed a unique style.

So, have your writing style. And, it should fit the niche you want to specialize in—if it’s horror, a befitting style. You could also focus on developing vibrant writing full of eccentric characters.

Likewise, you could become a writer who always writes in a specific POV.

5. Create Space for Creative Writing and Stick to a routine

Writing routinely and total focus are tremendously important for creative writers. If you’re a spontaneous writer who scarcely writes and only writes whenever they feel like it, you’re bound to fail as a writer!

You need to have a schedule and some working space. The ideas might come spontaneously and anywhere, but it’s hard to write without proper planning and a distraction-free setting.

It’s unproductive trying to squeeze writing into your day.

When you start writing routinely, in a ‘comfortable’ place, creative writing becomes natural. Even when you’re out of ideas experiencing writer’s block, you have to practice the habit of writing stuff daily—just write some fluff if you’re bored.

6. Know your audience

“Why do you write?”

The most popular answer to the question is, “because I love it!”

But if the question was rephrased and we asked “why do you publish your works?” the previous answer would be ‘half true.’

You write because it’s the love of your life and you publish for your audience. So, creative writing isn’t always about you, but your fans too.

You have to know what your readers are like. Even when you haven’t published a single piece, it’s easy to research readers’ interests using web-based analytics resources.

Armed with this knowledge, you can craft a piece that strikes a chord with your target audience, with a high potential of becoming a bestseller.

7. Always Start and End Strong

Our English teacher constantly reminded us that when she was going through our essays, she started with the introduction and summary before moving to the body.

“They’re the most important parts of your essay.” She’d always say.

Later, I found out that this applied to almost every form of writing.  

Your readers want your piece to either start with a bang or catch their attention. Once the reader feels underwhelmed, they won’t read all the way through.

Strong endings are just as important, but it doesn’t mean that you always have to end on a happy note. You can close on a sad note or give them a cliffhanger. 

As long as you effectively use your imagination and the end doesn’t turn out to be a clichéd one.

The Best Books on Creative Writing

• 1. Plot & Structure: Techniques and Exercises for Crafting a Plot that Grips Readers from Start to Finish by James Scott Bell
• 2. On Writing: A Memoir of the Craft by Stephen King
• 3. The Writing Life by Annie Dillard
• 4. On Writing Well: An Informal Guide to Writing Nonfiction by William Zinsser

Final Words

Writing—whatever form it takes—isn’t a simple chore, but as hard as it is, it is also fun!

The goal is always to become a better writer and learn different techniques that will make our content impactful.

Every writer should fear stagnation and continue learning. Utilize today’s easy access to resources, read, ask for help, and let your wild imagination run loose.

While there’s no fixed formula in creative writing, tips from experienced writers will help you improve in some areas.

So, always be inquisitive and reach out to other writers.

Crafting an original work of fiction, poetry, or creative non-fiction takes time, practice, and persistence.

Recommended Reading...

Crafting compelling game stories: a guide to video game writing, how to write a murder mystery: figuring out whodunit, good story starters for your next bestseller, 100 fluff prompts that will inspire creativity.

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© 2024 When You Write

What Are Creative Writing Techniques? A Guide to Improve Your Writing Skills

By: Author Paul Jenkins

Posted on Published: June 9, 2023  - Last updated: July 31, 2023

Categories Writing , Creativity

Creative writing is a form of artistic expression involving language to convey a message or story. It allows writers to explore their imagination and create something unique. To create a successful piece of creative writing, writers use various techniques to engage their readers and bring their stories to life.

One of the most important techniques used in creative writing is character development.

Writers use this technique to create believable and relatable characters that readers can connect with. By giving their characters unique personalities, motivations, and backgrounds, writers can make their stories more engaging and memorable.

Other techniques used in creative writing include setting, plot, dialogue, and point of view. These techniques help writers create a vivid and immersive world for their readers to explore.

The Basics of Creative Writing Techniques

Creative writing techniques are essential for anyone who wants to write compelling stories, essays, or articles. Whether a beginner or an experienced writer, mastering these techniques will help you create engaging content that captures your readers’ attention. This section explores some fundamental creative writing techniques that every writer should know.

Why Creative Writing Techniques Matter

Creative writing techniques are the building blocks of storytelling. They help writers create vivid characters, settings, and plots that draw readers into the story. Without these techniques, your writing may lack depth and fail to engage your audience. By mastering these techniques, you can create stories that resonate with readers and keep them returning for more.

The Difference between Fiction and Nonfiction

Fiction and nonfiction are two distinct writing genres requiring different creative writing techniques. Fiction writers must create compelling characters, believable settings, and engaging plots. Nonfiction writers, on the other hand, must research their topics thoroughly and present the information in an engaging and informative way.

The Importance of Point of View

Point of view is a critical element of storytelling. It determines who is telling the story and how the reader experiences it. There are several types of points of view, including first-person, second-person, and third-person. Each has advantages and disadvantages; choosing the right one can make or break your story.

The Role of Setting

Setting is the time and place in which your story takes place. It can be a real-world or fictional location, but it must be vividly described to engage your readers. The setting can also affect the mood and tone of your story, so it’s essential to choose it carefully.

The Art of Dialogue

Dialogue is the spoken words between characters in your story. It’s a powerful tool for revealing character traits, advancing the plot, and creating tension. Writing realistic dialogue requires a good ear for language and an understanding how people speak in real life.

In conclusion, mastering these fundamental creative writing techniques will help you create engaging content that captures your readers’ attention. Whether you’re writing fiction or nonfiction, point of view, setting, and dialogue are essential elements that can make or break your story. By understanding these basics, you’ll be well on your way to becoming a skilled and successful writer.

Advanced Creative Writing Techniques

As a writer, the ability to craft a compelling story that engages and captivates readers is essential. Advanced creative writing techniques can help take your writing to the next level. This section will explore some of the most effective techniques to help you improve your writing and create more engaging stories.

Literary Devices and Techniques

Literary devices and techniques are essential tools for writers to create compelling stories. These devices and techniques can help you create vivid images in your reader’s mind and evoke emotions.

The most common literary devices and techniques include metaphors, similes, imagery, symbolism, and allusions. These devices can be used to create a more profound meaning in your story or to create a specific mood or tone.

Character Development

Creating compelling characters is essential to any great story. Advanced character development techniques can help you create complex, multi-dimensional characters that readers can identify with and care about. Some of the most effective character development techniques include creating a backstory, using dialogue to reveal character traits, and creating character arcs.

Storytelling Techniques

Storytelling is creating a compelling narrative that engages and captivates readers. Advanced storytelling techniques can help you create more engaging, exciting, and memorable stories.

Some of the most effective storytelling techniques include using a strong narrative voice, creating a compelling plot, and using sensory details to create a vivid setting.

Creating Tension and Stakes

Creating tension and stakes in your story is essential to keeping your readers engaged and invested. Advanced techniques for creating tension and stakes include using cliffhangers, creating conflict between characters, and foreshadowing to create anticipation.

Foreshadowing and Pivot Points

Foreshadowing and pivot points are essential tools for writers to create compelling stories. Foreshadowing can be used to create anticipation and suspense, while pivot points can be used to create a significant shift in the story’s direction.

Advanced techniques for using foreshadowing and pivot points include creating subtle hints and clues throughout the story and using these hints to create a significant turning point.

In conclusion, advanced creative writing techniques can help take your writing to the next level. Using literary devices and techniques, character development, storytelling techniques, tension and stakes, and foreshadowing and pivot points, you can create more engaging, memorable, and impactful stories that will captivate your readers.

Writing Style and Originality

Finding your writing style.

Writing style refers to the unique way an author expresses themselves through their writing. It combines the author’s word choice, sentence structure, tone, and overall approach to writing. Every writer has their writing style, and finding your unique style is an important part of the creative writing process.

One way to find your writing style is to experiment with different writing techniques and styles. Try writing in different genres, using different sentence structures, and varying your tone to see what feels most natural.

It may take some time and practice, but eventually, you will find a style that works for you.

Another way to find your writing style is to read widely. Reading a variety of genres and styles can help you identify what you like and don’t like. Pay attention to the authors’ writing techniques, and think about how you can incorporate those techniques into your writing.

The Importance of Originality

Originality is an important aspect of creative writing. It refers to the ability to come up with unique and innovative ideas and approaches to writing.

Writing that lacks originality can feel stale and uninteresting, while original writing can be engaging and captivating.

One way to cultivate originality in your writing is to think outside the box. Don’t be afraid to take risks and try new things. Experiment with different genres, writing styles, and techniques to see what works best. You can also draw inspiration from your experiences and the world around you.

Another way to cultivate originality is to focus on your voice. Your voice is what makes your writing unique, and it is what sets you apart from other writers.

Don’t be afraid to embrace your quirks and idiosyncrasies, and let your personality shine through in your writing. By focusing on your voice and perspective, you can create writing that is truly original and authentic.

Different Types of Creative Writing

Creative writing can take many forms, each with its own unique set of techniques and characteristics. Here are some of the most common types of creative writing:

Poetry is a form of creative writing that uses language to evoke emotion, paint vivid imagery, and convey complex ideas. Poems can take many forms, from free verse to sonnets to haikus, and can be written about any topic or subject matter.

Essays are a form of creative nonfiction that explores a particular topic or idea. They can be personal or academic and take many forms, such as argumentative, descriptive, or narrative.

Novels and Novellas

Novels and novellas are works of fiction that tell a longer story throughout many pages. Novels typically have a more complex plot and more developed characters than novellas, but both forms require a strong sense of pacing, structure, and character development.

Short Stories

Short stories are works of fiction that tell a complete story in fewer pages. They often focus on a single character or event and require a strong sense of economy and precision in language.

Memoirs and Personal Essays

Memoirs and personal essays are forms of creative nonfiction that focus on the author’s experiences and perspectives. They can be deeply personal and emotional and require a strong sense of voice and perspective.

Plays and Film Scripts

Plays and film scripts are creative writing designed to be performed on stage or screen. They require a strong sense of dialogue, character development, pacing, and an understanding of the technical aspects of stage and film production.

Blogs and Articles

Blogs and articles are forms of creative nonfiction designed to be read online or in print. They can cover various topics, from news and current events to personal essays and opinion pieces.

They require a strong sense of voice, clarity, precision in language, and an understanding of the audience’s expectations and the medium.

Creative Writing Exercises and Examples

Exercises to improve your writing skills.

If you are looking to improve your creative writing skills, there are a variety of exercises you can try. Here are a few examples:

• Free writing : Set a timer for 10-15 minutes and write whatever comes to mind. Don’t worry about grammar, spelling, or punctuation. The goal is to get your creative juices flowing and generate ideas.
• Character development : Create a character and write a short story or scene featuring that character. Focus on developing their personality, backstory, and motivations.
• Dialogue practice : Write a conversation between two characters without any description or narration. Focus on making the dialogue sound natural and revealing information about the characters.
• Rewriting : Take a piece of writing you’ve already completed and rewrite it from a different perspective or in a different genre. This can help you think outside the box and develop your writing skills in new ways.

Examples of Creative Writing Techniques in Action

There are many techniques that can be used in creative writing to make the writing more engaging and impactful. Here are a few examples:

• Imagery : Using descriptive language to create vivid mental images for the reader. For example, instead of saying, “The sky was blue,” you might say, “The sky was a brilliant shade of azure, as clear and expansive as the ocean.”
• Metaphors and similes : Comparing two things in a way that creates a deeper understanding or emotional connection. For example, “her eyes were like pools of molten gold” or “the wind howled like a pack of wolves.”
• Foreshadowing : Hinting at future events or outcomes to create suspense and interest. For example, a character might say something seemingly innocuous early in the story that takes on greater significance later.
• Showing, not telling : Using actions, dialogue, and sensory details to convey information and emotions rather than simply stating them outright. For example, instead of saying, “She was sad,” you might describe her slumped posture, tear-streaked face, and quiet voice.

By practicing these exercises and incorporating these techniques into your writing, you can improve your skills and create more engaging and impactful stories.

Business Writing and Academic Writing

The basics of business writing.

Business writing is used in the corporate world to communicate with internal and external stakeholders. It includes emails, memos, reports, proposals, and other forms of business correspondence. The primary goal of business writing is to convey information clearly, concisely, and professionally.

Business writing typically follows a specific format, such as headings, bullet points, and tables. The tone of business writing is formal and objective, and it avoids using slang, jargon, and colloquialisms. It also uses active voice and avoids the use of passive voice.

The Importance of Academic Writing

Academic writing is a form used in educational settings, such as universities and colleges. It includes essays, research papers, dissertations, and other forms of academic writing. The primary goal of academic writing is to communicate ideas and arguments clearly, concisely, and logically.

Academic writing follows a specific format, such as the use of an introduction, body, and conclusion. It also follows specific citation styles, such as APA, MLA, and Chicago. The tone of academic writing is formal and objective, and it avoids using personal pronouns and emotional language.

Both business writing and academic writing require a high level of attention to detail and clarity of communication. They are essential skills for success in the corporate world and academia.

Summing Up the Importance of Creative Writing Techniques

In conclusion, creative writing techniques are essential for writers who want to improve their writing skills. These techniques include using analogies, inciting incidents, arguments, conclusions, closures, and endings effectively. They use verbs, similes, metaphors, and themes to create vivid and engaging stories.

Teachers can use these techniques to help their students become better writers. Teachers can help their students develop their writing skills and find their unique voices by providing feedback and encouraging them to experiment with different techniques.

Nature and movies can also be great sources of inspiration for writers. By observing the world around them, writers can find new ideas and perspectives to explore. Similarly, movies can provide writers with many storytelling techniques to draw from.

Final Thoughts on Becoming a Better Writer

Ultimately, becoming a better writer requires practice, patience, and empathy. By investing time and effort to hone their craft, writers can develop their skills and create stories that resonate with readers.

Creative nonfiction and free verse are two genres that can help writers develop their skills in different ways. Creative nonfiction allows writers to explore real-world events and experiences creatively and engagingly, while free verse provides a platform for experimentation with language and form.

In conclusion, by using creative writing techniques, writers can create engaging and meaningful stories. Whether writing fiction or nonfiction, poetry or prose, the key is to find one’s unique voice and use it to tell stories that connect with readers on a deep and emotional level.

100 Writing Practice Lessons & Exercises

by Joe Bunting | 50 comments

Want to become a better writer? How much time do you spend on your writing practice? Perhaps you want to write novels, or maybe you just want to get better grades in your essay writing assignments , or maybe you'd like to start a popular blog .

If you want to write better, you need practice. But what does a writing practice actually look like? In this post, I'm going to give you everything you need to kick off your writing practice and become a better writer faster.

What Is Writing Practice?

Writing practice is a method of becoming a better writer that usually involves reading lessons about the writing process, using writing prompts, doing creative writing exercises , or finishing writing pieces, like essays, short stories , novels , or books . The best writing practice is deliberate, timed, and involves feedback.

How Do You Practice Writing?

This was the question I had when I first started The Write Practice in 2011. I knew how to practice a sport and how to practice playing an instrument. But for some reason, even after studying it in college, I wasn't sure how to practice writing.

I set out to create the best writing practice I could. The Write Practice is the result.

I found that the best writing practice has three aspects:

Deliberate . Writing whatever you feel like may be cathartic, but it's not an effective way to become a better writer or build your writing skills. You'll get better faster by practicing a specific technique or aspect of the writing process each time you sit down to write.

This is why we have a new lesson about the writing process each day on The Write Practice, followed by a practice prompt at the end so you can put what you learned to use immediately.

Timed . It's no secret writers struggle with focus. There are just too many interesting distractions—Facebook, email, Kim Kardashian's Instagram feed (just kidding about that last one, sort of)—and writing is just too hard sometimes.

Setting a timer, even for just fifteen minutes, is an easy and effective way to stay focused on what's important.

This is why in our writing practice prompt at the end of each post we have a time limit, usually with a link to an online tool egg timer , so you can focus on deliberate practice without getting distracted.

Feedback . Getting feedback is one of the requirements to deliberately practice writing or any other craft. Feedback can look like listening to the reactions of your readers or asking for constructive criticism from editors and other writers.

This is why we ask you to post your writing practice after each lesson, so that you can get feedback from other writers in The Write Practice community. It's also why we set up The Write Practice Pro community , to provide critique groups for writers to get feedback on each finished piece of writing.

Our 100+ Best Creative Writing Practice Exercises and Lessons

Now that you know how we practice writing at The Write Practice, here are our best writing practice lessons to jumpstart your writing skills with some daily writing exercises, for beginner writers to even the most expert writers:

All-Time, Top 10 Writing Lessons and Exercises

These ten posts are our most viewed articles to boost your writing practice:

1. What is Plot? The 6 Elements of Plot and How to Use Them . Great stories use similar elements in wildly different ways to build page-turning stories. Click here to read what they are and learn how to start using them !

2. Top 100 Short Story Ideas . Here are over a hundred writing prompts in a variety of genres. If you need ideas for your next story, check this out!

3. How To Use Neither, Nor, Or, and Nor Correctly . Even good writers struggle figuring out when to use neither/nor and either/or. In this post, our copy-queen Liz Bureman settles the confusion once and for all. Click to continue to the writing exercise

4. Ten Secrets To Write Better Stories . How does Pixar manage to create such great stories, year after year? And how do you write a good story? In this post, I distill everything I've learned about how to write a good story into ten tips. Click to continue to the writing exercise

5. 35 Questions To Ask Your Characters From Marcel Proust . To get to know my characters better, I use a list of questions known as the Proust Questionnaire, made famous by French author, Marcel Proust. Click to continue to the writing exercise

6. How a Scene List Can Change Your Novel-Writing Life . Creating a scene list changed my novel-writing life, and doing the same will change yours too. Includes examples of the scene lists from famous authors. Click to continue to the writing exercise

7. Why You Need to be Using the Oxford Comma . Most people I've met have no idea what the Oxford comma is, but it's probably something that you have used frequently in your writing. Click to continue to the writing exercise

8. Six Surprising Ways to Write Better Interview Questions.  The interview is the most-used tool in a journalist's bag. But that doesn't mean novelists, bloggers, and even students can't and don't interview people. Here's how to conduct a great interview. Click to continue to the writing exercise

9. Why You Should Try Writing in Second Person . You've probably used first person and third person point-of-view already. But what about second person? This post explains three reasons why you should try writing from this point-of-view. Click to continue to the writing exercise

10. The Secret to Show, Don't Tell . You've heard the classic writing rule, “Show. Don't Tell.” Every writing blog ever has talked about it, and for good reason. Showing, for some reason, is really difficult. Click to continue to the writing exercise.

12 Exercises and Lessons To Become a Better Writer

How do you become a better writer? These posts share our best advice:

• Want to Be a Better Writer? Cut These 7 Words
• What I Mean When I Say I Am A Writer
• How to Become a Writer: 3 Simple Steps
• 72% of Writers Struggle With THIS
• 7 Lies About Becoming a Writer That You Probably Believe
• 10 Questions to Find Your Unique Writing Voice
• The Best Writing Book I’ve Ever Read
• The Best Way to Become a Better Writer
• The Creative Writer’s Toolkit: 6 Tools You Can’t Write Without
• Should You Write More or Write Better: Quantity vs Quality
• How to Become a Better Writer in One, Simple Step
• 11 Writing Tips That Will Change Your Life

6 Lessons and Exercises from Great Writers

If you want to be a writer, learn from the great writers who have gone before you:

• 23 Essential Quotes from Ernest Hemingway About Writing
• 29 Quotes that Explain How to Become a Better Writer
• 10 Lessons Dr. Seuss Can Teach Writers
• 10 Writing Tips from Ursula Le Guin
• Once Upon a Time: Pixar Prompt
• All the Pretty Words: Writing In the Style of Cormac McCarthy

12 Genre and Format Specific Writing Lessons and Exercises

Here are our best writing lessons for specific types of writing, including essays, screenplays, memoir, short stories, children's books, and humor writing:

• Writing an Essay? Here Are 10 Effective Tips
• How To Write a Screenplay: The 5 Step Process
• How to Write a Great Memoir: a Complete Guide
• How to Write a Short Story from Start to Finish
• How to Write a Thriller Novel
• How to Write a Children's Book
• How to Write a Love Story
• How to Write a Coming of Age Story or Book
• How to Write an Adventure Book
• 5 Key Elements for Successful Short Stories
• 4 Tips to Write a Novel That Will Be Adapted Into a Movie
• Humor Writing for People Who Aren’t Funny

14 Characterization Lessons and Exercises

Good characters are the foundation of good fiction. Here are our best lessons to create better characters:

• Character Development: How to Create Characters Audiences Will Love
• Writing Villains: 9 Evil Examples of the Villain Archetype
• How NOT to Introduce a New Character
• The Strongest Form of Characterization
• The Most Important Character Archetype
• How Do You Build A Strong Character In Your Writing?
• 75+ Antihero Examples and How to Use Them
• How to Explore Your Characters’ Motivations
• 8 Tips for Naming Characters
• The Protagonist: How to Center Your Story
• Heroes vs. Anti-Heroes: Which Is Right For Your Story?
• The Weakest Form of Characterization
• How to Write With an Accent
• How To Create a Character Sketch Using Scrivener

15 Grammar Lessons and Exercises

I talk to so many writers, some of whom are published authors, who struggle with grammar. Here are our best writing lessons on grammar:

• Is It Okay To End A Sentence With A Preposition?
• Contractions List: When To Use and When To Avoid
• Good vs. Well
• Connotation vs. Denotation
• Per Se vs. Per Say
• When You SHOULD Use Passive Voice
• When Do You Use “Quotation Marks”
• Polysyndeton and Asyndeton: Definition and Examples
• The Case Against Twilight
• Affect Versus Effect
• Stop Saying “Literally”
• What Is a Comma Splice? And Why Do Editors Hate Them?
• Intra vs. Inter: Why No One Plays Intermural Sports
• Alright and Alot: Words That Are Not Words
• The Poor, Misunderstood Semicolon

5 Journalism Lessons and Exercises

Want to be a journalist? Or even use techniques from journalism to improve your novel, essay, or screenplay? Here are our best writing lessons on journalism:

• Six Ways to Ask Better Questions In Interviews
• How to Conduct an Author Interview
• Interview In Person or Via Email?  
• What If They Don’t Want to Talk to You?
• Eleven Habits of a Highly Effective Interviewers

16 Plot and Structure Lessons and Exercises

Want to write a good story? Our top plot and structure lessons will help:

• The Nine Types of Story and How to Master Them
• Points of a Story: 6 Plot Points Every Story Needs
• How to Shape a Story: The 6 Arcs
• 7 Keys To Write the Perfect First Line of a Novel
• The Secret to Creating Conflict
• 4 Tips to Avoid Having Your Short Story Rejected by a Literary Magazine
• 7 Steps to Creating Suspense
• 5 Elements of Storytelling
• 3 Important Rules for Writing Endings
• A Writer’s Cheatsheet to Plot and Structure
• Overcoming the Monster
• How to Satisfy Your Reader With a Great Ending
• Pow! Boom! Ka-Pow! 5 Tips to Write Fight Scenes
• The Dramatic Question and Suspense in Fiction
• How to Write a Memorable Beginning and Ending
• How to Write the Perfect First Page

6 Lessons and Exercises to Beat Writer's Block

Writer's block is real, and it can completely derail your writing. Here are six lessons to get writing again:

• How To Write Whether You Feel Like it Or Not
• This Fun Creative Writing Exercise Will Change Your Life
• When You Should Be Writing But Can't…
• What to do When Your Word Count is Too Low
• 7 Tricks to Write More with Less Willpower
• When You Don’t Know What to Write, Write About Your Insecurities

7 Literary Technique Lessons and Exercises

These writing and storytelling techniques will teach you a few tricks of the trade you may not have discovered before:

• 3 Tips to “Show, Don’t Tell” Emotions and Moods
• 3 Reasons to Write Stream of Consciousness Narrative
• 16 Observations About Real Dialogue
• Intertextuality As A Literary Device
• Why You Should Use Symbolism In Your Writing
• 6 Ways to Evoke Emotion in Poetry and Prose
• 3 Tips To Write Modern Allegorical Novels
• Symbol vs. Motif: What’s the Difference

3 Inspirational Writing Lessons and Exercises

Need some inspiration? Here are three of our most inspiring posts:

• Why We Write: Four Reasons
• You Must Remember Every Scar
• 17 Reasons to Write Something NOW

3 Publishing Blogging Lessons and Exercises

If you want to get published, these three lessons will help:

• The Secret to Writing On Your Blog Every Day
• How to Publish Your Book and Sell Your First 1,000 Copies
• How to Submit a Short Story for Publication

11 Writing Prompts

Need inspiration or just a kick in the pants to write. Try one of our top writing prompts :

• Grandfathers [writing prompt]
• Out of Place [writing prompt]
• Sleepless [writing prompt]
• Longing [writing prompt]
• Write About Yourself [writing prompt]
• 3 Reasons You Should Write Ghost Stories
• Road Trip [writing prompt]
• Morning [writing prompt]
• The Beach [writing prompt]
• Fall Writing Prompts
• How to Use Six-Word Stories As Writing Prompts

Is It Time To Begin Your Writing Practice?

It's clear that if you want to become a writer, you need to practice writing. We've created a proven process to practice your writing at The Write Practice, but even if you don't join our community, I hope you'll start practicing in some way today.

Personally, I waited  far  too long to start practicing and it set my writing back years.

How about you? Do you think practicing writing is important?  Let me know in the comments section .

Choose one of the writing practice posts above. Then, read the lesson and participate in the writing exercise, posting your work in the Pro Practice Workshop . And if you post, please give feedback to your fellow writers who also posted their practices.

Have fun and happy practicing!

Joe Bunting

Joe Bunting is an author and the leader of The Write Practice community. He is also the author of the new book Crowdsourcing Paris , a real life adventure story set in France. It was a #1 New Release on Amazon. Follow him on Instagram (@jhbunting).

Want best-seller coaching? Book Joe here.

Work with Joe Bunting?

WSJ Bestselling author, founder of The Write Practice, and book coach with 14+ years experience. Joe Bunting specializes in working with Action, Adventure, Fantasy, Historical Fiction, How To, Literary Fiction, Memoir, Mystery, Nonfiction, Science Fiction, and Self Help books. Sound like a good fit for you?

50 Comments

You have THE BEST content for writing on this blog!!

Thank you, Kristen. This made my morning. 🙂

Thanks Mitch. 🙂

I can’t remember when I started following this website. I have to look in my notebooks because that’s where I did these practices. I didn’t have access to a computer when I did them, so I wrote them out, setting the time limit. But even when I do get to a computer, I have my reservations about putting my practices on the page. even though it’s practice, I want them to be the best, almost perfect. But I know it won’t be. I’ve gotten feedback before that says so. It still gets to me that I didn’t put something together that not everyone liked. I need to get over it. After all, that is what these practices are about: to learn and improve on our craft.

I don’t know either, George, but it’s been several years. Perfectionism is something so many of us face, and it’s made worse when you don’t have a critique community as warm and encouraging as ours is. I hope you and everyone here are always willing to try something new, even if it comes out a little messed up, because you know we’ll support you and try to make you better.

What a great share! Thanks so much!

You’re so welcome, Elizabeth. Thank you for commenting.

when I ran writing classes I wrote. when I am “a member of writing classes” the teacher/leader/facilitator is NOT MY AUDIENCE and so I don’t write as well/as much. I don’t get the feedback I need from fellow students because most of them have never run their own writing projects/workshops. So many people expect you to write their story for them. I’ve actually got quite a few stories of me own. I have finally decided I like owning them. 😉

It sounds like you need a new critique group, Patience! Hope you can find a place where you get the feedback you need.

Wow! Terrific round-up of resources. 🙂

Thanks Stephanie. 🙂

Practice is necessary, period. It doesn’t matter what you want to learn. If you want to improve, practice is vital.

It’s odd. I’ve known and applied that principle for years on a variety of things. Painting. Drawing. Blogging. Gardening. Laundry.

But never writing.

Like you, I had the notion that just writing every day was all it took to improve. Why not the same level of dedication to writing?

Perhaps it’s time to change that!

I can relate, Carrie. It’s easy to confuse the craft of writing with journaling, thinking that you can just write whatever you feel like and you’ll get better, write something worth reading. The truth is that writing interesting things to read is a skill, but the good news is that you can get better at it with practice. Thanks for practicing with us! 🙂

I love these suggestions , and have set Writing Practice as my homepage so the first 15 minutes of my day is spent writing, whether its a practice or exercise here or another that is sprinkled through out this site, Thank you for all you do everyone here at The Write Practice

This is great Debra. I want to write the first 15 minutes of my day too!

I agree with Joe, Do it. Could be your to do list… ( that could lead to something else story wse later)

I love that, Debra. Such a good way to start your day.

Thanks Joe!

The best! Thank you so much for this.

You’re very welcome!

I simply LOVE all the tips and suggestions given on this blog. They are super helpful!

THANK you. We love sharing them with you. 🙂

Hi! You forgot the link to How to Write a Story a Week: A Day-by-Day Guide.

Thanks a lot for your work! This post is amazing.

It’s a great post Thiago. Definitely one of our most shared. Thanks for mentioning it! BTW here’s the link:

https://thewritepractice.com/a-story-a-week/

Wow!! There are so many exercises…. I just love it..! I am gonna really enjoy it..!

Awesome! Thank you for reading and practicing with us. 🙂

I only read halfway , My tootie is jumping all over me, and typing this is a struggle when a 3yr old wants his Toy Story movie on Youtube in this computer. Thank you for this article, will come back later to finish reading.

I know the feeling! Good luck!

Can’t wait to get stuck in with this! 🙂

Very helpful! Thank you!

I’ve just bookmarked this page. Thanks for this wonderful list.

This is awesome! So many helpful tips. I will be coming back to this often. Thanks for posting this!

Wow, so many goodies! Thank you for always providing such amazing content!!

I have enjoyed all these articles. Thank you for the help an inspiration to get my writing on its way. My creativity is boosting with confidence. Tootle loo.

Amazing contents for beginners like me Joe. I am highly inspired by your commitment. Thank you.

Hey, thanks!

Although I have only read half of thisc article, the practice exercises are excellent. Some of them are exactly what a beginning writer like myself needs. I am committing to at least try ALL of them. Thanks Joe!!

very helpful! thank you..

Amazing articles! Thanks so much for sharing!

My god this article made me love this site . You know it’s kinda hard for a beginner writer, who don’t know where to start and fixing goals, even samll ones give us a direction . A place to go , an aim for our creativity so thanks you , this community and this site. Love you all . At your pens ! 😉

Wow. This is great. I find all your posts informative, but this one is the best for me to use as a guide to get my self starting to write….Thank you.

I’m an old lady who wants to publish one more book before I die — have published several, all non-fiction, and done two under contract to a major publisher (reference books). So help me, the BIGGEST problem I have all along, is keeping track of the damned paper work and research that goes into a book!!! Yet I never ever see articles on something as simple as “How to file” — Oh I know, there’s wonderful software these days so probably I will never find a way to get paper organized — everybody will use software and do it on the computer. I’m too old for that — just one look at the learning curve for software, even putting the damned stuff into computer files is even MORE frustrating than paper!! Oh well, somehow I managed in the past to get books published, I may be able to do it one more time.

you enjoy writing more than anything else and you do indeed care to help others write. I love writing but translation from Arabic into English and English into Arabic is taking all of my time from the early hours of the morning till the evening. I will soon get all of your books in order to read them as soon as possible. One thing I am sure of. You know what you are doing very well. Hamzah

Excellent! Many useful tips. Many thanks!

Liz and Joe, I have only looked at a few exercises. Already, I am convinced that your site is one of the best sites out there. Thank your for sharing your wisdom.

Wow, these are the best lessons and exercises for writing. Actually i’m participating in a compitition this wendsday. so, i’m quite nervous and exited. this helped me a lot

Magnificent post ever I have read. This article will help me a lot to write a right way. Thank you.

i need your help to improve to become a better writer please. i think i usually commit moist of these errors and i don;t pay attention to many advices too.

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Writers' Treasure

Effective writing advice for aspiring writers

Creative Writing 101

Creative writing is any form of writing which is written with the creativity of mind: fiction writing, poetry writing, creative nonfiction writing and more. The purpose is to express something, whether it be feelings, thoughts, or emotions.

Rather than only giving information or inciting the reader to make an action beneficial to the writer, creative writing is written to entertain or educate someone, to spread awareness about something or someone, or to express one’s thoughts.

There are two kinds of creative writing: good and bad, effective and ineffective. Bad, ineffective creative writing cannot make any impression on the reader. It won’t achieve its purpose.

So whether you’re a novelist, a poet, a short-story writer, an essayist, a biographer or an aspiring beginner, you want to improve your craft. The question is: how?

When you write great fiction, poetry, or nonfiction, amazing things can happen. Readers can’t put it down. The work you wrote becomes a bestseller. It becomes famous. But you have to reach to that level… first .

The best way to increase your proficiency in creative writing is to write, write compulsively, but it doesn’t mean write whatever you want. There are certain things you should know first… it helps to start with the right foot.

To do exactly that, here we have a beginners’ guide from Writers’ Treasure on the subject:

• An Introduction to Creative Writing
• How to Get Started in Creative Writing in Just Three Steps
• Creative Writing vs. Technical Writing
• Fiction Writing 101: The Elements of Stories
• Poetry Writing: Forms and Terms Galore
• Creative Non-Fiction: What is it?
• Tips and Tricks to Improve Your Creative Writing
• Common Mistakes Made by Creative Writers

For novelists: do you want to write compelling opening chapters?

Are you an aspiring novelist? Will your novel see the light of day? For that, you will need to make the first chapter of your story as compelling as possible. Otherwise, readers won’t even pick up your novel. That chapter can be the make-or-break point that decides whether your novel is published or not. It’s because good editors know how you write from the first three pages… or sometimes even from the opening lines.

To solve this problem, I created a five-part tutorial on Writing Compelling Opening Chapters . It outlines why you need to write a compelling opening chapter, my personal favourite way of beginning it, what should be told and shown in it, general dos and don’ts, and what you need to do after having written it. Check it out for more.

Need more writing tips?

Sometimes you reach that stage when you outgrow the beginner stage of writing but feel that you’re not yet an expert. If I just described you, no worries– Writers’ Treasure’s writing tips are here. Whether you want to make your writing more readable, more irresistible, more professional, we’ve got you covered. So check out our writing tips , and be on your way to fast track your success.

I offer writing, editing and proofreading , as well as website creation services. I’ve been in this field for seven years, and I know the tools of the trade. I’ve seen the directions where the writing industry is going, the changes, the new platforms. Get your work done through me, and get fast and efficient service. Get a quote .

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What is Creative Writing? A Key Piece of the Writer’s Toolbox

Not all writing is the same and there’s a type of writing that has the ability to transport, teach, and inspire others like no other.

Creative writing stands out due to its unique approach and focus on imagination. Here’s how to get started and grow as you explore the broad and beautiful world of creative writing!

What is Creative Writing?

Creative writing is a form of writing that extends beyond the bounds of regular professional, journalistic, academic, or technical forms of literature. It is characterized by its emphasis on narrative craft, character development, and the use of literary tropes or poetic techniques to express ideas in an original and imaginative way.

Creative writing can take on various forms such as:

• short stories
• screenplays

It’s a way for writers to express their thoughts, feelings, and ideas in a creative, often symbolic, way . It’s about using the power of words to transport readers into a world created by the writer.

5 Key Characteristics of Creative Writing

Creative writing is marked by several defining characteristics, each working to create a distinct form of expression:

1. Imagination and Creativity: Creative writing is all about harnessing your creativity and imagination to create an engaging and compelling piece of work. It allows writers to explore different scenarios, characters, and worlds that may not exist in reality.

2. Emotional Engagement: Creative writing often evokes strong emotions in the reader. It aims to make the reader feel something — whether it’s happiness, sorrow, excitement, or fear.

3. Originality: Creative writing values originality. It’s about presenting familiar things in new ways or exploring ideas that are less conventional.

4. Use of Literary Devices: Creative writing frequently employs literary devices such as metaphors, similes, personification, and others to enrich the text and convey meanings in a more subtle, layered manner.

5. Focus on Aesthetics: The beauty of language and the way words flow together is important in creative writing. The aim is to create a piece that’s not just interesting to read, but also beautiful to hear when read aloud.

Remember, creative writing is not just about producing a work of art. It’s also a means of self-expression and a way to share your perspective with the world. Whether you’re considering it as a hobby or contemplating a career in it, understanding the nature and characteristics of creative writing can help you hone your skills and create more engaging pieces .

For more insights into creative writing, check out our articles on creative writing jobs and what you can do with a creative writing degree and is a degree in creative writing worth it .

Styles of Creative Writing

To fully understand creative writing , you must be aware of the various styles involved. Creative writing explores a multitude of genres, each with its own unique characteristics and techniques.

Poetry is a form of creative writing that uses expressive language to evoke emotions and ideas. Poets often employ rhythm, rhyme, and other poetic devices to create pieces that are deeply personal and impactful. Poems can vary greatly in length, style, and subject matter, making this a versatile and dynamic form of creative writing.

Short Stories

Short stories are another common style of creative writing. These are brief narratives that typically revolve around a single event or idea. Despite their length, short stories can provide a powerful punch, using precise language and tight narrative structures to convey a complete story in a limited space.

Novels represent a longer form of narrative creative writing. They usually involve complex plots, multiple characters, and various themes. Writing a novel requires a significant investment of time and effort; however, the result can be a rich and immersive reading experience.

Screenplays

Screenplays are written works intended for the screen, be it television, film, or online platforms. They require a specific format, incorporating dialogue and visual descriptions to guide the production process. Screenwriters must also consider the practical aspects of filmmaking, making this an intricate and specialized form of creative writing.

If you’re interested in this style, understanding creative writing jobs and what you can do with a creative writing degree can provide useful insights.

Writing for the theater is another specialized form of creative writing. Plays, like screenplays, combine dialogue and action, but they also require an understanding of the unique dynamics of the theatrical stage. Playwrights must think about the live audience and the physical space of the theater when crafting their works.

Each of these styles offers unique opportunities for creativity and expression. Whether you’re drawn to the concise power of poetry, the detailed storytelling of novels, or the visual language of screenplays and plays, there’s a form of creative writing that will suit your artistic voice. The key is to explore, experiment, and find the style that resonates with you.

For those looking to spark their creativity, our article on creative writing prompts offers a wealth of ideas to get you started.

Importance of Creative Writing

Understanding what is creative writing involves recognizing its value and significance. Engaging in creative writing can provide numerous benefits – let’s take a closer look.

Developing Creativity and Imagination

Creative writing serves as a fertile ground for nurturing creativity and imagination. It encourages you to think outside the box, explore different perspectives, and create unique and original content. This leads to improved problem-solving skills and a broader worldview , both of which can be beneficial in various aspects of life.

Through creative writing, one can build entire worlds, create characters, and weave complex narratives, all of which are products of a creative mind and vivid imagination. This can be especially beneficial for those seeking creative writing jobs and what you can do with a creative writing degree .

Enhancing Communication Skills

Creative writing can also play a crucial role in honing communication skills. It demands clarity, precision, and a strong command of language. This helps to improve your vocabulary, grammar, and syntax, making it easier to express thoughts and ideas effectively .

Moreover, creative writing encourages empathy as you often need to portray a variety of characters from different backgrounds and perspectives. This leads to a better understanding of people and improved interpersonal communication skills.

Exploring Emotions and Ideas

One of the most profound aspects of creative writing is its ability to provide a safe space for exploring emotions and ideas. It serves as an outlet for thoughts and feelings , allowing you to express yourself in ways that might not be possible in everyday conversation.

Writing can be therapeutic, helping you process complex emotions, navigate difficult life events, and gain insight into your own experiences and perceptions. It can also be a means of self-discovery , helping you to understand yourself and the world around you better.

So, whether you’re a seasoned writer or just starting out, the benefits of creative writing are vast and varied. For those interested in developing their creative writing skills, check out our articles on creative writing prompts and how to teach creative writing . If you’re considering a career in this field, you might find our article on is a degree in creative writing worth it helpful.

4 Steps to Start Creative Writing

Creative writing can seem daunting to beginners, but with the right approach, anyone can start their journey into this creative field. Here are some steps to help you start creative writing .

1. Finding Inspiration

The first step in creative writing is finding inspiration . Inspiration can come from anywhere and anything. Observe the world around you, listen to conversations, explore different cultures, and delve into various topics of interest.

Reading widely can also be a significant source of inspiration. Read different types of books, articles, and blogs. Discover what resonates with you and sparks your imagination.

For structured creative prompts, visit our list of creative writing prompts to get your creative juices flowing.

Editor’s Note : When something excites or interests you, stop and take note – it could be the inspiration for your next creative writing piece.

2. Planning Your Piece

Once you have an idea, the next step is to plan your piece . Start by outlining:

• the main points

Remember, this can serve as a roadmap to guide your writing process. A plan doesn’t have to be rigid. It’s a flexible guideline that can be adjusted as you delve deeper into your writing. The primary purpose is to provide direction and prevent writer’s block.

3. Writing Your First Draft

After planning your piece, you can start writing your first draft . This is where you give life to your ideas and breathe life into your characters.

Don’t worry about making it perfect in the first go. The first draft is about getting your ideas down on paper . You can always refine and polish your work later. And if you don’t have a great place to write that first draft, consider a journal for writing .

4. Editing and Revising Your Work

The final step in the creative writing process is editing and revising your work . This is where you fine-tune your piece, correct grammatical errors, and improve sentence structure and flow.

Editing is also an opportunity to enhance your storytelling . You can add more descriptive details, develop your characters further, and make sure your plot is engaging and coherent.

Remember, writing is a craft that improves with practice . Don’t be discouraged if your first few pieces don’t meet your expectations. Keep writing, keep learning, and most importantly, enjoy the creative process.

For more insights on creative writing, check out our articles on how to teach creative writing or creative writing activities for kids.

Tips to Improve Creative Writing Skills

Understanding what is creative writing is the first step. But how can one improve their creative writing skills? Here are some tips that can help.

Read Widely

Reading is a vital part of becoming a better writer. By immersing oneself in a variety of genres, styles, and authors, one can gain a richer understanding of language and storytelling techniques . Different authors have unique voices and methods of telling stories, which can serve as inspiration for your own work. So, read widely and frequently!

Practice Regularly

Like any skill, creative writing improves with practice. Consistently writing — whether it be daily, weekly, or monthly — helps develop your writing style and voice . Using creative writing prompts can be a fun way to stimulate your imagination and get the words flowing.

Attend Writing Workshops and Courses

Formal education such as workshops and courses can offer structured learning and expert guidance. These can provide invaluable insights into the world of creative writing, from understanding plot development to character creation. If you’re wondering is a degree in creative writing worth it, these classes can also give you a taste of what studying creative writing at a higher level might look like .

Joining Writing Groups and Communities

Being part of a writing community can provide motivation, constructive feedback, and a sense of camaraderie. These groups often hold regular meetings where members share their work and give each other feedback. Plus, it’s a great way to connect with others who share your passion for writing.

Seeking Feedback on Your Work

Feedback is a crucial part of improving as a writer. It offers a fresh perspective on your work, highlighting areas of strength and opportunities for improvement. Whether it’s from a writing group, a mentor, or even friends and family, constructive criticism can help refine your writing .

Start Creative Writing Today!

Remember, becoming a proficient writer takes time and patience. So, don’t be discouraged by initial challenges. Keep writing, keep learning, and most importantly, keep enjoying the process. Who knows, your passion for creative writing might even lead to creative writing jobs and what you can do with a creative writing degree .

Happy writing!

Brooks Manley

Creative Primer  is a resource on all things journaling, creativity, and productivity. We’ll help you produce better ideas, get more done, and live a more effective life.

My name is Brooks. I do a ton of journaling, like to think I’m a creative (jury’s out), and spend a lot of time thinking about productivity. I hope these resources and product recommendations serve you well. Reach out if you ever want to chat or let me know about a journal I need to check out!

Here’s my favorite journal for 2024: 

Gratitude Journal Prompts Mindfulness Journal Prompts Journal Prompts for Anxiety Reflective Journal Prompts Healing Journal Prompts Cognitive Behavioral Therapy Journal Prompts Mental Health Journal Prompts ASMR Journal Prompts Manifestation Journal Prompts Self-Care Journal Prompts Morning Journal Prompts Evening Journal Prompts Self-Improvement Journal Prompts Creative Writing Journal Prompts Dream Journal Prompts Relationship Journal Prompts "What If" Journal Prompts New Year Journal Prompts Shadow Work Journal Prompts Journal Prompts for Overcoming Fear Journal Prompts for Dealing with Loss Journal Prompts for Discerning and Decision Making Travel Journal Prompts Fun Journal Prompts

Inspiring Ink: Expert Tips on How to Teach Creative Writing

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The 7 Best Journals and Notebooks for Writing in 2024

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The English Literary Techniques Toolkit for The HSC

Guide Chapters

• 1. Literary Techniques Toolkit
• 2. Visual Techniques Toolkit
• 3. Film Techniques Toolkit
• 4. English Grammar Toolkit

All about the English Literary Techniques Toolkit

This Literary Techniques Toolkit is your essential resource for analysing written texts for English.

Students of all year levels should explore this page for techniques to enhance their discussion of texts and strengthen their repertoire of written techniques.

We are constantly adding to this reference to ensure that it is as detailed and comprehensive as possible to help you achieve your best in English.

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What are English literary techniques?

Literary Techniques  (NESA also refers to literary techniques and devices as  figurative language ) are the techniques that composers use in their written texts to help convey or heighten meaning.

Rather than writing in plain language, composers give more emphasis to their ideas by utilising literary devices to make them stand out.

If you are after more practical advice about how to succeed in Year 11 and 12 English, you should read our Beginner’s Guide to Acing HSC English .

English Literary Techniques for the HSC

While the list below is a comprehensive list of literary techniques, Year 11 and 12 Matrix English Students have an extensive 30+ page Glossary of Techniques with detailed definitions and examples included at the end of each Matrix Theory Book.

Below is a list of the most common literary devices used in texts (the techniques underlined are clickable links that take you to expanded definitions and step-by-step tutorials on analysis):

Go to technique: A    B   C   D   E   F   G   H   I   J   K  L   M   N   O   P   Q  R   S   T   U  V  W   X  Y  Z

Learn how to write about techniques the right way, before the hsc.

Start HSC English confidently

Expert teachers, detailed feedback, one-to-one help! Learn from home with Matrix+ Online English courses.

If you want to take your analysis further and expand your awareness of literary techniques, read the blog post:  Understanding Literary Techniques: How to Analyse Poetry and Prose  to learn how to analyse literary techniques in poetry and prose with reference to all the major techniques.

When you write an essay identifying the techniques used by a composer, you need to explain how that technique is creating meaning in the text. It is not enough to just cite a literary term. You need to discuss the device or technique in detail. This process is called literary analysis and it is an important skill that Matrix English students are taught in the Matrix English courses.

Great marks in essays and writing tasks are earned through the detailed analysis of your texts and not merely listing examples and techniques. You can learn more about how to analyse texts in our Beginner’s Guide to Acing HSC English .

The Visual Techniques Toolkit

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More essential guides

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Beginner's Guide to the HSC High School Rankings

Department of English

2024-2025 gertrude and harold vanderbilt reading series.

Posted by vineslt on Friday, September 6, 2024 in spotlight .

  2024-2025 Gertrude and Harold Vanderbilt Reading Series

The Vanderbilt Department of English and Creative Writing Program is pleased to announce the Gertrude and Harold Vanderbilt Reading Series 2024-2025. Click here for the official press release with more details about this year’s series.

All readings begin at 7:00 pm on Thursdays.

♦ September 12: Paisley Rekdal, Poetry, Buttrick Hall 102

Paisley Rekdal is the author of essays and poetry including Animal Eye, Imaginary Vessels, Nightingale, and West: A Translation, longlisted for the 2023 National Book Award in Poetry and winner of the 2024 Kingsley Tufts Prize. Her newest works of nonfiction include a book-length essay, The Broken Country: On Trauma, a Crime, and the Continuing Legacy of Vietnam and Appropriate: A Provocation . She guest edited Best American Poetry 2020 . Her poems and essays have appeared in The New Yorker, The New York Times Magazine, American Poetry Review, The Kenyon Review, Poetry, The New Republic, Tin House , the Best American Poetry series, and on National Public Radio. Her work has received a Guggenheim Fellowship, the Amy Lowell Poetry Traveling Fellowship, a Fulbright Fellowship, a Civitella Ranieri Residency, a National Endowment for the Arts Fellowship, Pushcart Prizes (2009, 2013), Narrative ‘s Poetry Prize, and the AWP Creative Nonfiction Prize. She is a Distinguished Professor at the University of Utah. Between 2017-2022, she served as Utah’s Poet Laureate, receiving a 2019 Academy of American Poets Laureate Fellowship. She currently serves as poetry editor for High Country News .

♦ September 26: Ilya Kaminsky, Poetry, Buttrick Hall 101

Ilya Kaminsky is the author of Deaf Republic , The New York Times’ Notable Book, and Dancing In Odessa , and co-editor and co-translated many other books, including Ecco Anthology of International Poetry, In the Hour of War: Poems from Ukraine , and Dark Elderberry Branch: Poems of Marina Tsvetaeva . He is the recipient of The Los Angeles Times Book Award, The Anisfield-Wolf Book Award, The National Jewish Book Award, the Guggenheim Fellowship, The Whiting Award, the American Academy of Arts and Letters’ Metcalf Award, Lannan Fellowship, Academy of American Poets’ Fellowship, NEA Fellowship, and Poetry magazine’s Levinson Prize. His poems have been translated into over twenty languages, and his books are published in many countries. In 2019,  Kaminsky was selected by BBC as “one of the 12 artists that changed the world.” He currently teaches in Princeton and lives in New Jersey.

♦ September 26: Katie Farris, Poetry, Buttrick Hall 101

Katie Farris is the author of Standing in the Forest of Being Alive and boysgirls . She is also the author of the chapbook, A Net to Catch My Body in its Weaving . Her work has been published in American Poetry Review, Granta, McSweeneys, The Nation, The Atlantic Monthly, Paris Review , and Poetry . Farris also is the award-winning translator of several books of poetry from French, Ukrainian, Chinese, and Russian, including Gossip and Metaphysics: Russian Modernist Poems and Prose . Her awards include The Pushcart Prize, Orison Prize, and Anne Halley Prize from Massachusetts Review. In addition to her poetry and translations, Farris also writes prose about cancer, the body, and its relationship to writing, such as in her recent, widely circulated essay in Oprah Daily. She holds degrees from UC Berkeley and Brown University, and currently lives and teaches in New Jersey.

♦ October 17: Edward P. Jones, Fiction, Alumni Hall 206 Reading Room

Edward P. Jones is the author of the short-story collections Lost in the City and All Aunt Hagar’s Children , and the novel The Known World , which received the Pulitzer Prize in 2004. His many other honors include a MacArthur Fellowship and the PEN/Malamud Award. He is also the recipient of the National Book Critics Circle award, the International IMPACDublin Literary Award, the Lannan Literary Award, and a MacArthur Fellowship.

♦ October 31: V.V. Ganeshananthan, Fiction

V. V. Ganeshananthan is the author of the novels Brotherless Night , a New York Times Editors’ Choice, and an NPR Book of the Year, and Love Marriage . Her work has appeared in Granta, The New York Times , and T he Best American Nonrequired Reading , among other publications. She is the recipient of awards and fellowships from The National Endowment for the Arts, the Radcliffe Institute for Advanced Study at Harvard, Yaddo, MacDowell, and the American Academy in Berlin. She has served as visiting faculty at the Helen Zell Writers’ Program at the University of Michigan and at the Iowa Writers’ Workshop, and now teaches in the MFA program at the University of Minnesota, where she is a McKnight Presidential Fellow and associate professor of English. She co-hosts the Fiction/Non/Fiction podcast on Literary Hub, which is about the intersection of literature and the news.

♦ November 14: Brandon Hobson, Fiction, Alumni Hall 202 Memorial Hall

Dr. Brandon Hobson is the author of the novels, The Removed, Where the Dead Sit Talking , finalist for the National Book Award, and other books. His fiction has won a Pushcart Prize and has appeared in the Best American Short Stories, McSweeney’s, American Short Fiction, Conjunctions, NOON , and in many other publications. He has received fellowships from Guggenheim Foundation, the UCROSS Foundation and Ragdale. He teaches creative writing at New Mexico State University and at the Institute of American Indian Arts. He is an enrolled citizen of the Cherokee Nation Tribe of Oklahoma.

♦ December 5: Gregory Pardlo, Poetry, Buttrick Hall 101

Gregory Pardlo is the author of the poetry collections Spectral Evidence and Digest, winner of the Pulitzer Prize for Poetry. His other books include Totem, winner of the American Poetry Review/ Honickman Prize, and Air Traffic, a memoir in essays. His honors include fellowships from the New York Public Library’s Cullman Center, the New York Foundation for the Arts, the National Endowment for the Arts, and the Guggenheim Foundation. He is a faculty member of the MFA program in Creative Writing at Rutgers-University-Camden and Co-Director of the Institute for the Study of Global Racial Justice at Rutgers University-Camden. He is currently a visiting professor of creative writing at NYU Abu Dhabi.

Spring 2025

♦ January 16: Aimee Nezhukumatathil, Poetry

Aimee Nezhukumatathil is the author of the poetry collections Oceanic, Lucky Fish, At the Drive-in Volcano, Miracle Fruit , and the essay collections Bite by Bite: Nourishments and Jamborees and World of Wonder.  With poet Ross Gay, she is also co-author Lace & Pyrite . Her poems and essays have appeared in Ploughshares, Poetry, Tin House, Prairie Schooner, Brevity, American Poetry Review, New England Review , and the Best American Poetry anthology. Her honors include the Pushcart Prize, the National Endowment for the Arts, and the Mississippi Institute for Arts and Letters Award in poetry. She teaches at University of Mississippi and serves as poetry editor for Orion Magazine .

♦ January 30: Ottessa Moshfegh, Fiction

Ottessa Moshfegh is the author of four novels My Year of Rest and Relaxation , Death in Her Hands, Lapvona and Eileen , shortlisted for the National Book Critics Circle Award and the Man Booker Prize, and winner of the PEN/Hemingway Award for debut fiction. She is also the author of the short story collection Homesick for Another World and a novella McGlue . She lives in Southern California. Originally from Boston, Ottessa Moshfegh now lives in Los Angeles. She has received the Pushcart Prize, the O. Henry Award, and a Plimpton Prize from The Paris Review for her short fiction as well as a creative writing fellowship from the National Endowment for the Arts. A prolific essayist, Moshfegh’s work has appeared in outlets including Vice, The New Yorker, Granta , and various online journals.

♦ February 13: Adam Haslett, Fiction

Adam Haslett is the author of the novels Mothers and Sons, Imagine Me Gone, finalist for the Pulitzer Prize and the National Book Critics Circle Award, and winner of the Los Angeles Times Book Award; You Are Not a Stranger Here, finalist for the Pulitzer Prize and the National Book Award; and Union Atlantic, winner of the Lambda Literary Award and shortlisted for the Commonwealth Prize. His books have been translated into thirty languages, and his journalism on culture and politics have appeared in The Financial Times, Esquire, New York Magazine, The New Yorker, The Guardian, Der Spiegel, The Nation , and The Atlantic , among others. He has been awarded the Berlin Prize by the American Academy in Berlin, a Guggenheim fellowship, the PEN/Malamud Award, the PEN/Winship Award, and the Strauss Living Award from the American Academy of Arts and Letters.

♦ March 20: Adam Ross, Fiction

Adam Ross is the author of the short story collection Ladies and Gentlemen , and the novels Playworld and Mr. Peanut , which was selected as one of the best books of the year by The New York Times, The New Yorker , and The Economist . He has been a fellow in fiction at the American Academy in Berlin and a Hodder Fellow for Fiction at Princeton University. Adam serves as editor of The Sewanee Review . Born and raised in New York City, he lives in Nashville, Tennessee, with his two daughters.

♦ April 3: Alina Grabowski, Fiction

Alina Grabowski grew up in coastal Massachusetts and holds degrees from the University of Pennsylvania and Vanderbilt University. Her debut novel, Women and Children First , was published by SJP Lit in 2024. She lives in Austin, Texas.

♦ April 3: Kelsey Norris, Fiction

Kelsey Norris is a writer and editor from Alabama. She earned an MFA from Vanderbilt University and has worked as a teacher in Namibia, a school librarian, and a bookseller. Her work has been published in The Kenyon Review, Black Warrior Review, and The Rumpus , among others. She is currently based in Washington, DC. Her debut story collection, House Gone Quiet , is a finalist for the Carnegie Medal for Excellence in Fiction, and is available wherever books are sold.

♦ April 3: Tiana Clark, Poetry

Tiana Clark is the author of the poetry collections Scorched Earth, I Can’t Talk About the Trees Without the Blood , winner of the Agnes Lynch Starrett Prize, and the chapbook Equilibrium . Clark is the recipient of a Kate Tufts Discovery Award, National Endowment for the Arts Literature Fellowship, Rattle Poetry Prize, Amy Lowell Poetry Traveling Scholarship, Pushcart Prize, and the Jay C. and Ruth Halls Poetry Fellow at the Wisconsin Institute of Creative Writing. She is the recipient of scholarships and fellowships to the Bread Loaf Writers’ Conference, Sewanee Writers’ Conference, and Kenyon Review Writers Workshop. Clark is a graduate of Vanderbilt University (M.F.A) and Tennessee State University (B.A.). Her writing has appeared in or is forthcoming from The New Yorker, Poetry Magazine, The Atlantic, The Washington Post, Virginia Quarterly Review, Tin House Online, Kenyon Review, BuzzFeed News, American Poetry Review, Oxford American, The Best American Poetry , and elsewhere. She teaches at the Sewanee School of Letters and is the Grace Hazard Conkling Writer-in-Residence at Smith College.

♦ April 7: Stephanie Niu, Literary Prize Winner, Poetry

Stephanie Niu is the author of I Would Define the Sun , inaugural winner of the inaugural Vanderbilt University Literary Prize. She also is the author of the chapbooks Survived By: An Atlas of Disappearance , winner the 2023 Host Publications Chapbook Prize and She Has Dreamt Again of Water , winner of the 2021 Diode Editions Chapbook Contest. Her work has appeared in The Georgia Review, The Missouri Review, Literary Hub, Copper Nickel, Ecotone Magazine and other publications. She holds a bachelor’s degree in symbolic systems and a master’s degree in computer science from Stanford University. She received a Fulbright scholarship for research on Christmas Island’s labor history, through which she led youth poetry workshops and published the zine Our Island, Our Future . She lives in New York City.

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